Re: [abcusers] ABC20-draft review

2003-07-31 Thread Richard Robinson
On Wed, Jul 30, 2003 at 10:27:07AM -0400, Wil Macaulay wrote:
 
 It will be interesting to see where the next explosion (of content, I
 mean, not
 of personality!) takes place.  I'd love to see it in the area of vocal
 music -
 hymns and such-like.  My personal opinion is that abc is most useful
 for large bodies of similarly-styled music to be used by musicians as a
 rough
 guide to repertoire instead of an exact guide to performance.  I guess
 that's
 why I don't expect an explosion of content when/if Finale supports abc 
 output...

I think you could be riht. My guess is that, if programs like this do
start speaking ABC it could be rather a one-way process (that's not in
any way an argument against it) in the same way that lilypond currently
seems to be. You could take ABC and feed it into something else that
gives, eg, explicit layout, and all the rest of the goodstuff that
yourpackageofchoice gives you. And then you can't re-export that to
ABC without losing ggodstuff, which after all you want, because if
you're content with what ABC gives you you'd be using that primarily.

Um. And there again, you're importing it from ABC because you want the
goodstuff that ABC gives you that, eg, Finale doesn't. Like the ability
to _handle_ an explosion of content. I had getting on for a thousand
tunes typed up in Finale, once, before I discovered ABC. It needed a
separate database app to keep track of filenames and header info.

-- 
Richard Robinson
The whole plan hinged upon the natural curiosity of potatoes - S. Lem
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Re: [abcusers] ABC20-draft review

2003-07-30 Thread Jon Freeman
From: Arent Storm [EMAIL PROTECTED]
 Hardly anybody will know what an Irish-roll is (is it eatable?)

Is there even such thing? In Krassen's version of O'Neils, I find mention of
a long roll and a short roll in Irish fiddle playing.  He also comments that
his notation is only appropriate for fiddle and that players of other
instruments may have to modify it. It seems to me that the situation is a
lot more complicated than just one universal Irish roll.

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Re: [abcusers] ABC20-draft review

2003-07-30 Thread Phil Taylor
Arent Storm wrote:

* ~ I always thought that ~ is used for a prall-trill by default.
Hardly anybody will know what an Irish-roll is (is it eatable?)

I'll bet there are at least a hundred times as many abc users
who know what an Irish Roll is as there are those who recognise
what a prall-trill is.  Actually, I think the English word for it
is Pralltriller, but most people would call it an upper mordent,
and in abc it's normally represented by the letter P.

The meaning of ~ is context-dependent.  In classical music
it will mean a turn (that's what the symbol looks like), and in
most places a turn symbol in the staff notation will be correct.
What kind of twiddle gets played depends on the tradition that
the music comes from.


* clefs:
Is K: Am transpose=-2  illegal where K: Am treble transpose=-2  is not

No.  transpose (or t=) is a directive which affects only playing and
has nothing to do with clefs, so both are legal.

''clef'' starts the specication (I'd rather like to see clef=clefname than clef
alone

Why?  The clef names treble, alto, tenor and bass are all unique
identifiers which can't mean anything but a clef, so clef= is redundant.
More complicated clef specifications should use the clef= syntax though.

*voices
state that all voices to be mentioned in the abc-body have to be declared
in the
header when using the [V:ID] syntax, where each ID will be referenced over and
over.

It's good practice, but I don't see why it should be mandatory.

Phil Taylor


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Re: [abcusers] ABC20-draft review

2003-07-30 Thread Arent Storm
From: Phil Taylor [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, July 30, 2003 4:27 PM
Subject: Re: [abcusers] ABC20-draft review
 Arent Storm wrote:

 * ~ I always thought that ~ is used for a prall-trill by default.
 Hardly anybody will know what an Irish-roll is (is it eatable?)

 I'll bet there are at least a hundred times as many abc users
 who know what an Irish Roll is as there are those who recognise
 what a prall-trill is.  Actually, I think the English word for it
 is Pralltriller, but most people would call it an upper mordent,
 and in abc it's normally represented by the letter P.
I have seen lots of ~  but rarely seen any P
Most musicians will know the ~ sign but most will call it
by different names; I see the ~ sign as the most common
embellishment-sign in any (folk)music I've seen

 The meaning of ~ is context-dependent.  In classical music
 it will mean a turn (that's what the symbol looks like), and in
 most places a turn symbol in the staff notation will be correct.
 What kind of twiddle gets played depends on the tradition that
 the music comes from.
Agree


 * clefs:
 Is K: Am transpose=-2  illegal where K: Am treble transpose=-2  is not

 No.  transpose (or t=) is a directive which affects only playing and
 has nothing to do with clefs, so both are legal.
I meant illegal in the sense of the draft spec.

