I don't think it could be accomplished through dodging alone. You wouldn't have 
much color to recapture and you'd create a lot of noise. Perhaps a "replace 
color" in combination with some detail creation. But my money still says it's a 
composite.

Paul via phone

> On Jul 27, 2016, at 6:38 PM, Mark Roberts <postmas...@robertstech.com> wrote:
> 
> Larry Colen wrote:
> 
>> Mark Roberts wrote:
>>> Paul Stenquist wrote:
>>> 
>>>> Great pics. But a fork, a spoon and a moon appears to be a photoshop job.
>>>> The tree branches are seen in silhouette but the bird is nicely 
>>>> illuminated.
>>>> By what? Especially against the moon background, which would have required
>>>> a sunny 16 exposure. Ain't gonna happen.
>>> 
>>> Now *that's* what we call a "very good point"!
>>> 
>>>> From the superficial examination one can perform on a web-resolution
>>> image, I think the bird has been subject to some dramatic dodging in
>>> Photoshop. I don't *think* it's a composite shot, but I'd have to have
>>> access to a full-res shot to be certain. Obviously, the judges do, and
>>> may even have access to the raw file. Perhaps this kind of Photoshop
>>> is allowed? I haven't read the contest rules but I know from going to
>>> the exhibit in the past and reading the technical descriptions of the
>>> photos some kinds of post-capture processing are allowed.
>> 
>> photoshop would need to be allowed to get the Pleidies (sp?) shot.
> 
> Also note that the Perseid meteor shower shot is acknowledged to be a
> composite of multiple exposures (doesn't say how many).
> 
> By the way, the error I alluded to in the beginning was in the
> Antarctic aurora shot. They called it the "Aurora Borealis" when it is
> actually the "Aurora Australis".
> 
> 
>>>>>>>> https://www.theguardian.com/science/gallery/2016/jul/27/astronomy-photographer-of-the-year-2016-shortlist-in-pictures
> 
> 
> -- 
> Mark Roberts - Photography & Multimedia
> www.robertstech.com
> 
> 
> 
> 
> 
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