Re: [lace] Brides tortillee

2020-06-06 Thread Catherine Barley
Yes I was on that course but we didn't cover the hexagonal grounds as 
time didn't allow, but I already knew how to work those having been 
taught the Zele way by Agnes Stevens some thirty or more years earlier. 
My main reason for enrolling on the course was my burning curiosity to 
learn how they managed to incorporate the horse hair supporting the tiny 
picots round the edge of their work.

Pleased to learn you are safe and well Leonard as am I, but frustrated 
at having to rely on others for my shopping for almost 11 weeks and 
being 'confined to barracks' also!  I've waited two weeks for a delivery 
of face masks, rubber gloves, antibacterial hand wipes/gel and ventured 
out for the first time this week to shop for myself!  It was absolute 
bliss to be able to choose for myself!

Take care and stay safe.

Cathy Barley UK
-- Original Message --
From: "Leonard Bazar" http://www.flickr.com/photos/lacemaker/sets/


Re: [lace] Italian needlelace

2019-05-28 Thread Catherine Barley
Hi Susan

Me again!  I found it and had seen it before some time ago!  Her work is 
beautiful and such a treat to see work of such a high standard!

Many thanks

Catherine

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : hottl...@neo.rr.com
Date : 27/05/2019 - 21:03 (BST)
To : lace@arachne.com
Subject : [lace] Italian needlelace

Hello All! While looking for something else I stumbled upon this site:
Ombrettapanese.it   It’s in Italian but you can hit the translate button.
Catherine Barley inspired a piece on pg 3. Yowza!  Sincerely, Susan Hottle FL 
USA 

Sent from my iPad

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Re: [lace] A Rembrandt discovered due to the lace

2019-03-06 Thread Catherine Barley
Fascinating article and thank you Jeri for asking Devon to post it on arachne.  
I've read the latest post about many thinking the collar to be that of 
needelace and not bobbin lace but can only get the NYT article on my laptop and 
not my iPad, where I was hoping to enlarge the portrait enabling me to pass an 
opinion as to whether I think it is needlelace or not, but unfortunately 
neither mine or my husband's iPad will allow!  I shall be watching with 
interest the discussions on Lace News.

Catherine Barley UK


Catherine Barley Needlelace
www.catherinebarley.com

Original message--
Subject : [lace] A Rembrandt discovered due to the lace

This article appeared in the New York Times magazine section this week. I
posted it on the International Organization of Lace's facebook page where
it has been very popular. Jeri Ames has encouraged me to post it on arachne
as well. Here is the link:
https://www.nytimes.com/2019/02/27/magazine/rembrandt-jan-six.html
There are several interesting things in this article. One is that the
dealer Jan Six XI was immediately attracted to the lace on the painting
which is a collar style that he claims was only in fashion between
1633-1635. 

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Re: [lace] Flickr account for photos

2019-01-17 Thread Catherine Barley
I have my own website for which I have to pay an annual fee to keep it running, 
so have never had the necessity to use Flickr.  However, I do know that some 
who have used it in the past are now deceased and have been for some 
considerable time, but their photos are still on Flickr!  Is it only the person 
who installed these photos who can delete them or can anyone perform this 
operation?

I do visit the site when someone posts on arachne that they have have 
downloaded photos for us all to see.

Catherine Barley UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : gabri...@sprouts.org


I suggest this because while for some the pruning of the archive is a valid 
idea - and maybe some photos really are put up only to illustrate a current 
discussion - others cherish the idea of having an archive.

And I suggest this because there are people working for flickr and those need 
to make a living and someone needs to pay for that. Server hosting does 
generate costs for machines, housing, and electricity, too. Let’s be aware of 
that and use it conciously. We are many, surely we can pay for a service that 
serves us well?

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Re: RE: [lace] Alice Howell hacked?

2019-01-16 Thread Catherine Barley
I got it too!

Catherine Barley UK

Catherine Barley Needlelace
www.catherinebarley.com

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I got the same message
Lorelei

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Re: [lace] Santina Levey and Janet Arnold, Lace and Costume Experts, 4th try

2018-10-19 Thread Catherine Barley
Thank you Jeri.  I have received your posting okay via Arachne and will pass on 
to other interested parties.  A fascinating read about two very dedicated 
ladies.

