Yep, march is full of headaches. 
dv
 
 

> -----Oorspronkelijk bericht-----
> Van: WRYTING-L : Writing and Theory across Disciplines 
> [mailto:[EMAIL PROTECTED] Namens Bjørn Magnhildøen
> Verzonden: woensdag 22 maart 2006 20:15
> Aan: [email protected]
> Onderwerp: more inter views
> 
> -are you really serious?
> -i am
> -well now we know for sure.
> 
> -are you really funny?
> -are you lying to me?
> -are you sleeping?
> -am i sleeping?
> -am i lying?
> -am i funny?
> -am i serious?
> 
> the i cuts off like a razor, rust grows on no sworg, hold 
> your breath while i swedenborg
> 
> "Twenthieth Century"
> 
> hermeneutics fluctuates between a monkey and a donkey
> 
> it is all cowardize said the man, he skipped the book
> 
> i'm serious because i'm expressing it, then it's part of the 
> world, like foot prints in water, all my work is Del button 
> and microseconds from - you can say that it exists and 
> doesn't - the difference is very small - like a voltage +/-
> 
> the sea gives meaning as a whole only - digital objects is a 
> terror vacui - the awaiting - time is somehow stored as 
> space, perverse
> 
> big words like capitalism and oriental, technology, Western 
> and even economy, magic words, you say them and there they 
> are in gray eminence Internet
> 
> My Name
> 
> the most advanced, or next most advanced, we don't know exactly
> 
> invaded every life, life has invaded every life, the wind 
> consist of wind in small portions, food contain food
> 
> the highter the voice the lower the attention of course, 
> reaching the lower is the point of course, and rising lowers 
> it of course. for each of course the uncertainty to what course
> 
> i agree that we agree that we agree and two-bit thankyou
> 
> Physical and After - a review
> 
> After World War II we abolished with uppercase, minimalists 
> ruled the scene with the pyrotechnicians. I wish I could fly 
> surplus effect I don't know. Bataillean war.
> 
> New realists were different from old realists.
> 
> Garbage somehow floated into galleries as if by a fatal 
> something, empty rooms in horror movies, death as 
> slow-motion, things in general.
> 
> something and its other might be seen as two sides of the 
> same coin. a coin and another coin can be seen as two sides 
> of abstraction - duplication of the same - words and terms, 
> type and token.
> 
> finally the end of the modernism reached its height in the another the
> 
> consumerism and overproduction is by nature is evil nature 
> evil evil shit shit shit shit shit shit shit shit shit, 
> writing it by hand somehow simulates bowel movements, the 
> pressurefff0x outpit Minneapolis ploits
> 
> my favourites are high and low arts, well everything is low 
> since everything is material so forget low
> 
> present ever since equals the fish queue - First In Still 
> Here - which in practice means it's a buggy program
> 
> real life events, oh i love it
> 
> The Aura, the Cursor, somewhere there's a blinking cursor
> 
> I was born in Hollywood
> 
> i want this sentence to have a fixed meaning.
> to do that i might have to wrap it up and put it in a closet, 
> or we'll engrave it in stone. water stays fixed though it's 
> fluid - i don't know about this word wrap any longer - gases, 
> pressure and temperature - the meaning never change.
> 
> to express something at all is to express everything, given 
> that everything is connected. and everything is connected of 
> the things that we know of, because if it's not connected you 
> wouldn't know about it, so then it's always everything, even 
> nothing expresses everything. what if you want to express 
> even unconnected things? is 1 connected to 2? the idea of the 
> continuum versus the discrete, a keyboard continuum, seconds
> 
> i'm reading but very slow since i'm writing more than reading 
> and mostly my writing words
> 
> from now, we don't know if we're inside a loop or what, 
> gravitation can be simulated as anything else, vegetation on whales
> 
> You know so much as an embrodery while i don't even know how 
> to spell it, it's embroidery, needlework, the mind is like a 
> sword, amazone
> 
> Bongo
> 
> Brandon Taylor has focused.
> We are also aware (the democratization of Z)
> 
> must remember!! names have uppercase initials (beginnings) 
> you will see it straight away names come out of the text like 
> figures of speech Even More
> 
> snot is like _____________
> 
> conceptual art is nothing else than nothing else
> 
> Assemblage, Junk Sculpture, Nouveau Réalisme, Pop and Conceptual art
> 
> abrief
> retracing of the formal devices democratization of art as we 
> are going to see Toward Net Art (Some Assembly Required) The 
> Machine as Seen at the End of the Mechanical Age, and 
> Cybernetic Serendipity: The Computers and the ...
> Arts
> what's wrong with this editor?! We'll see next time with 
> cutup/pastiche postmodern low and high the pill; the joint; 
