Re: FLUXLIST: Stockhausen

2000-02-24 Thread Heiko Recktenwald

Maybe its of interest to somebody, who knows...

On Thu, 24 Feb 2000, Rafael Custodio de Lima wrote:

 Someone mentioned that Stockhausen disliked jazz for being a low-class 
 music. I think one of the reasons he's so original(e) is the fact he was 
 born poor and got in touch with the so-called high music in very late age 
 (have you ever listened to Spiral!?). I'm not talking about class 
 determinism but he would certainly act different if he had the tradition 
 in the core of mind, like, let's say, Hindemith or even Henze and Von Bose.

My music teacher in school had studied music with him and he described him
as over pedantic. Stockhausen hated wrong notes. Sotosay the opposite of
Jazz.

What came to mind is also the critique of Jazz by Adorno. I dont think it
has anything to do with classes, those cats just didnt like that stuff (at
that time).

Heiko








Re: FLUXLIST: Stockhausen

2000-02-23 Thread Rod Stasick

Stockhausen has, to some folks, some surprising
likes and dislikes when it comes to music.
Definitions concerning "low" vs "upper" class can
be debated near endlessly, but you can still find
him, on occasion, dancing to "dance" music that
he sometimes finds fun or exciting. Miles Davis
liked Stockhausen too. He got the idea of music
as process from his ideas. They recorded a
collaboration in 1980 along with cellist Paul
Buckmaster at Columbia Records studio (now
"Sony") that is still unissued.

Also, the Stockhausen site that Patricia points
out is a good site and  for the past couple of
years visitors were treated with regular updates
from Suzanne Stephens about his projects, but as
time has gone on, the reports have become less
frequent and the last report is nearly a year
old. I do wish they would bring these back... Rod

--- Rafael Custodio de Lima
[EMAIL PROTECTED] wrote:
 Someone mentioned that Stockhausen disliked
 jazz for being a low-class 
 music. I think one of the reasons he's so
 original(e) is the fact he was 
 born poor and got in touch with the so-called
 high music in very late age 
 (have you ever listened to Spiral!?). I'm not
 talking about class 
 determinism but he would certainly act
 different if he had the tradition 
 in the core of mind, like, let's say, Hindemith
 or even Henze and Von Bose.
 By the way, I once read an interview in which
 Stockhausne said he liked 
 Miles Davis music but hated Zappa... When he
 came to Brazil, more than 
 ten years ago, he opened for his Markus to play
 some of the modern 
 electronic jazz he plays, he's a trumpeteer...
 The poet Haroldo de Campos 
 did a wonderful report about it.
 rafael
 


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Re: FLUXLIST: Stockhausen

2000-02-23 Thread Patricia

The site does have music on it, or a video which I have been trying
trying to see/hear, because my interest is piqued, (click on the music
score on the right) and, of course, had to upgrade Quicktime, and can't
get it to download because I fear the guy that built the box put a
pirated Quicktime on it and I don't have an "access code."
grr.  Prrrhaps I'll try and find it
somewhere else since I seem to have every other player in the world on
this thing.

PK
"The Perils of Patricia"

Rod Stasick wrote:

 Stockhausen has, to some folks, some surprising
 likes and dislikes when it comes to music.
 Definitions concerning "low" vs "upper" class can
 be debated near endlessly, but you can still find
 him, on occasion, dancing to "dance" music that
 he sometimes finds fun or exciting. Miles Davis
 liked Stockhausen too. He got the idea of music
 as process from his ideas. They recorded a
 collaboration in 1980 along with cellist Paul
 Buckmaster at Columbia Records studio (now
 "Sony") that is still unissued.

 Also, the Stockhausen site that Patricia points
 out is a good site and  for the past couple of
 years visitors were treated with regular updates
 from Suzanne Stephens about his projects, but as
 time has gone on, the reports have become less
 frequent and the last report is nearly a year
 old. I do wish they would bring these back... Rod