I agree with Daniel. Regards
   Le Mardi 19 novembre 2013 7h57, Daniel F. Heiman
   <heiman.dan...@juno.com> a ecrit :
   Anthony:
   Given the current state of the art, I would strongly encourage you to
   use
   Fronimo to set the tablature version of your edition.  The cost of the
   software is moderate given the amount of time and effort that has been
   put
   into creating it.  Input of tablature is very easy and very quick.  The
   fonts provided with the program are extremely legible and well-designed
   -
   Francesco has worked hard to make the letters compatible so there are
   no
   clashes between them when they appear on adjacent lines.  The fonts are
   aesthetically pleasing, and there are styles based loosely on
   historical
   examples from various traditions and tablature systems.  Rhythm signs
   are
   included in forms that are specific for tablature.  Because the Fronimo
   program is designed from the beginning for setting tablature, it
   includes
   provisions for adding all the necessary ornament signs, many of which
   are
   unique to tablature (and hence absent from general-purpose music
   software
   like Finale). The current version (version 3) of Fronimo includes good
   flexibility to define the spacing between rhythmic events and to adjust
   line
   spacing, font size, positioning of titles and editorial notes, etc.
   Regards,
   Daniel Heiman
   -----Original Message-----
   From: [1]lute-...@cs.dartmouth.edu
   [mailto:[2]lute-...@cs.dartmouth.edu] On Behalf
   Of Anthony Hart
   Sent: 18 November, 2013 23:27
   To: [3]lute@cs.dartmouth.edu
   Subject: [LUTE] Tablature for publication
   I found a thread to this effect dating back to 2008 and was wondering
   if
   there has been any significant up dates to the opinions.
   I am planning to publish some 18th century lute sonatas which are in
   staff
   notation I intend to publish a study edition which is OK, I am using
   Finale.
   I also wish to publish a performance edition which will be in
   tablature.
   Finale has  can achieve this (I am using the latest version 2014). But
   I am
   not sure what would be most widely accepted style.
   I have some published works from the 80's and, frankly I am not
   impressed
   with any of them. There has been several publish since those days which
   I
   have not seen.
   Does anyone have an option as to the most appropriate style, any
   examples of
   current works. I know that each player has his/her own style which
   suits
   them but I am trying to find a consensus of opinion ( You can please
   some
   people some of the time but it is impossible to please all the people
   all of
   the time!!)I used to copy out all the tablature by hand and became used
   to
   playing from them - but this just my way.
   I would be grateful for your options. Those who have published what was
   the
   reason for your choice.
   Another question: I propose a study edition which will consist of the
   score
   on staff notation and then publish as a performance edition, probably
   in
   parts (there are 24 sonatas and I was thinking of publishing in, say,
   four
   volumes of six in a spiral bound form for easy handling - any comments
   on
   this welcome. Should I publish as Tablature only (there will be the
   complete
   study edition should anyone be interested) or tablature plus staff in
   one
   volume?
   If the latter, the tablature complete followed by staff complete (or
   vice
   versa)or staff then tablature following each other (definitely not
   together
   on one page!.
   Still pondering which, I want the publication to be professional but
   also
   able to be playable from the publication.
   --
   Anthony Hart MSc, LLCM, ALCM.
   Musicologist and Independent Researcher
   Highrise Court 'B', Apt 2,
   Tigne' Street,
   Sliema,
   SLM3174,
   MALTA
   Tel: +356 27014791; Mob: +356 9944 9552.
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References

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