[BAROQUE-LUTE] Weiss for 11c

2011-07-26 Thread Christopher Pearcy
   Dear List
   As some-one who plays exclusively the French repertory, I'm now looking
   to explore Weiss a little. Can anyone let me know what the best primary
   sources for his 11c music are? I suspect that the London ms is probably
   one - but how much of it is for 11c lute?
   Best wishes
   Chris Pearcy

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[BAROQUE-LUTE] Re: Weiss for 11c

2011-07-26 Thread Thomas Schall
   the entire Paris MS is for the 11-course lute. Charming stuff BTW
   Best wishes

   Thomas

   Am Dienstag, 26. Juli 2011, 18.06:44 schrieb Christopher Pearcy:

Dear List

As some-one who plays exclusively the French repertory, I'm now
   looking

to explore Weiss a little. Can anyone let me know what the best
   primary

sources for his 11c music are? I suspect that the London ms is
   probably

one - but how much of it is for 11c lute?

Best wishes

Chris Pearcy

   

--

   

   

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   Thomas Schall

   Doerflistrasse 2

   CH-6078 Lungern

   +41 41 678 00 79

   lauten...@lautenist.de
   --



[BAROQUE-LUTE] Re: Weiss for 11c

2011-07-26 Thread Bernd Haegemann




  the entire Paris MS is for the 11-course lute. Charming stuff BTW
  Best wishes


. there are some 5s and 6s lurking though...

(we are talking about the Weiss à Rome ms, aren't we?)

best regards
Bernd






  Thomas

  Am Dienstag, 26. Juli 2011, 18.06:44 schrieb Christopher Pearcy:

   Dear List

   As some-one who plays exclusively the French repertory, I'm now
  looking

   to explore Weiss a little. Can anyone let me know what the best
  primary

   sources for his 11c music are? I suspect that the London ms is
  probably

   one - but how much of it is for 11c lute?

   Best wishes

   Chris Pearcy

  

   --

  

  

   To get on or off this list see list information at

   http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

  --

  Thomas Schall

  Doerflistrasse 2

  CH-6078 Lungern

  +41 41 678 00 79

  lauten...@lautenist.de
  --






[BAROQUE-LUTE] Re: Weiss for 11c

2011-07-26 Thread Thomas Schall
   yes we are - the few 5 and 6 can be easily substituded.

   The newly discovered MS is 11-course, too.
   best wishes

   Thomas

   Am Dienstag, 26. Juli 2011, 21.24:22 schrieb Bernd Haegemann:

 the entire Paris MS is for the 11-course lute. Charming stuff BTW

 Best wishes

   

.. there are some 5s and 6s lurking though...

   

(we are talking about the Weiss `a Rome ms, aren't we?)

   

best regards

Bernd

   

 Thomas



 Am Dienstag, 26. Juli 2011, 18.06:44 schrieb Christopher Pearcy:

  Dear List

 

  As some-one who plays exclusively the French repertory, I'm now



 looking



  to explore Weiss a little. Can anyone let me know what the best



 primary



  sources for his 11c music are? I suspect that the London ms is



 probably



  one - but how much of it is for 11c lute?

 

  Best wishes

 

  Chris Pearcy

 

 

 

  --

 

 

 

 

 

  To get on or off this list see list information at

 

  http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



 --



 Thomas Schall



 Doerflistrasse 2



 CH-6078 Lungern



 +41 41 678 00 79



 lauten...@lautenist.de

 --

   --

   Thomas Schall

   Doerflistrasse 2

   CH-6078 Lungern

   +41 41 678 00 79

   lauten...@lautenist.de
   --



[BAROQUE-LUTE] Re: Weiss for 11c

2011-07-26 Thread Christopher Wilke
Thomas,

I guess you mean by the newly discovered manuscript the Rohrau, AKA 
Harrach.  Most of it is for 11-course lute, but it's a mixed bag and some 
movements that would be hard to play on only 11.  Some sonatas are pastiches 
of movements that were probably not intended to be played together.  The 
L'Amant Malheureux sonata is a good example.  The first two movements are for 
11-course lute, but the courant and fantasie need 13.  The last movement (which 
is a gigue version of the allemande) is back to 11 courses.  Two movements are 
based on Gallot's allemande; the rest have no particular relation to it.

Chris
 
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com


--- On Tue, 7/26/11, Thomas Schall lauten...@lautenist.de wrote:

 From: Thomas Schall lauten...@lautenist.de
 Subject: [BAROQUE-LUTE] Re: Weiss for 11c
 To: Bernd Haegemann b...@symbol4.de
 Cc: Christopher Pearcy c.pear...@uni.brighton.ac.uk, 
 baroque-lute@cs.dartmouth.edu
 Date: Tuesday, July 26, 2011, 3:33 PM
    yes we are - the
 few 5 and 6 can be easily substituded.
 
