Re: [Finale] TAN: What maketh a musician?

2003-08-14 Thread David H. Bailey
My mother-in-law would most definitely dispute your statement that there 
is music after rappers do their work!

So since the term music is so subjective, also must the term 
musician be subjective.

And I would most definitely not put any faith in the Grammy awards as 
being any real proof of musician status -- think of the many thousands 
of fantastic musicians for whom the grammys aren't an option because 
they don't make records at all.

I refuse to stop calling myself musician simply because there isn't a 
Grammy award for local music teacher who is a community band director 
and hasn't been approached for any recording contracts and I refuse to 
start calling a record producer a musician just because there IS a 
category for them!  There are record producers who are fantastic 
musicians, but there are also record producers who are simply fantastic 
knob-pushers.



Crystal Premo wrote:

On the other hand, I've come to accept that rappers ARE musicians, 
and that the spoken word can be considered music.  Hey, there are 
Grammies for rappers, but not, as far as I can remember, for DJs.


This is easier to accept.  Rappers are sort of like vocal/lyrical 
percussionists.  Also, they create more.  There was no music, then they 
do their work, and there is music.

--
David H. Bailey
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Re: [Finale] TAN: What maketh a musician?

2003-08-14 Thread Andrew Stiller
A co-worker insists that a deejay is a musician.  I say that is a 
load, that at most he is perhaps an editer or producer.

Can a legitimate case be made in his defense?
Absolutelyl not!  He does not create or recreate music, he uses 
other people's music.

John

So whose music is that scratchy sound he makes? Am I to understand 
that if the same hand motions are used to create a very similar 
scratchy sound on a guiro, he's a musician, but if he does it on an 
LP, he's not?

--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
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Re: [Finale] TAN: What maketh a musician?

2003-08-14 Thread Crystal Premo
Seriously, though, assuming you can't get to a performance, what would 
help
you?

You needn't assume that.  We have one or two venues for this sort of 
entertainment in NYC.

Maybe if I go and see it in person, my opinion will change.  I guess right 
now it just seems too loaded with stuff created by others.

I guess I should check it out.

Crystal Premo
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Re: [Finale] TAN: What maketh a musician?

2003-08-14 Thread Mr. Liudas Motekaitis
Well, I've heard several french hhh ... sorry... french hhh
... sorry ... I meant french hhhorn players that one could barely call
musicians... but we all try and some are more talented at what we do than
others. DJ's which are good can make you move and can communicate with other
musicians with scratching, playing beats and working on tempos, etc. There's
no point in writing them off as non-musicians when what comes out of their
instruments is music. Unless you want to have a cow about it. There are
people that don't consider Jazz music at all, and others that don't find any
reason to listen to folk songs. I would classify a record-playing DJ as a
percussionist.

You hit a note on the piano and you're a musician. But all you're doing is
placing a finger here and there.

You lower the needle onto a record and the world says: Hey! Anybody can do
that! when in fact it has always been the way we make these movements that
matter. In music, intent defines much more than mere physics.

Liudas



- Original Message -
From: Crystal Premo [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, August 06, 2003 2:54 PM
Subject: [Finale] TAN: What maketh a musician?


 A co-worker insists that a deejay is a musician.  I say that is a load,
that
 at most he is perhaps an editer or producer.

 Can a legitimate case be made in his defense?

 Crystal Premo
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Re: [Finale] TAN: What maketh a musician?

2003-08-14 Thread David H. Bailey
It was either on this list or on orchestralist where a couple of years 
ago I participated in a discussion of what a composer is, and ultimately 
 (since there is no universally agreed upon test that a composer must 
pass) there was no concensus other than a person who puts sounds 
together can call himself/herself a composer.

The same can be said for musician -- a person who puts live sounds 
together.

But we each can have personal standards that we choose to adhere to, so 
that I can state that a person who simply noodles on a midi keyboard and 
prints whatever comes out through a computer is absolutely NOT a 
composer.  And you can state that anybody who simply uses prerecorded 
sounds to put together a live sound (even if it means scratching a disk 
back and forth on a turntable) is absolutely NOT a musician in your mind.

