On Sat, 17 Oct 2009 10:32:41 +0200
Taco Hoekwater <t...@elvenkind.com> scribit:
> R. Bastian wrote:
> > Hello,
> > I send a little pdf made with Mk II and \setupbodyfont[sansserif, 10 pt]
> > to a friend. He could not read it.
> >
> > Is there a way to control if the font has been embedded?
>
> That cannot be the problem. Is the pdf is unreadable, something
> in your compilation process is wrong, and there should be some
> hint in the log. It would help if you posted the input and/or
> the log file.
>
> Best wishes,
> Taco
>
> ___________________________________________________________________________________
Here the source & log.
Is something wrong ?
Thnaks for your help.
--
René Bastian
www.pythoneon.org
www.musiques-rb.org
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title : - Neue Methoden der Klangkonstruktion
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\enableregime[utf]
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\starttext
\title[nmkk]{Neue Methoden der Klangkonstruktion}
\auteur{René Bastian -- 26.10.2009}
Betrachtet man die Landschaft der elektro-akustischen Musik in diesen
digitalen Zeiten, so kann man oder darf noch feststellen, dass sie
entweder brach liegt oder, dass sie, genauso wie immense
Landstriche, digital sterilisert wurde.
Für Industrie \& Handel, hinter dem Vorwand von Europa \& Kultur,
ist das Ziel erreicht. Der Restbestand an Musikkritik ist so
vor der Musik geflohen, dass die Landschaft der elektro-akustischen Musik
fast widerstandslos von Industrie \& Handel bewirtschaftet werden.
Auch wenn sich zur Zeit fast kein Gedankchen muckst, besteht die
Möglichkeit eines Widerstandes gegen diese Sterilisierung
in der Konjunktion von offener Algorithmik und
experimenteller Musik.
Um die ontologische und gerontologische Entsorgung dieser
Ideologien zu vollziehen, heisst es zuerst die Grundlagen der
Digitalisierung mit ihrer impliziten Ideologie zu konfrontieren und
dann daraus der experimentellen Musik neue Wege vorzuschlagen.
\stoptext
{\it beste möglich Welt}
%Alles scheint bestens, wie auch der politische Butter.
%
%Im digitalen Umfeld sind neue Methoden der Klangkonstruktion
%gefragt. Dies ist nur möglich indem die Grundlagen der Digitalisierung
%mit ihrer impliziten Ideologie konfrontiert werden. TINA,
%{\it There Is No Alternative}, ist ein fester Bestandsteil dieser
%Ideologien.
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