 ''clef'' starts the specication (I'd rather like to see clef=clefname than
clef
 alone

 Why?  The clef names treble, alto, tenor and bass are all unique
 identifiers which can't mean anything but a clef, so clef= is redundant.
 More complicated clef specifications should use the clef= syntax though.
It makes the use of the K: field for at least anything other than key
more readable / parseable / orthogonal

 *voices
  state that all voices to be mentioned in the abc-body have to be declared
  in the header when using the [V:ID] syntax, where each ID will be
  referenced over and over.
 It's good practice, but I don't see why it should be mandatory.
To enable software to flag possible typo's when you have
header
V:First
V:Second
V:Third
body
[V:Fisrt] someoabcline2
[V:Second]someabcline3
[V:Third]someabcline
What should a program do on encounter of [V:Fisrt]
with or without the header.

Arent

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Re: [abcusers] ABC20-draft review

2003-07-30 Thread Richard Robinson
On Wed, Jul 30, 2003 at 03:27:13PM +0100, Phil Taylor wrote:
 Arent Storm wrote:
 
 * ~ I always thought that ~ is used for a prall-trill by default.
 Hardly anybody will know what an Irish-roll is (is it eatable?)
 
 I'll bet there are at least a hundred times as many abc users
 who know what an Irish Roll is ...

I think the long roll is currently deprecated, in favour of the baguette.
Though this may be a regional usage.

-- 
Richard Robinson
The whole plan hinged upon the natural curiosity of potatoes - S. Lem
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Re: [abcusers] ABC20-draft review

2003-07-30 Thread Ray Davies

- Original Message -
From: Jon Freeman [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, July 30, 2003 2:45 PM
Subject: Re: [abcusers] ABC20-draft review


 From: Arent Storm [EMAIL PROTECTED]
  Hardly anybody will know what an Irish-roll is (is it eatable?)

 Is there even such thing? In Krassen's version of O'Neils, I find mention
of
 a long roll and a short roll in Irish fiddle playing.  He also comments
that
 his notation is only appropriate for fiddle and that players of other
 instruments may have to modify it. It seems to me that the situation is a
 lot more complicated than just one universal Irish roll.

 To subscribe/unsubscribe, point your browser to:
http://www.tullochgorm.com/lists.html

It's equivalent to a 'turn' ,
The note above the main note;
The main note;
The note below the main note;
The main note.
{B}A{G}A

A long roll has the main note played before the turn. A{B}A{G}A

But the constraints of any particular instrument and personal taste cause it
to be modified a lot.

Ray


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Re: [abcusers] ABC20-draft review

2003-07-30 Thread Arent Storm
From: Ray Davies [EMAIL PROTECTED]
 From: Jon Freeman [EMAIL PROTECTED]
  From: Arent Storm [EMAIL PROTECTED]
   Hardly anybody will know what an Irish-roll is (is it eatable?)
 
  Is there even such thing? In Krassen's version of O'Neils,
  I find mention of a long roll and a short roll in Irish fiddle playing.
  He also comments that
  his notation is only appropriate for fiddle and that players of other
  instruments may have to modify it. It seems to me that the situation is a
  lot more complicated than just one universal Irish roll.
Agreed.

My main concern is the name it seems to get.
As far as I know, ornamentation signs are heavily used
in two main areas:
- Baroque/Classical/Romantical periods in Classicalmusic
- Folk music from all over the world.
There's more (folk)music than that from the British isles,
so capturing a particular ornamentation sign to named
'Irish roll' makes it difficult.

It comes in handy as terminology remains context free.
-  trill, prall, turn and mordent are used commonly names for
the 4 most common ornaments for many instruments:
  trill ( tr )
  prall ( ~ shaped thing )
  mordent ( slashed ~ )
  turn: ( 8 shaped thing (rotated 90deg ))
All 4 ornments come in lots of variations, most not having
a context free name.

- uppermordent and lowermordent is googled only in abc-context
so I would stop using the term

 It's equivalent to a 'turn' ,
 The note above the main note;
 The main note;
 The note below the main note;
 The main note.
 {B}A{G}A

 A long roll has the main note played before the turn. A{B}A{G}A

 But the constraints of any particular instrument and personal taste cause it
 to be modified a lot.

 Ray


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Re: [abcusers] ABC20-draft review

2003-07-30 Thread Wil Macaulay




The largest body of published abc is in the realm of Irish dance music, in
which
the roll is a well-understood term meaning 'decorate here as appropriate
to
your combination of instrument, region and personal aesthetic'. 

It will be interesting to see where the next explosion (of content, I mean,
not
of personality!) takes place. I'd love to see it in the area of vocal music
-
hymns and such-like. My personal opinion is that abc is most useful
for large bodies of similarly-styled music to be used by musicians as a rough
guide to repertoire instead of an exact guide to performance. I guess that's
why I don't expect an explosion of content when/if Finale supports abc 
output...

wil

Jon Freeman wrote:

  From: "Arent Storm" [EMAIL PROTECTED]
  
  
Hardly anybody will know what an Irish-roll is (is it eatable?)

  
  
Is there even such thing? In Krassen's version of O'Neils, I find mention of
a long roll and a short roll in Irish fiddle playing.  He also comments that
his notation is only appropriate for fiddle and that players of other
instruments may have to modify it. It seems to me that the situation is a
lot more complicated than just one "universal" Irish roll.

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