But if you don't think a deejay is a musician, perhaps you would favor 
us with your list of criteria which a person must fulfill to cross your 
threshhold and be considered a musician?



Crystal Premo wrote:
A co-worker insists that a deejay is a musician.  I say that is a load, 
that at most he is perhaps an editer or producer.

Can a legitimate case be made in his defense?

Crystal Premo
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Re: [Finale] TAN: What maketh a musician?

2003-08-14 Thread Mr. Liudas Motekaitis
If Grammy awards are not an authority, what makes you say your mother-in-law
is?

No logic there, sorry.

Liudas




- Original Message -
From: David H. Bailey [EMAIL PROTECTED]
To: Crystal Premo [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]
Sent: Thursday, August 07, 2003 12:58 PM
Subject: Re: [Finale] TAN: What maketh a musician?


 My mother-in-law would most definitely dispute your statement that there
 is music after rappers do their work!

 So since the term music is so subjective, also must the term
 musician be subjective.

 And I would most definitely not put any faith in the Grammy awards as
 being any real proof of musician status -- think of the many thousands
 of fantastic musicians for whom the grammys aren't an option because
 they don't make records at all.

 I refuse to stop calling myself musician simply because there isn't a
 Grammy award for local music teacher who is a community band director
 and hasn't been approached for any recording contracts and I refuse to
 start calling a record producer a musician just because there IS a
 category for them!  There are record producers who are fantastic
 musicians, but there are also record producers who are simply fantastic
 knob-pushers.



 Crystal Premo wrote:

  On the other hand, I've come to accept that rappers ARE musicians,
  and that the spoken word can be considered music.  Hey, there are
  Grammies for rappers, but not, as far as I can remember, for DJs.
 
 
  This is easier to accept.  Rappers are sort of like vocal/lyrical
  percussionists.  Also, they create more.  There was no music, then they
  do their work, and there is music.
 

 --
 David H. Bailey
 [EMAIL PROTECTED]

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Re: [Finale] TAN: What maketh a musician?

2003-08-14 Thread Dennis Bathory-Kitsz
At 10:08 PM 8/6/03 -0400, Crystal Premo wrote:
I can be very loose about who I consider a musician, but I think 
it really splits some hairs to call a playback device an instrument.

Please post an audio file of your turntable performance. :)

I just can't get my head around that concept.

Don't try to get your head around it. Listen to it first. A lot of things
sound bogus in concept.

the music has already been created by the 
time he gets there.

No ... the *sounds* have been created, as with any sampling method, not the
music. In turntabling, very *small* pieces are used, rocked, scratched,
played backward and forward, to create new patterns not found at all in the
original, and architectures never conceived by the maker of the original
sounds. Like any instrument, it's just a source of raw materials to compose
with.

The whole 50 years of sampling creations have met dismissal in some
quarters. Live sampling is the latest to be dismissed.

Seriously, though, assuming you can't get to a performance, what would help
you?

Consider that the new generation of live sampling technology uses MP3
players with shuffle/scratch/rotation features run on turntable surfaces,
but not using actual vinyl (have a look at Zzounds.com for some interesting
new turntabling instruments). Deejays sample and load bits  pieces of
vinyl into this equipment.

These newer devices approach increasingly the use of sampling on, say, an
ordinary keyboard. Ordinary keyboards use pre-built samples, many taken of
'real' instruments. Does this deny the keyboard player the title of
musician? If the turntablist played the same samples from a keyboard, wind
controller, or Midi guitar? If the keyboardist played a turntable with
'real' instrumental samples?

At one point does the turntablist/deejay cease being or start being a
musician?

Finally, read this enthusiast's review, the second paragraph of which shows
that the culture of turntabling is pretty well developed as true musical
performance: http://www.dustedmagazine.com/features/131

But more than anything, listen, and if you want an experience, find a club
to watch and listen.

Dennis





























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Re: [Finale] TAN: What maketh a musician?

