Re: [backstage] BBC iPlayer Protest tommorow, Tuesday 14th, 10:30AM, White City

2007-08-14 Thread Kim Plowright
An aside

My favourite BBC protest ever: Archers fans complaining about changing
the time of the show. Marched up Regent Street with placards, stopped
traffic, whilst chanting
What do we want? the Archers! When do we want it? Now! What do we say? Please!'


 What do we want?
 Umberellas!
 When do we want them?
 Now!
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Re: [backstage] more data visualisation links

2007-08-14 Thread Kim Plowright
I think the point here is 'does the visualisation of the data adds
meaning, or is just pretty to look at?'.

Does your visualisation tell people more about the data set than the
raw numbers? Is it 'legible'? Does it expose trends and meaning that
would otherwise be hidden to all but the most numerate? Does it let
someone reach sound conclusions faster, or navigate quicker, or become
more accurate?

Which is Tufte territory,  not Nielsen.
http://www.edwardtufte.com/tufte/

Not that there's anything wrong with pretty, but good datavis is about
adding layers of meaning, as well as the layers of aesthetics.

Its possible to remove the 'data' during the visualisation process and
turn it in to a purely aesthetic entertainment experience, too. Some
of the Jonathan Harris stuff does this - it's information as
spectacle. Fun to look at, not 'wrong' per se, but a terrible way of
actually turning data - information - knowledge.

Useful or Playful? Is the question to ask.

 Some of these seem to be of dubious real use.  Has anyone put any of them
 though Jakob Nielsen-style user testing?
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Re: [backstage] Plain text or easy-to-parse news articles

2007-07-27 Thread Kim Plowright
 I understand that the BBC tracks external links in order to provide stats to
 respond to the Graf report's requirement for the BBC to link externally more
 often, and become part of the web.

That's done with something in the footer, which automagically rewrites
external links to have go tracking on, iirc.

ie, puts that funny
http://bbc.co.uk/go/tag/anothertag/tag3/-/externalsite.com/blah/page.html
url in.
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Re: [backstage] feeds with icons or pictures?

2007-07-23 Thread Kim Plowright

this request is not limited to news feeds, so where are the BBC feeds
for images that they do have copyright for?


Which feeds in particular, with images?
You'll find that a lot of images used on the site are not BBC
copyright, and therefore the BBC doesn't have the rights to
redistribute them; hence the not being in RSS feeds. This isn't
exclusive to news, which has deals with AP etc, it applies to any area
of the site - movies is one example that springs to mind.

Now, my understanding is that the BBC generally doesn't pursue minor
infringement of BBC copyright (such as occasional reuse of BBC owned
images on fan websites, for instance), as it has better things to be
doing with its time. But that doesn't necessarily mean that the owners
of the images that the BBC has licensed will feel the same way.
Remember the weather feeds? It's those underlying rights that will
cause problems.


I've no idea why you appear so aggressive.


Because I am/was exceptionally tired and very hungover.


No one is suggesting that
the images are not copyright.


Quotes:

the quality of images used as links is unlikely to present a rights

issue.

in fact fair use probably covers this in any case.


No, but you suggest that because they're small/of poor quality there
won't be a rights issue with using them, which is a nonsense.

Bearing in mind I am not a lawyer:

'Fair Use' is only a legal concept in US law. iirc; they're
'Exceptions' in UK law, sometimes referred to in the copyright act as
Fair Dealing, when talking about reviewing or reporting current
affairs.

Here's the law in question:
http://www.opsi.gov.uk/ACTS/acts1988/Ukpga_19880048_en_1.htm

Excerpt from
http://www.opsi.gov.uk/ACTS/acts1988/Ukpga_19880048_en_4.htm
- -
Criticism, review and news reporting.
30.—(1) Fair dealing with a work for the purpose of criticism or
review, of that or another work or of a performance of a work, does
not infringe any copyright in the work provided that it is accompanied
by a sufficient acknowledgement.
   (2) Fair dealing with a work (other than a photograph) for the
purpose of reporting current events does not infringe any copyright in
the work provided that (subject to subsection (3)) it is accompanied
by a sufficient acknowledgement.
   (3) No acknowledgement is required in connection with the
reporting of current events by means of a sound recording, film,
broadcast or cable programme.
- -

So
- you can reuse stuff with acknowledgement - sufficient is later
defined as 'title of work plus name of author'
- 30(2) appears to specifically rule out photographs from being exempt
for Criticism, review or news reporting.
- There may be arguments to be made around 'reporting of current
events' - but RSS may not fall under the means listed in 30(3) - it
would reference 'electronic means' if so.
- To successfully argue for exception  under that clause 30(3), you'd
need to get a good working legal definition of 'reporting of current
events'.


evidently Yahoo is ahead on this issue as it already includes links
to images in at least one news feed.
Clearly in this case it seems unlikely they could claim that they did
not intend the links to be used...


There will be a sound reason that they provide links to images, not
actual images; consider the difference between the image appearing on
a page republishing the feed, and a link to the image in its original
context appearing on the page republishing the feed.

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Re: [backstage] feeds with icons or pictures?

2007-07-22 Thread Kim Plowright

On 22/07/07, ~:'' ありがとうございました。 [EMAIL PROTECTED] wrote:


the quality of images used as links is unlikely to present a rights
issue.


It doesn't matter how small a picture is, it's still copyright


in fact fair use probably covers this in any case.


No, no it doesnt.
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Re: [backstage] Links to video/audio for specific shows

2007-07-17 Thread Kim Plowright

If we're talking sematic applications, it might actually be good for an
organisation like the BBC (and partner broadcasters to actually sit down
and work out some standard ontologies to make it easy for heavy duty
(RDF-heavy) applications talk nicely to each other. It may even have
some applications in more lightweight formats as it would give
developers some clues as to what particular parts of the data streams
actually do. This does seem to be a big stumbling block with semantic
applications: having ambiguity of terminology across applications. For
example, consider a Tx time: a single ontology could specify whether
this meant a first transmission or just the latest, whether a timezone
is optional or required and so on. And applications could both parse and
transform data knowing that this was the case, not guessing.


Now, I might have this wrong - but you're suggesting that there should
be a standard way of... describing data suggested by the BBC, so
that all systems structure their data in the same way?

I think the BBC has given up trying to do that even internally, and
instead relies on being able to map piece of data A in system X on to
piece of data B in systemY, and be reasonably sure they're the same
thing.

I really get the feeling that 95% accurate mappings between different
ways of describing stuff is the best we can hope for. The suggestion
of gentle harmonisation is preferable to 'having to do it X way always
or else' in any big organisation. And, in fact, any system involving
fallible meatbags doing data entry.

This is coloured by having spent some time up to my elbows in SMEF and
datamodelling at the BBC, and also by trying to persuade editorial
teams to enter their HTML metadata vaguely consistently.
http://www.bbc.co.uk/guidelines/smef/
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Re: [backstage] Links to video/audio for specific shows

2007-07-16 Thread Kim Plowright

On 16/07/07, Matthew Somerville [EMAIL PROTECTED] wrote:

James Cridland wrote:
 http://www.bbc.co.uk/radio3/breakfast/pip/jrjen/ - good.
 http://www.bbc.co.uk/radio3/breakfast/archive/07/07/10/ - better.

That's not better; URLs are supposed to be unique. Okay, Breakfast isn't a
great example for my case, but even with that, if it's ever repeated, your
URL might no longer be appropriate. I believe that is exactly why it is done
as it is, given the vast majority of programmes might be repeated, can be
part of schedules, different series, and so on.


Yep, that second one should be an index of some description, and the
'archive' is redundant. Bear in mind that programmes get reedited as
repeats, reversioned, sold abroad, are composed of clips from other
programmes...



 Another example (from the same area):
 http://www.bbc.co.uk/music/artist/x9qv/ - good
 http://www.bbc.co.uk/music/artist/elton_john/
 http://www.bbc.co.uk/music/artist/elton_john/ - better

Okay, I can't follow that one - I guess if you had two artists of the same
name? But then I'd go with changing one of their names. ;)


Yep - might work for musicians, would work for actors (where equity
makes them have individual names), really won't work for producers,
crew, etc where you get massive duplication of names.

James - an aside - you need to talk to the programme info people in
FMT, and maybe the person in  VMPS who is looking after the work done
for drama/comedy TV on this kind of stuff. There's a good four year
history on this one!

/steps away from her old job, breathing slowly and evenly...
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Re: [backstage] Links to video/audio for specific shows

2007-07-12 Thread Kim Plowright

 /me cries
Please can you cry your suggestion please?


Not so much suggestion as frustration.

A lot of good people, including myself and Mr Sizemore (and a certain
Mr Tom Coates, who you may have heard of) have expended an awful lot
of energy over the last few years trying to get somewhere with doing
exactly that. Page Per Programme. It's been a sysiphean job for all
involved.

Chris' URLs are the most significant move towards a permanent URL for
a programme instance, from which A/V material can hang.

A programme instance is a surprisingly complicated beast, as I'm sure
Chris will explain.

Frinstance:
http://www.bbc.co.uk/bbctwo/listings/programme.shtml?day=todayservice_id=4224filename=20070712/20070712_2130_4224_15733_30
http://www.bbc.co.uk/bbctwo/noise/?programme=hyperdrive
http://www.bbc.co.uk/comedy/hyperdrive/
http://catalogue.bbc.co.uk/catalogue/infax/series/HYPERDRIVE
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Re: [backstage] Links to video/audio for specific shows

2007-07-12 Thread Kim Plowright

Frinstance:
http://www.bbc.co.uk/bbctwo/listings/programme.shtml?day=todayservice_id=4224filename=20070712/20070712_2130_4224_15733_30
http://www.bbc.co.uk/bbctwo/noise/?programme=hyperdrive
http://www.bbc.co.uk/comedy/hyperdrive/
http://catalogue.bbc.co.uk/catalogue/infax/series/HYPERDRIVE



Forgot a couple, sorry
http://www.radiotimes.com/shows/hyperdrive/
http://www.bbcshop.com/invt/bbcdvd2467
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Re: [backstage] BBC Ofcom complaint raised

2007-06-27 Thread Kim Plowright

Mac mini - not so much heat
LCD monitor / powerbrick for LCD monitor / powerbrick for macmini -
quite a lot of heat.

On 27/06/07, Ian Betteridge [EMAIL PROTECTED] wrote:

I can't imagine that a Mac mini produces much heat... would something like
that or the Zonbu be a solution?


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Re: [backstage] DVD Region 2

2007-06-26 Thread Kim Plowright

Here in the US, that is not the case. It is much harder to find such DVD
players.


Because they contravene the DMCA act? IANAL, and certainly not across
american law, but I thought it expressly forbade the circumventing of
content locks?

Incidentally, I'm sure the only reason BBC content isn't widely
distributed on DVD in the US is because no DVD releasing/licensing
companies have bought the DVD distribution rights to the content in
that territory.  It's certainly not a mysterious conspiracy against
TwiTs.
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Re: [backstage] www.FreeTheBBC.info

2007-06-16 Thread Kim Plowright

On 15/06/07, Andy [EMAIL PROTECTED] wrote:

It takes people outside the media-land as you put it because the
people inside are too ignorant of technology to understand it.

If media people had known even the very basics of how a PC works then
we would never have had DRM in the first place.


snip

Please be aware that your statements in this email can be read as a
fairly comprehensive attempt at personally insulting most of the BBC
and ex-BBC people on this list.
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Re: [backstage] www.FreeTheBBC.info

2007-06-15 Thread Kim Plowright

I just thought I'd say - I'm currently at the iSummit in dubrovnik.
There's a lot of interesting conversation going on around these topics
-   if anyone's interested, info is here http://www.icommons.org/

I'm guessing that session recordings etc will be available later. Will
post details if I find them!
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Re: [backstage] www.FreeTheBBC.info

2007-06-13 Thread Kim Plowright

Also

Walter Benjamin's 'The Work of Art in the Age of Mechanical Reproduction'

http://en.wikipedia.org/wiki/The_Work_of_Art_in_the_Age_of_Mechanical_Reproduction
http://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm

An analysis of art in the age of mechanical reproduction must do
justice to these relationships, for they lead us to an all-important
insight: for the first time in world history, mechanical reproduction
emancipates the work of art from its parasitical dependence on ritual.
To an ever greater degree the work of art reproduced becomes the work
of art designed for reproducibility. From a photographic negative, for
example, one can make any number of prints; to ask for the authentic
print makes no sense. But the instant the criterion of authenticity
ceases to be applicable to artistic production, the total function of
art is reversed. Instead of being based on ritual, it begins to be
based on another practice – politics.

Written, incidentally, in 1936. Pwnd.


Required reading:

Free Culture: The Nature and Future of Creativity by Lawrence Lessig
ISBN 0143034650

The Future of Ideas by Lawrence Lessig
ISBN 0375726446


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[backstage] Davy M - Mood News?

2007-06-13 Thread Kim Plowright

http://www.latedecember.com/sites/moodnews/
Davy - was trying to show someone mood news - has it gone?
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Re: [backstage] A Swarm Of Angels - CC-licensed film project - sign up for first 1,000 members be part of something unique nearing closure

2007-06-05 Thread Kim Plowright

I showed this to the BBC's Film Production arm a couple of months ago... :-)


list know of a project to produce a CC-licensed film called A Swarm Of
Angels. You can sign up either as a supporter (£5) or a full member (£25;


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Re: [backstage] BBC Archive trial

2007-05-27 Thread Kim Plowright

I _suspect_ they just fob people off and ignore complaints they
dislike. Or maybe I was unlucky and the two people I communicated with
didn't do their job properly?



Audience comms and complaints are outsourced to Capita.
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Re: [backstage] data visualisation links

2007-05-16 Thread Kim Plowright

Ooh, nice! Ta.
You might also be interested in http://infosthetics.com/
and this rather lovely one
http://megamu.com/lastfm/

I tried fidg't http://www.fidgt.com/visualize the first one linked in
your article, but couldn't get it to form any meaningful patterns. So
- lots of data, but didn't really turn it in to information or
knowledge. Pah.

On 16/05/07, Simon Cobb [EMAIL PROTECTED] wrote:



Despite its use of the word 'awesome', this article led me to some
interesting stuff:

http://mashable.com/2007/05/15/16-awesome-data-visualization-tools/

hope it does the same for you.

Disclaimer: I forward it for the ideas/ concepts deployed by these sites,
not for their accessibility


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RE: [backstage] list test and Hack Day

2007-05-01 Thread Kim Plowright
 
  Dear sweet evil Jesus on a pogo stick, don't start that up again!

LOLS

 Ah, before my time and this is the first time I'd seen this 
 writeup (or any writeup as considered).

Refers the honourable gentlemen to archive URL below. Suggests he takes
a look. You know, just so he understands what might be under the corner
of the rug he's about to pick up.
 http://www.mail-archive.com/backstage@lists.bbc.co.uk/

 Damn, was looking forward to seeing the response; especially 
 from this kind of environment...

'I just thought I'd put the cat among the pigeons'? Heh, you little
terror. :)

Anyway - in other news, it's my last week at the BBC after 8.5 years
(!). SO - I'm about to unsub at this address, and resub with my trusty
gmail address. Once I'm on gmail, I have to give up my official BBC hat
(you remember, the heather coloured tweed one with the feather) and turn
in to DotKim, edgy cake-baker and home-maker who lives close to the edge
and is a little bit whoah... A little bit whay...

/me grins and waves at Ben.

See you on the other side. It's been fun, and I'm proud of what you lot
have achieved over the last couple of years. It might not seem much from
the outside, but from the BBC point of view, it's teh awesomes. Good
work fellas.

Kim

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[backstage] New Music Shorts - for the non-code creatives!

2007-04-23 Thread Kim Plowright

Hey

Just in case there's anyone here who is a creative type, but not
necessarily a web developer - there's a new thing kicking off on Film
Network based around making your own music-inspired short film / video.
I'm guessing, btw, that there's a fairly big crossover in creative
disciplines between web and video production, these days.

http://www.bbc.co.uk/dna/filmnetwork/newmusicshorts2007

Kim


RE: [backstage] BBC Archive trial

2007-04-19 Thread Kim Plowright
/me guesses, somehow, that the denizens of this list are somewhat
demographically homogeneous.

 I got kicked off after about 60% when I said I was male. hhm.
 Oh well, perhaps 35-44 age bracket is already full.

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RE: [backstage] Hack day in London

2007-04-19 Thread Kim Plowright
Well - I ruled myself out of the running for this as frankly, I'm great
at drawing, cooking, sewing and making stuff (among other ladylike
pursuits), but rubbish at coding and electrickery.
 
Tom C left a comment suggesting I find a group of people to team up
with. 
 
So if anyone wants a hack-team-mother-figure, let me know!



From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Tim Cowlishaw
Sent: 19 April 2007 13:22
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Hack day in London


On 4/19/07, oliver wood [EMAIL PROTECTED] wrote: 


I've signed up, but know whos - am I l33t geek enough :)
?



ha! my thoughts exactly are design-y CSS / HTML -type people
welcome at these sort of events? If not, I'll have to finish working my
way through 'Thinking in Java' by June... or just learn RoR. ;-) 



Cheers,

Tim





RE: [backstage] xmltv.radiotimes.com

2007-04-10 Thread Kim Plowright
I've let the head of New Media at BBC Worldwide Magazines know about
this, by the way. 

Kim 


   However, as people probably realise the data isn't being 
 updated anymore.
  
   Does anyone have a clue?

 Just had a boilerplate response from them - seems unlikely my 
 email reached a human, let alone one who knows what xmltv 
 means. I wonder how I make my xmltv grabber clear its 'RT 
 cache/profile'? Come to think of it, I wonder if Joe Webuser 
 who complained to RT would make head or tail of that directive?

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RE: [backstage] EMI 'in no DRM deal'

2007-04-02 Thread Kim Plowright
You'd pay $30 and up for an album on CD? Are you mad?

I suppose you do get a convenient hard copy backup too...

-Original Message-
From: [EMAIL PROTECTED] on behalf of Mr I Forrester
Sent: Mon 02/04/2007 18:53
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] EMI 'in no DRM deal'
 
Got to say I'd personally be happy paying up to $3 a song if it was DRM 
free and recorded at a high bit rate.

