Re: [lace] indoor UV

2006-06-06 Thread Lynn Carpenter
[EMAIL PROTECTED] wrote:

And the key word is fluorescent-lighted.  Fluorescent lights give off a 
lot of UV.  Incandescent (normal light bulbs) light has *much, much* 
less--that's why the light is so yellow-looking.  We had UV filters on 
our fluorescent bulbs but not on incandescent ones.  If you live in a 
house without fluorescents, sunscreen isn't much use.  Halogen bulbs, 
hi-intensity bulbs, and true color bulbs all give off UV.

Any idea how much UV, compared to sunlight?

I live in a house that is almost entirely lit by those curly-Q
fluorescents that fit where an incandescent bulb would go.

So that raises another question:  how much, if any, of the UV from a
household fluorescent bulb would be filtered out by a glass ceiling shade?

Lynn Carpenter in SW Michigan, USA
alwen at i2k dot com
http://lost-arts.blogspot.com/

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Re: [lace] Re: 8 Times its Weight in Gold

2006-06-06 Thread The Browns

Tamara P Duvall wrote:


On Jun 5, 2006, at 20:28, Aurelia Loveman wrote:

I remember the teacher [...] telling us that we should reckon on 
making an inch per hour (a square inch? a running inch?).



That is, indeed, an intriguing question, since there's _quite_ a 
difference between the two... There's also quite a difference between 
an inch (either square or running) of lace made with 60/2 linen and 
140/2 cotton. And between an inch (again, either running or square) of 
grounded lace versus a tape lace. Those terms (an inch an hour, 
8 times weight in gold) are eye-catching and memorable, but hardly 
_precise_ :)


In addition to Santina Levy's book (quoted by Beth Schoenberg earlier) 
two other (and less expensive g) books offer some insight into the 
value of lace: Lace in Fashion by Pat Earnshaw and History of Lace 
by Mrs Bury Palliser. Palliser is more likely than Earnshaw to make 
some of those sweeping but rather imprecise (and often 
unsubstantiated) statements (I seem to remember something along the 
lines of: a pair of cuffs cost a village, though can't find the 
exact quote at the moment) but even she has lots of quotes from direct 
sources.


The problem is that all the evaluations are all over the place -- 
different laces, different times, different countries/regions. It's 
difficult, if not impossible, to translate those into our current 
terms.


And, as several people have pointed out (Aurelia and Rochelle), the 
price at which lace sold was not the price the lacemakers got for 
making it. I expect that no lacemaker ever starved, unlike some of her 
less-skilled sisters, but they were not paid princely wages either, 
even if their product was sold to princes (either of the realm or the 
church). IOW, Joyce, the go-between, the broker, might have sold your 
half-ounce piece of Chantilly for an arm and a leg, but _you_  would 
still have only got an equivalent of a small toe for all your effort :)


Quite naturally, most of the books mention the sale prices, ie the 
upper end of the lacemaking. First, those are the numbers which are 
easier to find in various records -- marriage contracts, estate 
evaluations etc. Secondly, those numbers (and the association with the 
richest) are the ones which sound more impressive (Devon once said 
that an exhibit of Royal Laces would have a much better chance of 
happening than a plain vanilla Lace Through the Ages). So I found it 
very interesting to stumble upon the following quote in  Mrs 
Palliser's book (I was trying to find the cuff and the village one g):


'When, in 1756, Mrs Calderwood visited the Béguinage at Brussels, she 
wrote to a friend describing the lace-making. A part of their work is 
grounding lace; the manufacture is very curious. One person works the 
flowers. They are all sold separate, and you will see a very pretty 
sprig, for which the worker only gets twelve sous [...]' (quote is 
from: Mrs Calderwood's Journey through Holland and Belgium, 1756. 
Printed by the Maitland Club)


OK. I have no idea what one could buy for 12 sous in 1756 Brussels 
but, judging by the word only used in Mrs Calderwood's quote, it 
couldn't have ben much. OTOH, a sprig of Brussels lace flowers was 
likely to take more than a day to make, given the extraordinary 
fineness (Mrs Palliser) of the thread. And it required more skill 
than that involved in grounding. I'd hate to guess what the 
grounders got for their effort...



 are lacemakers so unskilled as to merit only a “minimum wage”?