    The newly discovered MS is 11-course,
 too.
    best wishes
 
    Thomas
 
    Am Dienstag, 26. Juli 2011, 21.24:22
 schrieb Bernd Haegemann:
 
      the entire Paris MS is for the
 11-course lute. Charming stuff BTW
 
      Best wishes
 
    
 
     .. there are some 5s and 6s
 lurking though...
 
    
 
     (we are talking about the Weiss `a
 Rome ms, aren't we?)
 
    
 
     best regards
 
     Bernd
 
    
 
      Thomas
 
     
 
      Am Dienstag, 26. Juli 2011,
 18.06:44 schrieb Christopher Pearcy:
 
       Dear List
 
      
 
       As some-one who plays
 exclusively the French repertory, I'm now
 
     
 
      looking
 
     
 
       to explore Weiss a little.
 Can anyone let me know what the best
 
     
 
      primary
 
     
 
       sources for his 11c music
 are? I suspect that the London ms is
 
     
 
      probably
 
     
 
       one - but how much of it
 is for 11c lute?
 
      
 
       Best wishes
 
      
 
       Chris Pearcy
 
      
 
      
 
      
 
       --
 
      
 
      
 
      
 
      
 
      
 
       To get on or off this list
 see list information at
 
      
 
       http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 
     
 
      --
 
     
 
      Thomas Schall
 
     
 
      Doerflistrasse 2
 
     
 
      CH-6078 Lungern
 
     
 
      +41 41 678 00 79
 
     
 
      lauten...@lautenist.de
 
      --
 
    --
 
    Thomas Schall
 
    Doerflistrasse 2
 
    CH-6078 Lungern
 
    +41 41 678 00 79
 
    lauten...@lautenist.de
    --
 
 



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[BAROQUE-LUTE] Hagen

2011-07-26 Thread Roman Turovsky
Just received the new CD of Hagen lute trios with John Schneiderman (Dorian 
90907).
It is probably the first recording of chamber works with lute that is 
flattering to our instrument.

Excellent music, excellently performed and excellently recorded.
Emphatically recommended.
RT




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[BAROQUE-LUTE] Re: Weiss for 11c

2011-07-26 Thread Markus Lutz
Probably Thomas means the In Venetiis - this is 11-course music 
completely.
There we have mostly really early works of Weiss and some French works 
also, possibly from 1712 - but the date can hardly be read.


The Weiss a Rome is a much later manuscript (although some of the 
music is very early also), probably around 1740, as there is a Tombeau 
by Gebel in it and also some Chorals by Falckenhagen.


Best regards
Markus



Am 26.07.2011 21:24, schrieb Bernd Haegemann:




  the entire Paris MS is for the 11-course lute. Charming stuff BTW
  Best wishes


. there are some 5s and 6s lurking though...

(we are talking about the Weiss à Rome ms, aren't we?)

best regards
Bernd






  Thomas

  Am Dienstag, 26. Juli 2011, 18.06:44 schrieb Christopher Pearcy:

 Dear List

 As some-one who plays exclusively the French repertory, I'm now
  looking

 to explore Weiss a little. Can anyone let me know what the best
  primary

 sources for his 11c music are? I suspect that the London ms is
  probably

 one - but how much of it is for 11c lute?

 Best wishes

 Chris Pearcy



 --





 To get on or off this list see list information at

 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

  --

  Thomas Schall

  Doerflistrasse 2

  CH-6078 Lungern

  +41 41 678 00 79

  lauten...@lautenist.de
  --









[BAROQUE-LUTE] Weiss in Rome MS

2011-07-26 Thread Timothy Burris
I've spent some time with the Weiss `a Rome MS over the years, and
   find the pieces attributed to Weiss to be what one would expect of
   juvenalia. Some interesting ideas, harbingers of things to come, but
   little more than that.
   That said, I've performed the Db (i.e., d minor) Fantasia in a number
   of concerts, to good effect, and have also arranged and performed the
   Adagio/Allegro in C a number of times. The latter piece needed rather
   more editorial intervention that the former, but had its charms.
   In short, it's not a manuscript I'd recommend to someone, unless she/he
   were looking for a chance to practice editorial skills, or had
   exhausted the other 11-course sources. The pieces attributed to Weiss
   (in this MS) are worth a look and a read-through, but I find no real
   gems among them.
   My two-cents worth.
   T
   **
   Timothy Burris
   www.baroquelute.com

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