Cheers

Ian

Jeremy Stone wrote:
 The DRM free songs are going to be more expensive I notice 
 $1.29 a song as opposed to 99c.
 http://www.apple.com/pr/library/2007/04/02itunes.html
  

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] On Behalf Of Andy
 Sent: 02 April 2007 14:27
 To: backstage@lists.bbc.co.uk
 Subject: Re: [backstage] EMI 'in no DRM deal'

 On 02/04/07, Brian Butterworth [EMAIL PROTECTED] wrote:
   
 Just to keep Auntie on her toes, another company that is a TLA has 
 decided to not bother with wasteful DRM:

 http://media.guardian.co.uk/newmedia/story/0,,2048195,00.html?gusrc=rs
 sfeed
 =4
 

 Or the BBC article on the matter (which doesn't require registration):
 http://news.bbc.co.uk/1/hi/technology/6516189.stm

 And I nearly forgot what TLA meant! How stupid of me.

 Not sure I trust Steve Jobs when he said:
   
 The right thing to do is to tear down walls that precluded 
 interoperability by going DRM-free and that starts here today.
 
 (from the BBC article linked above)

 Was he not the guy who put up the walls to start with?

 Nice to see some record companies considering this kind of thing.
 I hope it will be available without iTunes.

 Apparently the files will be higher quality, doubt it will be lossless
 though.
 Pity really, but then it would cost them more to shift the files,
 bandwidth ain't free (unless you use P2P then it's someone else's
 bandwidth being used).

 Can't remember who's on EMI though. Hopefully this could be a snowball
 effect?
 Maybe EMI might be realizing that one all powerful content distributer
 isn't good for them either?

 Oh well enough of my idle speculation.

 Official press release:
 http://www.emigroup.com/Press/2007/press18.htm

 Andy

 --
 First they ignore you
 then they laugh at you
 then they fight you
 then you win.
 - Mohandas Gandhi
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winmail.dat

RE: [backstage] Browser Stats

2007-03-30 Thread Kim Plowright
 For 
 people who actually use a computer for what it is intended, 

Wow. That's quite some statement. 

I'd compose an elegant riposte if I didn't have to go off to IKEA post
haste, because I've just noticed on their website that the chair and
desk I want to set up my desktop PC is in, and I haven't played Warcraft
in a month because the ergonomics on the sofa are all wrong. It means
I'll be able to stream my music to the living room too, finally, and get
round to editing that video of my mum making omlette and pop it up on
youtube.

:)

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RE: [backstage] Browser Stats

2007-03-28 Thread Kim Plowright
If you read Martin Belam (hello Martin!) on the methods he used to derive these 
figures, you'll note that he's extremely thorough in his data analysis. 
http://www.currybet.net/articles/user_agents/index.php I think you should read 
a little levity in to Jem's use of a grin after the Linux comment!

Below are the stats, taken from our Sage Analyst system 
(http://www.sagemetrics.com/content/sageanalyst/overview.html - about the 
system, currently very slow!), from the 24th of march - the most recent 24h 
period available. We tend to run a bit late, as, IIRC, the daily server logs 
run to around 5gigabytes of data, which needs to be warehoused and processed.

These figures are for all visits, to all pages of the whole of bbc.co.uk, not 
just the homepage.

Automated requests (from bots, spiders etc) are stripped from our data; as far 
as I know we comply with JICWEBS and IFABC  standards that require this. This 
is done using browser string filtering, against an industry standard set of 
strings supplied by IFABC.

I provide these OS breakdowns both as % of Total Page Views, and % of users. 
Unique users are deduplicated, based on Cookie data - so you should caveat that 
with the usual cookie churn stuff*. However, as we're looking at percentage 
shares in a very large (6.5million+) user sample, I think it should be 
considered a good indicative slice. 


By Page Impression
Operating Systems for Mar 24, 2007 for Entire Site from Entire World
OS Type % of Total Page Views  
Windows 88.37
Macintosh   4.51
Liberate3.32
Nokia   1.09
SonyEricsson0.67
BlackBerry  0.43
Motorola0.36
Samsung 0.23
LG  0.17
NEC 0.08
Orange  0.04
Sagem   0.03
O2  0.02
TMobile 0.01
Sharp   0.01
Linux   0.01
DOS 0
Panasonic   0
BenQ0
Sprint  0
ZTE 0
Philips 0
Unix0
VK  0
Siemens 0
Toshiba 0
Sun 0
Sanyo   0
IRIX0
OSF10
Unidentified0.65

By User
Operating Systems for Mar 24, 2007 for Entire Site from Entire World
OS Type % of Total Users 
Windows 85.39
Macintosh   6.51
Nokia   2.26
Liberate1.66
SonyEricsson1.5
Motorola0.84
BlackBerry  0.76
Samsung 0.55
LG  0.18
Sagem   0.08
Orange  0.06
Sharp   0.04
O2  0.03
TMobile 0.03
Linux   0.02
Panasonic   0.02
NEC 0.02
BenQ0.01
DOS 0.01
Philips 0.01
ZTE 0
Sprint  0
Toshiba 0
VK  0
Unix0
Siemens 0
Sanyo   0
Sun 0
IRIX0
OSF10

- - - 

Breakdown of WINDOWS operating systems  
Operating Systems for Mar 24, 2007 for Entire Site from Entire World
OS Type   % of Total Page Views  
Windows XP  53.71
Windows XP SP2  31.96
Windows 20006.94
Windows NT  2.65
Windows Vista   2.25
Windows 98  1.23
Windows ME  0.72
Windows CE  0.35
Windows 32  0.13
Windows 95  0.06
Windows 64  0.01
Windows 31  0

Breakdown of MAC os'es  
Operating Systems  for  Mar 24, 2007 for Entire Site from Entire World  
OS Type % of Total Page Views  
Macintosh X 97.21
Macintosh PowerPC   2.53
Macintosh   0.26
Macintosh OS8   0

Breakdown of LINUX oses 
Operating Systems for Mar 24, 2007 for Entire Site from Entire World
OS Type % of Total Page Views  
Linux 2443.17
Linux 2236.4
Linux 2020.43

*From our guidance notes, internally: 
Figures for unique users are based on the BBCUID.
This is a unique identifier - known as a cookie - which is sent to a user's 
computer the first time they request a page from a BBC web site. Provided the 
cookie is accepted by the requesting computer then it will be saved to that 
computer's memory and will be returned to the web server with all subsequent 
requests.
The returned cookies are included in the log records for each request and 
because each cookie is unique it is then possible to track the activity of each 
user across time.
The total number of unique users is really a count of the number of unique 
BBCUID values seen in the logs.
Note that although each cookie may appear many times in the log it must only be 
counted once. It is this de-duplication that makes unique user figures 
difficult to calculate.

Some important points to note about unique users:

* Users are not people. Cookies attach to browsers, to user logins or 
possibly to a combination of these. If 2 people share the same machine and the 
same user login they would share the same BBCUID and appear as the same person. 
Equally if the same person were to use two different machines then they would 
be counted as two users.
* Some browsers do not accept cookies. When this happens a new cookie will 
be sent out for every request that browser makes. If we counted these cookies 
as users it would push the number of users up. So we don't count cookies we 
send out, only those that we get back.
* There may be a number of situations where cookies, including the BBCUID, 
will get deleted from a computer. Some companies wipe 

RE: [backstage] Browser Stats

2007-03-28 Thread Kim Plowright
 Is it possible that these stats could be provided 
 automatically, say on a daily basis so it can be used to 
 track the use of browsers and platforms.

No.

Slightly longer answer - the stats system is problematic, and doesn't
provide easy ways to route this kind of thing externally. It's under
strain from the ammount of data it has to process already, and it's
supported by a hugely overworked bloke called Danny. I could ask him,
but he'd give me a look like I'd strangled his puppy. I don't like
making Danny sad.

I'll try and remember to send browser / OS updates once a month when I
prepare (lovingly, by hand, at great personal pain and grief) our
internal stats reports.

Not really the kind of thing I can divert resource to automating, even
to make my life easier, sorry :(

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RE: [backstage] Browser Stats

2007-03-27 Thread Kim Plowright
Hey, we just *did* publish it! :)

I'll try and remember to send an update out every month or so, when I'm
noodling through our stats system.

 Thank you very much to everyone for sharing this data - it 
 really is very interesting. And I second the request for the 
 BBC to publish this data (just as it is below), which would 
 be a really good guide for what range of browsers the average 
 person uses.

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[backstage] Browser Stats

2007-03-26 Thread Kim Plowright
Here's a chunk of stats. This is based on Page views. Anything  below
about 100k page views is registering as Zero percent, FYI, although each
browser listed is showing *some* page impressions. 3 page views were in
IE1.5! How sweet.

I've stripped out the PI numbers, sorry, as I think that might be
slightly more sensitive data, but it gives you a good idea of the
breakdown of usage. For some reason, our stats software would give me a
detailed breakdown of the IE versions, but not firefox, or safari. I
think the little abacus gerbils may be tired.

Browser Stats, whole of bbc.co.uk, February 2007
Browser Type  % of Total PageViews   
IE  76.92
Mozilla-Firefox 11.59
Safari  2.87
Cable   1.5
Netscape0.95
Opera   0.37
Pocket_PC   0.28
KDDI-EZweb  0.28
AOL 0.05
Lynx0.02
Java0
WebReaper   0
WAP 0
Bush0
ITV 0
Emacs   0
J-Phone 0
Lotus   0
Mosaic  0
Lycos   0
I-Mode  0
Palm0
PocketPC0
Hot_Java0
OmniWeb 0
Unidentified5.17

Percentage breakdown within 76.92% IE category above
Browser Type  % of Total (IE ONLY) PageViews   
IE 6.0  62.78
IE 7.0  32.69
IE 5.5  3.31
IE 5.0  0.65
IE 4.0  0.38
IE 5.2  0.1
IE 5.1  0.07
IE 3.0  0.01
IE 6.1  0
IE 4.5  0
IE 2.0  0
IE 6.5  0
IE 5.8  0
IE 4.1  0
IE 2.1  0
IE 7.6  0
IE 5.6  0
IE 1.0  0
IE 6.3  0
IE 5.4  0
IE 6.9  0
IE 7.1  0
IE 6.2  0
IE 1.5  0


These figs are from a different system, so probably not totally
commensurate with the above.
browser % breakdown for apx august 06 to november 06
Known Browsers  93.04%
IE6 71.39%
Firefox 11.14%
Safari  2.86%
IE7 2.75%
IE5.5   2.70%
IE5 0.57%
Opera   0.49%
Mozilla 0.39%
MSN 0.32%
IE1234  0.25%
NS7 0.17%
PPCIE4  0.14%
Opera 8 0.13%
NS8 0.09%
NS4 0.06%
NS3 0.05%
Text0.04%
Opera 7 0.04%
Other   0.03%
NS120.01%
OmniWeb 0%

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RE: [backstage] Browser Stats

2007-03-26 Thread Kim Plowright
Just for fun: the february data reworked to show the different flavours
of IE at their appropriate % point. There's not much difference between
Safari (all versions) and IE5.5 share. Again, I can't break out the
different flavours of FF and Safari. Bear in mind this is % of PIs, not
of users, so heavy consumption would skew these shares, and I'm willing
to bet that FF users eat more internets than IE 6 / 7 users, on average.

Browser % share of PIs
IE 6.0  48.29
IE 7.0  25.15
Mozilla-Firefox 11.59
Unidentified5.17
Safari  2.87
IE 5.5  2.55
Cable   1.5
Netscape0.95
IE 5.0  0.50
Opera   0.37
IE 4.0  0.29
Pocket_PC   0.28
KDDI-EZweb  0.28
IE 5.2  0.08
IE 5.1  0.05
AOL 0.05
Lynx0.02
IE 3.0  0.01

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RE: [backstage] Mobile tech fun, anyone?

2007-03-20 Thread Kim Plowright
 
 So... an aquaintance is organising a pervasive gaming event on the 
 south bank, and wants to run a mobile phone based game during the 
 event.

Cor, thanks for all the leads, that's extremely useful!

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RE: [backstage] HD-DVD how DRM was defeated

2007-02-26 Thread Kim Plowright

Aha!

Back in the day (about 4 years ago) BBC Web producers were measured on
Page Impressions, rather than the now current Unique Users.

On older sites you'll find a lot of areas like galleries, articles, and
quizzes that split content in to lots of subpages, and encouraged
repeated clicking.

This is not a coincidence...

(This was, however, 4 years ago, and isn't something that goes on any
more.)

 That's a slightly cynical way of looking at paginating a 
 story over several pages.
 
 A less cynical way can be explained on the subject of web usability.
 Usability experts will tell you that many users get rather 
 daunted by very long pages full of text, so the way round it 
 is to split the article over several pages.
 
 Which is the correct answer in this case, well I don't know.  
 However at the BBC we've done the latter a few times.

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RE: [backstage] Tube on Twitter

2007-02-26 Thread Kim Plowright
 And doesn't work underground on the Tube?

Despite its name, about 55% of the network is above ground.
http://en.wikipedia.org/wiki/London_Underground

 It would of course work in cities which allow mobile phone 
 use on their underground railways (e.g. Stockholm).

Coming in 2008
http://news.bbc.co.uk/1/hi/england/london/4373015.stm

:)

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RE: [backstage] A couple of things including Arrington

2007-02-23 Thread Kim Plowright
Yes - you could charactarise the US way of working as a way of
maximising ad revenue from a the diminishing halo of a brand, regardless
of whether creatively the project is still vigorous. Or, in plainer
language, flogging a dead horse.

Not to say there aren't long runs of UK stuff. My Family, for example -
a consistently excellent sitcom. Two Pints, hugely popular, long
running, long series.

But, you know, US tech bloggers, experts in UK comedy TV commissioning
patterns, aren't they? 

 Richard Hyett wrote:
  He raises perhaps inadvertantly  the old point about why we haven't 
  done many good 'Situation Comedies recently and when we do why they 
  only run for a fairly limited series.  You can't imagine Friends or 
  Cheers or MASH closing after two series.
 
 But Two series and out is a very UK way of working. Life on 
 Mars being a recent example.

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[backstage] RE: [backstage] RE: [backstage] RE: [backs tage] RE: [backstage] RE: [backstage] RE: [backstage] RE: [backstage] £1.2 billion que stion (or RE: [backstage] BBC Bias??? Click and Torrent

2007-02-13 Thread Kim Plowright
 
 (Yep - the BBC doesn't even own the Daleks...)

The BBC owns *half* the daleks - specifically, the look and visual identity. 
The estate of Terry Nation owns their behaviour. 

So - if you want to use a picture of a dalek, you approach the BBC. If you want 
said dalek to move around shouting 'Exterminate!' you deal with the Nation 
estate.

This is the case for most monsters and characters in classic Dr Who. The rights 
document detailing it all is a large beast.

(Used to work on the Dr Who website.)

K

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[backstage] RE: [backstage] RE: [backstage] RE: [backs tage] RE: [backstage] RE: [backstage] RE: [backstage] RE: [backstage] RE: [backstage ] £1.2 billion question (or RE: [backstage ] BBC Bias??? C

2007-02-13 Thread Kim Plowright
My understanding is that

- the writer writes the script, which is subject to the usual literary 
copyright rules
- the contract writers are employed under is some kind of a 
license-to-perform-and-broadcast rather than a complete buyout of everything, 
to give them long term creative control and a possible long term revenue stream 
from their creations, and to avoid paying excessive ammounts of BBC license fee 
money for 'all rights' buyout. 
- effectively, the writer still owns the 'characters'- as they're considered to 
be 'a substantial part' of the work; copyright applies to parts of works as 
well as the whole thing. 

- the people who designed the daleks were employed by the bbc, and their 
contracts of employment have a specific clause assigning copyright in all work 
done for the bbc to the bbc, even though this is covered in copyright law 
anyway.*
- the visual designs are covered by the artitic and  designs provision, plus 
the instantiation from plans in copyright law

But I am not a lawyer. You'd need to check with a rights professional to verify 
my understanding.

*BBC contracts still contain this clause, irrc. This email is BBC copyright, as 
it's being written in the course of my work, using BBC tools.  

 -Original Message-
 From: [EMAIL PROTECTED] 
 [mailto:[EMAIL PROTECTED] On Behalf Of Dave Crossland
 Sent: 13 February 2007 11:20
 To: backstage@lists.bbc.co.uk
 Subject: Re: [backstage] RE: [backstage] RE: [backstage] RE: 
 [backstage] RE: [backstage] RE: [backstage] RE: [backstage] 
 RE: [backstage] £1.2 billion question (or RE: [backstage] BBC 
 Bias??? Click and Torrents)
 
 On 13/02/07, Kim Plowright [EMAIL PROTECTED] wrote:
 
   (Yep - the BBC doesn't even own the Daleks...)
 
  The BBC owns *half* the daleks - specifically, the look and visual 
  identity. The estate of Terry Nation owns their behaviour.
 
  So - if you want to use a picture of a dalek, you approach 
 the BBC. If 
  you want said dalek to move around shouting 'Exterminate!'
  you deal with the Nation estate.
 
 Fascinating. How is it possible for 'the look' and 'the 
 behaviour' to be restricted in this way?
 
 Coming from the world of software programs, where clean room
 reimplementation of visual identity and behaviour is 
 neccessary to do anything - and why software idea patents are 
 so harmful - I am totally in the dark about how this works.
 
 The format rights that were mentioned earlier seem to be a 
 mirage, lots of handwaving about copyright and trademarks, 
 but caselaw against the idea.
 
 I cannot see how copyright can be extended in this way. 
 Please point me at URLs, or key search terms, or explain :-)
 
 --
 Regards,
 Dave
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RE: [backstage] BBC Trust reaches Provisional Conclusions on BBC on-demand proposals

2007-02-05 Thread Kim Plowright
 
In order to help me, once they are written I'm going to publish the
first chapter or two under a creative commons licence, and post it on my
website. This will also have the side benefit of telling me if anyone
else thinks I'm any good. If instead of publishing on my website, I
could submit previous short stories to the BBC for a possibility of a
reading on a BBC radio station (probably BBC 7, though I'd personally
like BBC radio 4). 


[Kim Plowright] So, here's a dumb question, that I'm going to ask anyway
because sometimes they get interesting answers.
 
Why on earth do you need the BBC for that? What does the chance at
getting a 'BBC' reading give you that, say, podcasting the chapters
yourself doesn't? 
 
What does the BBC add in that scenario? Anything more than
Legitimisation?
 
(I'm thinking of Cory Doctorow's 'publish for free and podcast for free
to drive sales' model here.)
 
(Also, I think there's a nice little idea for a site for aspiring
writers in this; and Open Source Audio Books Podcast project.)