Many thanks

Catherine Barley UK

Catherine Barley Needlelace
www.catherinebarley.com

-
Subject : [lace] Santina Levey and Janet Arnold, Lace and Costume Experts, 4th  
try

I tried to send this 3 times on the 15th.  Kept defaulting to Arachne address
with www. in front of it.  Then, kept rejecting per my AOL server.  I have
very carefully typed the address without www. in front of it today, and I
tabbed right down to this paragraph to type an explanation.  I think all the
bccs got through the first time.  Please let me know if Arachne subscribers
received now.  Thanks, Jeri

From: jeria...@aol.com

Subject: Santina Levey and Janet Arnold, Lace and Costume Experts

  

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Fwd: RE: [lace] Turning Lace Bobbins

2018-10-10 Thread Catherine Barley
Oops, sorry forgot that David & Christine books were mostly self published 
anyway!

Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : catherinebar...@btinternet.com
Date : 10/10/2018 - 09:07 (BST)
To : brid...@bigpond.com, lace@arachne.com, hcl...@mac.com
Subject : Re: RE: [lace] Turning Lace Bobbins



Subject : RE: [lace] Turning Lace Bobbins



Thank goodness David has also resorted to self publishing and can't imagine 
that anyone would purchase these out of print books as the extortionate prices 
being advertised on well know internet sites for second hand copies ('I could 
sell my copy and retire')!  This is what made me decide to take the financial 
risk and re-print my own book Needlelace Designs & Techniques on a Print on 
Demand basis.  

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Re: RE: [lace] Turning Lace Bobbins

2018-10-10 Thread Catherine Barley
Subject : RE: [lace] Turning Lace Bobbins

Abes books has it for about $30 which is about the cost price if I remember.  
The other prices I saw were ridiculous.  I could sell my copy and retire!! Smile
I forgot to ask him if he has approached David direct as I believe he self 
publishes sometimes??

Brian



Thank goodness David has also resorted to self publishing and can't imagine 
that anyone would purchase these out of print books as the extortionate prices 
being advertised on well know internet sites for second hand copies ('I could 
sell my copy and retire')!  This is what made me decide to take the financial 
risk and re-print my own book Needlelace Designs & Techniques on a Print on 
Demand basis.  Can you imagine how furious it makes an author feel,  to see 
someone 'cashing in' on all the hard work they have done in writing the book in 
the first place,  sit there in front of a computer screen and watch these 
ridiculous prices being advertised, far beyond the pockets of most lacemakers ( 
for whom the book was written  in the first place)!  Always check with the 
author of any out of print lace title before buying a second hand copy at an 
extortionate price (unless you are able to find a reasonably priced copy), as 
many authors are now self publishing.

Catherine Barley Needlelace
www.catherinebarley.com

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Re: [lace] World Lace Congress in Brugge Belgium, workshop summary (long)

2018-10-10 Thread Catherine Barley
Original message
>From : l...@binnie.id.au

Subject : Re: [lace] World Lace Congress in Brugge Belgium, workshop  summary 
(long)

As promised I will start by letting people know about the workshops that 
were held from the 13-16 August as part of the festival. 



Thank you Anna for your lengthy, really interesting account of the workshops in 
Brugge, which have left me feeling so envious that I was  unable to attend 
myself!  Everything appears to have been exceptionally well organised and I 
look forward to reading your next account of the actual festival. I really do 
appreciate the amount of time you have dedicated in recording this event for 
the benefit of all Arachne subscribers, also to Jeri for her dedication over 
many years, in keeping us all informed of what's going on in the lace world at 
large.  I can only echo her thoughts as to what has happened to everyone, as 
days, even weeks can pass with hardly a posting at all on Arachne, whereas it 
could take a considerable amount of time in the past, to plough through the 
many postings each morning?  We know they are all lurking out there, as 
occasionally a subject of interest will come up which will bring many 
responses/contributions from those who have been 'hibernating'!  We really!
  don't want this wonderful lace lifeline to fold due to lack of subscribers 
contributing! 

Surely Jeri and Anna are not the only lacemakers who attended?

Catherine Barley Needlelace
www.catherinebarley.com

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Re: [lace] IOLI Handbook

2018-07-17 Thread Catherine Barley
Hi Susie

Hope ll is well with you and I would say no too.  Too much information!