I think the concept of minimum wage (imposed on employers by the 
government) is relatively new -- probably less than 100yrs old. Before 
then, it was the unbridled market force (imposed on the employees by 
the employers) which dictated how much the lacemaker got for her 
efforts. Same as it is now -- in this particular instance -- which is 
why so few lacemakers can afford to make lace for sale and why most of 
us are amateurs.


The minimum wage is an  idea of 'New Labour'.   So is very young.  It 
now stands at just above £5 for 18 + years less for children.  Even so 
employers do not all obey the law and find ways of getting round  paying 
the full wage.

Sheila in lovely sunshine in Sawbo'.

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[lace] Hand on Demo

2006-06-06 Thread Penny
I am enjoying the talk about hands on for children.  It just so happens that
this week-end my 6 year old granddaughter took her first steps into bobbin
lace.  I am thrilled and look forward to suggestions on ways to keep her
interested, and easy projects.

Penny in Indiana

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[lace] Re:OIDFA-congress

2006-06-06 Thread Ilske Thomsen

Dear lacefriends,
Back in cold Hamburg and still not again used to it I try to write you 
a report. Some of you still knew that the travel agency stole me one 
day. So when I arrived on friday afternoon I had to hurry to get my 
tickets before OIDFA-dinner started. With buses they drove us to the 
waterline in Athens beautiful Yacht-club. There big round tables on the 
big lawn outside were set for us and lacefriends found each other 
sitting side by side chatting and waiting for the dinner. This tasted 
wonderful but the portions were huge and in the slowly coming darkness 
you couldn't see clearly and at the end I had eaten too much.
Next morning after my breakfast I had with the Acropolis before my eyes 
I stated the big tour of exhibitions. Next to me was the Museum Of The 
History Of Greek Costumes. On the ground floor they presented several 
old pieces with different laces. One of them catched my eyes first the 
bobbin lace  in FH-style reminded me on one I have seen in Scandinavia 
and one from Italy before. On the other wall were laceworks from 
Gabriele Grohmann decorated. But there are still other interestin 
things to seen. In one room there is acurtain from ceiling to bottom 
which adorned and isolated the bed from the rest of the house which is 
named sperveria. This curtain is decorated with wonderful embroideries. 
The motives of these embroideries you find on the ceramics as well.
All the things women in former time used for spinning and weaving, 
printing textiles you can study there and all of them are over and over 
decorated with carvings or paintings.
On another floor you see the puppets used for shadow-theater from the 
16th century such ones are still in use today for critizising politics. 
In one big glass part they show cloths and things people used during 
the 12 days between Christmas eve and Epiphany and those resembled 
totaly to such things people use in the Alps still today. It's so 
astonishingly to find often the same customs in another place.
But you can study there also lots of folkloristique cloths from 
different periods and defferent social parts of the population. And if 
you take your time you find  on them lots of pieces made in 
Bibila-technique or needle lace done with the punto greco or bobbin 
lace as well as all sorts of embroideries. The jewelleries are 
remarkable as well and lots of other things. If you are sometimes in 
Athens went there it's worth to do so.
The next point was the Benaki-Museum those in Koumbari Street 2. It was 
founded by Antonis Benakis (1873 - 1954) in 1930. Benakis started his 
collecting in Agypt were he lived before. And when he moved to Greece  
in 1926 he donated it to the Greek State.
There we could see some of the origin pieces which Despina C. Koutsikas 
and Lila de Chaves  described int the wonderful book The Greek Laces 
in the Victoria And Albert Museum in London . It was fascinating to 
see not only the perfect pictures but this time the origin pieces 
itself  with only glass between the lace and the eye.
Here too several Folk costumes for women an men are to see. All of them 
decorated with needle work, lace, white work, everything you knew.  One 
of this lady's wore a small bolero which are very fashonable at the 
time here in Germany. Every time I am visiting such a museum I found 
some things the fashion-creator has taken for their big shows. How do 
we say in German - alles schon einmal da gewesen - everything was there 
before.
And here and there a piece of lace in Reticella-technique or Bibila or 
wonderful embroideries. What fascinated me a lot was a painting of 
Crist white on white, all done in embroidery. But with every sort you 
can imagine or still some more.

There are lots of other things too which haven't a relation to textile.
Now I have to do the boring ironing, sorry. But the next part will come 
soon.

Greetings

Ilske

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Re: [lace]Value of lace.