RE: [backstage] BBC Trust reaches Provisional Conclusions on BBC on-demand proposals

2007-02-02 Thread Kim Plowright
 
  I believe that you would see some big players come forward to take 
 advantage of the service. At the same time it opens the power of the 
 BBC to lesser known artists, independent studios and even totally 
 independent artists (a bit like a book publisher who accepts
unsolicited manuscripts).
 You then give all this work away, and launch the careers  of a new 
 generation  of TV stars, who can then , in turn, charge  fees for 
 their services. A rare example of a virtuous circle.


 Great idea.  They could call it Young Filmmaker Of The Year.  Get
Michael Rodd to judge the entries.

Or maybe Film Network? That's got a nice ring to it.

http://www.bbc.co.uk/filmnetwork/

And you could do something similar for music, and call it... I dunno,
well, the bands would all be unsigned, wouldn't they?

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RE: [backstage] BBC Trust reaches Provisional Conclusions on BBC on-demand proposals

2007-02-02 Thread Kim Plowright
 Oops, hit return with finger on control at same time
http://www.bbc.co.uk/radio1/onemusic/unsigned/
The url I was trying to paste in.

The interesting thing with this kind of stuff is the editorial effort it
takes to create a compelling service for the people who are just
watching stuff in this world (the old wikipedia 1:10:100 ratio thing).
Yes, you can hand that off to the wisdom of crowds, and let the best
stuff float to the top; but if you have a genuine meritocracy with Joe
Filmmaker's unsolicited three minute short film competing with the
latest Life on Mars... Joe Filmmaker's stuff won't get seen, so he won't
necessarily get the benefit of the exposure.

Out of interest, did anyone follow the CopyBot brouhaha in Second Life?
It's a really interesting case study of Open Source philosophy meeting
regular people's creative usage on the internet...

-Original Message-
From: Kim Plowright 

 Great idea.  They could call it Young Filmmaker Of The Year.  Get
Michael Rodd to judge the entries.

Or maybe Film Network? That's got a nice ring to it.

http://www.bbc.co.uk/filmnetwork/

And you could do something similar for music, and call it... I dunno,
well, the bands would all be unsigned, wouldn't they?

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RE: [backstage] Movies Data

2007-01-31 Thread Kim Plowright
Hmn, well, the BFI is... Is it government funded? I'm not sure (checks site)

Total income remained consistent at £30.9m. Grant-in-Aid income from the UK 
Film Council, at
£14.5m, was unchanged from 2003, except that £1.33m of the 2005 grant was 
paid-over ahead of
schedule in 2004 and is shown within deferred income. Commercial and 
sponsorship income
increased from £11.6m to £13.1m. Other grants and lottery awards received in 
the year decreased
from £2.1m to £1.6m, the difference largely being attributable to specific 
one-off grants from the
late J Paul Getty, the New Opportunities Fund and TV Grants in 2002/03. In 
2003/04 £0.7m was
received to fund recording of TV programmes for the year, and the bfi received 
a £1.3m grant
from the Heritage Lottery Fund for the continuation of the restoration project 
at the Archive.

So - it's a charity half funded by the film council, which is (I think) funded 
by the DCMS. Might be a similar case to the OS? Perhaps it should be added to 
the Free our Data list :) 

http://www.bfi.org.uk/filmtvinfo/ftvdb/about.html They're actively asking for 
feedback about how to improve their database...

(Don't be too mean to them, they're a nice bunch. I used to use their library 
back in the day.)

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Robert Kerry
Sent: 31 January 2007 08:04
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Movies Data

Hi Kim,

On 30/01/07, Kim Plowright [EMAIL PROTECTED] wrote:
 BTW - stumbled across this last night
 http://www.bfi.org.uk/filmtvinfo/ftvdb/
 Might be useful, or at least somewhere to poke to open up their data, 
 too? (Did the Movies Data list get set up?)

The BFI data looks a little harder to acquire as it's not public domain 
information and would need to donated to this group.

UCLAP has been put on hold after someone from the PA contacted me and is 
currently looking to make their cinema listings available to us.
Apparently he's in talks with Ian or someone else at backstage, although UCLAP 
can be restarted if the deal falls through.


Cheers,

Rob
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RE: [backstage] platform-agnostic approach to the iPlayer

2007-01-31 Thread Kim Plowright
Read the press release, penguinista! :)
This requires the BBC to develop an alternative DRM framework to enable
users of other technology, for example, Apple and Linux, to access the
on-demand...
http://www.bbc.co.uk/bbctrust/news/press-releases/31-01-2007.html

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Dave Crossland
Sent: 31 January 2007 13:55
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] platform-agnostic approach to the iPlayer

On 31/01/07, Brian Butterworth [EMAIL PROTECTED] wrote:

 The Trust has also asked the executive to adopt a platform-agnostic 
 approach to the iPlayer. ... for example Apple Macs

What about GNU+Linux users, who are reputedly a larger userbase than OS
X users? :-)

--
Regards,
Dave
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RE: [backstage] Movies Data

2007-01-30 Thread Kim Plowright
BTW - stumbled across this last night
http://www.bfi.org.uk/filmtvinfo/ftvdb/
Might be useful, or at least somewhere to poke to open up their data,
too? (Did the Movies Data list get set up?)

Thanks for the LibraryThing tipoff from last week, too. 

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RE: [backstage] Music, (meta)data, musicbrainz and the BBC

2007-01-26 Thread Kim Plowright
I've been lurking on the Musicbrainz dev list for years; iirc, there is
some hidden category to make duets/collaborations like that resolve to
two artists.

It may well be worth finding their list archives to check we're not
about to rediscuss all of the conversations!

(Is Rob Mayhem and Chaos on here now? Hello love, if so!)

k
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of David Wood
Sent: 24 January 2007 23:47
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Music, (meta)data, musicbrainz and the BBC

I bumped into a fully fledged spec for a music ontology the other day
[http://pingthesemanticweb.com/ontology/mo/], which looks like it hit
revision 1.0 in December. Seems it's sharing your position of wanting to
work with the musicbrainz model, but also wanting to extend it to make
it more applicable to other uses (namely linking up to other
resources)...

I've only recently started looking at the musicbrainz data, but the
first thing I noticed (as seems common to other models) is the sometimes
broken assumption that the artist name of a track should resolve to an
artist entry. E.g. 'The Pogues  Kirsty McCall' is an artist entry for
'Fairytale of New York'. Whereas It'd be way more useful to have two
artist entries point to the track, and put the 'artist title' somewhere
else. iTunes provides a compromise of making 'Artist' and 'Album artist'
available to differentiate this, but this still doesn't provide the many
to one relationship that would be more semantically correct, imho.

Although my thoughts generally tend to verge towards the 'finding new
music' angle, I'd most likely  be up for points 7  8 :-)

Cheers
Dave

PS First post n'all. And I should probably come out as a BBC employee
using non-work email 'all my own/not bbc thoughts' disclaimer applies,
etc.

On 1/24/07, Michael Smethurst [EMAIL PROTECTED] wrote:
 Evening all

 BBC Audio and Music (ne Radio and Music) are about to embark on the 
 long and winding road to a better online music offering
 To this end we've been working with http://mayhem-chaos.net/blog/ of 
 http://musicbrainz.org/ to improve our music (meta)data

 So the questions to you are:
 1. Have you worked with musicbrainz data?
 2. If so what's missing from / wrong with the model (we've spotted 
 works, movements, songs as opposed to tracks, releases conflated with 
 products... maybe there's something you'd like to see in there).
 Responses from classical music geeks especially welcome!
 3. Have you worked with the musicbrainz api?
 4. If so what would you like to see there?
 5. Have you ever worked with any bbc music data (unlikely cos to the 
 best of my knowledge we've never given you any ~ sorry) 6. What music 
 related data would you like to see from the bbc?
 7. If you sat in a pub and sketched an ideal schema to describe music 
 what would it look like?
 8. Would you like to sit in a pub and sketch an ideal schema to 
 describe music? We might run to a pint...

 As a first stage we're working with Robert to expand his schema to 
 allow the modelling of classical music, live music, sessions etc 
 without alienating his community. If there's enough interest it might 
 be an excuse for a musicbrainz/backstage/bbc meetup later this year

 Sorry to be quite so open ended but if you've got an opinion on any of

 this (or anything in any way related) please scribble it here

 Cheers
 Michael

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RE: [backstage] Music, (meta)data, musicbrainz and the BBC

2007-01-26 Thread Kim Plowright
Now - an aside - Musicbrainz was set up because of Gracenote. If I
understand correctly, the dataset that Gracenote CDDB is based on was
orginally an 'open' database with information contributed by the public.
It was sold, and changed its licensing structures away from the original
open source model.
 
FreeDB was then set up, but the data isn't controlled enough, and it's
full of rubbish, dupes etc. Musicbrainz puts more control and structure
around the data, and was initially a 'cleansing' effort around FreeDb
data.




From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Richard P Edwards
Sent: 26 January 2007 01:27
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Music, (meta)data, musicbrainz and the
BBC


James, 


The 128 character description could well be the ISRC code from
the original label.
If it is, then it contains a lot of those same details, and is
unique across all manufactured CD's.
I would also be surprised if you haven't come across these
guys
http://www.gracenote.com/prof_home.html
They seem to have the Song ID database sown up.


RichE 
On 25 Jan 2007, at 16:55, James Cridland wrote:


Michael,
 
Ignoring for a while the question of why the BBC is now
looking at putting third-party music information services out of
business, and being constructive:
 
The major problem we've found working with any
third-party music data is the issue of non-standard descriptions. Take a
well-known song, which is in our system as... The Beatles: Norwegian
Wood (This bird has flown), aka Beatles, The: Norwegian Wood, for
example. Life gets harder with R.E.M.'s End of the world as we know it
(and I feel fine), since R.E.M. is also known as REM and R. E. M.
and... ooh, it's horrid. This needs fixing.
 
Secondly, working with third-party systems is a little
difficult for cleared-for-broadcast stuff. Oasis's Fsucking in the
bushes won't look great on scrolling DLS, however we do it - and
automated swear filters don't work cleverly enough. (I've added an extra
letter in there for work-safe email). 
 
The way we've ended up working with these types of
services is to have to pre-moderate everything before importing, which
is a nuisance but the only way. Easy for us, given the comparatively
small amount of music we play; harder for the Beeb, I'd guess. 
 
 
If it helps (which I doubt it will), if you go to
http://nowplaying.virginradio.co.uk/vr.js - do it in Firefox so you can
see it on-screen - you'll see the following information within a
JavaScript line: 
 
Artist name ~ artist ID ~ Track name ~ track ID ~ Live
on-air studio ~ Presenter name ~ Presenter image reference ~ short
description of show (which makes no sense right now I notice!) ~ Short
legacy web action description ~ Webcam true/false flag ~ DJ show link ~
Official artist website ~ tickets available true/false ~ 128 character
description ~ some number which probably does something 
 
I appreciate this is nothing to do with what you're
asking, but I wondered whether it was interesting to the conversation.
 
And I'm always up for a pint.
 
j
-- 
http://james.cridland.net/
http://www.virginradio.co.uk/vip/profile/bigjim/ 




RE: [backstage] Movies Data

2007-01-24 Thread Kim Plowright
You are a very very nice man.
x

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Robert Kerry
Sent: 24 January 2007 15:19
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Movies Data

 Yeah - I know that you can't do anything fun unless we can give you 
 more structured data. It's a pain working internally, too; Mark 
 Kermode's podcast is done in Radio, Film 2007 is from scotland (iirc) 
 and the interactive stuff for 5live and the podcast trial is all in a 
 completely different department to the movies website, which until 
 recently had different owners to the interactive telly service... It's

 not just you that can't make interesting stuff, it's us, too.

I'm going to try and tie this data into UCLAP in the mean time, so that
old movie data can be accessed as well as current movies and their
cinema showtimes. I'll probably cross reference titles and release date
etc using MD5 hashes. Future releases will also tie in IMDB, ASN and
other useful references so that you can link into related products and
information sites. Should have a site up for this project including the
first XML Schema this weekend, I've taken Monday and Tuesday off work to
spend time developing it as well.

:o)

Rob
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RE: [backstage] democracyplayer

2006-12-19 Thread Kim Plowright
 Maybe we should try and get more BBC managers here.
 
 How do you know there not watching this already? Seriously!

Define Managers?
Because, well, if Tom L (in charge of plan for future of bbc.co.uk), Jem
(in charge of strategy group for user generated content), Matt L (in
charge of innovation in new media), Andy C (Deputy Controller, Internet,
last time I checked) and Tony A (in charge of iplayer) aren't good
enough for ya, then... I'm not sure we're ever going to get the DG on
the list... He's a bit busy with running the BBC... :)

Watching, maybe. But are they participating? Not so far as I've seen.

Four out of those five were at the Backstage Bash, iirc. 

Besides, you don't actually *want* more managers around here, trust me -
it wouldn't help...

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RE: [backstage] Daq Syndication Update

2006-12-18 Thread Kim Plowright
 Haven't played it myself but Yahoo and O Reilly have had this out for
a couple of years now.
The Tech Buzz Game is a fantasy prediction market for high-tech
products, concepts, and trends

Always struck me as a very clever way for Yahoo! to get ahead of the
curve market information on where to invest, personally... Wisdom of
crowds, and all that...

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RE: [backstage] Video Encoder

2006-12-15 Thread Kim Plowright
FFMpeg?
(I may have misunderstood what you're after tho)
http://ffmpeg.mplayerhq.hu/
FFmpeg is a complete solution to record, convert and stream audio and
video. It includes libavcodec, the leading audio/video codec library.
FFmpeg is developed under Linux, but it can compiled under most
operating systems, including Windows.
The project is made of several components:
* ffmpeg is a command line tool to convert one video file format to
another. It also supports grabbing and encoding in real time from a TV
card. 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Davy Mitchell
Sent: 14 December 2006 22:44
To: backstage@lists.bbc.co.uk
Subject: [backstage] Video Encoder

Hi Folks,

Sorry if this is OT.

Working on a new prototype and this request might give a little away :-)
!!

Anyway I am looking for a windows video encoder (command line?) that can
take static images and spit out something video webby and also be as
lossless as possible. I've tried Google and not found anything
practical.

Free or very close to it preferably.

Thanks,
Davy

--
Davy Mitchell
Blog - http://www.latedecember.com/sites/personal/davy/
Mood News
 - BBC News Headlines Auto-Classified as   Good,   Bad or   Neutral.
 http://www.latedecember.com/sites/moodnews/
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RE: [backstage] Site statistics

2006-12-08 Thread Kim Plowright
FEES AND SERVICES . Subject to Section 15 herein, the Service is
provided without charge to You for up to 5 million pageviews per month
per account, 
http://www.google.com/analytics/tos.html
 
I'll tell you this: our volume is a wee bit more than 5m PI/month. :)
 
We do have a big internal stats package - SageAnalyst - but I don't
think it has any API potential. It's a bit of a beast - the server logs
are about 5 gb of data daily, or something
 
k



From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Richard Hyett
Sent: 08 December 2006 13:23
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Site statistics


They, the BBC could always use Google Analytics, only takes a
few minutes to set up, its free and the results can be fairly detailed.
:)

I've said it before, but I'll say it again, how the site is
used, in terms of text searches, navigation paths - through the site
-most popular pages/videos, would be as interesting as the content of
the site itself. 

Perhaps this is all available and I just haven't seen it.

Richard



On 08/12/06, Allan Jardine  [EMAIL PROTECTED]
mailto:[EMAIL PROTECTED]  wrote: 

Hello all,

Does anyone know if the BBC releases statistics such as
browser 
version/type, screen resolution and so on? It would be
very
interesting to see what these are, as bbc.co.uk is
probably a fairly
unbiased source for this type of information, unlike
w3schools.com,
which is tech skewed. I know that Martin Belam has done
a little work
on this (
http://www.currybet.net/articles/user_agents/index.php )
but these results are now a year out of date.

Many thanks,

Allan
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RE: [backstage] Second Life Event - London 13th Dec

2006-12-01 Thread Kim Plowright
I'll be there - anyone else?




From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Mario Menti
Sent: 01 December 2006 11:10
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Second Life Event - London 13th Dec


On 12/1/06, Ian Forrester [EMAIL PROTECTED]  wrote: 




I have a confirmed place, but can't make it.

Mario would you like my space? Sure I can email
them and ask them to switch in someone else.




Thanks Ian, but I've got a confirmed place as well (the
confirmation message is how I know it was full up now). S 



Oops gmail keyboard shortcuts somehow got the better of me..
sent the message before finished typing..
Just wanted to add that there may be other people on the list
interested/going, if so, let's try and hook up afterwards maybe? 

Mario.




RE: [backstage] Second Life Event - London 13th Dec

2006-12-01 Thread Kim Plowright

Oh - and I've got the Nabaztag WiFi bunny wired up so that it tells me
in RL whenever someone enters the office in SL (where there's a virtual
bunny)

Oh my god, that's fantastic! Demo! Demo on youtube immediately!




From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of David Burden
Sent: 01 December 2006 12:05
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Second Life Event - London 13th Dec



 Just wanted to add that there may be other people on
the list interested/going, if so, let's try and hook up afterwards
maybe? 

Mario.





Sure, I'm attending. 

Still haven't got round to posting my SL efforts here but a few
of the things I've done so far are plotting Google Earth KML feeds on a
globe in SL and using the Yahoo Weather RSS to create a dynamic UK
weather map ( a bit like the NOAA one. I tried to use the BBC feeds but
they didn't appear to have current data and the info appeared to be
embedded in text rather than a tag ). Have also got our chatbots working
in world so you can ask for BBC programme times etc.

Main office is at Nari 48,170, 134 and a demo area at Nari
15,240,125. IM me in-world as Corro Moseley

Oh - and I've got the Nabaztag WiFi bunny wired up so that it
tells me in RL whenever someone enters the office in SL (where there's a
virtual bunny)

David

-- 
David Burden
Daden Limited

t: +44 (0)121 247 3628
e: [EMAIL PROTECTED]
w: www.daden.co.uk
skype: daden5 
sl: nari 48,170, 134

Daden Limited is an Information 2.0 Consultancy. 



RE: [backstage] Psiphon Next Gen content

2006-11-29 Thread Kim Plowright
Heh, Second Life

Speaking of which: the list might be interested in this:
http://www.bbc.co.uk/bbcone/listings/programme.shtml?day=tuesdayservice
_id=4223FILENAME=20061205/20061205_2235_4223_3276_50 (Mn, how
broken are our listing pages? Quick, someone remind me of one of the
mashups?)

