Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space-- (I really should get round to updating my email address: I'm now s.cub...@gold.ac.uk Lurker and occasional contributor, empyre remains as it has been since Melinda set it up a great resource. I'm a teacher and writer, mostly on media history, technology and ecocriticism, and on media arts, with a little curating: most recently Arte y Optica in Lima (http://espacio.fundaciontelefonica.com.pe/) The speed of dicourse is indeed the thing: there is so much to learn. Media research means a new text every night, a new technique or technology in production, distribution or consumption every six to eight months, no wonder we need to think live. We have a special challenge in our studies and thinking which is that, unlike statistical approaches, we deal in unique events (artworks, people, situations): my thoughts on this are in the excellent NECSUS journal at http://www.necsus-ejms.org/portfolio/3-spring-2013-the-green-issue/ many thanks to the organisers and community of empyre looking forward to more sean On 1 Jul 2013, at 05:11, Eduardo Navas wrote: --empyre- soft-skinned space-- I guess one becomes a lurker when one stops posting for more than a few conversations (It's been at least a few months since I've been able to post, not for lack of energy, but time). I've been part of this list for quite a few years, and want to thank Timothy, Melinda and everyone who oversees the mailing list for doing such a great job. I enjoy the conversations very much. A real asset for the history of media, for sure. Here's my short bio: Art History / Art Theory Practice / Curating / Media Theory / Information Science / Digital Humanities / Navas is the author of Remix Theory: The Aesthetics of Sampling http://www.amazon.com/Remix-Theory-The-Aesthetics-Sampling/dp/3709112621. And co-editor of the Forthcoming Routledge Companion to Remix Studies (2014). He implements methodologies of cultural analytics and digital humanities to research the crossover of art and media in culture. His production includes art media projects, critical texts, and curatorial projects. He has presented and lectured about his work and research internationally. Sites: http://navasse.net http://remixtheory.net My most recent and ongoing project: http://minimamoraliaredux.blogspot.com/ Part of the blog remixes: http://remixtheory.net/BlogRemixes/ ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--I've been following the thread all month on my phone and really appreciating the group. Unfortunately, due to kids and some relocation activity I wasn't able to compose anything before the deadline. But I'll still be lurking and appreciating enthusiastically, as long as not posting a bio doesn't kick me off the list :-/ Many thanks for a truly enriching community. Dean Dean Wilson, PhD 6 Dinh Le #56 Hanoi VN On Sun, Jun 30, 2013 at 9:45 AM, Renate Ferro r...@cornell.edu wrote: --empyre- soft-skinned space-- It has been incredibly great to read about so many of your projects. We are hoping that many of you will take this last day of June to respond to our call. Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of you this month who have shared. Thanks. Renate -- Renate Ferro Visiting Assistant Professor of Art Cornell University Department of Art, Tjaden Hall Office #420 Ithaca, NY 14853 Email: r...@cornell.edu URL: http://www.renateferro.net http://www.privatesecretspubliclies.net Lab: http://www.tinkerfactory.net Managing Co-moderator of -empyre- soft skinned space http://empyre.library.cornell.edu/ http://en.wikipedia.org/wiki/Empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space-- Wonderful forum, I'm a total lurker but a huge appreciator. I'm a media artist in Toronto, also graduate program director of a practice-based visual arts PhD at York University. I especially appreciate the discussion that sheds light on those initiatives, well-established in Australia and the UK but relatively new in North America. Sean, thanks so much for the pointer to your article - developing methods for the way we work is crucial. Nell On 2013-07-01, at 4:53 AM, Sean Cubitt wrote: --empyre- soft-skinned space-- (I really should get round to updating my email address: I'm now s.cub...@gold.ac.uk Lurker and occasional contributor, empyre remains as it has been since Melinda set it up a great resource. I'm a teacher and writer, mostly on media history, technology and ecocriticism, and on media arts, with a little curating: most recently Arte y Optica in Lima (http://espacio.fundaciontelefonica.com.pe/) The speed of dicourse is indeed the thing: there is so much to learn. Media research means a new text every night, a new technique or technology in production, distribution or consumption every six to eight months, no wonder we need to think live. We have a special challenge in our studies and thinking which is that, unlike statistical approaches, we deal in unique events (artworks, people, situations): my thoughts on this are in the excellent NECSUS journal at http://www.necsus-ejms.org/portfolio/3-spring-2013-the-green-issue/ many thanks to the organisers and community of empyre looking forward to more sean On 1 Jul 2013, at 05:11, Eduardo Navas wrote: --empyre- soft-skinned space-- I guess one becomes a lurker when one stops posting for more than a few conversations (It's been at least a few months since I've been able to post, not for lack of energy, but time). I've been part of this list for quite a few years, and want to thank Timothy, Melinda and everyone who oversees the mailing list for doing such a great job. I enjoy the conversations very much. A real asset for the history of media, for sure. Here's my short bio: Art History / Art Theory Practice / Curating / Media Theory / Information Science / Digital Humanities / Navas is the author of Remix Theory: The Aesthetics of Sampling http://www.amazon.com/Remix-Theory-The-Aesthetics-Sampling/dp/3709112621. And co-editor of the Forthcoming Routledge Companion to Remix Studies (2014). He implements methodologies of cultural analytics and digital humanities to research the crossover of art and media in culture. His production includes art media projects, critical texts, and curatorial projects. He has presented and lectured about his work and research internationally. Sites: http://navasse.net http://remixtheory.net My most recent and ongoing project: http://minimamoraliaredux.blogspot.com/ Part of the blog remixes: http://remixtheory.net/BlogRemixes/ ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space-- Long time lurker, first time contributor. Thank you Melinda and Amanda. Once in 1997 as an artist at 200 Gertrude Street, Melbourne Australia, then investigating: immersion environments with an emphasis on hybridising 3D computer worlds. Participant of the 7th ANAT National Summer school in web authoring and internet site design part of the artist collective, nervous-objects. nervous-objects is an eclectic, accidental experiment in internet artistic collaboration. They once digested bandwidth, explore notions of real-time internet conferencing and the manipulation of artistic pursuit in virtual and physical space | |Then| My main methodology has to do with an interest in a multidimensional transformative practice rather than adhering to the transcriptive language the web provides. As a functioning nervous_object these ideas also intersect within the constructs of the net-collaborations. The outcome is continual. |As with all good collectives nervous_objects no longer exists| |Today 2013| I am still unpacking the phenomenon of being in large scale interactive immersive visualization environments. These immersive settings encourage sensorial and experiential engagement by and places for visitors to create, generate and absorb a range of media afforded by presence and kinaesthetics. Research into embodied experience of IIVEs reveals new dynamics of participant co-experience with the present; the relationship between other visitors in the space and; the relationship with the agents and artefacts presented. A new real-time visitor evaluation tool, I Sho U (literally ³I Show You²), engages visitors in IIVE¹s through creative interactive visualisation to help generated new insights into the triad of dynamics between visitor, content and technology. Its early days and I am discovering aspects of proprioception, co experience, scopophilia and subjective states of Œfelt life¹. I am unpacking this phenomenon by borrowing methods of qualitative evaluation in the social sciences and design research methods for a way to describe abstract not easily to repeat experiences of visitors in visualization spaces. Mark Johnson (Lakoff Johnson 1980; Johnson 2007) propositions or Œimage-schemes¹; abstract representations of process, thinking and visualizing inform the diagrams that frame these visualization spaces. Introspection through visitor engagement mediated by design semiotics and interaction informed by the image schemes is used to ascertain visitor¹s experience. It might not stand up in the Positivist school of deportment but holistic human centred enquiry is a messy organic business. Anita Kocsis Head, Design Society and Culture Co Director Swinburne Design Factory Swinburne University of Technology http://www.swinburne.edu.au/design/design-factory/ www.swinburne.edu.au/design http://www.swinburne.edu.au/design On 7/1/13 6:53 PM, Sean Cubitt sean.cub...@unimelb.edu.au wrote: --empyre- soft-skinned space-- (I really should get round to updating my email address: I'm now s.cub...