Catherine Barley UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : cjohnson0969@comcast.
Subject : [lace] IOLI Handbook

Has anyone heard if the handbook is going to also be available on line.

If I was to have a chance to vote...I would say no.

 

But, It makes a difference to some how we fill out our contact details on
our renewals sheet,

so I would appreciate an answer.

 

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Re: [lace] IOLI Bulletin

2018-07-11 Thread Catherine Barley
Hi Janice

I too will be opting for the paper version as I prefer being able to pick it up 
and read at my leisure, rather than go to my laptop to access it.  I did try 
the digital version with another lace group but like yourself, couldn't be 
bothered with having to go through the process of accessing it through the 
computer each time I wanted to read it.  I'm in the UK so haven't actually 
received my copy yet.  Can't help you with the Google account I'm afraid, as 
I'm far too long in the tooth to comprehend and keep up with all this modern 
technology, most of which I have no use for anyway!

Catherine Barley UK
Where we're experiencing very hot and humid weather at the moment - far too 
oppressive for me!
 
Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : jbl...@sbcglobal.net


As the list seems to be quiet, my last digest was #68 on July 1, and I know I 
sent a lengthy email about convention hoping it might kick out a new digest, I 
decided to write about the IOLI increasing the dues to cover mailing and 
printing costs of the magazine and the new digital version at lower cost.

Can anyone answer my question on a Google Account, and what do others think of 
this new version?

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Re: [lace] The Country Wife by Constance Howard, Comments 2 and 3

2018-06-03 Thread Catherine Barley
Thank you Jeri

I have enjoyed reading about the Constance Howard mural and well remember the 
days of 'make do and mend' as a child.  I recall when as children we had worn 
holes in the elbows of our woollies, that my mother would pull a thread from 
the elbow area, unravel the lower portion from elbow to cuff, pick up the 
stitches and re-knit the sleeves from elbow to cuff, giving our woollens new 
life!  Clothes were rationed and we had clothing coupons as well as Ration 
Books for food supplies!

Many years later of course, I taught needlelace to the students at the RSN when 
it was still at Prince's Gate, travelling up to London one day a week for six 
weeks.  I also recall some years earlier, when Nenia Lovesey used to teach 
there, demonstrating bobbin lace at Prince's gate.  A gentleman came and stood 
in front of me and stood for some considerable time watching me work on my 
pillow.  He didn't comment at all but was clearly intrigued by the process, so 
I asked him if he had seen bobbin lace being made before?  He replied that he 
hadn't, but volunteered the he was a telephone engineer and could clearly 
follow the paths that the threads were travelling!

Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : jeria...@aol.com
Date : 01/06/2018 - 17:00 (GMTDT)
To : lace@arachne.com
Subject : [lace] The Country Wife by Constance Howard, Comments 2 and 3

Are any of you in the U.K. interested in further comments about Constance
Howard's mural?  If there is no response I will stop sharing Ann Bernard's
postings.  Her second posting is at: 
http://annbernard.com/2018/05/29/the-country-wife-mural-2/ 
 
Ann was a student at the Royal School of Needlework about 60 years ago, and
now lives in Canada. She is seeking input about lives of women in the
post-WWII period. Perhaps someone has comments about the Lacemaker in the
lower right corner for her?
 
Back then, many of us made nearly all our clothes. 

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Re: [lace] Single space between sentences; avoid quotations/apostrophes

2018-05-10 Thread Catherine Barley
I too will not be changing the habits of a lifetime.  It also infuriates me how 
the pronunciation of so many words have now been changed by putting the 
emphasis on a different part of the word.  Even news readers on TV do I!  Are 
all these changes age related do you think?  

Catherine Barley UK where we have been enjoying glorious sunshine for days now!

Catherine Barley Needlelace
www.catherinebarley.com


Subject : Re: [lace] Single space between sentences; avoid  
quotations/apostrophes

I agree, habits of 50 odd years are very hard to break and I, for one, 
will continue with double spacing no matter the software gurus.

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Re: [lace] My AOL message failed to get past Arachne's panix block this morning

2018-04-14 Thread Catherine Barley
Fascinating article and wonder just how much it will go for.

Received your posting okay.  Thank you Jeri.