Imagine, the arts strand, is doing a piece about teh intornetz. There
are interviews with Berners Lee and Clay Shirky in there, and it's not a
bad mainstream intro to web culture. (I haven't seen the final cut yet -
feel free to point and laugh at me if I'm wrong)

In it, also, Alan Yentob visits Second Life. And starts a blog. 


Kim

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Clare OLeary
Sent: 28 November 2006 20:30
To: backstage@lists.bbc.co.uk
Subject: RE: [backstage] Psiphon  Next Gen content

Hi
Yes, actually most kids my sons age - 20 ish don't watch tv at all.
They might watch YouTube occassionally but mostly they are either
watching DVD's on their wide screen laptops, or creating their own
content with digi-cams, photoshop artwork, websites or generally out and
about listening to live music and doing their thang...
www.conduction.co.nz Sams site...

i think the most interesting group to watch is the littlies - who are
growing up with interactivity and who want to grab the mouse from when
they are 3 or 4play games, change the channel etc...

i'm writing a report at present on the nz perspective of 'tv meets you
tube'
and its pretty interesting out there - check out The Infinite Mind and
an animated live interview by John Hockenberry with Kurt Vonnegut in a
virtual studio with an interviewer and global audience...
 - parallel universe in cyberspace anyone?
http://video.google.com/videoplay?docid=-2140455044291565033

o.k. hooked now...


clare
www.evebaystudio.co.nz
www.qteam.co.nz



-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Matthew Cashmore
Sent: Wednesday, 29 November 2006 4:21 a.m.
To: backstage@lists.bbc.co.uk
Subject: RE: [backstage] Psiphon


Actually that's a really good point - hadn't thought of it that way...
We always assume that what the 'kids' to today will be the model in 10
maybe 20 years... But actually when you think about it that's not
necessarily the case... Like you when I was a teenager I spent most of
my time messing with my C64 and then later on with the NES and a few
other things - very little if any time in front of the box.

But now... 15 years later I spend a lot more time in front of the box,
but... With a laptop on my lap emailing, making sure I turn off phone
notifications in Twitter, and messing with stuff... Perhaps what we're
seeing is the end of TV as a dominant platform...

Families would sit around the wireless and listen intently, then as time
moved on Radio became a platform you listened to whilst you did
something else - passive if you like - TV has always been a sit back
technology, do nothing else just watch - now that's changing... It
doesn't mean it's dead.

m

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Andrew Bowden
Sent: 28 November 2006 15:02
To: backstage@lists.bbc.co.uk
Subject: RE: [backstage] Psiphon

 now since there are only so many hours in the day, it's pretty certain

 that TV's dominance in terms of time (and it's *hugely dominant, even 
 for kids) will be challenged - but yotube won't kill TV - it'll change

 it, just like TV changed radio, but radio listening is more popular 
 than ever.

What will be most interesting to me is what happens 20 years down the
line.  What happens to those kids who sit in front of their PCs and You
Tube now.

I wonder because I look at my own life.  Fifteen to twenty years ago, I
spent a lot of time in my room playing computer games on my
Spectrum/Atari ST/386.  I watched little television - and even less in
the main room.

Zoom forward to present day and I sit on my sofa with my widescreen TV
quite a bit.  I no longer have a joystick.  The PC sits upstairs - if
I'm on it, I'm checking emails, messing with stuff.

Behaviours change - situations change.  What is common to do at one
point in your life, will not always be so.


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RE: [backstage] Psiphon

2006-11-28 Thread Kim Plowright
I see your 'written by a Torrent site' and raise you a 'written by a
broadcaster'
http://news.bbc.co.uk/1/hi/entertainment/6168950.stm

Some 43% of Britons who watch video from the internet or on a mobile
device at least once a week said they watched less normal TV as a
result.

Sigh.
 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Ian Forrester
Sent: 27 November 2006 18:24
To: backstage@lists.bbc.co.uk
Subject: RE: [backstage] Psiphon

Its certainly interesting.

Something I was reading the other day
http://torrentfreak.com/downloading-tv-shows-leads-to-more-tv-watching/ 

Earlier this month we estimated that almost a million viewers get their
latest Lost episode through BitTorrent. TV broadcasters are now
beginning to realize that making shows available for download is helping
their business, instead of hurting it.

CBS's chief research officer David Poltrack said that online
distribution services like YouTube and BitTorrent are friends, not
foes.

Poltrack is not too keen on the paid distribution model iTunes offers
right now. He thinks that TV shows should be available for free via
ad-supported models. In a panel discussion at the Future of Television
Forum Poltrack said that if [consumers] are going to steal it, give it
to them anyway. But also make it easier to access and present it better
than YouTube or BitTorrent or anywhere else.

:)

Ian Forrester || backstage.bbc.co.uk || x83965 -Original
Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Richard P Edwards
Sent: 27 November 2006 18:07
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Psiphon

I believe that the music market place has already answered your question
Ian.
The only successful new model allows the customer to use any
authorised device to play the downloaded music on. therefore
quelling a few of the customers complaints, but still not going far
enough.
If I can already watch content on my computer, then the BBC has to
acknowledge that the same computer can travel with me, so using Geo IP
becomes a censorship which I will either find a way around, or go and
view someone else's content.
As is mentioned on today's News site, perhaps the real debate should
therefore be the other way around, how does the BBC keep its viewers.  
and why is there so much fear about losing content, when as soon as it
appears on TV it is effectively sold anyway?
I agree with Ricky Gervais, I don't think that a program loses its value
just because someone can download it. In fact, if it is good enough then
it finds a larger market place.
I understand the law completely, but as has also been affected today,
perhaps the thinking of the suits is slightly out of touch where
copyright is concerned. :-) I would love to see the BBC reverse its
thinking and engage us, as the public, in allowing much more access,
even if they have to pressure government to change the law.
There is nothing to fear :-)

On 27 Nov 2006, at 16:01, Ian Forrester wrote:

 Alright alright, I walked into the last two comments :)

 But its certainly an interesting debate, what would (we) the BBC do if

 Geo IP was so easily passed. And what would you do if it was so easy?

 I thought this might be amusing for some.
 http://blogs.opml.org/tommorris/
 2006/11/27#obviousTruthsForIdiotsInSuits

 Specially this line - Television isn't dead yet. But, for me, it's 
 lying on the ground wounded.


 Ian Forrester || backstage.bbc.co.uk || x83965 -Original
 Message-
 From: [EMAIL PROTECTED] [mailto:owner- 
 [EMAIL PROTECTED] On Behalf Of Jakob Fix
 Sent: 27 November 2006 14:54
 To: backstage@lists.bbc.co.uk
 Subject: Re: [backstage] Psiphon

 On 11/27/06, Ian Forrester [EMAIL PROTECTED] wrote:


 What happens when setting up a proxy service is as easy as running an

 application and using one is as easy as typing in a url?

 isn't that what Torpark is all about?
 http://www.torrify.com/

 --
 Jakob.
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RE: [backstage] BBC Backstage Widget Bash - Tonight 6:30pm - Digress City

2006-11-07 Thread Kim Plowright
Hmn,

You're all very quiet.

Hung over?

Kim

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RE: [backstage] SecondLife mashups are where its at?

2006-11-03 Thread Kim Plowright
Oh, dear, that makes me sound like a tit, that blogpost :-)

I think there's some *really* interesting stuff going on in SL at the
moment (Mario, Kosso, hello!) - but there's a lot of hype around the
platform, too; a lot of big companies are going a bit mental about it. I
heard someone say the other day that it's because they missed out on the
web, web2.0, podcasting, etc, they're all piling in on this
microtrend...

What makes it interesting, though, is the mashup stuff; being able to
pipe stuff in and out of these spaces easily lets the web act as a kind
of connective tissue between them; or a medium (in the petri dish
sense). Eg I wonder if someone could create a Warcraft UI addon that
showed presence data for Second Life - so you could keep your eye on two
existences at once, and show your 'virtual location' in your IM client,
for instance? And what are the implications for privacy there?

If you're interested in this area, it might be worth having a look at
some of the other possible platforms - 

metaverse
http://metaverse.sourceforge.net/
Multiverse
http://www.multiverse.net/
Or Croquet
http://www.opencroquet.org/
Iamnotacoder, these may be rubbish.

I also heartily recommend the #9 podcast from here: the Austin Game
Conference round table talk - it's a good debate about where these
spaces might go in the long run.
http://feeds.feedburner.com/metaversesessions


*well, I am a tit occasionally, but in quite a nice affable way.

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Mr I Forrester
Sent: 31 October 2006 15:37
To: BBC Backstage
Subject: [backstage] SecondLife mashups are where its at?

According to Kim, and I can hardly disagree after seeing the 3D Weather
data visualisation [2]

I also found this nice post from Knossos [3] about LL (linden scripting
language) and how Second Life will move over to MONO (open .net) soon. 
There still seems to be a reason to learning LSL because you can combine
the two now.

Anyway, there's some videos linked to Kosso's entry and there certainly
worth watching if your into Second Life scripting.

Cheers

Ian Forrester

[1] -
http://mildlydiverting.blogspot.com/2006/10/3d-weather-data-visualizatio
n-in.html
[2] -
http://www.secondlifeinsider.com/2006/10/28/3d-weather-data-visualizatio
n-in-second-life/
[3] - http://kosso.wordpress.com/2006/10/26/building-reality/

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RE: Take Scag: [backstage] Witty slogan and design for Backstage T-shirts

2006-11-01 Thread Kim Plowright

Backstage: You're not on the list, you're not coming in

:-)

-Original Message-
From: [EMAIL PROTECTED] on behalf of Jakob Fix
Sent: Tue 31/10/2006 15:21
To: backstage@lists.bbc.co.uk
Subject: Re: Take Scag: [backstage] Witty slogan and design for Backstage 
T-shirts
 
On 10/31/06, James Boardwell [EMAIL PROTECTED] wrote:
 playing on the whole theatrical metaphor:

or how about a FULL ACCESS backstage pass/t-shirt?

-- 
cheers,
Jakob.
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winmail.dat

RE: [backstage] A sekrit from Virgin Radio

2006-10-30 Thread Kim Plowright



Id be interested to know the technical 
set-up behind Virgin and the BBCs last.fm pages though (i.e. how the track data 
gets from the playout system to the last.fm page)  Id gather its not as 
simple ashooking up the 
last.fm player to whatever you use for your playout  I use the audioscrobbler 
plugin for Winamp but Id gather your set-up(s) are somewhat more complex than 
mine!

  
  We have asuper lady called Elsie who types out in 
  tripliacte the names of all of the beat combos as they play out from '78. The 
  Pink copy is filed with the BH librarians, who stamp the counterfoil and 
  authorise the T109-D form procedure; the yellow copy is sent to theMusic 
  (modern, repetitive)Playout Reporting Unit (third class) for record 
  keeping; the blue copy isthen sent via registered post to the 
  BBC's ENIAC installation in Surrey, from where it is set out to 'the 
  Last.fm internet reception station'via a series of 
  tubes.
  
  Look - there's a picture of her at the bottom of this page: http://www.bbc.co.uk/heritage/story/ww2/lifebbc.shtml


RE: [backstage] Newssniffer - BBC News site monitoring

2006-10-26 Thread Kim Plowright



Please excuse 
my interruption, but I would in all cases expect the original author to be 
accountable.

You're absolutely right; the 
original author/publisher would of course be accountable, but, IIRC, under UK 
libel law is is acceptable for the plaintiff to *also* sue any additional 
publications who repeated or reported the original libel. Sorry - my one liner 
probably wasn't clear enough there; no agenda, just adding auseful bit of 
information. I'm not a lawyer - verify my often faulty memory before taking 
action based on my advice, etc.

I 
think Jem covered your other points pretty well; nothing to add there except do 
remember that the BBC folk on the list are generally good, sympatheticfolk 
who would - and do - fight very hard to defend projects like this. 


On a 
personal note; I understand the phew! after the legalese. A reasonably famous 
actor once made me cry by giving me a very soundtelling me off about the 
same wording in a blood-chit agreement...

  
  
  From: [EMAIL PROTECTED] 
  [mailto:[EMAIL PROTECTED] On Behalf Of Richard P 
  EdwardsSent: 25 October 2006 18:24To: 
  backstage@lists.bbc.co.ukSubject: Re: [backstage] Newssniffer - BBC 
  News site monitoring
  Please excuse my interruption, but I would in all cases expect the 
  original author to be accountable.
  For the complete framework of the public's and BBC's legal 
  responsibility, it is worth reading the BBC's disclaimer and House 
Rules.
  
  "You also agree to indemnify the 
  BBC against all legal fees, damages and other expenses that may be incurred by 
  the BBC as a result of your breach of the above warranty"
  
  I would suggest that Auntie has herself clearly protected, yet again. 
  but the question of before and after the fact censorship is still very 
  pertinent. I expect that someone is working hard as I type to close the path 
  of information, certainly very difficult in this case. Such a tiny idea that 
  has huge implications, hopefully to the benefit of us all.
  
  Humorously, (sic), it is the re-publication that would appear, under the 
  BBC's "perpetual, royalty-free, non-exclusive, sublicenseable right and 
  license to use, reproduce, modify, adapt, publish, translate, create 
  derivative works from, distribute, perform, play, and exercise all copyright 
  and publicity rights with respect to any such work worldwide and/or 
  incorporate it in other works in any media now known or later developed for 
  the full term of any rights that may exist in such content etc etc etc" 
  clause phew!!!, to be the reason that the site could receive a cease 
  and desist letter for using this information, sadly.
  
  
  Regards
  
  
  
  
  
  
  On 25 Oct 2006, at 11:50, Kim Plowright wrote:
  
Any 
subsequent republication of the libel is also actionable, 
though...

IANAL!

  
  
  From: 
  [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]] 
  On Behalf 
  Of Phil WinstanleySent: 25 
  October 2006 09:03To: backstage@lists.bbc.co.ukSubject: RE: 
  [backstage] Newssniffer - BBC News site monitoring
  
  
  I 
  believe its the publisher of content in Libel cases.
  
  Phil.
  
  
  
  From: 
  [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]] 
  On Behalf 
  Of Martin BelamSent: 24 
  October 2006 15:44To: backstage@lists.bbc.co.ukSubject: Re: 
  [backstage] Newssniffer - BBC News site monitoring
  
  
  As someone who used 
  to work closely with the BBC community site teams my first thought was 
  what happens when the BBC pulls posts for legal reasons, and this site 
  reproducesthem - who ends up potentially legally liable - the site 
  re-hosting the content, the BBC, or the original poster, even though they 
  didn't give explicitpermission for newssniffer to re-use the 
  content.
  
  
  
  *shuffles off to 
  consult lawyer*
  
  
  
  all the 
  best,
  
  martin
  
  http://www.currybet.net
  
  
  
  
  
  On 24/10/06, 
  Jason 
  Cartwright [EMAIL PROTECTED] 
  wrote:
  
  
  Thought 
  this might be of interest to the backstage crew:
  
  
  
  http://newssniffer.newworldodour.co.uk/articles/list_by_revision
  
  http://newssniffer.newworldodour.co.uk/bbc/threads/mostcensored
  
  J
  
  Jason 
  Cartwright
  Client 
  Side Developer -CBBC Interactive
  [EMAIL PROTECTED]
  
  Desk: 
  (0208 57) 67938
  Mobile: 
  07976500729
  
  "Recreate the world in your 
  own image and make it better for your having been he

RE: [backstage] Newssniffer - BBC News site monitoring

2006-10-25 Thread Kim Plowright



Any subsequent republication of the libel is also 
actionable, though...

IANAL!

  
  
  From: [EMAIL PROTECTED] 
  [mailto:[EMAIL PROTECTED] On Behalf Of Phil 
  WinstanleySent: 25 October 2006 09:03To: 
  backstage@lists.bbc.co.ukSubject: RE: [backstage] Newssniffer - BBC 
  News site monitoring
  
  
  I 
  believe its the publisher of content in Libel cases.
  
  Phil.
  
  
  
  From: 
  [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
  Behalf Of Martin BelamSent: 24 October 2006 15:44To: 
  backstage@lists.bbc.co.ukSubject: Re: [backstage] Newssniffer - BBC 
  News site monitoring
  
  
  As someone who used to work closely with the BBC community 
  site teams my first thought was what happens when the BBC pulls posts for 
  legal reasons, and this site reproducesthem - who ends up potentially 
  legally liable - the site re-hosting the content, the BBC, or the original 
  poster, even though they didn't give explicitpermission for 
  newssniffer to re-use the content. 
  
  
  
  *shuffles off to consult lawyer*
  
  
  
  all the best,
  
  martin
  
  http://www.currybet.net
  
  
  
  
  
  On 24/10/06, Jason Cartwright 
  [EMAIL PROTECTED] 
  wrote: 
  
  
  Thought this might 
  be of interest to the backstage crew:
  
  
  
  http://newssniffer.newworldodour.co.uk/articles/list_by_revision 
  
  
  http://newssniffer.newworldodour.co.uk/bbc/threads/mostcensored 
  
  
  J
  
  Jason 
  Cartwright
  Client Side 
  Developer -CBBC Interactive
  [EMAIL PROTECTED] 
  
  
  Desk: (0208 57) 
  67938
  Mobile: 
  07976500729
  
  "Recreate the 
  world in your own image and make it better for your having been here" - Ray 
  Bradbury
  
  
  
  


  
--receivedto:andyb.comMessageID:o8b854b5cd7704bc7af26fd2de1e9ab0a.proSenderID:[EMAIL PROTECTED]MsgSize:4k
  
  


  Thisemailandanyfilestransmittedwithitareconfidentialandintendedsolelyfortheuseoftheindividualorentitytowhomtheyareaddressed.Ifyouhavereceivedthisemailinerrorpleasenotifytheoriginatorofthemessage.Thisfooteralsoconfirmsthatthisemailmessagehasbeenscannedforthepresenceofcomputerviruses,thoughitisnotguaranteedvirusfree.OriginalRecipient:backstage@lists.bbc.co.ukOriginalSender:[EMAIL PROTECTED]OriginalSendDate:25/10/2006-09:03:26


RE: [backstage] BBC news ticker in Second Life

2006-10-24 Thread Kim Plowright



Mario

Have you seen this? Might be up your 
street...
http://www.3pointd.com/20061023/sustaining-the-metaverse-a-3pointd-think-tank/
(just saw your technorati pillars, 
nice!)