@gold.ac.uk Lurker and occasional contributor, empyre remains as it has been since Melinda set it up a great resource. I'm a teacher and writer, mostly on media history, technology and ecocriticism, and on media arts, with a little curating: most recently Arte y Optica in Lima (http://espacio.fundaciontelefonica.com.pe/) The speed of dicourse is indeed the thing: there is so much to learn. Media research means a new text every night, a new technique or technology in production, distribution or consumption every six to eight months, no wonder we need to think live. We have a special challenge in our studies and thinking which is that, unlike statistical approaches, we deal in unique events (artworks, people, situations): my thoughts on this are in the excellent NECSUS journal at http://www.necsus-ejms.org/portfolio/3-spring-2013-the-green-issue/ many thanks to the organisers and community of empyre looking forward to more sean On 1 Jul 2013, at 05:11, Eduardo Navas wrote: --empyre- soft-skinned space-- I guess one becomes a lurker when one stops posting for more than a few conversations (It's been at least a few months since I've been able to post, not for lack of energy, but time). I've been part of this list for quite a few years, and want to thank Timothy, Melinda and everyone who oversees the mailing list for doing such a great job. I enjoy the conversations very much. A real asset for the history of media, for sure. Here's my short bio: Art History / Art Theory Practice / Curating / Media Theory / Information Science / Digital Humanities / Navas is the author of Remix Theory: The Aesthetics of Sampling http://www.amazon.com/Remix-Theory-The-Aesthetics-Sampling/dp/3709112621 . And co-editor of the Forthcoming Routledge Companion to Remix Studies (2014). He implements methodologies of
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--Hi Renate and empyre, hope this is ok. cheers, paul Paul Vanouse has been working in emerging media forms since 1990. Interdisciplinarity and impassioned amateurism guide his art practice. His electronic cinema, biological experiments, and interactive installations have been exhibited in over 20 countries and widely across the US. Venues have included: Walker Art Center, Albright-Knox Art Gallery, Carnegie Museum, Andy Warhol Museum, New Museum, Museo Nacional de Bellas Artes in Buenos Aires, Louvre in Paris, Haus Der Kulturen Der Welt, Berlin, Zentrum fur Kunst und Medientechnologie in Karlsrhue, Centre de Cultura Contemporania in Barcelona, and TePapa Museum in Wellington, New Zealand. Recent solo exhibitions include: Schering Foundation in Berlin (2011), Kapelica Gallery in Ljubljana (2011), Muffathalle in Munich (2012), and Beall Center at UC Irvine, California (2013). This work has been discussed in journals including: Art Journal, Art Papers, Art News, Flash Art International, Leonardo, New Scientist, New Art Examiner, New York Times and numerous academic books on art and technology. Vanouse’s artworks have been funded by Renew Media Arts Fellowship (formerly known as Rockefeller New Media Fellowship, 2008), Creative Capital (2006), New York State Council on the Arts project grant (2000, 2005), New York Foundation for the Arts Fellowship (2002), Pennsylvania Council on the Arts project grants (94, 95, 98), PCA Fellowship (98), Mellon Charitable Trust (98), Heinz Foundation (98), Pennsylvania Humanities Council (98), Sun Microsystems equipment grant (2000), National Science Foundation (1997). He has received awards at festivals including Prix ARS Electronica (2010 and 2007) in Linz, Austria, and Vida, Art and Artificial Life competition (2002, 2011), in Madrid, Spain. Museum commissions include the Walker Art Center for “The Consensual Fantasy Engine online” (1998), and the Henry Art Gallery in Seattle for “The Relative Velocity Inscription Device” (2002). Vanouse is a Professor of Visual Studies at the University at Buffalo, NY. He has been a Senior Artist at Banff Center, Alberta, Canada (2011), Foreign Expert at Sichuan Fine Arts Institute, China (2006) Honorary Research Fellow at SymbioticA, University of Western Australia (2005), Visiting Scholar at the Center for Research and Computing in the Arts, UC San Diego (1997), and Research Fellow at the Studio for Creative Inquiry, Carnegie Mellon University (1997-2003). He holds a BFA from the University at Buffalo (1990) and an MFA from Carnegie Mellon University (1996). For the past decade, Vanouse has been specifically concerned with forcing the arcane codes of scientific communication into a broader cultural language. In The Relative Velocity Inscription Device (2002), he literally races DNA from his Jamaican-American family members, in a DNA sequencing gel, in a installation/scientific experiment that explores the relationship between early 20th Century Eugenics and late 20th Century Human Genomics. The double entendre of race highlights the obsession with “genetic fitness” within these historical endeavors. Similarly, his recent projects, “Latent Figure Protocol” (2007), “Ocular Revision” (2010) and “Suspect Inversion Center” (2012) use molecular biology techniques to challenge “genome-hype” and to confront issues surrounding DNA fingerprinting. On Jun 29, 2013, at 10:45 PM, Renate Ferro wrote: --empyre- soft-skinned space--It has been incredibly great to read about so many of your projects. We are hoping that many of you will take this last day of June to respond to our call. Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of you this month who have shared. Thanks. Renate -- Renate Ferro Visiting Assistant Professor of Art Cornell University Department of Art, Tjaden Hall Office #420 Ithaca, NY 14853 Email: r...@cornell.edu URL: http://www.renateferro.net http://www.privatesecretspubliclies.net Lab: http://www.tinkerfactory.net Managing Co-moderator of -empyre- soft skinned space http://empyre.library.cornell.edu/ http://en.wikipedia.org/wiki/Empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--Apologies for the delay from another lurker! +++ Mark Shepard is an artist, architect and researcher whose post-disciplinary practice addresses new social spaces and signifying structures of contemporary network cultures. His current research investigates the entaglements of mobile and pervasive media, communication and information technologies with everyday urban life. His current project, the Sentient City Survival Kit, is a collection of artifacts, spaces and media for survival in the near-future “sentient” city. It has been exhibited at the 13th Venice International Architecture Biennial; Ars Electronica, Linz, Austria; Transmediale, Berlin Germany; The Dutch Electronic Arts Festival (DEAF 2012), Rotterdam, the Netherlands; Haus für elektronische Künst, Basel, Switzerland; Arte.Mov Festival for Mobile Media Art, São Paulo, Brazil; Center for Architecture, New York; the International Architecture Biennial Rotterdam, the Netherlands; LABoral Center for Art and Industrial Creation, Gijon, Spain; ISEA 2010 RUHR, Dortmund Germany, and the Albright-Knox Art Gallery, Buffalo, New York. The project received an honorary mention in the Interactive Arts category of the 2011 Prix Ars Electronica and was nominated for the 2011 Transmediale Award. Recent work includes the Tactical Sound Garden [TSG], an open source software platform for cultivating virtual sound gardens in urban public space. It has been presented at museums, festivals and arts events internationally, including the Design Museum, Barcelona; The Contemporary Museum, Baltimore, Maryland; Conflux Festival 2006, Brooklyn, New York; ISEA 2006, San Jose, California; SIGGRAPH 2007, San Diego, California; Futuresonic, Manchester, UK; Sonar Festival, Barcelona, Spain; The Electronic Language International Festival – FILE 2007, São Paolo, Brazil; and the Arte.Mov Festival for Mobile Media Art, Belo Horizonte, Brazil. In 2006 he organized Architecture and Situated Technologies (with Omar Khan and Trebor Scholz), a 3-day symposium bringing together researchers and practitioners from art, architecture, technology and sociology to explore the emerging role of “situated” technologies in the design and inhabitation of the contemporary city. In the fall of 2009, he curated Toward the Sentient City, an exhibition that critically explored the evolving relationship between ubiquitous computing, architecture and urban space. Organized by the Architectural League of New York, this exhibition consisted of five newly commissioned projects by interdisciplinary teams distributed throughout New York City. He recently edited a book based on the exhibition titled Sentient City: ubiquitous computing, architecture and the future of urban space, published by MIT Press and the Architectural League of New York. He is an editor of the Situated Technologies Pamphlet Series, published by the Architectural League of New York and co-author with Adam Greenfield of the first pamphlet in the series, “Urban Computing and its Discontents.” Other publications include “Structures of Discord (After Balanchine’s Agon)” in Pro+agonist: The Art of Opposition, published by the Walker Art Center; “Surviving the Sentient City” in Inscribing a Square: Urban Data as Public Space; “Tactical Sound Garden [TSG] Toolkit”, in 306090 v.9 – Regarding Public Space, published by Princeton Architectural Press; “Situating the Device” and “working title: Industrian Pilz”, in Shark, a Journal of Poetics and Art Criticism, v.1 2; and “Extreme Informatics: Toward the De-saturated City” in Urban Informatics: The Practice and Promise of the Real-time City. Mark received an MS in Advanced Architectural Design from Columbia University; an MFA in Combined Media from Hunter College, City University of New York; and a BArch from Cornell University. He is an Associate Professor at the University at Buffalo, State University of New York, where he holds a joint appointment in the departments of Architecture and Media Study and directs the Media Arts and Architecture Program (MAAP). He was a visiting researcher with the Network Architecture Lab at Studio-X, a studio for experimental design and research run by the Graduate School of Architecture, Planning and Preservation of Columbia University, and a fellow at Eyebeam Art + Technology Center in New York. On Jun 29, 2013, at 10:45 PM, Renate Ferro r...@cornell.edu wrote: --empyre- soft-skinned space--It has been incredibly great to read about so many of your projects. We are hoping that many of you will take this last day of June to respond to our call. Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of you this month who have shared. Thanks. Renate -- Renate Ferro Visiting Assistant Professor of Art Cornell University