Catherine Barley

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : jeria...@aol.com

Subject : [lace] My AOL message failed to get past Arachne's panix block this  
morning


 
Somehow, not all of The Times address got picked up for you.  Others have
since chimed in, and I am happy you have had the opportunity to see the gold
silk shirt that is 1,000 years old and estimated to sell at Sotheby's London
for $700,000.

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Fwd: [lace] Colour in Lace.

2018-04-06 Thread Catherine Barley
e at Windsor and 
Maidenhead college some years earlier!

Catherrine Barley
   
Catherine Barley Needlelace
www.catherinebarley.com




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Re: RE: RE: [lace] Nordfors Clark, Contemporary Needlelace

2018-04-05 Thread Catherine Barley
Original message
>From : devonth...@gmail.com

Subject : RE: RE: [lace] Nordfors Clark, Contemporary Needlelace




Devon


I have no desire or inclination to spend anymore valuable time reading through 
lace/embroidery books to clarify/establish facts as to the current 
description/identification of various forms of needlelace, so this will be my 
last and final posting on the subject.

I am truly thankful that the responsibility of submitting an accurate 
description of some of the exhibits to be staged in Devon's forthcoming 
exhibition, does not rest on my shoulders, but if it did, I think I would be 
inclined to invite the workers of these exhibits to provide their own thought 
process on the production of their works. The press/media did an excellent job 
of unwittingly hoodwinking the naïve public into believing that the lace for 
Katherine Middleton's wedding dress was handmade lace!  However, as lacemakers 
ourselves, we all know this fact to be inaccurate, as we are able to identify 
handmade lace from machine made lace, and know that it was most definitely 
machine made lace and not handmade lace!

One would be hard pushed to find any of the stiches Devon refers to from Jill's 
book ie chain stitch, coral stitch, stem stitch, Cretan stitch, Ceylon stitch 
in a 'how to' book on needlelace techniques (other than hers of course), but 
have no problem whatsoever finding them in many Embroidery books, as that's 
what they are - Embroidery stitches!  I did quickly thumb through Jill's book 
only to discover that all her stitch samples are worked on needlepoint canvas, 
enabling the worker to maintain an even tension - I decline to comment on this 
practice.  I am proud to have a piece of my own Contempory 3-D strawberries 
portrayed in this very same book but do not claim it to be 'Needle LACE' in the 
strict sense of the word 'Lace' but rather a Contemporay work utilising 
needlace techniques!

On page 83 she describes the method of working the buttonholed Argentan ground, 
where she states 'This is the complex Argentan ground which is not for the 
faint hearted' and gives detailed instructions/diagrams as to how to work this, 
including the preparation required to couch down the supporting cordonnet and 
explains how the work is finally removed from the background fabric.  This will 
of course result in it being free from any supporting fabric and would qualify 
as a true sample of 'stiches in the air'.  What she doesn't say however, is 
that this would traditionally be surrounded by other more closely worked 
buttonhole areas to support it, but presumably her use of it is to work it over 
the top of maybe a closely worked corded Brussels foundation/fabric?  Devon 
also mentions that Jill uses weaving techniques in her works but this technique 
is the main distinguishing feature to be found in Halas lace also. 

Perhaps a more accurate description of these Contemporay works would be that of 
a' Needle worked background fabric, embroidered/enhanced with 
buttonhole/embroidery stitches'?  Do you honestly believe that a beautiful 
piece of Point de Gaze, Yougal, Amelia Ars, Halas, Burano, Alemcon etc fall 
into the category of Embroidery?  Possibly Limerick, Carrickmacross or Tambour 
work but surely not any of the above!

Catherine Barley

Catherine Barley Needlelace
www.catherinebarley.com



 with the intention of bringing awareness of the term 'lace' to the attention 
of the general public

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Re: [lace] What do bobbin and needle lace have in common?

2018-04-05 Thread Catherine Barley
Original message
>From : enkanagyl...@gmail.com

Subject : Re: [lace] What do bobbin and needle lace have in common?


In a recent viewing of 17th century English embroidery, I noted that some of 
the stitches used to fill in backgrounds behind raised work resembled Hollie 
Point, but in color. But we would not call that lace. Raised work itself is 
obviously a very close relative of needle work, with the difference sometimes 
seeming to only be the use of white vs color. 
I’ve also been researching early English lace as you all know, and it seems 
like most early references to needle lace lump it in with embroidery, whereas 
“lace” alone denotes bobbin lace, but not in all cases. 