2003-08-14 Thread John Howell
A co-worker insists that a deejay is a musician.  I say that is a 
load, that at most he is perhaps an editer or producer.

Can a legitimate case be made in his defense?
Absolutelyl not!  He does not create or recreate music, he uses other 
people's music.  And for the anal, the true test is whether a DJ must 
join the AFofM.  I suspect that the union would have him shot for 
taking work away from live musicians.

On the other hand, I've come to accept that rappers ARE musicians, 
and that the spoken word can be considered music.  Hey, there are 
Grammies for rappers, but not, as far as I can remember, for DJs.

John

--
John  Susie Howell
Virginia Tech Department of Music
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411   Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
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[Finale] TAN: What maketh a musician?

2003-08-14 Thread Crystal Premo
A co-worker insists that a deejay is a musician.  I say that is a load, that 
at most he is perhaps an editer or producer.

Can a legitimate case be made in his defense?

Crystal Premo
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Re: [Finale] TAN: What maketh a musician?

2003-08-14 Thread John Howell
On Wednesday, August 6, 2003, at 04:27  PM, John Howell wrote:

A co-worker insists that a deejay is a musician.  I say that is a 
load, that at most he is perhaps an editer or producer.

Can a legitimate case be made in his defense?
Absolutelyl not!  He does not create or recreate music, he uses 
other people's music.
John, I'm afraid you don't know what you're talking about.  We're 
not talking about Clear Channel radio DJs and such, we're talking 
about serious turntablists like DJ Olive and Q-Bert and Kid Koala.
I'm happy to accept Darcy's correction, given that I've never heard 
the term turntablist, don't recognize a single one of those names, 
and am very unlikely ever to be in a location where I would run into 
one of them.  I know, ignorance is no excuse, but in this case it may 
be closer to bliss!

John

--
John  Susie Howell
Virginia Tech Department of Music
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411   Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
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Re: [Finale] TAN: What maketh a musician?

2003-08-14 Thread David H. Bailey
I didn't mean to imply that my mother is an authority, only to show that 
there is at least one person who would disagree.

I definitely don't look to my mother-in-law as an authority in most 
matters, but her outlook on various aspects of modern life is 
interesting at times.

Mr. Liudas Motekaitis wrote:

If Grammy awards are not an authority, what makes you say your mother-in-law
is?
No logic there, sorry.

Liudas



- Original Message -
From: David H. Bailey [EMAIL PROTECTED]
To: Crystal Premo [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]
Sent: Thursday, August 07, 2003 12:58 PM
Subject: Re: [Finale] TAN: What maketh a musician?


My mother-in-law would most definitely dispute your statement that there
is music after rappers do their work!
So since the term music is so subjective, also must the term
musician be subjective.
And I would most definitely not put any faith in the Grammy awards as
being any real proof of musician status -- think of the many thousands
of fantastic musicians for whom the grammys aren't an option because
they don't make records at all.
I refuse to stop calling myself musician simply because there isn't a
Grammy award for local music teacher who is a community band director
and hasn't been approached for any recording contracts and I refuse to
start calling a record producer a musician just because there IS a
category for them!  There are record producers who are fantastic
musicians, but there are also record producers who are simply fantastic
knob-pushers.


Crystal Premo wrote:


On the other hand, I've come to accept that rappers ARE musicians,
and that the spoken word can be considered music.  Hey, there are
Grammies for rappers, but not, as far as I can remember, for DJs.


This is easier to accept.  Rappers are sort of like vocal/lyrical
percussionists.  Also, they create more.  There was no music, then they
do their work, and there is music.
--
David H. Bailey
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.

--
David H. Bailey
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Re: [Finale] TAN: What maketh a musician?

2003-08-10 Thread Darcy James Argue
On Wednesday, August 6, 2003, at 04:27  PM, John Howell wrote:

A co-worker insists that a deejay is a musician.  I say that is a 
load, that at most he is perhaps an editer or producer.