  
  
  From: [EMAIL PROTECTED] 
  [mailto:[EMAIL PROTECTED] On Behalf Of Mario 
  MentiSent: 06 October 2006 19:03To: 
  backstage@lists.bbc.co.ukSubject: Re: [backstage] BBC news ticker 
  in Second Life
  On 10/6/06, Tom Loosemore [EMAIL PROTECTED] wrote:
  
  there's 
a few news video podcasts in mp4 here (they play on QT7)http://news.bbc.co.uk/1/hi/programmes/4977678.stmnone 
really suited to news SL though (we'd need a News 24 or BBC World QT 
unicast stream), though the thought of David Dimbleby  hisQuestion 
Time guests warbling on within SL does have a warped appeal
  Yeah, I tried the newsnight one myself, and (once it had done 
  downloading) was watching Kirstie Wark on a big screen in SL earlier today :-) 
  Mario.


RE: [backstage] Flickr releases Geotagging for photos

2006-08-29 Thread Kim Plowright
Yes - It's surprisingly patchy, the different coverages isn't it? I just
tried to place some photos I took in West Africa... Has anyone ever
tried plotting the various map services on top of each other, to augment
the lowfi sectors of each? Mind you, I'm sure it would be completely
against the TOS.

(Its making Firefox a bit unhappy too - 99,852K of memory in use at the
mo... Also, it seems to place the points 20 pixels to the left of where
I want them. Gah!)

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of David Chadderton
Sent: 29 August 2006 12:41
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Flickr releases Geotagging for photos

On 29 Aug 2006, at 10:54, Ian Forrester wrote:

 I have played with it and got to say its pretty neat! but the Yahoo 
 maps data for England is not as good as Google.
 Either way, I've added some points to London already

Some data is much better. I found it impossible to plan my trip to a
major capital city on Google Earth from the green blob claiming to be
Edinburgh, but adding geotagging on Flickr last night using the Yahoo!
data, I could almost read the signs on the buildings.

David

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RE: [backstage] Feeds APIs page down again - fixed

2006-08-11 Thread Kim Plowright
Done!

kim 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Andrew McParland
Sent: 04 August 2006 15:48
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Feeds  APIs page down again - fixed

On Fri, Aug 04, 2006 at 01:17:54PM +0100, Mario Menti wrote:
 
 Since we're talking about that page, I think a link to 
 http://www0.rdthdo.bbc.co.uk/services/api/ would be in order?
 
 Cheers,
 Mario.

Yes.  And when someone with access gets a chance, it will :-)

Andrew
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RE: [backstage] Weather Feeds: these are NOT covered under the backstage terms, please do NOT use them.

2006-07-28 Thread Kim Plowright
 Kim's right, these feeds should be used outside the BBC's site and
from that perspective,

Freudian slip, Ben? :-)

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of dotBen (aka Ben
Metcalfe)
Sent: 28 July 2006 10:58
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Weather Feeds: these are NOT covered under the
backstage terms, please do NOT use them.

Hello all,

Kim's right, these feeds should be used outside the BBC's site and from
that perspective, in the morning after the night before, I realise I
probably shouldn't have posted my previous email.

I would point out that all I did was pull the urls out of the javascript
on the BBC News Website - which no doubt someone else would have done
instead if I hadn't...

...but I did indeed know that the data wasn't licensed (which is the
different to someone else doing it ) and so in the cold light of day I
realise it was a little irresponsible for me to encourage you to put the
data on your site.

Please be patient whilst the BBC continues to work out an 'official'
weather offering with the Met Office.


Cheers
Ben



On 27/07/06, Kim Plowright [EMAIL PROTECTED] wrote:
 Yeah! That was quick work, and fab, thanks, but

 Next time eh?

 Sorry!


 -Original Message-
 From: [EMAIL PROTECTED] on behalf of Phil Winstanley
 Sent: Thu 27/07/2006 20:47
 To: backstage@lists.bbc.co.uk
 Subject: RE: [backstage] Weather Feeds: these are  NOT covered under
the backstage terms, please do NOT use them.

 Ah - ignore my lat mail then. J



 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] On Behalf Of Kim Plowright
 Sent: 27 July 2006 20:18
 To: backstage@lists.bbc.co.uk
 Subject: [backstage] Weather Feeds: these are NOT covered under the 
 backstage terms, please do NOT use them.



 Hello Everyone,

 Jem is not around today, so I've been asked to put my official BBC hat

 on [1] and let you all know the situation with the weather feeds 
 referenced below.

 Here's the short version

 The weather feeds detailed below are *NOT COVERED* by the BBC 
 backstage terms.
 Please, *DO NOT* use those feeds.
 I'm *REALLY SORRY*, I know you're all frustrated by the saga of 
 getting the weather feeds to you.

 So, here's a slightly longer version.

 As you all know, the data in the weather feeds isn't actually owned by

 the BBC - the BBC has an agreement with the Met Office to use the
data.
 The good people in BBC Weather have been negotiating with the Met to 
 get this data publically available, but that's been a lengthy process.
 Obviously, we have to find an arrangement that keeps both the Met and 
 the BBC, and you lot on the list happy.

 Eventually, it was agreed in principal that the data could be released

 to backstage under a developer key system, so the Met would know who 
 was using the data and how. As the government expects them to expolit 
 their assets commercially to relieve the burden on the tax payer, this

 seems reasonable; they can tell if someone starts a commercial service

 using the non-commercial data and make them stop.

 The developer key system was a slight problem, though - there have 
 been real problems getting the system set up on the BBC 
 infrastructure. I'm not sure what the problems have been, I'm sorry, 
 but I do know that the BBC boxen are somewhat eccentric and difficult 
 to work with, and probably wanted the code in BBC 32K BASIC on punch
cards or something.
 So that's where we are.

 The availability of the data without that key system has the potential

 to really sour the BBC's relationship with the Met Office. It may well

 make negotiating further data releases really hard, both internally 
 and with other BBC partners; and might jeopardise the whole backstage 
 project. It's bigger than 'just backstage', too - it's all of the 
 BBC's weather service that could be affected.

 So - and I'm sorry to have to ask you this - please could you refrain 
 from using the feeds below.

 Kass, the lovely head developer in weather, is trying to get a 
 free-to-air 2 day with observations RSS feed up and running, but she's

 trying to do that on top of her regular stiff workload (in the same 
 way that I keep an eye on the list above my regular job, just out of 
 love for the project). Once the new backstage producer starts, then 
 hopefully they'll pick up the work on the developer key. I'll keep 
 prodding people around the organisation to keep things moving; as you 
 know, we're restructuring inside the BBC at the moment, so things are 
 rather up in the air. In the meantime, I really appreciate your 
 patience and forebearance in the face of lovely JSON feeds...

 I know this makes us look like a bunch of numpties, and I'm personally

 really sorry.

 Sorry if this sounds a bit formal, I just had to rewrite it after my 
 work webmail ate the previous draft!

 Kim

 [1] Heather coloured tweed, with a trout fishing fly in the hatband, 
 for those of you who remember

[backstage] Weather Feeds: these are NOT covered under the backstage terms, please do NOT use them.

2006-07-27 Thread Kim Plowright
Title: Weather Feeds: these are  NOT covered under the backstage terms, please do NOT use them.






Hello Everyone,

Jem is not around today, so I've been asked to put my official BBC hat on [1] and let you all know the situation with the weather feeds referenced below.

Here's the short version

The weather feeds detailed below are *NOT COVERED* by the BBC backstage terms.
Please, *DO NOT* use those feeds.
I'm *REALLY SORRY*, I know you're all frustrated by the saga of getting the weather feeds to you.

So, here's a slightly longer version.

As you all know, the data in the weather feeds isn't actually owned by the BBC - the BBC has an agreement with the Met Office to use the data. The good people in BBC Weather have been negotiating with the Met to get this data publically available, but that's been a lengthy process. Obviously, we have to find an arrangement that keeps both the Met and the BBC, and you lot on the list happy.

Eventually, it was agreed in principal that the data could be released to backstage under a developer key system, so the Met would know who was using the data and how. As the government expects them to expolit their assets commercially to relieve the burden on the tax payer, this seems reasonable; they can tell if someone starts a commercial service using the non-commercial data and make them stop.

The developer key system was a slight problem, though - there have been real problems getting the system set up on the BBC infrastructure. I'm not sure what the problems have been, I'm sorry, but I do know that the BBC boxen are somewhat eccentric and difficult to work with, and probably wanted the code in BBC 32K BASIC on punch cards or something. So that's where we are.

The availability of the data without that key system has the potential to really sour the BBC's relationship with the Met Office. It may well make negotiating further data releases really hard, both internally and with other BBC partners; and might jeopardise the whole backstage project. It's bigger than 'just backstage', too - it's all of the BBC's weather service that could be affected.

So - and I'm sorry to have to ask you this - please could you refrain from using the feeds below.

Kass, the lovely head developer in weather, is trying to get a free-to-air 2 day with observations RSS feed up and running, but she's trying to do that on top of her regular stiff workload (in the same way that I keep an eye on the list above my regular job, just out of love for the project). Once the new backstage producer starts, then hopefully they'll pick up the work on the developer key. I'll keep prodding people around the organisation to keep things moving; as you know, we're restructuring inside the BBC at the moment, so things are rather up in the air. In the meantime, I really appreciate your patience and forebearance in the face of lovely JSON feeds...

I know this makes us look like a bunch of numpties, and I'm personally really sorry.

Sorry if this sounds a bit formal, I just had to rewrite it after my work webmail ate the previous draft!

Kim

[1] Heather coloured tweed, with a trout fishing fly in the hatband, for those of you who remember.

-Original Message-
From: [EMAIL PROTECTED] on behalf of dotBen (aka Ben Metcalfe)
Sent: Thu 27/07/2006 17:44
To: backstage@lists.bbc.co.uk
Subject: [backstage] Finally, that bloody BBC Weather feed - here it is...

You'll all be pleased to hear that (probably unintentionally) the BBC
has launched complete RSS and JSON support for it's BBC Weather
service (data provided by the Met Office).

To get straight to the detail, the urls you need are as follows:

http://newsrss.bbc.co.uk/feeds/customisation/v1/weather/4581/json.js

http://newsrss.bbc.co.uk/rss/weather/4581.xml

(Where 4581 is the BBC Weather index for London. You can find out any
other code you need by searching for your city, clicking the desired
result, and identifying the id in the resulting url.)

The important point to note is that the JSON feed is technically
referenced to on the BBC site - if you dig within the _javascript_ etc -
but not explicitly referenced for third-party use. The RSS feed,
despite clearly being on the public server, is not currently
referenced from anywhere on the BBC (as far as I can see) and has been
derived from existing logic.

How this was discovered:

The BBC News website now sports a customisable pane that is powered by
JSON. A quick scan of the HTTP Headers shows that the London feed (for
example) is powered by JSON feed at:

http://newsrss.bbc.co.uk/feeds/customisation/v1/weather/4581/json.js
and the London news JSON feed:
http://newsrss.bbc.co.uk/feeds/customisation/v1/newsonline_uk_edition/england/london/json.js

Now I recognised that:

http://newsrss.bbc.co.uk/feeds/customisation/v1/newsonline_uk_edition/england/london/json.js
had some similarities to the original RSS url for the same feed:
http://newsrss.bbc.co.uk/rss/newsonline_uk_edition/england/london/rss.xml

So I used 

RE: [backstage] Weather Feeds: these are NOT covered under the backstage terms, please do NOT use them.

2006-07-27 Thread Kim Plowright
Yeah! That was quick work, and fab, thanks, but

Next time eh?

Sorry!


-Original Message-
From: [EMAIL PROTECTED] on behalf of Phil Winstanley
Sent: Thu 27/07/2006 20:47
To: backstage@lists.bbc.co.uk
Subject: RE: [backstage] Weather Feeds: these are  NOT covered under the 
backstage terms, please do NOT use them.
 
Ah - ignore my lat mail then. J

 

From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Kim Plowright
Sent: 27 July 2006 20:18
To: backstage@lists.bbc.co.uk
Subject: [backstage] Weather Feeds: these are NOT covered under the
backstage terms, please do NOT use them.

 

Hello Everyone,

Jem is not around today, so I've been asked to put my official BBC hat
on [1] and let you all know the situation with the weather feeds
referenced below.

Here's the short version

The weather feeds detailed below are *NOT COVERED* by the BBC backstage
terms.
Please, *DO NOT* use those feeds.
I'm *REALLY SORRY*, I know you're all frustrated by the saga of getting
the weather feeds to you.

So, here's a slightly longer version.

As you all know, the data in the weather feeds isn't actually owned by
the BBC - the BBC has an agreement with the Met Office to use the data.
The good people in BBC Weather have been negotiating with the Met to get
this data publically available, but that's been a lengthy process.
Obviously, we have to find an arrangement that keeps both the Met and
the BBC, and you lot on the list happy.

Eventually, it was agreed in principal that the data could be released
to backstage under a developer key system, so the Met would know who was
using the data and how. As the government expects them to expolit their
assets commercially to relieve the burden on the tax payer, this seems
reasonable; they can tell if someone starts a commercial service using
the non-commercial data and make them stop.

The developer key system was a slight problem, though - there have been
real problems getting the system set up on the BBC infrastructure. I'm
not sure what the problems have been, I'm sorry, but I do know that the
BBC boxen are somewhat eccentric and difficult to work with, and
probably wanted the code in BBC 32K BASIC on punch cards or something.
So that's where we are.

The availability of the data without that key system has the potential
to really sour the BBC's relationship with the Met Office. It may well
make negotiating further data releases really hard, both internally and
with other BBC partners; and might jeopardise the whole backstage
project. It's bigger than 'just backstage', too - it's all of the BBC's
weather service that could be affected.

So - and I'm sorry to have to ask you this - please could you refrain
from using the feeds below.

Kass, the lovely head developer in weather, is trying to get a
free-to-air 2 day with observations RSS feed up and running, but she's
trying to do that on top of her regular stiff workload (in the same way
that I keep an eye on the list above my regular job, just out of love
for the project). Once the new backstage producer starts, then hopefully
they'll pick up the work on the developer key. I'll keep prodding people
around the organisation to keep things moving; as you know, we're
restructuring inside the BBC at the moment, so things are rather up in
the air. In the meantime, I really appreciate your patience and
forebearance in the face of lovely JSON feeds...

I know this makes us look like a bunch of numpties, and I'm personally
really sorry.

Sorry if this sounds a bit formal, I just had to rewrite it after my
work webmail ate the previous draft!

Kim

[1] Heather coloured tweed, with a trout fishing fly in the hatband, for
those of you who remember.







This email and any files transmitted with it are confidential and
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RE: [backstage] Web2.0 - tennets, rules, development philosophy... I'd love you to give us some feedback

2006-07-17 Thread Kim Plowright
OK - so, the summary API/Ajax thoughts...

APIs 
- are good. We love APIs.
- They give as much benefit within an organisation - (linking up
internal systems) as they do when publically exposed (mashups)
- There are different flavours of API, and the right API should be used
for the job; always use the appropriate technology, (whilst ensuring you
can migrate to a newer more appropriate technology further down the
line??)
- APIs are the foundations of the shift to a 'service layer based world'
(anyone want to expand on that concept? It's a nice one...)

AJAX
- Is currently the best way to build responsive, in-browser application
like experiences for performing actions on data*
- AJAX is more than just a scripting language; it too can be the
'appropriate technology' for an API
- AJAX should be used when a site needs a responsive interface whilst
being mindful of graceful experience decay
- It's not magic web pixie dust - you need to design your interface for
your intended audience. Our current design patterns serve a niche.
- Is - generally speaking - operating at a layer above the API,
providing the tools for the user to manipulate the data the API offers
up (this one will get me shouted at, I think?)

HTML
- At the root of everything, standards compliant, with presentation
separate from content.


*I'm thinking, something along the lines of Ajax for what ajax does
well... Namely thing X, and flash for what flash does well, namely thing
Y. For values of Y approaching 'nice animation, games, interactive
entertainment', and X approaching 'operations on XML, dynamic sites and
databasey stuff...' But I kind of hit my technical limit in describing
X. Anyone?

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Luke Dicken
Sent: 17 July 2006 10:57
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Web2.0 - tennets, rules, development
philosophy... I'd love you to give us some feedback

Daniel Morris wrote:
 Firstly, the list seems fairly comprehensive and easy to read.
 Secondly, apologies if there are obvious answers to this email, i'm
new...
  
 How come REST API gets mentioned, but ajax doesn't? 
  
 I know ajax is an overused buzzword at the moment, but it is
 unavoidably crucial to the web2.0 push.   
 Specifically in closing the gap with desktop applications in terms of 
 application richness / responsiveness.
  
 Also, although APIs and services are mentioned, perhaps this could be 
 accented more?
 The move to a service-layer based world can be a substancial paradigm 
 shift.

 -dan

AJAX is a language/technology not an API - HTML doesn't get mentioned
either, its still a safe bet that it will be of relevance to web2.0.

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RE: [backstage] Web API down?

2006-07-17 Thread Kim Plowright



OK, by the magic of telnet and white text on a black 
screen, I've found out that the people that need to know about this do, and are 
looking in to it. Can't give you anything approaching a time it might work 
again, sorry.

  
  
  From: [EMAIL PROTECTED] 
  [mailto:[EMAIL PROTECTED] On Behalf Of David 
  BurdenSent: 17 July 2006 14:28To: 
  backstage@lists.bbc.co.ukSubject: RE: [backstage] Web API 
  down?
  
  
  I cant see it 
  either.
  
  
  
  David 
  Burden
  www.chatbots.co.uk
  
  
  
  -Original 
  Message-From: 
  [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
  On Behalf Of Kim 
  PlowrightSent: 17 July 2006 
  14:08To: 
  backstage@lists.bbc.co.ukSubject: RE: [backstage] Web API 
  down?
  
  I'm 
  seeing it internally - can anyone confirm it's dead outside the 
  firewall?
  




From: 
[EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
On Behalf Of Mario 
MentiSent: 17 July 2006 
14:00To: 
backstage@lists.bbc.co.ukSubject: [backstage] Web API 
down?
The server hosting the BBC Web API (http://www0.rdthdo.bbc.co.uk/services/api/index.html) 
seems to be unreachable.. at least from where I am. Anyone else can get to 
it, or is it currently down? 
  Cheers,Mario.


RE: [backstage] Web2.0 - tennets, rules, development philosophy... I'd love you to give us some feedback

2006-07-17 Thread Kim Plowright
This is a fantastic post, Pete, thankyou.