2006-06-06 Thread Jeanette Fischer
I have just returned from OIDFA in Athens.  In a shop selling household 
linens was the most beautiful table cloth in the window and we went inside 
to look.  It was a 1 metre square white cloth with a 10 cm deep tape lace 
edging - hand made and the centre of the cloth was embroidered.  The price 
was about 150 Euro's - I cannot remember exactly.  What I do remember was 
that I thought that I certainly would not sell my handwork for that price!!! 
The saleslady said that the piece came from Crete as they made the finest 
bobbin lace in Greece.  She said that there were also bigger cloths.  I did 
buy a hand embroidered runner from Crete.  So there are still people making 
lace and selling it!
Jeanette Fischer, Western Cape, South Africa. 


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Re: [lace]Value of lace.

2006-06-06 Thread Lindy Taylour
I saw some lace for sale in Crete a few years ago.  My photos are on 
Webshots http://www.webshots.com/


If you type Lace+Crete into the search box, they will come up.  If this does 
not work I can invite anyone interested to view them if I have their email 
address.


Certainly I thought it very underpriced for the work that went into it.

Lindy in Ireland where the weather the past 6 days has been lovely and 
sunny. (As hot as 26 degrees some days!! and no rain!)


- Original Message - 
From: Jeanette Fischer [EMAIL PROTECTED]

To: lace [EMAIL PROTECTED]
Sent: Tuesday, June 06, 2006 10:31 AM
Subject: Re: [lace]Value of lace.


I have just returned from OIDFA in Athens.  In a shop selling household 
linens was the most beautiful table cloth in the window and we went inside 
to look.  It was a 1 metre square white cloth with a 10 cm deep tape lace 
edging - hand made and the centre of the cloth was embroidered.  The price 
was about 150 Euro's - I cannot remember exactly.  What I do remember was 
that I thought that I certainly would not sell my handwork for that 
price!!! The saleslady said that the piece came from Crete as they made the 
finest bobbin lace in Greece.  She said that there were also bigger cloths. 
I did buy a hand embroidered runner from Crete.  So there are still people 
making lace and selling it!

Jeanette Fischer, Western Cape, South Africa.


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Re: [lace] Re:OIDFA-congress

2006-06-06 Thread Laceandbits
In a message dated 06/06/2006 16:54:49 GMT Standard Time, 
[EMAIL PROTECTED] writes:

 This tasted 
 wonderful but the portions were huge and in the slowly coming darkness 
 you couldn't see clearly and at the end I had eaten too much.
 

That is absolutely the best excuse I have ever heard for eating too much.  

I'm glad you had a wonderful time; I would have liked to have been there but 
thought Moscow and Montreal were enough for one year.  See you in Holland in 
2008?

Jacquie in Lincolnshire.

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[lace] Cretan LAce at OIDFA COngress

2006-06-06 Thread Lindy Taylour

Hi Jeanette and other Spiders

I was inspired to make some Cretan lace myself and downloaded the book from
the Digital Archives of Lace books and articles.
http://www.cs.arizona.edu/patterns/weaving/topic_lace.html

Koustouraki-Koukoulari, Kristina. Cretan Bobbin Lace [Kritiko Kopanelli],
1985, 43 pages. Note: Translation from the Greek. Provided by Tess Parrish.

Needless to say it remains an unfinished project!

Lindy in Ireland

- Original Message - 
From: Jeanette Fischer [EMAIL PROTECTED]

To: lace [EMAIL PROTECTED]
Sent: Tuesday, June 06, 2006 10:31 AM
Subject: Re: [lace]Value of lace.


I have just returned from OIDFA in Athens.  In a shop selling household 
linens was the most beautiful table cloth in the window and we went inside 
to look.  It was a 1 metre square white cloth with a 10 cm deep tape lace 
edging - hand made and the centre of the cloth was embroidered.  The price 
was about 150 Euro's - I cannot remember exactly.  What I do remember was 
that I thought that I certainly would not sell my handwork for that 
price!!! The saleslady said that the piece came from Crete as they made the 
finest bobbin lace in Greece.  She said that there were also bigger cloths. 
I did buy a hand embroidered runner from Crete.  So there are still people 
making lace and selling it!

Jeanette Fischer, Western Cape, South Africa.


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[lace] Tablet of Memory

2006-06-06 Thread Elizabeth Ligeti

Wow! Jenny B.  I never thought of looking it up on the web

Well done for finding it.

The E-bay one for sale (so far at £49.99) is the 1809 edition, and has added 
material to 1803, I see.

Beyond my pocket, I am afraid.

Regards from Liz in Melbourne, Oz
[EMAIL PROTECTED] 


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