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--my bio as well: Nell Tenhaaf is an electronic media artist and theoretician whose practice focuses on intersections of art, science and technology, with a particular interest in the biosciences and artificial life. Her artworks integrate elements from these different fields in the form of lightbox displays and interactive sculptures. Tenhaaf recently exhibited the interactive works Push/Pull in thelivingeffect group exhibition at the Ottawa Art Gallery in Ottawa, Canada (November 2010 – January 2011) and WinWin at Paul Petro Contemporary Art in Toronto (June – July 2012). In March 2013, she delivered the lecture “When Materialities Multiply: Chaos and Promise between the Computational and Biological Arts” in the Hexagram-Concordia Centre for Research-Creation in Media Arts and Technologies Distinguished Speakers Series, in Montreal. Tenhaaf has been jury chair for the VIDA Alife art competition since its inception. On 2013-07-01, at 10:15 AM, Paul Vanouse wrote: --empyre- soft-skinned space-- Hi Renate and empyre, hope this is ok. cheers, paul Paul Vanouse has been working in emerging media forms since 1990. Interdisciplinarity and impassioned amateurism guide his art practice. His electronic cinema, biological experiments, and interactive installations have been exhibited in over 20 countries and widely across the US. Venues have included: Walker Art Center, Albright-Knox Art Gallery, Carnegie Museum, Andy Warhol Museum, New Museum, Museo Nacional de Bellas Artes in Buenos Aires, Louvre in Paris, Haus Der Kulturen Der Welt, Berlin, Zentrum fur Kunst und Medientechnologie in Karlsrhue, Centre de Cultura Contemporania in Barcelona, and TePapa Museum in Wellington, New Zealand. Recent solo exhibitions include: Schering Foundation in Berlin (2011), Kapelica Gallery in Ljubljana (2011), Muffathalle in Munich (2012), and Beall Center at UC Irvine, California (2013). This work has been discussed in journals including: Art Journal, Art Papers, Art News, Flash Art International, Leonardo, New Scientist, New Art Examiner, New York Times and numerous academic books on art and technology. Vanouse’s artworks have been funded by Renew Media Arts Fellowship (formerly known as Rockefeller New Media Fellowship, 2008), Creative Capital (2006), New York State Council on the Arts project grant (2000, 2005), New York Foundation for the Arts Fellowship (2002), Pennsylvania Council on the Arts project grants (94, 95, 98), PCA Fellowship (98), Mellon Charitable Trust (98), Heinz Foundation (98), Pennsylvania Humanities Council (98), Sun Microsystems equipment grant (2000), National Science Foundation (1997). He has received awards at festivals including Prix ARS Electronica (2010 and 2007) in Linz, Austria, and Vida, Art and Artificial Life competition (2002, 2011), in Madrid, Spain. Museum commissions include the Walker Art Center for “The Consensual Fantasy Engine online” (1998), and the Henry Art Gallery in Seattle for “The Relative Velocity Inscription Device” (2002). Vanouse is a Professor of Visual Studies at the University at Buffalo, NY. He has been a Senior Artist at Banff Center, Alberta, Canada (2011), Foreign Expert at Sichuan Fine Arts Institute, China (2006) Honorary Research Fellow at SymbioticA, University of Western Australia (2005), Visiting Scholar at the Center for Research and Computing in the Arts, UC San Diego (1997), and Research Fellow at the Studio for Creative Inquiry, Carnegie Mellon University (1997-2003). He holds a BFA from the University at Buffalo (1990) and an MFA from Carnegie Mellon University (1996). For the past decade, Vanouse has been specifically concerned with forcing the arcane codes of scientific communication into a broader cultural language. In The Relative Velocity Inscription Device (2002), he literally races DNA from his Jamaican-American family members, in a DNA sequencing gel, in a installation/scientific experiment that explores the relationship between early 20th Century Eugenics and late 20th Century Human Genomics. The double entendre of race highlights the obsession with “genetic fitness” within these historical endeavors. Similarly, his recent projects, “Latent Figure Protocol” (2007), “Ocular Revision” (2010) and “Suspect Inversion Center” (2012) use molecular biology techniques to challenge “genome-hype” and to confront issues surrounding DNA fingerprinting. On Jun 29, 2013, at 10:45 PM, Renate Ferro wrote: --empyre- soft-skinned space--It has been incredibly great to read about so many of your projects. We are hoping that many of you will take this last day of June to respond to our call. Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--I have never posted any message, but I follow with great interest what appears in Empyre. Lucia Santaella is full professor at São Paulo Catholic University (Pucsp), PhD in Literary Theory (1973-PUCSP) and in Communication Sciences (1993-São Paulo University). Head of the post-graduate program in Technologies of Intelligence and Digital Design (Pucsp), one of the honorary Presidents of the Latin-American Federation of Semiotics and member of the Argentinian Academy of Fine Arts, and President of the Charles S. Peirce Society, USA, 2007. I have published 39 books, organized 11 books, and also published around 300 articles in journals and books in Brazil and abroad. I was awarded with 3 Jabuti Prizes, for the best published books in 2002, 2009, 2011, also awarded with the Nelson Motta prize in Art and Technology (2005), and the Luis Beltrão prize for my career, 2010. Am 01.07.2013 16:15, schrieb Paul Vanouse: --empyre- soft-skinned space-- Hi Renate and empyre, hope this is ok. cheers, paul Paul Vanouse has been working in emerging media forms since 1990. Interdisciplinarity and impassioned amateurism guide his art practice. His electronic cinema, biological experiments, and interactive installations have been exhibited in over 20 countries and widely across the US. Venues have included: Walker Art Center, Albright-Knox Art Gallery, Carnegie Museum, Andy Warhol Museum, New Museum, Museo Nacional de Bellas Artes in Buenos Aires, Louvre in Paris, Haus Der Kulturen Der Welt, Berlin, Zentrum fur Kunst und Medientechnologie in Karlsrhue, Centre de Cultura Contemporania in Barcelona, and TePapa Museum in Wellington, New Zealand. Recent solo exhibitions include: Schering Foundation in Berlin (2011), Kapelica Gallery in Ljubljana (2011), Muffathalle in Munich (2012), and Beall Center at UC Irvine, California (2013). This work has been discussed in journals including: Art Journal, Art Papers, Art News, Flash Art International, Leonardo, New Scientist, New Art Examiner, New York Times and numerous academic books on art and technology. Vanouse's artworks have been funded by Renew Media Arts Fellowship (formerly known as Rockefeller New Media Fellowship, 2008), Creative Capital (2006), New York State Council on the Arts project grant (2000, 2005), New York Foundation for the Arts Fellowship (2002), Pennsylvania Council on the Arts project grants (94, 95, 98), PCA Fellowship (98), Mellon Charitable Trust (98), Heinz Foundation (98), Pennsylvania Humanities Council (98), Sun Microsystems equipment grant (2000), National Science Foundation (1997). He has received awards at festivals including Prix ARS Electronica (2010 and 2007) in Linz, Austria, and Vida, Art and Artificial Life competition (2002, 2011), in Madrid, Spain. Museum commissions include the Walker Art Center for The Consensual Fantasy Engine online (1998), and the Henry Art Gallery in Seattle for The Relative Velocity Inscription Device (2002). Vanouse is a Professor of Visual Studies at the University at Buffalo, NY. He has been a Senior Artist at Banff Center, Alberta, Canada (2011), Foreign Expert at Sichuan Fine Arts Institute, China (2006) Honorary Research Fellow at SymbioticA, University of Western Australia (2005), Visiting Scholar at the Center for Research and Computing in the Arts, UC San Diego (1997), and Research Fellow at the Studio for Creative Inquiry, Carnegie Mellon University (1997-2003). He holds a BFA from the University at Buffalo (1990) and an MFA from Carnegie Mellon University (1996). For the past decade, Vanouse has been specifically concerned with forcing the arcane codes of scientific communication into a broader cultural language. In The Relative Velocity Inscription Device (2002), he literally races DNA from his Jamaican-American family members, in a DNA sequencing gel, in a installation/scientific experiment that explores the relationship between early 20th Century Eugenics and late 20th Century Human Genomics. The double entendre of race highlights the obsession with genetic fitness within these historical endeavors. Similarly, his recent projects, Latent Figure Protocol (2007), Ocular Revision (2010) and Suspect Inversion Center (2012) use molecular biology techniques to challenge genome-hype and to confront issues surrounding DNA fingerprinting. On Jun 29, 2013, at 10:45 PM, Renate Ferro wrote: --empyre- soft-skinned space--It has been incredibly great to read about so many of your projects. We are hoping that many of you will take this last day of June to respond to our call. Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of you this month who have shared. Thanks. Renate -- Renate Ferro Visiting Assistant Professor of Art Cornell
