Please.
----- Original Message -----
From: "scots-l-digest" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Sunday, November 24, 2002 3:33 PM
Subject: scots-l-digest V1 #433


>
> scots-l-digest        Sunday, November 24 2002        Volume 01 : Number
433
>
>
>
>
> ----------------------------------------------------------------------
>
> Date: Sat, 23 Nov 2002 10:12:25 -0800 (PST)
> From: "Toby Rider" <[EMAIL PROTECTED]>
> Subject: Re: [scots-l] Re: J. Scott Skinners new CD
>
> > David learned a lot of  Mary
> > MacDonald tunes from old tapes, some of which were too slow.  Doug
> > MacPhee has often had to remind him to speed up a bit because  she
> > didn't play things that slow.  But it's hard to change your
> > ingrained impression when you've listened to something over and over.
>
>   There is something special about Mary beag's playing in that way. I've
> listened to her old recordings quite a bit and I am always amazed at how
> rich her playing is, even though she's really not playing that fast at
> all, esp. compared to some of the really frenetic players around today
> like Ashley MacIssac and Cameron Chisholm.
>   The qualities in her playing really stand out on some of the slower pipe
> tunes. After hearing a recording of Mary beag playing "Donald MacLean's
> Farewell to Oban", I was so moved by it that I asked the piper to play
> that tune as we walked down the aisle to leave the church at our
> wedding.
>   It's much easier to play too fast on the fiddle, then too slow.
>
>
>
>
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> ------------------------------
>
> Date: Sun, 24 Nov 2002 11:55:21 -0400
> From: SUZANNE MACDONALD <[EMAIL PROTECTED]>
> Subject: Re: [scots-l] Re: J. Scott Skinners new CD
>
> Re Nigel Gatherer's comments on Skinner's new CD
>
> I share your opinions completely on Skinner as a composer, " a huge
> admirer" and on his playing, " not the biggest fan of his playing" and
> that it "seems exaggerated, showy". I have a copy of a Skinner [Topic]
> LP issued in 1975  called "Classics of Scottish Fiddling". I don't know
> if this is the one which has been redone as a CD or not. The jacket
> notes say the original recording was made in 1910 for Columbia. With
> regard to his playing, I get the feeling that he is more interested in
> demonstrating his virtuosity than in his musicality.
>
> The subject of tempo is always an interesting one. In "The Scottish
> Violinist" Skinner lists the tempo for at least three different reels as
> 136. Compared with every other reference I have found, that is
> break-neck speed. I have seen reference to 126 in some old book or books
> [ Lowe's or Glen's perhaps] but can't find the source now. K.N. Mac
> Donald in the preface to "The Skye Collection" [1887] writes
> ........."the tendency that exists at the present day to play this class
> of music a great deal too fast".  J. Murdoch Henderson  in "Flowers of
> Scottish Melody" suggests 120 to 126. Alastair Hardie in "The Caledonia
> Companion" in referring to Skinner's 136 tempo and that of other
> contemporary players says; ..........  "Most reels, however, will
> benefit from the less breathless tempo of 108 to 116". That precisely
> defines reel tempo for the music with which I am familiar; Cape Breton
> Fiddling.
>
> Alexander Mac Donald.
>
> PS I am a hobbyist fiddler not a professional.
>
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> ------------------------------
>
> Date: Sun, 24 Nov 2002 20:22:38 +0000
> From: Jack Campin <[EMAIL PROTECTED]>
> Subject: [scots-l] Tony McManus
>
> I ws in Sandy Bell's this evening and saw a notice for a memorial
> concert held yesterday for Tony McManus, 1953-2002.
>
> What happened?
>
> =================== <http://www.purr.demon.co.uk/jack/>
===================
>
>
> Posted to Scots-L - The Traditional Scottish Music & Culture List - To
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> ------------------------------
>
> End of scots-l-digest V1 #433
> *****************************
>


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