Nice one!

On 11/30/05, jane bhandari <[EMAIL PROTECTED]> wrote:
>
> Try this one by U.A. Fanthorpe....
>
> THE ABSENT-MINDED LOVER'S APOLOGY
>
> I would like you think I love you warmly
> Like brown cat yawning among sheets in the linen cupboard.
>
> I would like you to think I love you resourcefully
> Like rooftop starlings posting chuckles down the flue.
>
> I would like you to think I love you extravagantly
> Like black cat embracing the floor when you pick up the can-opener.
>
> I would like you to think I love you accurately
> Like Baskerville kern that fits its place to a T.
>
> I would like you to think I love you with hurrahs and halleujahs
> Like dog whippetting at you down the intricate hillside.
>
> I would like you to think I love you wittily
> like pottery Cox that lurks in the fruit-bowl under the Granyy Smiths.
>
> I would like you to think I love you pacifically and for ever
> Like collared doves on the whitebeam's domestic branch.
>
> I would like you to think I love you chronologically
> like second hand solemnly navigating the clock.
>
> And O I want to love you, not in the absent tense, but in the here and the
> now
> Like a present-minded lover.
>
> (from Hand in Hand, an anthology of love poems compiled by carol Ann Duffy)
>
> Vivek Narayanan <[EMAIL PROTECTED]> wrote:
> How is it possible not to love this poem? (I say this not just
> because I have someone in mind.)
>
> Frank O'Hara, "Having a Coke with You"
>
> is even more fun than going top San Sebastian, Irun, Hendaye,
> Biarritz, Bayonne
> or being sick to my stomach on the Travesera de Gracia in
> Barcelona
> partly because in your orange shirt you look like a better
> happier St. Sebastian
> partly because of my love for you, partly because of your love
> for yoghurt
> partly because of the fluorescent orange tulips around the
> birches
> partly because of the secrecy our smiles take on before people
> and statuary
> it is hard to believe when I'm with you that there can be
> anything as still
> as solemn as unpleasantly definitive as statuary when right in
> front of it
> in the warm New York 4 o'clock light we are drifting back and
> forth
> between each other like a tree breathing through its spectacles
> and the portrait show seems to have no faces in it at all, just
> paint
> you suddenly wonder why in the world anyone ever did them
> I look
> at you and I would rather look at you than all the portraits in
> the world
> except possibly for the Polish Rider occasionally and anyway it's
> in the Frick
> which thank heavens you haven't gone to yet so we can go
> together the first time
> and the fact that you move so beautifully more or less takes
> care of Futurism
> just as at home I never think of the Nude Descending a Staircase or
> at a rehearsal a single drawing of Leonardo or Michaelangelo
> that used to wow me
> and what good does all the research of the impressionists do
> them
> when they never got the right person to stand near the tree
> when the sun sank
> or for that matter Marino Marini when he didn't pick the rider
> as carefully
> as the horse
> it seems they were all cheated of some
> marvelous experience
> which is not going to go wasted on me which is why I'm
> telling you about it.
>
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