Regarding lining up barlines... I had thought that spaces in position 0 on a line were illegal.
IE, the # here
fe|d2B2 A2F2|A4 A2AB|d4 e2de|f2e2 egfe| ###d2B2 A2F2|A4 A2AB|d4 e2de|f2d2 d2 :|
Either way, I'm going to use your examples to go back and reformat many tunes. Thanks.
//Christian
Jack Campin wrote:
There's a few things that prove to be making reading ABC on the fly a real difficult task.
I wonder what other people feel about my stumbling stones.
1. inline chords. Flotsom floating down midstream making navigation
difficult.
Yes, better to put them in a separate voice if possible.
2. spacing on either side of barlines... this actually is a very
helpful deliniation for me... the problem arises with the numbered
repeats |1 and :|2... all the programs I've tried only recognize
these 'tokens' provided they do not have those spaces I like so much
for readability | 1 aBc aBc :| 2 abc abc |
No. Barlines are far less obtrusive if you align your source properly, and taking three characters to express each one can soon run you out of columns in attempting to align a complicated piece. Any readability problem with this?
X:1 T:The Rose Tree M:C| L:1/8 Q:1/2=112 K:D fe|d2B2 A2F2|A4 A2AB|d4 e2de|f2e2 egfe| d2B2 A2F2|A4 A2AB|d4 e2de|f2d2 d2 :| de|f2e2 f2g2|a2ba g2f2|e2b2 b2a2|b2e2 egfe| d2B2 A2F2|A4 A2AB|d4 e2de|f2d2 d2 :|
and if you want repeats, this is more readable than your way, as the [1 notation says clearly what the numeral is for and you only use one way of expressing the repeat boundary rather than two depending on where in the bar the repeat starts:
X:2 T:The Rose Tree M:C| L:1/8 Q:1/2=112 K:D fe|d2B2 A2F2| A4 A2AB|d4 e2de|f2e2 egfe| d2B2 A2F2| A4 A2AB|d4 e2de|f2d2 d2 :| de|f2e2 f2g2| a2ba g2f2|e2b2 b2a2|b2e2 egfe| d2B2 A2F2|[1 A4 A2AB|d4 e2de|f2d2 d2 :| [2 ABAF A2AB|d4 e2de|f2d2 d2 |]
Though usually you'd write this instead, making the repeat unit a more meaningful piece of musical structure:
X:3 T:The Rose Tree M:C| L:1/8 Q:1/2=112 K:D fe|d2B2 A2F2|A4 A2AB|d4 e2de|f2e2 egfe| d2B2 A2F2|A4 A2AB|d4 e2de|f2d2 d2 :| de|f2e2 f2g2|a2ba g2f2|e2b2 b2a2|b2e2 egfe| [1 d2B2 A2F2|A4 A2AB|d4 e2de|f2d2 d2 :| [2 d2B2 A2F2|ABAF A2AB|d4 e2de|f2d2 d2 |]
And it's usually easier to find a reasonable staff notation layout for 20 bars than is for 19, e.g,. for five bars to a line:
X:4 T:The Rose Tree M:C| L:1/8 Q:1/2=112 K:D fe|d2B2 A2F2| A4 A2AB| d4 e2de| f2e2 egfe|\ d2B2 A2F2|!A4 A2AB| d4 e2de| f2d2 d2 :|\ de|f2e2 f2g2| a2ba g2f2|!e2b2 b2a2| b2e2 egfe|\ [1 d2B2 A2F2| A4 A2AB| d4 e2de|!f2d2 d2 :|\ [2 d2B2 A2F2| ABAF A2AB| d4 e2de| f2d2 d2 |]
----------------------------------------------------------------------------- Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760 <http://www.purr.demon.co.uk/jack> * food intolerance data & recipes, Mac logic fonts, Scots traditional music files, and my CD-ROM "Embro, Embro". ------> off-list mail to "j-c" rather than "abc" at this site, please <------
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//Christian
Christian Marcus Cepel | And the wrens have returned & [EMAIL PROTECTED] icq:12384980 | are nesting; In the hollow of 371 Crown Point, Columbia, MO | that oak where his heart once 65203-2202 573.999.2370 | had been; And he lifts up his Computer Support Specialist, Sr. | arms in a blessing; For being University of Missouri - Columbia | born again. --Rich Mullins
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