Can a legitimate case be made in his defense?
Absolutelyl not!  He does not create or recreate music, he uses other 
people's music.
John, I'm afraid you don't know what you're talking about.  We're not 
talking about Clear Channel radio DJs and such, we're talking about 
serious turntablists like DJ Olive and Q-Bert and Kid Koala.

And for the anal, the true test is whether a DJ must join the AFofM.  
I suspect that the union would have him shot for taking work away from 
live musicians.
I don't know about true test but there are certainly a number of 
turntablists who are members of the AFM.

Hey, there are Grammies for rappers, but not, as far as I can 
remember, for DJs.
There are Grammies for producers, who are often DJs.

- Darcy

-
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Boston MA
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Re: [Finale] TAN: What maketh a musician?

2003-08-09 Thread Crystal Premo
On the other hand, I've come to accept that rappers ARE musicians, and 
that the spoken word can be considered music.  Hey, there are Grammies for 
rappers, but not, as far as I can remember, for DJs.
This is easier to accept.  Rappers are sort of like vocal/lyrical 
percussionists.  Also, they create more.  There was no music, then they do 
their work, and there is music.

Crystal Premo
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Re: [Finale] TAN: What maketh a musician?

2003-08-09 Thread Crystal Premo
But if you don't think a deejay is a musician, perhaps you would favor us 
with your list of criteria which a person must fulfill to cross your 
threshhold and be considered a musician? 
I guess my biggest problem with calling a deejay or a turntablist a musician 
is that somebody else already made the sounds that he is using to create his 
music.  I can be very loose about who I consider a musician, but I think 
it really splits some hairs to call a playback device an instrument.  I'll 
grant that a deejay injects his own spirit into what he does, and that there 
is artistry involved, but I think the music has already been created by the 
time he gets there.

I think a musician has to sing or play an instrument.  A conductor is very 
important to an orchestra and to the music that they are performing, but a 
deejay ... I just can't get my head around that concept.

Crystal Premo
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Re: [Finale] TAN: What maketh a musician?

2003-08-07 Thread Dennis Bathory-Kitsz
At 08:54 AM 8/6/03 -0400, Crystal Premo wrote:
A co-worker insists that a deejay is a musician.  I say that is a load, that 
at most he is perhaps an editer or producer.
Can a legitimate case be made in his defense?

Absolutely, assuming your co-worker is talking about a turntablist (or the
digital version thereof, with MP3 turntable emulators) or sometimes
scratch-artist, not a play-talk-play radio deejay.

The creation of new compositions from samples is now a time-honored
tradition. The earliest were John Cage's. Jim Tenney's remarkable Blue
Suede dates to 1964. My own first sample piece dates to 1972 (and was
premiered only this May in Amsterdam). Nic Collins and most importantly
John Oswald brought sample pieces to a fine art with his plunderphonics in
the 1980s. My radio show co-host does a sample piece from previous radio
shows every four weeks (http://kalvos.org/bestses.html), and a reworked
compilation is being presented at the Electric Rainbow EA Music Festival at
Dartmouth College on August 23.

The deejay version of sample came about 20 years ago. Turntable artists
began doing this recomposition live, and it's by now as advanced as
improvisational composers in other genres. It's not only amazing to hear,
it's remarkable to watch, as a unique kind of choreography. Distinguished
American composer Jon Appleton went to study turntabling in Japan for a
year in the late 1990s.

Composition through sampling has really grown up, live or recorded. I
highly recommended it -- although if you listen to rap or hip-hop or
trance, you've already some of it in the creation of the dance-beat
backgrounds.

Dennis




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Re: [Finale] TAN: What maketh a musician?

2003-08-06 Thread Bob Thomas
Dennis Bathory-Kitsz wrote:
The deejay version of sample came about 20 years ago. Turntable artists
began doing this recomposition live, and it's by now as advanced as
improvisational composers in other genres. It's not only amazing to hear,
it's remarkable to watch, as a unique kind of choreography. Distinguished
American composer Jon Appleton went to study turntabling in Japan for a
year in the late 1990s.
There's an amazing little documentary 'Scratch' (possibly available at your 
video store) - that convinced me 

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