I can't even begin to pick a lot of it appart right now (it's gone six,
and I've had an afternoon of meetings). I think some of what you're
reacting to - and quite rightly - is that you're only seeing one tiny
part of a much bigger project, that is indeed adressing 'what we've got,
and what we can allow people to do with it'. Yes, a lot of this is
obfuscated by saying it's 'web2' - when in fact its just.. Stuff.
Content. The internet. People. I've fallen into my own trap of using a
catch all term to disguise a lot of gnarly underlying issues.

In the way of gnarly issues, they're a way from being sorted yet. But
we're working on it - and kind of from both ends. Hence the odd 'what
makes a good website?' approach.

k



-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Pete Cole
Sent: 17 July 2006 15:44
To: backstage@lists.bbc.co.uk
Subject: RE: [backstage] Web2.0 - tennets, rules, development
philosophy... I'd love you to give us some feedback

Way back in the mists of the late 20th century I attended a meeting with
someone from Factual and Learning about the Digital Curriculum - at a
time when it was still a thought. We suggested that it would be really
useful if teachers could take the content that the BBC produced and
re-arrange it to their requirements in their classroom. I suppose this
would now be called creating a mash-up. Such ideas lead to difficult
conversations about what is content, how can teachers mash-up that
content, in what circumstances etc etc. As far as I can see Jam has not
followed up on this.
 
IMHO, the BBC should not try to conform to some definition of Web 2.0
(and what is a lightweight business model - one that is short?), the BBC
should be creative and innovative with what it has got and the delivery
mechanisms at its disposal.
 
The list as presented here seems to be a list of technical things that
can be done but without reference to what those technical things are
being done to (content) and to what end (what/why/how is being
viewed/used and by whom (the audience)). It seems to me the BBC have an
aweful lot of content in an aweful lot of categories and also have an
incredibly diverse audience using a variety of reception devices.
 
What have the BBC got?
Who can use BBC content?
What do the BBC want to enable people to do with it?
What can the BBC allow people to do with it?
 
and from that:
 
How do the BBC want them to do those things?
 
For example, you might decide that you want to enable anyone to do what
ever they like. You recently ran a competition for people to design a
bbc home page, but only a mock up. A theoretical route you could go
would be for bbc.co.uk to disappear and be replaced completely by
'services'. All those competition entries wouldn't have to be mock-ups,
they could be real. Then www.bbc.co.uk might just be the BBCs own hack
at putting a face on those services. iPlayer (or whatever it is called
these days) could be just one of many apps putting a face on
downloads/streams. Back to Jam, the BBC would become a provider of
content components to all the VLEs out there (perhaps it already is).
 
On the other hand, given all the rights issues etc etc etc the BBC may
be forced to be a 'closed shop', no body can do much with much of your
content other than look at it and write comments on it. Your list will
produce an excellent, modern web site that elegantly degrades to the
capabilities of the users device and that is developed in a well managed
environment. This doesn't strike me as Web2.0, just web or in fact just
TV, the box is a browser and that is all you can use to look at it and
you can only look at it in the way it was 'broadcast'.
 
If it seems I have missed the point, I was trying to address So, I have
a kind of a list of philosophical tennets - ways that code and design
and data and content and whatnot should behave when playing nice on the
internet.
The ways that code etc should behave will depend upon what you are going
to allow; what content can be used to what end and by whom?
 
 
Pete Cole


---
On 7/14/06, Kim Plowright [EMAIL PROTECTED] wrote: 
Hi all 

As threatened, here it is.I'm part of a project internally that is
looking at what the BBC does on the web, and how that should change over
the next 3 years. As part of this, Tom Loosemore, grand paterfamilias of
this list, has asked me to come up with some 'rules of the road for web2
sites'. Nice tight brief there, you'll appreciate. 

So, I have a kind of a list of philosophical tennets - ways that code
and design and data and content and whatnot should behave when playing
nice on the internet. I'd be really interested to hear what everyone
here thinks. Am I missing things? Obviously, I'm an editorial/management
type, so some of this might be barmy. But.. What do you think? Have I
missed anything vital about ways of making sites

RE: [backstage] BBC TV API to SIMILE Timeline Mashup

2006-07-12 Thread Kim Plowright



Agreed - a lovely thing.

So... hmn. What about plotting news publication times 
against a similar timeline? Or...um, crikey, OK - Celebdaq prices graphed 
over time against mentions in news stories on bbc.co.uk? Or... blog/search 
activity around a programme name (publication times?) against instances of the 
programme on telly/radio? (I'm also wondering if you could plot a timeline 
of events in the Dr Who universe in a similar way, but I doubt the format would 
cope with temporal paradoxes...)

I'm doing an idlebit of thinking about timelines and 
chronologically sequenced information at the moment (and how 'time' might sit as 
a persistent context to the bbc site) so I'm really interested in SIMILE 
Timeline. Does anyone know of any other time period / sequencing tools or 
mashups?

I've also got an interesting bit of thinking I'd like to 
chuck out to the list for discussion about the future of the BBC on them thar 
internets, but I'll put that under a seperate email later 
today.

k

  
  
  From: [EMAIL PROTECTED] 
  [mailto:[EMAIL PROTECTED] On Behalf Of Ian 
  ForresterSent: 11 July 2006 17:27To: 
  backstage@lists.bbc.co.ukSubject: RE: [backstage] BBC TV API to 
  SIMILE Timeline Mashup
  
  That's a really good way of navigating around schedule. 
  It would be great to see other channels added to the timeline. I expect you 
  would need a way to switch channels off and on?
  Ian Forrester | BBC World Service [New Media Software 
  Engineer] 
  
  


From: [EMAIL PROTECTED] 
[mailto:[EMAIL PROTECTED] On Behalf Of David 
BurdenSent: 10 July 2006 12:44To: 
backstage@lists.bbc.co.ukSubject: [backstage] BBC TV API to 
SIMILE Timeline Mashup


The SIMILE project from MIT has 
been coming up with some great semantic web tools. Their latest is 
Timeline, a Google Maps for time and date data. Ive put together a quick 
demo using the 7 day BBC One schedule off the TV API. Would be relatively 
trivial to add in other channels (or other time data). 

http://www.daden.co.uk/timeline.html

(looks best under 
Firefox)

David

David Burden
www.chatbots.co.uk





[backstage] RE: Reboot winners: 30 June 2006

2006-07-03 Thread Kim Plowright
I'll give the relevant people a poke for you.

And please accept my general appologies on behalf of Auntie.

K

 

-Original Message-
From: Jonathan Chetwynd [mailto:[EMAIL PROTECTED] 
Sent: 02 July 2006 14:52
To: backstage@lists.bbc.co.uk
Cc: Kim Plowright
Subject: Reboot winners: 30 June 2006

Without Prejudice :-)
I'm an entrant and having worked hard, still hope to win!

Could some kind individual working for the BBC please investigate and
provide some further information?
Kim perhaps?

The winners of the Reboot competition have not been published.
It's not currently clear whether in fact the judges have been appointed,
or made their selection.

the forum:  http://www.bbc.co.uk/dna/mbpointsofview/F4170826
blog:   http://open.bbc.co.uk/reboot/blog/
and homepage:   http://open.bbc.co.uk/reboot/

have not been updated since Ben Metcalfe left the BBC on the 9th June.

There are some particularly anxious folk leaving messages on the forum.

I appreciate this is a time of transition and that delays are possible.

cheers

Jonathan Chetwynd

edited extract:
http://open.bbc.co.uk/reboot/s/terms/

The winners will be decided on or before 30 June 2006. Winners will be
informed by e-mail.

Entrants must supply full details as required and comply with all rules
to be eligible for the prizes.

Prizes unclaimed after 28 days will be deemed to have been forfeited and
the BBC reserves the right either to offer the prize to the entrant
whose name is next drawn at random, or to re-offer the prize in any
future competition on the BBC.





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RE: [backstage] Funny Story

2006-07-03 Thread Kim Plowright
5) Flash is one of the most abused web technologies in the world ever.
Disabling it by either not having it installed or using a flash-blocker
type app/extension can save a lot of
eye-bleeding pain from those crazy kooky marketing guys.

/me laughs so hard she blows coffee out of her nose.

Actually, there's a fabulous article in this month's 'Creative Review'
about how flash 8 is like, totally f'shure going to be the coolest thing
to happen to marketing in like EVAR, which goes on for three pages and
doesn't once mention accessibility.

Looks pretty though. ;-)

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RE: [backstage] tfl tube delays feed

2006-06-21 Thread Kim Plowright



No, but I can try and find out for you.

Sorry for the slow reply; backstage is kind of rudderless 
at the moment, and Ben was the man with the answers. I'll do my best to keep an 
eye on the list between my other two jobs... it shouldn't be too long before 
BenMk2 takes over the project.

Kim

  
  
  From: [EMAIL PROTECTED] 
  [mailto:[EMAIL PROTECTED] On Behalf Of Paul 
  LoweSent: 17 June 2006 12:58To: 
  backstage@lists.bbc.co.ukSubject: [backstage] tfl tube delays 
  feed
  
  
  Hi
  Any idea when the 
  feed for tfl tube delays will be coming back?
  Paul
  
  
  Get 
  Skype and call me for free.
  Paul 
  LoweDirectorwww.cyclinginstructor.com[EMAIL PROTECTED]079563792060845 009 
  5730
  i
  
  
  
  
  
  From: [EMAIL PROTECTED] 
  [mailto:[EMAIL PROTECTED] On 
  Behalf Of David BurdenSent: Friday, June 16, 2006 4:36 PMTo: backstage@lists.bbc.co.ukSubject: [backstage] BBC Web API 
  questions
  
  Couple of quick points from 
  working with the API recently:
  
  1) 
  The highlights group doesnt 
  appear to have been updated since last summer. Working properly this is a 
  really useful feature to have (like your rabbit giving you a summary of the 
  weeks best TV every Sunday night!). 
  2) 
  Trying to search by genre is about 
  the only obvious function that needs multiple calls. You have to search once 
  to convert the English term to a genre ID, then again to getMembers, then 
  again on each member to get programme times by getInfo. If you want to 
  constrain by time/channel youve got to drill down all layers for all members 
  to find out what time the programmes are, or do it in reverse and get the 
  schedule and then look up every programme to check its genre. Could the 
  API be amended to give a quicker way of doing either of 
  these?
  
  David
  
  
  
  David 
  Burden
  www.chatbots.co.uk
  
  
  


RE: [backstage] feeds with live graphics?

2006-06-12 Thread Kim Plowright
OK - IANAL, and I'm not involved with news, or the homearchive, so this
is me with the only-semi-bbc hat on.

I can't see any reference to images in news's Terms of Use etc...'Fair
Use' is unlikely to apply to images reused elsewhere; even if an image
is 'small' it is still the image; it isn't an 'insubstantial part'. It's
the difference between a thumbnail of a portrait, and a very tight crop
of someone's actual thumbnail as shown in that portrait. ;-)

Also, Fair use tends to only apply to private non-commercial excerpting
of information. From:
http://www.intellectual-property.gov.uk/faq/copyright/exceptions.htm

Yes, there are a number of exceptions to copyright that allow limited
use of copyright works without the permission of the copyright owner.
For example, limited use of works may be possible for non-commercial
research and  private study,  criticism or review, reporting current
events, judicial proceedings, teaching in  schools and other
educational establishments, not for profit  playing of sound recordings
and to help visually impaired people.

If you are copying large amounts of material and/or making multiple
copies then you may still need permission. Also, particularly where a
copyright exception covers publication of excerpts from a copyright
work, it is generally necessary to include an acknowledgement. Sometimes
more than one exception may apply to the use you are thinking of.

There are more complications, too; in particular, images used on the BBC
are often licensed from elsewhere. We-the-BBC thus don't have the rights
to allow reuse, no matter how incidental. It could, potentially,
jeopardise agreements with AP (who supply images) etc. 

But, like I say, I'm not a lawyer. 

Kim

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Jonathan Chetwynd
Sent: 12 June 2006 15:54
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] feeds with live graphics?

I believe for such small graphics fair use may apply...

have you seen:
http://www.bbc.co.uk/homearchive/
this was originally and for many months hosted here:
http://www.whitelabel.org/~matthew/bbcfront/

presumably scraped on a minute by minute basis :-)

cheers

Jonathan Chetwynd



On 12 Jun 2006, at 15:20, Graeme Mulvaney wrote:

I think the copyright issue still applies as you would be re-using the
images in your service despite the BBC having licensed them.

There must be a few thumbnails associated with each news video clip -
they show up in the viewer and on the website from time to time and
would be more relevant to the story than a stock image. Perhaps these
images could be made freely available, licensing would be less of an
issue as they'd have come from a BBC source and would probably be more
relevant to the actual story than some library images.


On 6/9/06, Jonathan Chetwynd [EMAIL PROTECTED] wrote: Graeme,

a picture of a beardy man can be used by an interested person without
reading skills to select text for a screen or text reader to read, for
example.

a feed with a link to a graphic isn't re-distribution of the graphic.

regards

Jonathan Chetwynd

On 9 Jun 2006, at 20:17, Graeme Mulvaney wrote:

Generally the images don't belong to the BBC per se, so they can't re-
distribute them.

Besides, you'd have to question the relevance of the thumbnail images
anyway :- How does a picture of a woman with a dodgy perm help you
understand that the NHS has agreed to fund an anti-cancer treatment ? or
a picture of a beardy man explain the situation in Iraq ?

If people had problems reading the text of the stories then those images
would only confuse them more.




On 6/9/06, Jonathan Chetwynd  [EMAIL PROTECTED] wrote: Where
are the feeds with live graphics?

About One in Five people in the UK is functionally illiterate**, they
need and benefit from images.

http://www.peepo.co.uk/mybbc/grab.png is how a simple css user style
sheet can transform http://news.bbc.co.uk however for the present it
would be great if a feed could provide something similar.

cheers

Jonathan Chetwynd

** http://www.lifelonglearning.co.uk/mosergroup/rep01.htm



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You can't build a reputation based on what you are going to do.




-- 
You can't build a reputation based on what you are going to do.

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RE: [backstage] Celebdaq data

2006-01-30 Thread Kim Plowright



Of 
course!

Quick 
result of the asking around: it's a nice idea, we'll look into the work 
involved. The editorial execfor the project is behind the idea. The 
technical folk went a bit white and said 'um, the code is maybe not as neat and 
tidy as it could be...'

Don't 
hold your respective breaths...

  
  
  From: [EMAIL PROTECTED] 
  [mailto:[EMAIL PROTECTED] On Behalf Of vijay 
  chopraSent: 30 January 2006 12:58To: 
  backstage@lists.bbc.co.ukSubject: Re: [backstage] Celebdaq 
  data
  
  That's a shame, thanks for askingaround though. And if it is 
  released, we'll be the first to know, right? ;-)
  
  On 30/01/06, Kim 
  Plowright [EMAIL PROTECTED] 
  wrote:
  Vijay 
- I'm not aware of any plans to open-source it, but I'm 
askingaround.


RE: [backstage] Celebdaq data

2006-01-27 Thread Kim Plowright
I shall suggest that to the editorial team - I think we wanted to keep
it a bit hidden until we know we've ironed out the bugs. But I'll give
them a poke anyway. 

 -Original Message-
 From: [EMAIL PROTECTED] 
 [mailto:[EMAIL PROTECTED] On Behalf Of Helen Emerson
 Sent: 26 January 2006 23:00
 To: backstage@lists.bbc.co.uk
 Subject: Re: [backstage] Celebdaq data
 
 Ooh! I think that's cool. I was actually playing around with 
 a bit of screen scraping the other day because I wanted to 
 make a tool for my desktop so I could watch the prices of 
 celebs when day trading. Maybe you could post it somewhere 
 the daq players will be more likely to see it? I couldn't 
 find it on the site.
 
Helen
 
 Kim Plowright wrote:
 
 Hello chaps,
 
 You all seem a bit... underwhelmed by the celebdaq game data 
 being made 
 available. Is there any extra info I can get you that would make it 
 more useful / easier to work with?
 
 http://www.bbc.co.uk/celebdaq/syndication/1/docs/
 
 http://www.bbc.co.uk/celebdaq/
 
 K
 
 
 Kim Plowright
 New Product Development SCP, BBC iDE
 
 MC1 D6 08,  Media Centre, BBC Media Village, 201 Wood Lane, 
 London, W12 
 7TQ http://www.bbc.co.uk/entertainment http://www.bbc.co.uk/drama
 
 
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[backstage] Celebdaq data

2006-01-26 Thread Kim Plowright
Hello chaps,

You all seem a bit... underwhelmed by the celebdaq game data being made
available. Is there any extra info I can get you that would make it more
useful / easier to work with? 

http://www.bbc.co.uk/celebdaq/syndication/1/docs/

http://www.bbc.co.uk/celebdaq/

K


Kim Plowright
New Product Development SCP, BBC iDE

MC1 D6 08,  Media Centre, BBC Media Village, 201 Wood Lane, London, W12
7TQ
http://www.bbc.co.uk/entertainment http://www.bbc.co.uk/drama


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[backstage] Random idea for someone - Creative Archive Clips indexing

2005-12-16 Thread Kim Plowright
http://www.bbc.co.uk/calc/radio1/
http://creative.bfi.org.uk/
http://www.channel4.com/learning/microsites/I/ideasfactory/pixnmix/index
.html

Hello,

No idea what the Creative Archive team are planning around clips. But it
stuck me that the clips that are available (in three different places)
are a bit difficult to get to, categorise, download in bulk etc.

If there's anyone out there interested in video search / social tagging
/ yadda yadda it might make an interesting start to a project?

Kim

Kim Plowright
New Product Development SCP, BBC iDE

MC1 D6 08,  Media Centre, BBC Media Village, 201 Wood Lane, London, W12
7TQ
T: +44 (0) 020 800 83413 | M: +44 (0) 7980 303 908 | F: +44 (0) 20  800
83480
http://www.bbc.co.uk/entertainment http://www.bbc.co.uk/drama


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RE: [backstage] Random idea for someone - Creative Archive Clips indexing

2005-12-16 Thread Kim Plowright
Thanks Dimitri, I will.

Alas, IANADeveloper... Just posted in case someone was thinking along
these lines and could use something to get their teeth into...