> the civil rights off the wall low cost high immediacy time 
> and motion NY M/Baile School
> 
> poltical abstractionist works from outer space See some ref
> 
> non-works faults defaults
> 
> this analysis while continue later given a reader
> 
> your eyes follow the line, what if it rather like 
> psychogeography followed another formal route -than straight 
> forward- well it won't sell either for pooh or practice since 
> books needs writers more than readers in the expanding library
> 
> the expanding library - a paragraph - did you see anybody? 
> no, not even the dead woman beneath the bookshelves
> 
> the expanding library - simulating oh i'm on battery, shit 
> this wire needs a third repair or so fourth it's hot - most 
> energy goes into chaos at this point, not doing much work, 
> work meaning recursively i'm loosing english words meaning to 
> be refined still, which goes to say if something is already 
> perfect or finished it's entropy is maximum, its diffusion 
> into semiosis: all that is left is meaning.
> 
> the expanding library - to be writing constantly - culture 
> soaks water canals - the pyramid - how the corner is 
> represented in the arts: as the difference between the square 
> and the circle - alchemical, jungian - from the physical 
> world (square) to the spiritual (circle) - the corners are 
> the remainings or squaring of the circle, their 
> transcendental horizone - hour zones which by their concrete 
> transcend into back-in- time effect which is effect-cause - 
> the domains - the corner is guarded by the goblins - beware 
> greasy corner where lurks skid demon - you would say the 
> world is one big effect while the circle is one big cause one 
> big thing spinning around causing - in art you can find the 
> relation between the square and the circle - for squares pi 
> equals to 4 - and squaring of the circle is 3,14 - demons 
> have a long tail - the tail sort of gives them away - the 
> past or the future - corresponds to circle square where the 
> corners of danger are inhabitated by chance
> 
> the expanding library - dusty corners, the circle in the 
> middle (reading or writing) and the book square (is a book 
> reading or writing?) - the corners are where meaning somehow 
> definite bunnies wherever grinded with the donkey dragging 
> the carriage - in a room - book - writing circle - reading 
> quare - these corners are remnants from writing and reading - 
> their horiZone - which is their meaning finally - which is a 
> dust bunny, a household item.
> 
> in the eyes follow there will be more reading like writing, 
> to be reading a book have meant to follow a single line from 
> start to end, hyperreading - daerrepy - the machine will read 
> one instruction at a
> time - wow the battery is still hot - what the fuck?  ! - now, - later
> this wire will electrocute me - cute - now, where were we 
> hhhh - not long ago academics had big trouble sorting 
> someting alphabetically - my teacher told me - he died some 
> years ago - he also told the story how many weeks he used 
> debugging a simple program, maybe 1 and l something like that 
> - if you get too informal it will look like music - it's 
> probably true but we shouldn't be concerned about context 
> because finally it's position and you don't want to relate to 
> that, so why context? like i don't want to be read 
> psychoanalytically, well why not, these views are lost like 
> perspective and cartesian points of refs - wherever you are 
> you probably are somewhere - actually this collapses also - 
> we have to take quantum shit into account - why you say - 
> well if truth means something - how thing works - what is 
> that - real - - - - xylophoams - this trumpets are misplaced 
> - the fugeal words leaves spaces for extrahelp clarification 
> which is actually obfuscation - empty space is immediately 
> filled - the price is right or left out
> 
> the expanding reader needs his feebleness, if nothing else, 
> simulated, a loose thread is written
> 
> the sacrifice, burning, loss - spring death rite - one would 
> think winter but it works more catastrophic - biggest fall is spring
> 
> touchstone
> 
> soap
> 
> netart final; totally conclusive: After all that work, what 
> was the net result?
> 
> netartist
> remaining after deductions, as for charges or expenses (opposed to
> gross): net earnings.
> 2.    sold at a stated price with all parts and charges 
> included and with
> all deductions having been made.
> 3.    final; totally conclusive: After all that work, what was the net
> result?
> 4.    (of weight) after deduction of tare, tret, or both.
> —n.
> 5.    net income, profit, or the like.
> —v.t.
> 6.    to gain or produce as clear profit.
> 
> The principal object of net art is Internet which isn't an 
> object and defy the principal
> 
> An art from form totalitar contains within the planet mass medium
> 

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