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--*aristide antonas* Greek writer, holds a Ph.D. in Philosophy from the University of Paris X. Based in Athens and Berlin, he is principal at the architectural studio “Antonas Office”, nominee for a Mies Van der Rohe award, 2009 and for a Iakov Chernikov Prize, 2011. As architect he exhibited his work in the Venice Biennale of Architecture, Sao Paolo Biennale of Architecture, Gyumri Art Biennial in Armenia, Athens Biennial, Prague’s Tranzit Display. His theoretical texts appear in various sites on the Internet. Three of his theatre scripts were performed in French and one in Greek. His literary texts were characterized as miniaturized philosophical novels, tales of terror, adventure narrations, detective stories, family annals, minimalist recordings, impossible partings, occult metaphors, ethical parables, elliptical writings, post-modern works of the so called mathematical literature, incarcerations in the space of Western thought. On 1 July 2013 17:00, Nell Tenhaaf tenh...@yorku.ca wrote: --empyre- soft-skinned space-- my bio as well: Nell Tenhaaf is an electronic media artist and theoretician whose practice focuses on intersections of art, science and technology, with a particular interest in the biosciences and artificial life. Her artworks integrate elements from these different fields in the form of lightbox displays and interactive sculptures. Tenhaaf recently exhibited the interactive works Push/Pull in thelivingeffect group exhibition at the Ottawa Art Gallery in Ottawa, Canada (November 2010 – January 2011) and WinWin at Paul Petro Contemporary Art in Toronto (June – July 2012). In March 2013, she delivered the lecture “When Materialities Multiply: Chaos and Promise between the Computational and Biological Arts” in the Hexagram-Concordia Centre for Research-Creation in Media Arts and Technologies Distinguished Speakers Series, in Montreal. Tenhaaf has been jury chair for the VIDA Alife art competition since its inception. On 2013-07-01, at 10:15 AM, Paul Vanouse wrote: --empyre- soft-skinned space-- Hi Renate and empyre, hope this is ok. cheers, paul Paul Vanouse has been working in emerging media forms since 1990. Interdisciplinarity and impassioned amateurism guide his art practice. His electronic cinema, biological experiments, and interactive installations have been exhibited in over 20 countries and widely across the US. Venues have included: Walker Art Center, Albright-Knox Art Gallery, Carnegie Museum, Andy Warhol Museum, New Museum, Museo Nacional de Bellas Artes in Buenos Aires, Louvre in Paris, Haus Der Kulturen Der Welt, Berlin, Zentrum fur Kunst und Medientechnologie in Karlsrhue, Centre de Cultura Contemporania in Barcelona, and TePapa Museum in Wellington, New Zealand. Recent solo exhibitions include: Schering Foundation in Berlin (2011), Kapelica Gallery in Ljubljana (2011), Muffathalle in Munich (2012), and Beall Center at UC Irvine, California (2013). This work has been discussed in journals including: Art Journal, Art Papers, Art News, Flash Art International, Leonardo, New Scientist, New Art Examiner, New York Times and numerous academic books on art and technology. Vanouse’s artworks have been funded by Renew Media Arts Fellowship (formerly known as Rockefeller New Media Fellowship, 2008), Creative Capital (2006), New York State Council on the Arts project grant (2000, 2005), New York Foundation for the Arts Fellowship (2002), Pennsylvania Council on the Arts project grants (94, 95, 98), PCA Fellowship (98), Mellon Charitable Trust (98), Heinz Foundation (98), Pennsylvania Humanities Council (98), Sun Microsystems equipment grant (2000), National Science Foundation (1997). He has received awards at festivals including Prix ARS Electronica (2010 and 2007) in Linz, Austria, and Vida, Art and Artificial Life competition (2002, 2011), in Madrid, Spain. Museum commissions include the Walker Art Center for “The Consensual Fantasy Engine online” (1998), and the Henry Art Gallery in Seattle for “The Relative Velocity Inscription Device” (2002). Vanouse is a Professor of Visual Studies at the University at Buffalo, NY. He has been a Senior Artist at Banff Center, Alberta, Canada (2011), Foreign Expert at Sichuan Fine Arts Institute, China (2006) Honorary Research Fellow at SymbioticA, University of Western Australia (2005), Visiting Scholar at the Center for Research and Computing in the Arts, UC San Diego (1997), and Research Fellow at the Studio for Creative Inquiry, Carnegie Mellon University (1997-2003). He holds a BFA from the University at Buffalo (1990) and an MFA from Carnegie Mellon University (1996). For the past decade, Vanouse has been specifically concerned with forcing the arcane codes of scientific communication into a broader cultural language. In The Relative Velocity
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--To all, I follow messages but never posted. Indira Montoya is the director of hipermedula.org, a digital platform for the arts and cultural work in Iberoamerica. She works as an artist in the performance field and also in new media and poetry. Teaches literature and cinema in University in Córdoba, Argentina. Worked as a photographer for many years. Here last works can be found here: http://cargocollective.com/indira Indira Montoya http://www.hipermedula.org // Plataforma Cultural Iberoamericana http://www.micromundo.net http://www.facebook.com/indiramontoya twitter: @mariposafuriosa skype: mariposafuriosa From: Lucia Santaella lbr...@pucsp.br To: soft_skinned_space empyre@lists.cofa.unsw.edu.au Sent: Monday, July 1, 2013 1:27 PM Subject: Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!! I have never posted any message, but I follow with great interest what appears in Empyre. Lucia Santaella is full professor at São Paulo Catholic University (Pucsp), PhD in Literary Theory (1973-PUCSP) and in Communication Sciences (1993-São Paulo University). Head of the post-graduate program in Technologies of Intelligence and Digital Design (Pucsp), one of the honorary Presidents of the Latin-American Federation of Semiotics and member of the Argentinian Academy of Fine Arts, and President of the Charles S. Peirce Society, USA , 2007. I have published 39 books, organized 11 books, and also published around 300 articles in journals and books in Brazil and abroad. I was awarded with 3 Jabuti Prizes, for the best published books in 2002, 2009, 2011, also awarded with the Nelson Motta prize in Art and Technology (2005), and the Luis Beltrão prize for my career, 2010. Am 01.07.2013 16:15, schrieb Paul Vanouse: --empyre- soft-skinned space-- Hi Renate and empyre, hope this is ok. cheers, paul Paul Vanouse has been working in emerging media forms since 1990. Interdisciplinarity and impassioned amateurism guide his art practice. His electronic cinema, biological experiments, and interactive installations have been exhibited in over 20 countries and widely across the US. Venues have included: Walker Art Center, Albright-Knox Art Gallery, Carnegie Museum, Andy Warhol Museum, New Museum, Museo Nacional de Bellas Artes in Buenos Aires, Louvre in Paris, Haus Der Kulturen Der Welt, Berlin, Zentrum fur Kunst und Medientechnologie in Karlsrhue, Centre de Cultura Contemporania in Barcelona, and TePapa Museum in Wellington, New Zealand. Recent solo exhibitions include: Schering Foundation in Berlin (2011), Kapelica Gallery in Ljubljana (2011), Muffathalle in Munich (2012), and Beall Center at UC Irvine, California (2013). This work has been discussed in journals including: Art Journal, Art Papers, Art News, Flash Art International, Leonardo, New Scientist, New Art Examiner, New York Times and numerous academic books on art and technology. Vanouse’s artworks have been funded by Renew Media Arts Fellowship (formerly known as Rockefeller New Media Fellowship, 2008), Creative Capital (2006), New York State Council on the Arts project grant (2000, 2005), New York Foundation for the Arts Fellowship (2002), Pennsylvania Council on the Arts project grants (94, 95, 98), PCA Fellowship (98), Mellon Charitable Trust (98), Heinz Foundation (98), Pennsylvania Humanities Council (98), Sun Microsystems equipment grant (2000), National Science Foundation (1997). He has received awards at festivals including Prix ARS Electronica (2010 and 2007) in Linz, Austria, and Vida, Art and Artificial Life competition (2002, 2011), in Madrid, Spain. Museum commissions include the Walker Art Center for “The Consensual Fantasy Engine online” (1998), and the Henry Art Gallery in Seattle for “The Relative Velocity Inscription Device” (2002). Vanouse is a Professor of Visual Studies at the University at Buffalo, NY. He has been a Senior Artist at Banff Center, Alberta, Canada (2011), Foreign Expert at Sichuan Fine Arts Institute, China (2006) Honorary Research Fellow at SymbioticA, University of Western Australia (2005), Visiting Scholar at the Center for Research and Computing in the Arts, UC San Diego (1997), and Research Fellow at the Studio for Creative Inquiry, Carnegie Mellon University (1997-2003). He holds a BFA from the University at Buffalo (1990) and an MFA from Carnegie Mellon University (1996). For the past decade, Vanouse has been specifically concerned with forcing the arcane codes of scientific communication into a broader cultural language. In The Relative Velocity
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--
Bio
Cristina Casanova Seuma, Barcelona, Spain
Cofounder and Head of Design and Technology of www.mydocumenta.com the
online platform to create, share and publish multimedia content: Learning
contents, students' collaborative works, online courses and MOOCS, and
experimental visual and sound works on the net.