K

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Dmitry Kuchin
Sent: 16 December 2005 14:56
To: backstage@lists.bbc.co.uk
Subject: RE: [backstage] Random idea for someone - Creative Archive
Clips indexing


Take a look at my projects, http://myprogs.net, http://reader2.com and
newborn http://myfilmz.net to see if the engine behind them suits your
needs (of course after some work applied). The engine runs on PHP+MySQL.

Dima Kuchin
http://k78.info

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Kim Plowright
Sent: Friday, December 16, 2005 2:12 PM
To: backstage@lists.bbc.co.uk
Subject: [backstage] Random idea for someone - Creative Archive Clips
indexing

http://www.bbc.co.uk/calc/radio1/
http://creative.bfi.org.uk/
http://www.channel4.com/learning/microsites/I/ideasfactory/pixnmix/index
.html

Hello,

No idea what the Creative Archive team are planning around clips. But it
stuck me that the clips that are available (in three different places)
are a bit difficult to get to, categorise, download in bulk etc.

If there's anyone out there interested in video search / social tagging
/ yadda yadda it might make an interesting start to a project?

Kim

Kim Plowright
New Product Development SCP, BBC iDE

MC1 D6 08,  Media Centre, BBC Media Village, 201 Wood Lane, London, W12
7TQ
T: +44 (0) 020 800 83413 | M: +44 (0) 7980 303 908 | F: +44 (0) 20  800
83480 http://www.bbc.co.uk/entertainment http://www.bbc.co.uk/drama


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RE: [backstage] Idea: Calendar Feeds

2005-11-30 Thread Kim Plowright
Title: Message



I 
might be misunderstanding you, but what about upcoming.org? Here's their 
API
http://upcoming.org/services/api/

Don't 
think this properly synchs with anything yet, but does have event feeds as rss. 
Their recent aquisition (yahoo, i think?) suggests that someone at one of the 
big companies is thinking like this...

k

  
  -Original Message-From: 
  [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
  Behalf Of Tom PayneSent: 30 November 2005 10:40To: 
  backstage@lists.bbc.co.ukSubject: Re: [backstage] Idea: Calendar 
  FeedsThere was a proposed module for RSS - mod_event. 
  I've no idea if anything's been done about it since the spec was written (last 
  updated 2002), but it may be worth looking into. You can find the spec at
  http://web.resource.org/rss/1.0/modules/event/
  
  Tom.
  
  
  
  On 30 Nov 2005, at 10:17, Neil Roberts wrote:
  interesting idea, I can't offer much insight apart 
from while trying to find out what iCal and xCal where I came across the 
mozilla Calendar project which might point you in the right direct of what 
standards to useherehttp://www.innerjoin.org/iCalendar/import-export-xCal.htmland 
herehttp://www.mozilla.org/projects/calendar/one 
way I would love to see this applied to Beeb content would be on the along 
the lines of I missed a program on bbc 1 then I would be notified of when 
its repeated on bbc 4 say (or vice versa) ... maybe ...
On 11/30/05, David 
Burden [EMAIL PROTECTED]  
wrote:

  
  This was prompted by all the 
  recent chat about Perl Monger events, meet-ups etc (but will also relate 
  to the BBC honest!). What I would find really useful would be the ability 
  to subscribe to calendar/event feeds in the same way that I do to RSS 
  feeds. That way I could have an aggregated browser page that showed me all 
  the events that might interest me over the coming weeks. I don't want to 
  dump the stuff into Outlook as these are "might do" rather than "will do" 
  things, and anyway I want to get them from anywhere or feed them into 
  another application.
  
  In my mind I see an RSS type 
  feed, but like the RSS attributes discussion earlier it just has tags for 
  things like date time location etc. I could even 
  search the TVAnytime data for my favourite programmes and generate the 
  requisite feed and have it populate the diary for me (and warn me when I'm 
  going to miss something!).
  
  Is there such a 
  standard/application out there? I've looked at vCal but its not XML based 
  and seems old-fashioned (but widely adopted), and its unclear whether xCal 
  has made it into the real world yet. Or I could just use a different 
  namespace in a standard RSS feed I suppose.
  
  If I was going to build such 
  an app, and then encourage event organisers/media companies etc to 
  generate feeds, what would be the best standard to go for? Or is there a 
  far simpler way to do all this that I'm missing because it's getting 
  late!
  
  David
  -- Damitan mo man ang matsing, matsing pa rin.(A 
monkey dressed up is still a 
monkey.)


RE: [backstage] Where should I suggest that the BBC could their feeds?

2005-11-29 Thread Kim Plowright
GENIUS idea.

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Brian Butterworth
Sent: 28 November 2005 18:08
To: backstage@lists.bbc.co.uk
Subject: [backstage] Where should I suggest that the BBC could their
feeds?


I had a idea about BBC News's channel using these feeds...  Where should
I post it?

I was watching BBC News 24 this week and there was a feature about
sudden snow on Bodmin Moor, Cornwall.  One woman said there was nothing
on the news about it, and it occurred to me that if she was watching
News 24, she was probably right.

News 24 has a variety of Astons (graphics), but I was thinking about the
scrolling bar at the bottom of the screen.  I don't know how integrated
News 24 and BBC Online are I don't know if the scroller is driven from
one of the backstage RSS feeds, but it should be! 

This grey/blue visual bar with white text is added somewhere to the
studio output by some box of tricks - usually a PC. 

News 24 doesn't have the regional variations that BBC ONE does  - it has
always been  distributed identically to satellite, cable and Freeview.  

Sadly, as all dishes point at the same satellite, regionalisation is
unfeasible.  

On Freeview, the channel's programs are transmitted in the same digital
terrestrial multiplex that has a national or regional versions of BBC
ONE on Freeview.  It the similar on cable. 

So, my idea is to program a box of tricks to overlay a customized
RSS-fed scroller for each of the nations (Wales, Scotland, NI) and
English regional variations (for Birmingham, Manchester, Hull, Leeds,
Nottingham, Norwich, Cambridge, Bristol, Tunbridge Wells, Southampton,
Plymouth, Newcastle, Oxford, London and the Channel Islands).

So you would see your own local news, sport and weather in vision.  Then
follow with the current headlines, sport etc.

So the 6 million Freeview homes could get their local news first - with
snow
warnings where necessary!   

Where can I suggest this?



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RE: [backstage] iMP issue

2005-11-28 Thread Kim Plowright

BBC Worldwide Limited is company, wholly owned by the BBC, that sells 
BBC merchandise (e.g. video and audio recordings of BBC programmes, 
books, magazines, toys and games).

They're primarily there to hold the rights to BBC productions for
commercial exploitation - ie, for rebroadcast internationally, for DVD
release, and for repeat on non-BBC channels in the UK. They then
re-invest in the public service bit of the BBC on a
production-by-production basis; ie, putting money in if they think a
show has strong commercial potential after its public service 'free'
life. It's all a bit complicated, and I only vaguely understand the
arrangement.

And you're not wrong, Nico - the political and economic issues about the
idea would be... large.

K


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[backstage] Firefox extension competition

2005-11-23 Thread Kim Plowright
Just stumbled across this compo - write firefox extension, win tricked
up Alienware PC.
http://developer.mozilla.org/contests/extendfirefox/

Thought some of the folk here might want to give it a bash.

Kim Plowright
New Product Development SCP, BBC iDE

MC1 D6 08,  Media Centre, BBC Media Village, 201 Wood Lane, London, W12
7TQ
T: +44 (0) 020 800 83413 | M: +44 (0) 7980 303 908 | F: +44 (0) 20  800
83480
http://www.bbc.co.uk/entertainment http://www.bbc.co.uk/drama


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RE: [backstage] Mood News Update and an Idea

2005-11-15 Thread Kim Plowright
Be slightly tempted to then plumb that into a screensaver that shows you
pictures of your team's classic moments when they've won, and comforting
pictures of kittens when they're doing less well. 

You know, to cheer you up, like...


-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of David Sargeant
Sent: 14 November 2005 22:55
To: backstage@lists.bbc.co.uk
Subject: RE: [backstage] Mood News Update and an Idea


Just thinking out loud here (so feel free to ignore :-) ) but be nice to
have a sports version of mood news and let me specify which teams I like
in a positive context and which ones are good in a negative context:

England win - Positive and Good News
Australia win - Positive yet Bad News
England lose - Negative and Bad News
Australia lose - Negative yet Good News!?!

Guess it depends how you are defining good and bad...


-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Davy Mitchell
Sent: Monday, November 14, 2005 10:34 PM
To: backstage@lists.bbc.co.uk
Subject: [backstage] Mood News Update and an Idea

Hi Folks,

Just added some personalisation features to Mood News. You can specify
some keywords to track stories on which are presented in Good to Bad
order.

 http://www.latedecember.com/sites/moodnews/

Cookies and Javascript required. Also there have been numerous backend
tweaks and most of the javascript has been optimised.

Anyway while putting it together I wondered if anyone fancied taking on
this little idea... How about a Google News style page for BBC content.
It would be handy to have single customisable page to view all to
stories arranged by topics. I'd read it - promise :-)

Thanks,
Davy Mitchell

Mood News
 - BBC News Headlines Auto-Classified as   Good,   Bad or   Neutral.
 http://www.latedecember.com/sites/moodnews/

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RE: [backstage] iMP: accessibility, is the smell really that bad?

2005-11-08 Thread Kim Plowright
Because it's written entirely in standards compliant code, with CSS, so
can be rendered using a user-applied stylesheet, I think?

I've heard - and this is just on the internal bush telegraph, nothing
official, that betsie is slowly being phased out in favour of fully
accessible coding of pages. I think it's getting a bit long in the tooth
and there are load issues, but I could be wrong.

K

-Original Message-
From: Gordon Joly [mailto:[EMAIL PROTECTED] 
Sent: 08 November 2005 10:08
To: backstage@lists.bbc.co.uk
Cc: Kim Plowright; Jonathan Chetwynd
Subject: RE: [backstage] iMP: accessibility, is the smell really that
bad?




http://www.bbc.co.uk/accessibility/


Why is there no text only link on this page? There is on most pages 
on bbc.co.uk...

Feel free to use this!

http://www.recursion.co.uk/cgi-bin/betsie.cgi/www.bbc.co.uk/accessibilit
y/

No charge!

Gordo


-- 
Think Feynman/
http://pobox.com/~gordo/
[EMAIL PROTECTED]///

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RE: [backstage] iMP

2005-11-07 Thread Kim Plowright
You're *such* a terror. :-)

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Jonathan Chetwynd
Sent: 04 November 2005 16:19
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] iMP


Kim,

I'd just like to correct your suggestion that we only
execute internal candidates, in fact we're open to anybody and that is
why details are circulated on the BBC Backstage list.

There was a slight mix-up on the day they appeared, as the BBC Snuff  
team
inadvertently forgot to flag them as externally visible. Some list
members kindly made me aware of this, and the problem was fixed on the
same day.

Unfortunately the closing date for applications has now passed, so the
posts are no longer on the BBC Snuff site. However, new opportunities
are often posted in the same area, so keep an eye on it if you are
interested.

Furthermore, I must address your implication of unfairness in our
selection strategy, specifically the favouring of 'friends' over other
candidates. This is absolutely not the case, we follow a rigorous fair
selection process when firing all of our staff, and this was no
exception.

I hope this has cleared up any misunderstanding that may have occurred,
and I apologise if I was not clear in any of my previous emails about
this matter.

All the best,

~:

ps if you know what this means, please let me know, I'm only the  
designer.

Jonathan Chetwynd
Accessibility Consultant on Learning Disabilities and the Internet

29 Crimsworth Road
SW8 4RJ

020 7978 1764


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RE: [backstage] iMP: accessibility, is the smell really that bad?

2005-11-07 Thread Kim Plowright
I don't know about exactly how they've taken accessibility into account
on iMP - maybe take the question to the message board posted here
earlier? I'll ask Priya on your behalf if I see her around, though. I
can't imagine for a second it's been ignored, but I suppose there's a
possibility that they haven't completed all the work on it in the beta?

Here's some official-ly stuff about what we do:
Re accessibility in general, we do have best practice in place:
http://www.bbc.co.uk/accessibility/bbc/standards.shtml
http://www.bbc.co.uk/guidelines/newmedia/accessibility/
http://www.bbc.co.uk/accessibility/
We also work with AbilityNet on accessibility; they also run *amazing*
training courses for us, which all producers and coders in our
department went to; it's humbling watching someone surf your site with a
screenreader, certainly.
http://www.abilitynet.org.uk/

From my point of view - accessibility is always something I take in to
account; it makes sites/products more accessible to *everyone*,  not
just those who use alternative access methods. Great believer in common
sense, me...

k

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Jonathan Chetwynd
Sent: 05 November 2005 08:58
To: backstage@lists.bbc.co.uk
Subject: [backstage] iMP: accessibility, is the smell really that bad?


iMP: accessibility, is the smell really that bad?

Does anyone have links to positive reports on the accessibility of iMP?

According to: http://cms.elfden.co.uk/2005/10/18/bbc-imp-trial-part-1/

Accessibility wise it stinks. No keyboard access what so ever.

Who is responsible for accessibility at iMP and which groups  
representing people with disabilities were invited to comment? Could
this be an integral part of the BBC's regular best practice?

cheers!

Jonathan Chetwynd
Accessibility Consultant on Learning Disabilities and the Internet

29 Crimsworth Road
SW8 4RJ

020 7978 1764


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RE: [backstage] Backstage - Stagnant

2005-11-03 Thread Kim Plowright
It's also complicated by the fact that there aren't just rights in the
TV programme, there are all kind of underlying rights (ie, copyright on
things that appear in programme) that might need to be cleared as well.

Literary - a script, for drama; poetry, quotations, song lyrics, book
readings etc
Works of art - might include buildings, logos etc, plus Photographs (and
photographs of works of art have two sets of copyright...)
Stagings - I think, called grand rights - for things like choreography
etc
Music rights - both in the composition, and the performances
Typography - ie, the layout of an edition of a book, even if the
original text is out of copyright.

An interesting case in point is the Daleks - the BBC owns the rights in
the way they look, but the estate of Terry Nation owns the rights in the
character and the way they behave. So if you wanted to use the image of
a dalek you'd have to clear the rights with the BBC, but if you wanted
to animate it to make it move and go 'Exterminate!' you'd also need to
clear with the estate.

http://www.patent.gov.uk/copy/indetail/ownership.htm
Copyright in a literary, dramatic, musical or artistic work (including
a photograph) lasts until 70 years after the death of the author. The
duration of copyright in a film is 70 years after the death of the last
to survive of the principal director, the authors of the screenplay and
dialogue, and the composer of any music specially created for the film.
Sound recordings are generally protected for 50 years from the year of
publication. Broadcasts are protected for 50 years and published
editions are protected for 25 years. For copyright works created outside
the UK or another country of the European Economic Area, the term of
protection may be shorter. There may also be differences for works
created before 1 January 1996.

So - even if the broadcast copyright has expired, it's no guarantee that
the underlying rights have...

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Gordon Joly
Sent: 02 November 2005 22:23
To: backstage@lists.bbc.co.uk
Cc: backstage@lists.bbc.co.uk; Andrew Bowden
Subject: RE: [backstage] Backstage - Stagnant


At 12:57 +0100 26/10/05, Andrew Bowden wrote:
   Are there old shows in your archive that have had their
  copyrights expire?  If so, there's no reason they can't be  placed 
 up right now, other then potentially bandwidth.  (To  which I'd say 
 that you should offer them via torrent -- you  keep running the 
 tracker and a single seed, and let the mob
   effect take care of the rest.)

IIRC it takes 50 years for the copyright to expire so that puts us in 
1955.


It is not a copyright issue, per se. It is a rights issue. Digital
rights.


Here is an succinct description of The duration of copyright from 
http://tyler.hrc.utexas.edu/uk.cfm

quot
The time period for copyright has grown continually longer over the 
last three centuries. Many think it is now absurdly long. In Britain 
the Copyright Act of 1842 introduced the idea of post mortem 
copyright protection; it established a copyright period of 42 years 
from the date of first publication or 7 years after the author's 
death, whichever was the longer. The Copyright Act of 1911 extended 
the period to 50 years after an author's death; and the European 
Union Directive on Term of Copyright (adopted by the UK on 1 January 
1996) further extended the standard period to 70 years p.m.a. Thus in 
2004 works by authors who died in 1934 or any year thereafter remain 
in copyright.

/quot

Gordo (born 1955)

-- 
Think Feynman/
http://pobox.com/~gordo/
[EMAIL PROTECTED]///
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RE: [backstage] Programme Archive/Message Board beta

2005-11-02 Thread Kim Plowright
That sounds great!  The prototype screen shots on Ben's website look
good 
as well (although I have to question whether John Peel may have
appeared 
in slightly more than 2 Home Truths programmes between 1993 and 2005,

what with him presenting it most of the time and all! :-) ).

Yep - I noticed this with 'How Buildings Learn' playing with the
prototype internally. Steward Brand, the presenter, was listed in the
body of the description, but *regular contributors* - eg presenters
don't appear in the cast and crew listings. Sub-optimal... 

Perhaps they're held at a higher-than-programme level, eg in some kind
of 'series' or 'brand' abstraction?

Is there a way to recognise names within the descrition texts and add to
the metadata?

(also - BBC types - is it worth pointing out 'SMEF' to the list? I think
it's available externally? I've just spent the morning discussing the
way it can be used to model programme related websites...)

K

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RE: [backstage] Timezone bug?

2005-10-31 Thread Kim Plowright
Title: Message



From 
an internal perspective

Yes! 
seperate out Series, Episode numbers and Ep Titles into clear fields. It's 
really useful if you were to use TV anytime data to populate programme support 
sites like, say, bbc.co.uk/buffy or /theoffice - and becomes really important 
for following ongoing series. It's something that the Radio Times do in a very 
patchy way.

You 
could, for instance, make a query engine that lets you build a personal schedule 
around watching a show in story order across all the various channels and 
repeats

(Ishare a house with people who can occasionally beseen 
screaming 'SPOILER!' and running from the room with their hands over their ears, 
can you tell?)

  
  -Original Message-From: 
  [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
  Behalf Of Graeme MulvaneySent: 30 October 2005 
  14:30To: backstage@lists.bbc.co.ukSubject: Re: 
  [backstage] Timezone bug?
  Looking at the synopses on sky; the episode information is usually the 
  first sentence. 
  
  On a slightly different note, is there any chance of including episode 
  numbersfor more series.. It's handy for shows like QI and 
  Bodieswhich are prepeated on different channels. 
  
