Mike,

I'm a tool user, as well as a tool-maker.

I also fix and revive old discarded tools, giving them new lives.

I like the Wabi-Sabi aspect of old, beloved, useful things, that people do not 
want to part with, even down the generations, even including clothing. Not 
antiquities, but things that still serve in use in our lives.

See (e.g.; et seq.):

http://groups.yahoo.com/group/Zen_Forum/photos/album/1898264123/pic/1418484087/v\
iew?picmode=&mode=tn&order=ordinal&start=141&count=20&dir=asc

But I make knives, hammers, mallets, hitting-sticks, teacher's sticks, and 
other wood things that need making for temples and Zen centers, and 
practitioners. In my research and development, I also work in traditional metal 
working, in operations on milling machines, lathes, drill presses, and with 
hand tools. No problems, there. I am game for all challenges, and for working 
to any close tolerances.

There is nothing unreal about tools or their use, nor about what is made with 
them. Did you think so?

Eno is right of course about the folks who develop and use ray-tracing software 
to create optically-correct looking images: the movie industries of the world 
make big use of this stuff, to satisfy movie-goers addicted to video game type 
displays, I think.

I respect the development of those tools, and the other tools that they lead 
to, but I don't always respect the uses that certain tools are put to.

But if that kind of entertainment is frivolous, then so is music made on 
electronic frequency-synthesizers: take those tools away from Eno, and he would 
have had to learn to play real instruments, instead.

Usually, I can do without some of the uses, but I do not say they are all 
unreal.

But of course, when it comes to simulations, a simulation is a simulation.

But I think most aircraft pilots learn first on simulators these days, and not 
on "the real thing". It's cheaper and safer, I suppose, and very varied 
situations can be thrown at a student to develop "chops" pretty safely (like 
recovering from stall situations, when the plane is circling down, down, 
down...). Most pilots learn "new" aircraft this way (in simulators; say, when 
Boeing or Airbus comes out with a new model of aircraft). Then of course will 
follow
"Pilot P & P" on the real thing.

By the way, "Eno" is another name for Hui Neng, the Sixth Patriarch (Ancestor) 
of Ch'an. Small world, our big world. Pilots keep making it smaller. Who 
practice in simulators... . ;-)

--Joe

> uerusuboyo@... wrote:
>
> Merle,

I love Eno, so I had to read the article! I found this quote of his quite 
interesting as it reminds me of those here who would paint legs on a snake 
regarding Reality. "How determined people seem to be to aim for exactly the 
same target again and again. A charitable interpretation: by doing so they 
evolve better tools for everyone else, creating vocabulary out of metaphor. 
Like those pathetic computer artists who are so thrilled when they've finally 
produced a picture of a daffodil with a drop of dew upon it is 
indistinguishable from a real photo. To me this would represent a total 
failure, but it's probably those people who propel the evolution of tools". And 
we know what Zen says about 'tools' and the Real Thing...




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