Cristina Casanova is responsible, for the past 12 years, much of the
collective Internet creations of La Fura dels Baus. Conception, design and
development software and interactive creations on the net. She has exhibited
his digital work in Barcelona, Madrid, Sydney, Maracaibo, London, Paris,
Lisbon, Lima, New York, Calgary, Beijing, Johannesburg, Brussels, Chicago,
Mexico, etc.Multimedia awards: Educational Materials in Electronic Format,
Ministry of Education, Madrid 2007; International Digital Art Awards, 2005
(Australia), Quality Seal nomination for the EUROPRIX 2002 (Paris), Möbius
International Prizes for Artistic Culture 2001 (Beijing), The New York
Digital Salon: Selected Works Show (New York, 2001), etc.
Electronic music and multimedia theater:
Landscapes in eighteen scenes, scenic and multimedia work in winch
landscapes of the childhood. Idea and direction Cristina Casanova
The Body of Sade, scenic work of radioescena of C. Casanova and Pelayo
Arrizabalaga.
Sade. The rerum naturae, scenic work of C. Casanova and Pelayo
Arrizabalaga. Performer Andrea Contino.
-Mensaje original-
De: empyre-boun...@lists.cofa.unsw.edu.au
[mailto:empyre-boun...@lists.cofa.unsw.edu.au] En nombre de { Indira Montoya
}
Enviado el: lunes, 01 de julio de 2013 22:38
Para: soft_skinned_space
Asunto: Re: [-empyre-] empyre subscribers...this is the last day to post
your projects, bios, interests!!
--empyre- soft-skinned space--
___
empyre forum
empyre@lists.cofa.unsw.edu.au
http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space-- I adore Empyre. I learn so much from it. Thyrza Nichols Goodeve Bio TNG is a writer who lives in Brooklyn Heights. Currently she is writing for The Brooklyn Rail and working on three writing projects: a book with Carolee Schneemann about her cat writing and art; a reader of writings on Matthew Barney ; a book on the history of New York Central Art supplies in the East Village with Nancy Blum. She is on the faculty of the MFA Art Practice Program at The School of Visual Arts where she also serves as Thesis Director. During the summers she is program coordinator of MICA's summer Intensive in NYC ( DUMBO) Most recent writing: Twilight of the Artworld:From Representation to Ontology in the Work of Matthew Barney, in Embodied Fantasies: From Awe to Artifice, Ed. Suzanne Anker and Sabine Flach (Peter Lang Books, 2013) The Library for Non-Amnesiacs: A Possible Reading of Matthew Barney's Drawings, The Brooklyn Rail, July/August 2013 Terroir: The Alchemy of Capitalism, in Not A Rose by Heide Hatry ( Charta Books, 2013) Conversation with Carolee Schneemann and Heide Hatry, The Brooklyn Rail, June 2013 Catalogue essay on Hadieh Shafie Sent from my iPad On Jun 29, 2013, at 10:45 PM, Renate Ferro r...@cornell.edu wrote: --empyre- soft-skinned space-- It has been incredibly great to read about so many of your projects. We are hoping that many of you will take this last day of June to respond to our call. Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of you this month who have shared. Thanks. Renate -- Renate Ferro Visiting Assistant Professor of Art Cornell University Department of Art, Tjaden Hall Office #420 Ithaca, NY 14853 Email: r...@cornell.edu URL: http://www.renateferro.net http://www.privatesecretspubliclies.net Lab: http://www.tinkerfactory.net Managing Co-moderator of -empyre- soft skinned space http://empyre.library.cornell.edu/ http://en.wikipedia.org/wiki/Empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--Dear all I contributed to the discussion on 'deceleration' in 2011 and have been doing a bit of 'lurking' since then! I'd just like to take the opportunity to thank everyone and also to draw your attention to a Ning website I manage that focusses on arts/science interactions, http://watchingdance.ning.com/. The membership is global and I'm keen to make sure it stays up to date with events, calls for papers etc in the arts/science field, especially but not exclusively concerning the performing arts and dance. Thanks again Dee Bio Dee Reynolds is Professor of French at the University of Manchester. Her research background is in French poetry, abstract painting and comparative aesthetics, and her current topic of research is modern and contemporary dance, especially dance audiences and kinesthetic empathy. She has written two books, *Rhythmic Subjects: Uses of Energy in the Dances of Mary Wigman*, * Martha Graham and Merce Cunningham* (Dance Books, 2007) and *Symbolist Aesthetics and Early Abstract Art: Sites of Imaginary Space* (Cambridge University Press, 1995). She also co-edited, with Matthew Reason, *Kinesthetic Empathy in Creative and Cultural Practices *(Intellect/Chicago, 2012) and with Penny Florence, *Feminist Methodologies: Multi-Media* (Manchester University Press, 1995). She is guest editor of a Special Issue of *Forum for Modern Language Studies*, ‘Evaluating Dance: Discursive Parameters’ (October 2010); co-editor, with Corinne Jola and Frank Pollick, of an online Special Issue of *Dance Research*, ‘Dance and Neuroscience – New Partnerships’ (2011), and co-editor, with Matthew Reason, of a Special Issue of *Participations, *‘Screen Dance Audiences’ (2010). Her work has appeared in numerous edited collections and journals, including *Body and Society, Body, Space and Technology Journal*, *Dance Research*, and *Dance Research Journal*. From 2008-2011 she was Principal Investigator of ‘Watching Dance: Kinesthetic Empathy’, a collaborative, interdisciplinary project funded by the Arts and Humanities Research Council. This project maintains a legacy website (www.watchingdance.org) and led to an interactive site focussing on arts/science interactions ( http://watchingdance.ning.com) with members from 33 countries across 5 continents. The project also led to the setting up of Manchester Dance Consortium, of which Dee Reynolds is a founding member ( http://www.dansortiummcr.org/). On Sun, Jun 30, 2013 at 3:45 AM, Renate Ferro r...@cornell.edu wrote: --empyre- soft-skinned space-- It has been incredibly great to read about so many of your projects. We are hoping that many of you will take this last day of June to respond to our call. Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of you this month who have shared. Thanks. Renate -- Renate Ferro Visiting Assistant Professor of Art Cornell University Department of Art, Tjaden Hall Office #420 Ithaca, NY 14853 Email: r...@cornell.edu URL: http://www.renateferro.net http://www.privatesecretspubliclies.net Lab: http://www.tinkerfactory.net Managing Co-moderator of -empyre- soft skinned space http://empyre.library.cornell.edu/ http://en.wikipedia.org/wiki/Empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre -- Dee Reynolds dee.reyno...@manchester.ac.uk Manchester Dance Consortium, www.dansortiummcr.org Manchester French Connections, http://www.mfc.humanities.manchester.ac.uk/ http://www.watchingdance.org/ http://watchingdance.ning.com/ School of Arts, Languages and Cultures University of Manchester M13 9PL UK tel: +44(0)161 275 3212 ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--Thank you Renate and Tim for this invitation. Just squeaking in on the deadline! I have been an occasional contributor and a consistent lurker on the list since its inception. Thanks Melinda, and to every member of this community who enrich and inspire my thinking and my work. A native of Australia now based in New York, I am a cultural worker, curator, and facilitator who specializes in creating new media and contemporary art events and programs that encourage cross-disciplinary practice, collaboration and exchange. My interests are at the intersection of art, culture, technology, science and social change. My current key research focus has been on art food and technology, and I've been collecting resources here http://www.scoop.it/t/arttechfood. I'm also currently doing some research on internet art, investigating virtual performance, continuing to explore urban research/ media in public spaces. I am also currently a Board member of the National Alliance for Media Art + Culture (NAMAC) in the USA. Being a bit of a nomad, I've lived and worked in Australia, Germany, Finland, and the USA; and done residencies and presented curatorial programs in Canada, Korea, India, the UK, and Italy. Recent curatorial efforts include CONSUME at gallery@calIT2 at the University of California, San Diego (April – June 2013) and Our Haus, the 10th Anniversary exhibition for the Austrian Cultural Forum, NY (May – August 2012). In late 2012 I did a residency as a Bogliasco Fellow, at Liguria Study Center for the Arts and Humanities in Italy, where I undertook curatorial research on ArtTechFood. I've also just done a food-info-activism micro-resident, with Pixelache, Helsinki and will be returning to Helsinki in September to do a Residency with HIAP and FRAME. I'll again work with Pixelache on their Foodycle event, and also with the Finnish Bioart Society on their Field_Notes event. I was Executive Director of Eyebeam Art and Technology Center in New York City from 2005 to 2011. Eyebeam is recognized internationally as a model for collaboration and innovation in art + technology. Additional contributions to the field of electronic art also include my work as executive producer for ISEA2004 (the International Symposium for Electronic Arts 2004) held in Tallinn, Estonia and Helsinki, Finland, and on a cruiser ferry in the Baltic sea. In 2002, I was Associate Director of the Adelaide Festival in Australia, and in this position was also co-chair of the working group that organized the exhibition and symposium ‘conVerge: where art and science meet’. From 1995 to 2000 I was Director of the Australian Network for Art and Technology (ANAT) where I made links with science and industry by developing a range of residencies for artists in settings such as science organizations, contemporary art spaces and virtual residencies online, ran peer-learning masterclasses for artists and in 1999 and 2000 also for curators wishing to up-skill in media and technology; and set up a range of research initiatives, including art science, technology theology, and laying some of the groundwork to establish networks in the Asia and Pacific regions. I have also worked with a range of arts organizations in Australia including the Australia Council for the Arts, Arts Training Australia, and Electronic Media Arts Australia (including the Australian Video Festival). I did my MA in Arts Administration at the College of Fine Arts, UNSW in Sydney in the mid 1990s and did my curatorial internship with the online artist network, System X. I fairly regularly speak at international conferences and festivals, occasionally writes for journals such as Artlink, RealTime, the Sarai Reader, and Art Asia Pacific; and lurk on a lot of media, technology and culture related email lists. On Jun 30, 2013, at 12:15 PM, Renate Ferro wrote: --empyre- soft-skinned space--It has been incredibly great to read about so many of your projects. We are hoping that many of you will take this last day of June to respond to our call. Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of you this month who have shared. Thanks. Renate -- Amanda McDonald Crowley Cultural Worker, Curator http://www.publicartaction.net ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--Dear all, I have been an avid reader of the empyre discussions for a few years and discovered more than I can say. When I dared intervene, I gained a beautiful friend in Michael Angelo Tata. I was born in Italy, but live and work in the UK. I am an artist and a researcher, planning to finish my practice-based PhD at the University of Westminster in London in 2014. My present core interest is Videoperformance art practices and the mediated relationships they produce. I work with video, performance, photography and digital tools to explore and question interpersonal relationships and performative intersubjective spaces. I have been a member of the research cluster Critical Practice (criticalpracticechelsea.org ) based at Chelsea College of Art, University of the Arts London since 2007. I have been a little passive lately, but I'm planning to become fully engaged again once my doctoral research is completed. In the meantime, I am Course Leader for the MA Contemporary Art and Professional Practice at the Colchester Institute. I am also Honorary Research Fellow on the project Rewind Italia based at the University of Dundee (http://www.rewind.ac.uk/rewind/index.php/REWINDItalia ). Between 2008 and 2010 I co-curated the moving image series of events Visions in the Nunnery with Tessa Garland at The Nunnery Gallery in London, where I will also have a solo show in 2014. I have enjoyed discovering more about many of you this month. This will be a great addition to the archived discussions. A great idea! Take care, Cinzia Sent from my iPhone On 30 Jun 2013, at 04:45, Renate Ferro r...@cornell.edu wrote: --empyre- soft-skinned space-- It has been incredibly great to read about so many of your projects. We are hoping that many of you will take this last day of June to respond to our call. Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of you this month who have shared. Thanks. Renate -- Renate Ferro Visiting Assistant Professor of Art Cornell University Department of Art, Tjaden Hall Office #420 Ithaca, NY 14853 Email: r...@cornell.edu URL: http://www.renateferro.net http://www.privatesecretspubliclies.net Lab: http://www.tinkerfactory.net Managing Co-moderator of -empyre- soft skinned space http://empyre.library.cornell.edu/ http://en.wikipedia.org/wiki/Empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--HI All Much to my regret, I have turned into more of a lurker than a contributor. The discourse moves fast, and often by the time I have my thoughts together it has moved on. Reading who is on this wonderful list (thanks Tim and Renate) inspires me, and perhaps those of us who might be a bit out of sync might just go ahead and post more in the future. I am an early adopter of digital imaging, making the transition from painting to digital medial from 1984 - 1988. By 1988 the paints went into a box (where they remain, in whatever state . . . ) but I continue to think like a painter trained in the era of Abstract Expressionism. Process gives rise to the imagery, the inter-twining of gestures, photos, representation and non-representation. I have made some successful videos (computer animations...) but I do not story board. They come from the abstract painter's way of thinking --do your research, gather your sources, mix it all together, and dig your way out of the mess into a new synthesis of imagery and insights. Digital imaging has informed my artistic development, as my work developed in sync with the technology. Before practical scanning, my work was focused on compositional structure and the power of repetitive patterns, which was what I was already exploring in my painting by cutting stencils, and was heavily influenced by Persian and Indian painting and the interweaving of image and text in a non-Western space. Turning to sources outside of the usual painting heros was a personal political choice, and the interest in the inter-weaving of different kinds of information also came from studying Hegel while in grad school at the Maryland Institute / Johns Hopkins (where I met Tim Murray). Around 1987 I discovered the Hebrew manuscript tradition, which coincided with interweaving of text, commentary, and decor - with commentary often taking the form of animals and flowers. Scanning in black and white (not grayscale, but black and white) allowed me to work more closely with compositional motifs, so that by the time that grayscale scanning came along and I had discovered that the Hebrew manuscripts referred to place as much as text, I was ready to use photographic material to infuse the images with my photographs of towers and arches and all kinds of decor. http://www.cbrubin.net/early Place took over as the overriding focus as accurate scanning and later digital photography came on the scene. I tried to imagine the thoughts and feelings associated with Cultural Heritage, using the inter-weaving of imagery to get past the documentation of the vestiges of history and into the spirit of the lives of those who went before. One of my best known works from that period is the video les affinités recouvrées based on Jewish Morocco (music by Atau Tanaka - who undertook similarly interesting research of his own) http://www.cbrubin.net/affin https://vimeo.com/59953654 Another important work is the inter-active installation which I did in collaboration with the composer Bob Gluck. In Layered HIstories: the Wandering Bible of Marseilles we explored both the concepts of place and the compositional motifs of a Hebrew Bible produced in Spain in 1260, putting the viewer in the position of exploring the overlaps in historical Sacred Object and historical Memory of place. http://www.cbrubin.net/layered_histories https://vimeo.com/21958545 Teaching part-time at the Rhode Island School of Design led my work to take an unexpected turn. For many years I have been teaching Digital Nature. I am now artist in residence in the Menden-Deuer lab of Oceanography at the University of Rhode Island. Although I know that plankton do not have feelings, I am working to bring some of the same wonder of deep human connection that we feel in Cultural Heritage projects to the ways in which we represent and relate to the smallest part of our food chain. Some of this work will be at SIGGRAPH this year - come see it! http://planktonportraiture.blogspot.com/ videos: https://vimeo.com/66880980 https://vimeo.com/53248532 Finally, on the Community front: I served on the Board of ISEA for about 10 years, and was vice-president for a bit until I decided that we did not really need a vice-president on such a small board. I have just been appointed to a 3 year term a the Chair of the Digital Arts Community of ACM-SIGGRAPH, and I urge you all to join our group site to post your work. http://siggrapharts.ning.com I also have worked with other artists to organize some artist-organized exhibitions, most notably the Cultural Heritage Artists Project for the Orchard Street Shul, which included notable contributions and hard work by some of incredible people who are on this list (Nancy Austin, Christina Spiesel, Greg Garvey, Jeanne Criscola, lots of advice from Patrick Lichty many others who may be on the list but I do