So how do we distinguish? A truly perplexing question indeed.


The only difference is not just the use of white v colour as there are plenty 
of bobbin lacemakers who work mainly in colour - Jane Atkinson for one.  There 
are also many needlelace workers who work only in colour and whose names have 
been brought to my attention here in these discussions on the subject.  The 
difference is that if the needlelace stitches are worked onto a background 
fabric, it is embroidery but if it can stand alone without the need of a 
background fabric to support it, it is needle 'lace' in the true sense of the 
word.  Please don't complicate matters by thinking that a piece of needlelace 
that has been worked in the traditionally accepted manner before mounting onto 
a background fabric and then put into a frame, is embroidery - it is not, 
because it can stand alone and one can see through it, it does not need a 
background fabric because it is lace that was not worked onto a background 
fabric of any description..  Also these EARLY references do lump it into!
  embroidery but we're discussing the 21st century needlelaces, not the 17th 
century use of it.  Alencon and all of the other traditional needlelaces, which 
are not 21st century inventions are without any doubt whatsoever needlelace and 
will not be found lumped in with embroidery if  searched for using the words  
'Alencon Needlelace' but the word 'Needlelace' alone, clearly does.  

Catherine Barley

Catherine Barley Needlelace
www.catheinebarley.com

Catherine Barley

Catherine Barley Needlelace
www.catherinebarley.com 

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Re: RE: [lace] Bath-changing style of contemporary Needlelace 1970s on

2018-04-04 Thread Catherine Barley
PS.  They ALL relied on the simple buttonhole stitch,  whether with or without 
the use of colour!

Catherine Barley

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : catherinebar...@btinternet.com
Subject : Re: RE: [lace] Bath-changing style of contemporary Needlelace 1970s  
on



Original message
>From : devonth...@gmail.com

Subject : RE: [lace] Bath-changing style of contemporary Needlelace 1970s  on


-
Surely ALL needlelace is worked by the execution  of the simple buttonhole 
stitch.  if not, what other stich is used to work examples of Ros Hills, 
Contemporary needlelace, Bath's needlelace, or antique laces such as Point de 
Gaze, Hollie Point, Burano, Halas, Alencon, Youghal, Boris etc - they are all 
made with variations of either grouping, twisting, voiding etc on a simple 
Buttonhole stitch!  Which stitch did Ros Hills, Jill Nordfors Clark and 
Virginia Churchill Bath use if wasn't the simple Buttonhole stitch I wonder?

Catherine Barley

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Re: RE: [lace] Bath-changing style of contemporary Needlelace 1970s on

2018-04-04 Thread Catherine Barley
Original message
>From : devonth...@gmail.com

Subject : RE: [lace] Bath-changing style of contemporary Needlelace 1970s  on

, whereas later books like Catherine Barley’s 1993 and Pat
Earnshaw’s Needlelace, Merehurst Embroidery Skills book, 1992, relied more
heavily, even in contemporary work, on the buttonhole stitch, be it corded,
twisted, or multiply twisted. 
Devon

-
Surely ALL needlelace is worked by the execution  of the simple buttonhole 
stitch.  if not, what other stich is used to work examples of Ros Hills, 
Contemporary needlelace, Bath's needlelace, or antique laces such as Point de 
Gaze, Hollie Point, Burano, Halas, Alencon, Youghal, Boris etc - they are all 
made with variations of either grouping, twisting, voiding etc on a simple 
Buttonhole stitch!  Which stitch did Ros Hills, Jill Nordfors Clark and 
Virginia Churchill Bath use if wasn't the simple Buttonhole stitch I wonder?

Catherine Barley


Catherine Barley Needlelace
www.catherine barley.com

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Re: [lace] Colour in lace

2018-04-03 Thread Catherine Barley
Yes I've heard that too Kathleen - Perhaps it was Nenia Lovesey who told us?

Catherine Barley Needlelace
www.catherinebarley.com

Original message

Subject : [lace] Colour in lace

Some years ago I visited a village in southern Belgium which had specialised in 
making black Chantilly lace. It’s name escapes me. The lace we saw was 
fantastic, but we were told that there was little of it left, because the black 
dye used to colour the thread, (or maybe the process used) rotted the thread 
over time. I wonder if anyone else has heard this, and also, what dye was used?

