So you are saying that J.J. Edlinger and J.C. Hoffman
were not inteligent? That is what they spent most of
their time doing besides making violins.
Sterling

--- Roman Turovsky <[EMAIL PROTECTED]> wrote:

> He would never do this, if he were intelligent.
> RT
> 
> > Obviously I would take it to my neighborhood
> expert
> > luthier of course silly:)
> > Sterling
> > --- Roman Turovsky <[EMAIL PROTECTED]> wrote:
> > 
> >> According to luthier-friend this type of sorry
> >> "expediency" is exactly what
> >> was the cause of low survival rate of baroque
> lutes.
> >> This is not as bad as
> >> cello-pins for lutes, but DON'T TRY THIS AT HOME.
> >> Earlier lutes just don't
> >> have enough wood to hold 13 courses.
> >> RT
> >> ______________
> >> Roman M. Turovsky
> >> http://polyhymnion.org/swv
> >> 
> >> 
> >>> From: sterling price <[EMAIL PROTECTED]>
> >>> I have been interested in this for a while. It
> >> seems
> >>> to me to be a valuable insight into historical
> >> lute
> >>> construction, i.e to convert a rennaissance lute
> >> to a
> >>> baroque lute rather than only replicate the
> final
> >>> product. Ed-I think you should now convert the
> 11c
> >> to
> >>> a bassrider 13! If I had an 11c lute I would
> >>> immedeatly convert it to 13.
> >>> Sterling Price
> >>> --- Edward Martin <[EMAIL PROTECTED]> wrote:
> >>> 
> >>>> baroque lute.  In consulting Dan Larson, he
> >> thought
> >>>> it was a great idea,
> >>>> and as there is precedence for doing this, he
> did
> >>>> it.  He had to:
> >>>> 1.  Make a new neck & peg box
> >>>> 2.  Make a new bridge
> >>>> 3.  Open the instrument & brace it differently,
> >> so
> >>>> it could accommodate a
> >>>> wider bridge.
> >>> 
> >>> 
> >>> 
> >>> 
> >>> __________________________________
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> >>> 
> >>> 
> >>> 
> >>> To get on or off this list see list information
> at
> >>> 
> >> 
> >
>
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> >> 
> >> 
> > 
> > 
> > 
> > 
> > __________________________________
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> > 
> > 
> 
> 
> 



                
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