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space-- From my website. Thanks for the opportunity! I am a Professor of Media Studies at Pitzer College where I teach media production, history and theory. I have written on feminist, fake, and AIDS documentary. My current work is on and about YouTubehttp://www.youtube.com/mediapraxisme, and other more radicalhttp://www.mediapraxis.org uses of digital media. [http://pzacad.pitzer.edu/%7Eajuhasz/pages/images/is_single_pixel_gif.gif] I produced the feature films, The Owlhttp://www.theowlsmovie.coms (Cheryl Dunye, 2012) and The Watermelon Woman (Dunye, 1996), as well as nearly fifteen educational documentarieshttp://pzacad.pitzer.edu/%7Eajuhasz/pages/filmography.htm on feminist issues like teenage sexuality, AIDS, and sex education. My first book, AIDS TV: Identity, Community and Alternative Video (Duke University Press, 1996) is about the contributions of low-end video production to political organizing and individual and community growth. My second book is comprised of transcribed interviews from my documentary about feminist film history, Women of Visionhttp://pzacad.pitzer.edu/%7Eajuhasz/pages/books.htm, with accompanying introductions (Minnesota University Press). My third book, F is for Phony: Fake Documentary and Truth’s Undoing, edited with Jesse Lerner, is recently out from University of MN Presshttp://www.upress.umn.edu. My innovative video-book, Learning from YouTube (2011), is recently published by the MIT Press. It is born digital and available for free. My earlier digital effort is Media Praxis:http://www.mediapraxis.org A Radical Web-Site Integrating Theory, Practice and Politics. I blog on this and other projects at www.aljean.wordpress.comhttp://www.aljean.wordpress.com. I have another website: FeministOnline Spaceshttp://www.feministonlinespaces.com/ about my course and thinking about those questions and places. I am initiating a DOCChttp://femtechnet.newschool.edu/ (Distributed Online Collaborative Course) with Anne Balsamo and and hundreds of other feminists (FemTechNet: join us herehttps://lists.uoregon.edu/mailman/listinfo/femtechnet) which will occur at 18 schools in the Fall 2013. It is a feminist rethinking of the MOOC. On Jun 30, 2013, at 6:30 AM, Amanda McDonald Crowley amandam...@gmail.commailto:amandam...@gmail.com wrote: --empyre- soft-skinned space-- ___ empyre forum empyre@lists.cofa.unsw.edu.aumailto:empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre Thank you Renate and Tim for this invitation. Just squeaking in on the deadline! I have been an occasional contributor and a consistent lurker on the list since its inception. Thanks Melinda, and to every member of this community who enrich and inspire my thinking and my work. A native of Australia now based in New York, I am a cultural worker, curator, and facilitator who specializes in creating new media and contemporary art events and programs that encourage cross-disciplinary practice, collaboration and exchange. My interests are at the intersection of art, culture, technology, science and social change. My current key research focus has been on art food and technology, and I've been collecting resources here http://www.scoop.it/t/arttechfood. I'm also currently doing some research on internet art, investigating virtual performance, continuing to explore urban research/ media in public spaces. I am also currently a Board member of the National Alliance for Media Art + Culture (NAMAC) in the USA. Being a bit of a nomad, I've lived and worked in Australia, Germany, Finland, and the USA; and done residencies and presented curatorial programs in Canada, Korea, India, the UK, and Italy. Recent curatorial efforts include CONSUME at gallery@calIT2 at the University of California, San Diego (April – June 2013) and Our Haus, the 10th Anniversary exhibition for the Austrian Cultural Forum, NY (May – August 2012). In late 2012 I did a residency as a Bogliasco Fellow, at Liguria Study Center for the Arts and Humanities in Italy, where I undertook curatorial research on ArtTechFood. I've also just done a food-info-activism micro-resident, with Pixelache, Helsinki and will be returning to Helsinki in September to do a Residency with HIAP and FRAME. I'll again work with Pixelache on their Foodycle event, and also with the Finnish Bioart Society on their Field_Notes event. I was Executive Director of Eyebeam Art and Technology Center in New York City from 2005 to 2011. Eyebeam is recognized internationally as a model for collaboration and innovation in art + technology. Additional contributions to the field of electronic art also include my work as executive producer for ISEA2004 (the International Symposium for Electronic Arts 2004) held in Tallinn, Estonia and Helsinki, Finland, and on a cruiser ferry in the Baltic sea.
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--This is an open invitation to all of our subscribers. We invite you to submit a post with: 1) a brief bio, with contact information • My name is Christine Palma and I’m a radio producer, writer and visual artist living in Los Angeles. I can be reach directly at christinepa...@gmail.com I am probably best known as the producer and host of *Echo in the Sense*http://echointhesense.com/, a radio program which has been broadcasting weekly, anywhere from 1 to 3 hours, on KXLU Los Angeles 88.9 FM since 1994. It currently can be picked up on Sunday nights from 8 to 9 PM both on the radio and through a live web stream http://www.live365.com/stations/kxlu1?site=pro on KXLU’s homepagehttp://www.kxlu.com/ at www.kxlu.com. I am also the Public Affairs Director for the radio station. The focus has always been on public affairs, arts and culture, and giving airtime to people, issues and topics you would not normally hear about on prime-time stations and which deserve a broader audience. KXLU’s radio signal encompasses Los Angeles County and the San Fernando Valley, but its internet signal is picked up around the world. 2) a two-paragraph description of your practice, current/recent projects, or writing or curatorial activities • In writing, I am currently building my art criticism portfolio at http://www.13waysoflookingatablackbird.com (due to launch in September). • With my art, I am working on a series of artwork using the iconography of sheep, to explore issues of domestication, how we have been domesticated from childhood and have entered into agreements in order to live in society. I am also looking at issues surrounding group identity, as described by literary theorist Michael Hardt in his writings about the multitude. I will be exhibiting a video and installation at a gallery in July 13th (see below). • This Summer, I am again one of the co-directors (not the curator) organizing four group exhibitions on each Saturday evening in July. Information can be found at www.take-off-and-landing.com The website will be updated as the exhibitions take place to show all artwork and video from the shows. The event will feature art, live music, food, and is free to the public. Thank you. Cheers, Christine Palma ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--Giselle Beiguelman is a new media artist, curator and researcher. She teaches Art History and Design at the Architecture and Urbanism Faculty of the University of São Paulo. Her art work has been presented in international venues such as Net_Condition (ZKM, Karlsruhe), el final del eclipse (Fundación Telefonica, Madrid), The 25th São Paulo Biennial, Algorithmic Revolution (ZKM), 3rd Sevilla Biennial, Transitio_MX (Mexico), YOU_ser (ZKM), Geografías Celulares (Fundacion Telefonica, Buenos Aires and Lima), artemov (Belo Horizonte and São Paulo) and Visual Foreign Correspondents (Berlin), among others. She was Curator of Nokia Trends (2007 and 2008), of the Brazilian participation in ISEA Ruhr (2009) and of the on-line festivals HTTPvideo (2008 and 2010) and HTTPpix (2010) and of Tecnofagias (3rd 3M Digital Art Show, Instituto Tomie Othake, 2012). Artistic Director of Sergio Motta Institute (2008-2011), she was Professor of the graduate program in Communication and Semiotics of PUC-SP (São Paulo, 2001-2011). Editor-in-chief of seLecT magazine, her publications include O Livro depois do Livro (The Book after the Book, 2003), Nomadismos Tecnológicos (2011) and Futuros Possíveis: Arte, Museus e Arquivos Digitais (Possible Futures: Art, Museum and Digital Archives, 2013. 2013/6/30 Cinzia Cremona cinziacrem...@gmail.com --empyre- soft-skinned space-- Dear all, I have been an avid reader of the empyre discussions for a few years and discovered more than I can say. When I dared intervene, I gained a beautiful friend in Michael Angelo Tata. I was born in Italy, but live and work in the UK. I am an artist and a researcher, planning to finish my practice-based PhD at the University of Westminster in London in 2014. My present core interest is Videoperformance art practices and the mediated relationships they produce. I work with video, performance, photography and digital tools to explore and question interpersonal relationships and performative intersubjective spaces. I have been a member of the research cluster Critical Practice ( criticalpracticechelsea.org ) based at Chelsea College of Art, University of the Arts London since 2007. I have been a little passive lately, but I'm planning to become fully engaged again once my doctoral research is completed. In the meantime, I am Course Leader for the MA Contemporary Art and Professional Practice at the Colchester Institute. I am also Honorary Research Fellow on the project Rewind Italia based at the University of Dundee (http://www.rewind.ac.uk/rewind/index.php/REWINDItalia ). Between 2008 and 2010 I co-curated the moving image series of events Visions in the Nunnery with Tessa Garland at The Nunnery Gallery in London, where I will also have a solo show in 2014. I have enjoyed discovering more about many of you this month. This will be a great addition to the archived discussions. A great idea! Take care, Cinzia Sent from my iPhone On 30 Jun 2013, at 04:45, Renate Ferro r...@cornell.edu wrote: --empyre- soft-skinned space-- It has been incredibly great to read about so many of your projects. We are hoping that many of you will take this last day of June to respond to our call. Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of you this month who have shared. Thanks. Renate -- Renate Ferro Visiting Assistant Professor of Art Cornell University Department of Art, Tjaden Hall Office #420 Ithaca, NY 14853 Email: r...@cornell.edu URL: http://www.renateferro.net http://www.privatesecretspubliclies.net Lab: http://www.tinkerfactory.net Managing Co-moderator of -empyre- soft skinned space http://empyre.library.cornell.edu/ http://en.wikipedia.org/wiki/Empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre -- giselle beiguelman http://www.desvirtual.com http://www.facebook.com/gbeiguelman http://www.twitter.com/gbeiguelman +55 11 983981138 ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space-- do want to inform [-empyre-] about [-empyre-] list is being composted. http://compostingthenet.net all archive, including your bios, randomly retrieved and down to watering the sprouts. best sl --empyre- soft-skinned space-- It has been incredibly great to read about so many of your projects. We are hoping that many of you will take this last day of June to respond to our call. Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of you this month who have shared. Thanks. Renate -- Renate Ferro Visiting Assistant Professor of Art Cornell University Department of Art, Tjaden Hall Office #420 Ithaca, NY 14853 Email: mailto:r...@cornell.edur...@cornell.edu URL: http://www.renateferro.nethttp://www.renateferro.net http://www.privatesecretspubliclies.nethttp://www.privatesecretspubliclies.net Lab: http://www.tinkerfactory.nethttp://www.tinkerfactory.net Managing Co-moderator of -empyre- soft skinned space http://empyre.library.cornell.edu/http://empyre.library.cornell.edu/ http://en.wikipedia.org/wiki/Empyrehttp://en.wikipedia.org/wiki/Empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space-- Dear Everyone. I am Danish lurker. Since January 2013 I have enjoyed looking into this list - trying to get more into academic methodologies of Artistic Research and Interdisciplinary Studies. Thank you! I am a singer, writer and director and have a master in Modern Culture and Cultural Dissemination. I have written articles about film, gender, family and identity from a perspective of queer-theory. Mostly, though, I have worked artistically with music, film and words. The last few years I have got more into performing. This summer I am recording my second music album. (Link to BIO further down). I applied for a Ph.D. at Copenhagen University, DK (that I didn’t get so far) in Artistic Research with a project about voice, music and (different kinds of) female subjectivity (whether or how it makes sense to say that female subjectivity exists at all when it comes down to it! – culturally and psychosomatically). According to that, my concept music album: The Book of the Mermaid and it's other artistic bi-products probably have most relevance: The Book of the Mermaid (2009) is inspired by the fairytale, The Little Mermaid, written by the storyteller H.C. Andersen. (There is a sculpture of her in Copenhagen which serves as the icon for Copenhagen and which is the most must-see attraction for many tourists coming to Denmark): http://www.pernillerp-mix.dk/index.php/music/the-book-of-the-mermaid Music video (has another ending than the fairytale): I’m gonna love you (2012) http://youtu.be/eW3qv542WmE Concert trailer (work in progress): The Mermaid Has Got The Blues (2012) http://www.youtube.com/watch?v=xx78fr2X9Pg Bio: http://www.pernillerp-mix.dk/index.php/bio-english Work of Art: http://www.pernillerp-mix.dk/index.php/bio-english/work- of-art I am not so much into New Media and Technologies – as it seems that many people are in this forum. Therefore I am thinking, that if anyone knows about other lists of academic discussions that might serve my quest, I would be happy to know about it. Also, Artistic research is not so common in Denmark and being older that 40 (I am 46 years old), it is said in Denmark, that getting a Ph.D. project funded can be quite difficult. So I figured that I ought to apply at other universities abroad as well. The Academy of Music and Drama in Gothenburg would be perfect(!) - for that matter but this university hasn’t accept applications for some time. If anyone knows about universities in England or France (where a degree can be taken in English) that would be suitable for my project, I will appreciate it very much to get to know about them. Contact and for more information: r_b...@get2net.dk Thanks and best regards, Pernille Rübner-Petersen www.pernillerp-mix.dk English version: http://www.pernillerp-mix.dk/index.php/home P.s. I might have posted this bio once but it didn't seem to go through - sorry if have repeated myself. Den 30/06/2013 kl. 4.45 skrev Renate Ferro: --empyre- soft-skinned space-- It has been incredibly great to read about so many of your projects. We are hoping that many of you will take this last day of June to respond to our call. Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of you this month who have shared. Thanks. Renate -- Renate Ferro Visiting Assistant Professor of Art Cornell University Department of Art, Tjaden Hall Office #420 Ithaca, NY 14853 Email: r...@cornell.edu URL: http://www.renateferro.net http://www.privatesecretspubliclies.net Lab: http://www.tinkerfactory.net Managing Co-moderator of -empyre- soft skinned space http://empyre.library.cornell.edu/ http://en.wikipedia.org/wiki/Empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space--Thank you Renate and Tim for this invitation. Just squeaking in on the deadline! I have been an occasional contributor and a consistent lurker on the list since its inception. Thanks Melinda, and to every member of this community who enrich and inspire my thinking and my work. A native of Australia now based in New York, I am a cultural worker, curator, and facilitator who specializes in creating new media and contemporary art events and programs that encourage cross-disciplinary practice, collaboration and exchange. My interests are at the intersection of art, culture, technology, science and social change. My current key research focus has been on art food and technology, and I've been collecting resources here http://www.scoop.it/t/arttechfood. I'm also currently doing some research on internet art, investigating virtual performance, continuing to explore urban research/ media in public spaces. I am also currently a Board member of the National Alliance for Media Art + Culture (NAMAC) in the USA. Being a bit of a nomad, I've lived and worked in Australia, Germany, Finland, and the USA; and done residencies and presented curatorial programs in Canada, Korea, India, the UK, and Italy. Recent curatorial efforts include CONSUME at gallery@calIT2 at the University of California, San Diego (April – June 2013) and Our Haus, the 10th Anniversary exhibition for the Austrian Cultural Forum, NY (May – August 2012). In late 2012 I did a residency as a Bogliasco Fellow, at Liguria Study Center for the Arts and Humanities in Italy, where I undertook curatorial research on ArtTechFood. I've also just done a food-info-activism micro-resident, with Pixelache, Helsinki and will be returning to Helsinki in September to do a Residency with HIAP and FRAME. I'll again work with Pixelache on their Foodycle event, and also with the Finnish Bioart Society on their Field_Notes event. I was Executive Director of Eyebeam Art and Technology Center in New York City from 2005 to 2011. Eyebeam is recognized internationally as a model for collaboration and innovation in art + technology. Additional contributions to the field of electronic art also include my work as executive producer for ISEA2004 (the International Symposium for Electronic Arts 2004) held in Tallinn, Estonia and Helsinki, Finland, and on a cruiser ferry in the Baltic sea. In 2002, I was Associate Director of the Adelaide Festival in Australia, and in this position was also co-chair of the working group that organized the exhibition and symposium ‘conVerge: where art and science meet’. From 1995 to 2000 I was Director of the Australian Network for Art and Technology (ANAT) where I made links with science and industry by developing a range of residencies for artists in settings such as science organizations, contemporary art spaces and virtual residencies online, ran peer-learning masterclasses for artists and in 1999 and 2000 also for curators wishing to up-skill in media and technology; and set up a range of research initiatives, including art science, technology theology, and laying some of the groundwork to establish networks in the Asia and Pacific regions. I have also worked with a range of arts organizations in Australia including the Australia Council for the Arts, Arts Training Australia, and Electronic Media Arts Australia (including the Australian Video Festival). I did my MA in Arts Administration at the College of Fine Arts, UNSW in Sydney in the mid 1990s and did my curatorial internship with the online artist network, System X. I fairly regularly speak at international conferences and festivals, occasionally writes for journals such as Artlink, RealTime, the Sarai Reader, and Art Asia Pacific; and lurk on a lot of media, technology and culture related email lists. On Jun 30, 2013, at 12:15 PM, Renate Ferro wrote: --empyre- soft-skinned space--It has been incredibly great to read about so many of your projects. We are hoping that many of you will take this last day of June to respond to our call. Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of you this month who have shared. Thanks. Renate -- Amanda McDonald Crowley Cultural Worker, Curator http://www.publicartaction.net ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!
--empyre- soft-skinned space-- I guess one becomes a lurker when one stops posting for more than a few conversations (It's been at least a few months since I've been able to post, not for lack of energy, but time). I've been part of this list for quite a few years, and want to thank Timothy, Melinda and everyone who oversees the mailing list for doing such a great job. I enjoy the conversations very much. A real asset for the history of media, for sure. Here's my short bio: Art History / Art Theory Practice / Curating / Media Theory / Information Science / Digital Humanities / Navas is the author of Remix Theory: The Aesthetics of Sampling http://www.amazon.com/Remix-Theory-The-Aesthetics-Sampling/dp/3709112621. And co-editor of the Forthcoming Routledge Companion to Remix Studies (2014). He implements methodologies of cultural analytics and digital humanities to research the crossover of art and media in culture. His production includes art media projects, critical texts, and curatorial projects. He has presented and lectured about his work and research internationally. Sites: http://navasse.net http://remixtheory.net My most recent and ongoing project: http://minimamoraliaredux.blogspot.com/ Part of the blog remixes: http://remixtheory.net/BlogRemixes/ ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