Kathleen, in a damp and dreary Berkshire, UK.

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Re: [lace] Colour in lace

2018-04-02 Thread Catherine Barley
Original message

Subject : Re: [lace] Colour in lace

Is coloured lace as non-traditional as most people seem to think it is, though?

--

There were most certainly examples of coloured lace produced in the East 
Midlands as Alan S. Cole found and mentions in his Report on Northampton, Bucks 
& Beds Lace-making in 1891.
When we were researching for the exhibition Art, Trade or Mystery - Lace and 
Lacemaking in Northamptonshire,  held in 1999 we found sheets of samples of 
coloured laces in the collection of Northampton Museums.

Diana in Northamptonshire.

Hi Diana

I well remember as one of the Westhope Group, helping to set up this exhibition 
in Northampton and what a success it was too!  The group played a large part in 
the exhibition and we were asked to make two pieces of lace each, one in white 
and one in colour, but both on the same theme.  My chosen theme was Hans 
Andersen Fairy Tales, with my Snow Queen panel being the white lace and The 
Little Mermaid my coloured piece (worked using stumpwork techniques).  I think 
Cynthia Voysey (a very well known Honiton tutor/author, worked a small coloured 
purse in Needlelace for this exhibition, but I could have been for one of  the 
other many other exhibitions the group displayed their work,  maybe the one at 
Pilkington's Glass?

I do seem to recall when teaching the C & G students at Camberley Adult 
Education Centre, that a small group visited the V & A and discovered a piece 
of coloured Honiton lace from way back?  It would seem that nothing is new and 
it's all been done before!

Catherine Barley


Catherine Barley Needlelace
www.catherinebarley.com 

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Re: RE: [lace] contemporary needle lace

2018-04-01 Thread Catherine Barley
Original message from Devon
Subject : RE: [lace] contemporary needle lace


I have been fortunate to convince Ros Hills to loan to the exhibit two works.
One is  I am woman, which can be seen on p. 120 of the book  Merehurst
Embroidery Skills Needlelace, by Pat Earnshaw. 
Devon

Dear Spiders

I should like to dispel any misconception that some might have about my 
aversion to coloured Contemporary needlelace, as opposed to fine white 
Traditional needelace.

If you have a copy of my book 'Needlelce Designs & Techniques Classic & 
CONTEMPORARY' on your bookshelves or can borrow one from somewhere, the very 
first piece of my work you will see is the COLOURED 3-D strawberries on the 
front cover, which was designed and worked by me in 1989, not a piece of fine 
white Traditional needlelace.  These strawberries also appear in Jill Nordford 
Clark's book 'Needlelace Techniques & Inspiration published a decade later in 
1999.  Then there are the 3-D Pea Pods with admittedly a fine white 3-D 
butterfly on page 143 - also in the same book by Pat Earnshaw, as Ros Hills' 'I 
Am Woman' pub by Merehurst as part of their EMBROIDERY SKILLS series.  Ros 
herself says and I quote

'The actual working of the needlace fabric I find tedious and exacting, but to 
take a single thread and create with it a fabric, will always fascinate me 
..'

 She does not describe this work as LACE but uses the word FABRIC twice in her 
description.  In that very same book on page 109 you will see 'Garden Gate' by 
Nenia Lovesey (whch I am the proud owner of), page 110 'Pea Pods' by Catherine 
Barley, 'Brighton Pavilion' by Ann Collier, page 114 'Samurai Two' by Barbara 
Hirst, and page 120 'I Am Woman' by Ros Hills and all are worked using 
needlelace techniques but I would not classify them as 'LACE' in the strict 
sense of the word as I understand - I include myself of course in my 
observations, but would describe them as being worked in a Contemporary STYLE 
rather than a Traditional LACE.  On page 59 of Virginia Churchill Bath's book 
'LACE' is the wonderful 'Judgement of Solomon' panel from the V & A - now that 
is needlelace in all it's glory!  I saw this panel at the V & A way back in the 
early 80's when one didn't need to make an appointment for a 1 hour slot and 
inform them of the pieces you would like to see, but in the days w!
 here all the lace was in a separate section with doors that could be locked 
when necessary and open every day of the week, to browse through the pull out 
panels at leisure and stay as long as one liked, just drooling over all the 
wonderful laces.

