And then there was Lost & Found Times, started in 1975 - which included vispo 
and lots of other stuff.

john

Dr. John M. Bennett
Curator, Avant Writing Collection
Rare Books & Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA

(614) 292-3029
[EMAIL PROTECTED]
www.johnmbennett.net

----- Original Message -----
From: Clemente Padín <[EMAIL PROTECTED]>
Date: Wednesday, March 22, 2006 6:36 am
Subject: Re: a new essay on Visual Poetry, by Karl Kempton

> You should know the OVUM 10 on experimental poetry magazine 
> published by me in Montevideo, Uruguay, towards the end of the 
> decade of the 60s.
> 
> Fraternally,
>  ----- Original Message ----- 
>  From: mIEKAL aND 
>  To: [email protected] 
>  Sent: Tuesday, March 21, 2006 1:55 PM
>  Subject: Re: a new essay on Visual Poetry, by Karl Kempton
> 
> 
>  Julian Blaine's Doc(k)s started in 1976 as well & is still going tho
>  not as strong as the 80s...
> 
>  On Mar 21, 2006, at 10:43 AM, Lawrence Upton wrote:
> 
>  > Ive only got as far as the intro here. He also says
>  >
>  >> Karl Kempton published Kaldron magazine on paper between the 
> years  >> 1976 and
>  > 1990. This was the world's first regularly published magazine that
>  > strove to
>  > include all modes of visual poetry.
>  >
>  > Now the operative word here is *regularly because I immediately
>  > think of
>  > Stereo Headphones and Kroklok - and grOnk was fairly wide in 
> its range
>  >
>  > L
>  >
>  > ----- Original Message -----
>  > From: "Dan Waber" <[EMAIL PROTECTED]>
>  > To: <[email protected]>
>  > Sent: Tuesday, March 21, 2006 12:50 PM
>  > Subject: a new essay on Visual Poetry, by Karl Kempton
>  >
>  >
>  >> The minimalist concrete poetry site at:
>  >>
>  >> http://www.logolalia.com/minimalistconcretepoetry/
>  >>
>  >> has been updated with a new essay by Karl Kempton, "VISUAL 
> POETRY: A
>  >> Brief History of Ancestral Roots and Modern Traditions".
>  >>
>  >> From the Introduction, by Karl Young:
>  >>
>  >> "In surfing the web today, you have probably passed through at
>  >> least a
>  >> dozen examples of word and image working together. Stated another
>  >> way,
>  >> you have been observing the results of prophecies and 
> examples from
>  >> the earliest petroglyphs to the visual poets who distributed 
> their  >> work through the mail art network when other avenues of 
> publication  >> were closed to them. Given changes in 
> communications technology, it
>  >> seems unlikely that visual poets will ever again be shoved 
> back into
>  >> the position of the Haitian boat people of American poetry. 
> At the
>  >> present moment, the interaction of graphics and text is so 
> pervasive  >> in society that you can find it in everything from 
> warehouse tracking
>  >> systems to the most sophisticated medical diagnostic techniques.
>  >> Given
>  >> the now ubiquitous interrelation of word and image, it would be
>  >> absurd
>  >> to imagine that a new generation of poets could be kept from
>  >> exploring
>  >> this interface of media. And it would be tragic if their 
> predecessors  >> would continue to be excluded from serious 
> consideration."  >>
>  >> Enjoy,
>  >> Dan
>  >>
>  >
> 
> 
>  -- 
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