  I appreciate that it makes little sense forongoing shows, but for 
  series like "Days that shook the World", which seem to pop up at random, it 
  helps to keep track of what you may have missed - and gives you an idea as to 
  when the current series will end. 
  On 10/30/05, Hywel 
  Williams [EMAIL PROTECTED] 
  wrote: 
  At 
14:23 30/10/2005, you wrote:Hello, backstagers: 
It looks like the data generator on the BBC end is having timezone 
issues -- all data I have for today (from the 20051029 tarball) is 
anhour off.For a while I thought that it was on my end, 
but no, theactual XML files get it wrong.Also, I 
noticed that at least for some shows, the time in the ProgramURL 
does not agree with the time in the PublishedStartTime by a few 
minutes.What does this difference represent?Are the 
PublishedStartTimes simplyinaccurate but look nice, or is there 
something more interesting going on?Also, rather 
unrelatedly, would it be possible to get the name of theepisode in a 
seperate element from the free-text 
descriptions? 
Thank you, -=- James 
Mastros I can't see anything wrong with the times in the data 
sets both fortoday and the 29th's tarball.Remember that 
they're all in UTC(hence the Z at the end of the time), so anything up 
until 31stOctober appears to be out of synch by an hour.I'll 
look into it in more detail tomorrow to ensure there isn't a problem, 
but at the endof the day, it's up to the end application to sort out 
daylight savings.The time difference you're seeing is the difference 
between thepublished time and the actual time the playout server was 
going toshow the programme. Sometimes programmes may start early and at 
othertimes late.More often or not, these days this is not 
accidental -prerecorded BBC television services mostly come off servers 
these days so the timing can be down to the second.Having said 
that, the figures you're seeing are only a snapshot ofthe estimated 
start times at 8am in the morning when the files 
aregenerated.These times shift and change throughout the 
day.The only "anchors" you'll notice are the 1, 6 and 10 
o'clock news on BBCOne which start at the exact time 
published.In the future, a TV-Anytime service may be broadcast along 
with atv/radio digital service or provided as a live Internet feed and 
this exact time could be used to, say start a PVR or stream 
recorder.As to separating the name - I'll look into the TV-Anytime 
standard tosee if there's a field for this (I don't recollect one) when 
I havethat hefty tome on my desk at work tomorrow.The 
synopsis provided is in fact a slightly cleaned up version of the one 
that goes out toSky and Freeview, so to extract the title from the 
synopsis, I'd haveto somehow work out which part of the text is the 
episode title.Ifthere's a pattern, it's easy to write a 
filter.Where differentschedulers do it in different ways, 
that's where it gets complicated.Hywel[EMAIL PROTECTED] 
-Sent via the backstage.bbc.co.uk discussion 
group.To unsubscribe, please visit http://backstage.bbc.co.uk/archives/2005/01/mailing_list.html 
.Unofficial list archive: http://www.mail-archive.com/backstage@lists.bbc.co.uk/-- You can't build a reputation based on what you are going 
  to do. 


RE: [backstage] Timezone bug?

2005-10-31 Thread Kim Plowright
Title: Message



[Taking this back on list as need the attention of the TV anytime 
guys]

LOL - 
If anything, I'm Ms Web Editorial - I'm a content producer with small grasp of 
technical stuff, who just happens to be reasonably good at translating technical 
stuff into useful content ideas. I've done a lot of making TV programme based 
content on bbc.co.uk, and a bit of thinking about data models for that. 


Theset-to-record from trailer isa great idea - and you're 
right, should be possible / doable. The problem is, i think, that CRID isn't 
widely used across the whole industry - i don't know if TV anytime is used by 
sky?

There's also a problem that somehow, the trails (BBC speak for trailer) 
would have to be synched with some kind ofCRID broadcasting widget. I may 
be wrong, but I think that trails are added on a very ad-hoc basis in the 
transmission suite - they can be added, swappedor removed atthe last 
second (literally!)to keep the schedules running on time, and are played 
in from digibeta. (This might be from harddisk these days... it's a year or two 
since I've chatted to anyone in TX (BBC Speak for Transmission)in the 
bar.)

Oy! 
Kingswood boys! What do you think to this, and can you explain whetherthe 
ideawould work, and what the issues are, in terms I can 
follow?

(and 
for the avoidance of doubt - I'm a lady, but I can see how you'd not necessarily 
guess... :-)

  
  -Original Message-From: Graeme Mulvaney 
  [mailto:[EMAIL PROTECTED] Sent: 31 October 2005 
  14:13To: Kim PlowrightSubject: Re: [backstage] Timezone 
  bug?
  Hi Kim,
  
  You seem to me "Mr schedule" ;)
  
  Can I ask you something...
  
  It looks like TV-Anytime supportstrailers, so I guess you can 
  annotate them them with a CRID specific to the programme, series or group 
  being advertised.
  
  What I'd like is to be able to do isto hit the green button my sky 
  remote to add whaterver is being trailed to my personal planner. 
  
  Do you think this would be feasible at some point ? It's a pain in the 
  neck when you trail a programme that is being prepeated lateron another 
  channel.
  
  Graeme
  On 10/31/05, Kim 
  Plowright [EMAIL PROTECTED] 
  wrote: 
  
From an internal 
perspective

Yes! seperate out Series, 
Episode numbers and Ep Titles into clear fields. It's really useful if you 
were to use TV anytime data to populate programme support sites like, say, 
bbc.co.uk/buffy or 
/theoffice - and becomes really important for following ongoing series. It's 
something that the Radio Times do in a very patchy way. 

You could, for instance, 
make a query engine that lets you build a personal schedule around watching 
a show in story order across all the various channels and repeats 


(Ishare a house with 
people who can occasionally beseen screaming 'SPOILER!' and running 
from the room with their hands over their ears, can you tell?) 


  
  -Original 
  Message-From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]] On Behalf Of 
  Graeme MulvaneySent: 30 October 2005 14:30To: backstage@lists.bbc.co.ukSubject: Re: 
  [backstage] Timezone bug?
  Looking at the synopses on sky; the episode information is usually 
  the first sentence. 
  
  On a slightly different note, is there any chance of including 
  episode numbersfor more series.. It's handy for shows like QI and 
  Bodieswhich are prepeated on different channels. 
  
  I appreciate that it makes little sense forongoing shows, but 
  for series like "Days that shook the World", which seem to pop up at 
  random, it helps to keep track of what you may have missed - and gives you 
  an idea as to when the current series will end. 

  On 10/30/05, Hywel Williams  
  [EMAIL PROTECTED] wrote: 
  
At 14:23 30/10/2005, you 
wrote:Hello, backstagers: It looks like the 
data generator on the BBC end is having timezone issues -- all 
data I have for today (from the 20051029 tarball) is an hour 
off.For a while I thought that it was on my end, but no, 
theactual XML files get it wrong.Also, I noticed 
that at least for some shows, the time in the ProgramURL does 
not agree with the time in the PublishedStartTime by a few minutes. 
What does this difference represent?Are the 
PublishedStartTimes simplyinaccurate but look nice, or is there 
something more interesting going on?Also, rather 
unrelatedly, would it be possible to get the name of the episode 
in a seperate element from the free-text 
descriptions? 
Thank you, -=- 
James Mastros I can't see anything wrong with the times in 
the data sets both fortoday and the 29th's 
tarball.Remember that they're all in UTC(hence the Z at 
the end of the time), so anything 

RE: [backstage] other ways of working ?

2005-10-27 Thread Kim Plowright

From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Matt Biddulph
Sent: 27 October 2005 15:24
Who says the BBC has to host it? Isn't this a community? I bet it'd  
happen a lot faster if some philanthropist just put it up on a server  
and pointed everyone on the list to it.

Ah yes. I have my BBC jobsworth hat on again. Sorry.
/me puts on common sense hat instead
Lets coordinate it somehow tho, so we don't get two hundred overnight?

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RE: [backstage] Backstage - Stagnant

2005-10-26 Thread Kim Plowright
Title: Message



I 
think a key thing is feedback - and this needs to happen quickly to keep the 
flow of conversation / development going.

Hmn, 
yeah, sorry. I think Ben's holiday came at a slightlyunfortunate time, 
bless his cybergoth socks. Come home, Ben!

We 
(bbc and nonbbc folk) aren't wonderful about giving feedback on people's 
prototypes on the list. Does anyone want to volunteer up something to chew 
over?

Also - 
what about an open 'ideas' conversation on list? A bit of general chat about one 
of Tom's Topics might help us all spark off each other? As a non-coder I'm 
always happy to look over stuff and provide the'why don't you think about 
it in this completely impossible to impliment way'sort of input. I get the 
feeling that conversations tend to spin off between individuals rather than 
staying on-list and providing grist to all...

There 
may be some more stuff being released from our department (drama and 
entertainment) to you lot soon. I'll poke our chaps at this 
end...

I'll 
also try and write a similar thought-provoking bit to Tom to try and get some 
non-factual ideas kicking around...

k

  
  -Original Message-From: 
  [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
  Behalf Of Leo LapworthSent: 26 October 2005 08:53To: 
  backstage@lists.bbc.co.ukSubject: Re: [backstage] Backstage - 
  Stagnant
  
  On 26 Oct 2005, at 02:23, Tom Loosemore wrote:
  
- Any radical innovation in PVR EPGs. I'd love to hear from anyone 
playing with Digital TV  Radio - be that with Freeview versions of the 
MythTV open source EPG or Topsfield 5800s ( see http://www.toppy.org.uk/ ) The 
pandora/promise.tv 7-day PVR started life as a Myth TV-based prototype we 
commissioned (see http://www.promise.tv 
) In short, bring internet thinking 
to Digital TV  radio - it's fun, and the collision between the two worlds 
is bound to lead to some tasty new stuff 
  emerging.
  Isn't that http://www.mightyv.com/, 
  at least a start of that ?
  
  We already work with eyeTV and have plans for others (maybe a MythTV 
  plugin), in fact we have lots of ideas, but we
  want to find out about the competition results before motivating our 
  selves to take it further.
  
  I think a key thing is feedback - and this needs to happen quickly to 
  keep the flow of conversation / development going.
  
  Cheers
  
  Leo


RE: [backstage] Weather feeds

2005-10-24 Thread Kim Plowright
Title: Message



I'm 
not sure - I know there's been a lot of discussion going on behind the scenes, 
and these are the kind of HPI's I was thinking of below.

Ben 
will be able to fill us in on his return; he'll have 
theofficialline.

K

  
  -Original Message-From: 
  [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
  Behalf Of Richard PriceIs there not going to be an issue with redistributing Met office 
  data? I recently looked into getting xml weather data feeds directly 
  from the Met Office and it is by no means 
  cheap!RichardJames wrote: 
  Is it still 
the case that you get the text feeds via the Met. Office and your muching 
these to produce the XML? The Met. Office are so behind the times 
:( So much information and no innovative use of technology on thier 
website. Kim Plowright wrote: 
According to my mole in weather, the feeds are 
  ready, but awaiting Ben's return to be launched. This is assuming 
  there aren't any HPIs (horrible policy issues) that neither of us know 
  about... This is, of course, the unofficial answer! K 
  -Original Message- From: [EMAIL PROTECTED] 
  [mailto:[EMAIL PROTECTED]] 
  On Behalf Of Dogsbody Sent: 20 October 2005 15:04 To: backstage@lists.bbc.co.uk 
  Subject: Re: [backstage] Weather feeds  
  
Is there any word on when the weather feeds 
  are being released? I went  
   
  
to OpenTech 05, and I seem to recall it was 
  happening "next week"!  Oh, 
it's a long story - but I'm sorry it's been delayed and I'm hoping 
  
  we can get this out in the next 14 days or so. 
 Sorry for sending a chase but I'm 
  very interested in this feed and it's almost a month later! :-\ 
  Any news?? Thank you Dan - Sent via the 
  backstage.bbc.co.uk discussion group. To unsubscribe, please 
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-- 
Richard Price

E: [EMAIL PROTECTED]
W: www.worldofkitsch.com
   
A: 88 Faversham Avenue, Anlaby, East Yorkshire, HU4 7RE

T: 01482 571287
M: 07890 100915

World of Kitsch is a not-for-profit website with all proceeds shared between Meningitis Research and the MS Society




RE: [backstage] Weather feeds

2005-10-20 Thread Kim Plowright
According to my mole in weather, the feeds are ready, but awaiting Ben's
return to be launched. This is assuming there aren't any HPIs (horrible
policy issues) that neither of us know about...

This is, of course, the unofficial answer!

K

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Dogsbody
Sent: 20 October 2005 15:04
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Weather feeds



Is there any word on when the weather feeds are being released? I went

to OpenTech 05, and I seem to recall it was happening next week!

 Oh, it's a long story - but I'm sorry it's been delayed and I'm hoping

 we can get this out in the next 14 days or so.

Sorry for sending a chase but I'm very interested in this feed and it's
almost a 
month later! :-\  Any news??

Thank you

Dan
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RE: [backstage] CSS changes based on weather conditions

2005-10-20 Thread Kim Plowright
Ooh, ace, thanks everyone.

Really useful. 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Jakob Fix
Sent: 20 October 2005 15:24
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] CSS changes based on weather conditions


Kim,

On 20/10/05, Kim Plowright [EMAIL PROTECTED] wrote:
 Hello,

 Asking the backstage uberbrain because I'm snowed and can't find 
 anything quickly via google.

 Does anyone know of a site that changes design (via CSS) according to 
 the status of an external feed? In particular, one that changes 
 according to the local weather conditions?

 I *seem* to remember some sweet user-time based design changes 
 somewhere, but can't track them down.

Sony Vaios change background color/images according to time, IIRC. The
Sony PSP changes the background colour each month.

Mmh, not exactly what you asked, and not a product endorsement either
:-), but I was impressed at the time.

--
cheers,
Jakob.

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RE: [backstage] Developer jobs

2005-10-18 Thread Kim Plowright
Hey Jonathan,

It was a great one-liner, and made me snigger - but to be honest, jokes
about nepotism within the BBC made on a BBC hosted list are probably
going to go down like a faintly libellous bucket of cold sick. :-) [2]

Stephen's formal response is understandable under the circumstances; the
recruitment policy here is indeed set up to prevent any kind of
favouritism, and that needed pointing out. Every so often you just have
to put on your BBC hat [2]. Tedious, stuffy,  not in the spirit of the
brave new internet and all that, but necessary if one doesn't want to
get impaled by some angry folk from HR. 

All of us BBC types are in an interesting position on list, in that
we're here for fun and to take part, but we also have to walk that
awkward line between being Auntie's babies and just another listee. Bear
with our occasional humour lapses? 

You picked up the grades detail from the other mails, right?

(And hey, this is me *without* my BBC hat on, and with my list-mothering
hat [3] on, can you tell?)

Kim
[1] Note: REALLY BIG affectionate smiley here.
[2] it looks a bit like the jobsworth award from 'That's Life!', if you
remember that?
[3] pink tweed, with plastic grapes and a pheasant feather.


Kim Plowright
New Product Development SCP, BBC iDE
MC1 D6 08,  Media Centre, BBC Media Village, 201 Wood Lane, London, W12
7TQ
http://www.bbc.co.uk/entertainment http://www.bbc.co.uk/drama


-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Jonathan Chetwynd
Sent: 17 October 2005 19:58
To: backstage@lists.bbc.co.uk
Cc: Stephen Elson
Subject: Re: [backstage] Developer jobs


Stephen,

sense of humour failure isn't usually this prevalent even in the BBC.
how about an answer to the original mail: Could anyone enlighten me as
to how much grades 7D and 8D actually  
pay?

regards

Jonathan Chetwynd
Accessibility Consultant on Learning Disabilities and the Internet

29 Crimsworth Road
SW8 4RJ

020 7978 1764


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RE: [backstage] Jobs feed?

2005-10-18 Thread Kim Plowright
Ben - but he's on peregrinations around China at the mo.

It should be reasonably trivial, as iirc the jobs site is run from
(gasp!) a CMS; there might be policy issues tho. There ususally are...
:-)

Could try badgering Jem. Jem?

k

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Neil Phillips
Sent: 18 October 2005 13:44
To: backstage@lists.bbc.co.uk
Subject: [backstage] Jobs feed?


 
Hi,

I asked a while back if there were any plans to publish a bbc jobs feed
(preferably geolocated), who's the best person to badger about this ?

Cheers,

Neil

Jobble.org

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RE: [backstage] combining prototypes?

2005-10-06 Thread Kim Plowright
Help me find stuff
Then make sure that it *stays found*

Just a thought for an approach!

K
Kim Plowright
New Product Development SCP, BBC iDE

MC1 D6 08,  Media Centre, BBC Media Village, 201 Wood Lane, London, W12
7TQ
T: +44 (0) 020 800 83413 | M: +44 (0) 7980 303 908 | F: +44 (0) 20  800
83480
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-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Mario Menti
Sent: 06 October 2005 10:15
To: backstage@lists.bbc.co.uk
Subject: [backstage] combining prototypes?


Looking at the prototypes published on this list and on the backstage
site, it occured to me that by combining some of them, we may end up
with the ultimate multi-channel multi-purpose web/SMS/IM/VoIP/chatbot
tv schedule search/suggestion/comparison/reminder app (ok, the name
will need some work...)

Is anyone interested in sitting down together and discussing the
potential of integrating some of the various ideas and concepts shown in
these prototypes?

Cheers,
Mario.

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[backstage] Audioscrobbler - music data api

2005-09-28 Thread Kim Plowright
http://www.audioscrobbler.net/data/webservices/

'Lo all.

Thought you might be interested in this - the Last.fm chaps have
released an API to their data. Might work nicely in some kind of music
news mashup?

K

Kim Plowright
Project Manager, BBC iDE

http://www.bbc.co.uk/comedy http://www.bbc.co.uk/drama


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[backstage] Mapping - old images

2005-07-26 Thread Kim Plowright
Hey,

One for all you Mapping-Fu guys: via boingboing:
http://eecue.com/laautomap-index.html
1909 LA city guide, mapped to modern LA.

/wonders - how good is the location data for the People's War?
http://www.bbc.co.uk/dna/ww2/C1077 (bum, not very)

Free Idea: How about someone writing a nice app to sit on top of Google
Maps that would let the old'uns peg their memories on to the location
they took place? Should be doable, and is an interesting usability
challenge too... 

Kim Plowright
Project Manager, BBC iDE

MC1 D2 77,  Media Centre, BBC Media Village, 201 Wood Lane, London, W12
7TQ
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83480
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