Going back to my own book you will see on pages 114/115 the stumpwork wedding 
scene where all the clothing is worked in coloured needlelace, but of course 
the bride's dress, as one would expect, is fine white 'lacey' needlelace, all 
worked in 1989.  Page 27 shows an adaptation of a Dover design, worked in 
Venetian Gros Point techniques, and this was worked in 1983 - 35years ago!  I 
too took some criticism for having dared to introduce a small amount of pink 
coloured silk thread into my interpretation!

If you go to my website and scroll down to 'Venetian Gros Point' you will see a 
black chiffon jacket with COLOURED needlelace petals (beads too!) applied to 
the painted flowers on the fabric, also an evening bag worked in various shades 
of pink/ecru, again worked over 30 years ago in the 1980's.  Take a look also 
at the stumpwork 3-D section where you will see quite a few projects worked in 
coloured thread and solid corded Brussels.  Move on to the bobbin Lace section 
and see the 3-D Bobbin lace detachable pockets worked in gold metallic thread 
and worked in the late 1970's - almost 40 years ago, when I knew absolutely 
nothing about Needlelce!  I think I hardly fit the description of 'living in 
the past'!

When commissioned by Batsford to write my book, I gave a great deal of thought 
as to it's content and didn't want it to be full of the work of others, but 
something different.  Some may feel that Venetian Gros Point would be far too 
difficult as a first project, but corded Brussels is by far the easiest/most 
simple stitch to work, as it has a cord to support it, whereas the more open 
'lacey' stitches are far more difficult to control, as no doubt many of you 
will have discovered for yourselves.  This book is progressive with each new 
project reinforcing techniques mastered in the previous one, whilst progressing 
to a new technique in addition.  Finally, having learnt the traditional 
techniques with the TWISTED buttonhole stitch in Hollie Point, then the more 
open filling stiches and grid fillings in Point de Gaze, the book moves on to 
the CONTEMPORARY projects that utilise the TRADITIONAL techniques learnt 
previously.

I am open minded and very receptive to Contemporary Needlelace but equally 
concerned that the Traditional techniques are being overlooked by many and in 
great da

Re: [lace] Instagram versus Facebook

2018-04-01 Thread Catherine Barley
Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : mdhow...@bigpond.net.
Subject : Re: [lace] Instagram versus Facebook

OK Devon, you have uncovered me. I confess that I am purplenana6.
I started using Instagram a couple of years ago because that was the 
platform my children were using. 

Dawn Howell


Oh dear, Facebook, Instagram, Pinterest, Llinkedin, passwords, pin numbers, 
vehicle registration numbers when paying to park my car,mobile phones, learning 
to use Windows 10 and now even talk of driverless cars - it's all just too much 
for my ageing brain now that I'm a senior citizen and have grandchildren!  
Modern technology is wonderful but advancing far too fast for those of us who 
are no longer in the workplace and needing little use for it all.  I'm a very 
organised creature of habit and even my local supermarket sends me an email the 
evening before I do my weekly shop, to tell me the discounts that are available 
on such items as deodorants, hairspray, dishwasher tablets etc that I might 
have bought only the week before and certainly don't need to replace just one 
week later!  'Big Brother' is watching me and nothing is private any more!

When I was a child we grew up without central heating, television, washing 
machines, credit cars, land line telephones and certainly not mobile phones, 
petrol was rationed so hardly anyone owned a car, we never locked the back door 
as no one had anything worth stealing! We had an air raid shelter in the 
garden, washed our milk bottles and put them back outside for the milkman to 
collect, would take empty lemonade bottles back to the Off License to get 6d (2 
1/2p in todays money), we recycled them in those days, so nothing new there!  
Life was simple but we were happy!

Catherine Barley

Catherine Barley Needlelace
www.catherinebarley.com















---
T

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Re: [lace] Needle Lace Revival

2018-03-31 Thread Catherine Barley
Subject : Re: [lace] Needle Lace Revival

Margaret Stephens, here in Australia, is very much an expert and teacher 
in needle lcae. her classes at both the Embroiders' Guild and the Lace 
guild are booked out. 


Thank you Lorelie for sending me the link so see Margaret Stephens work, which 
I have finally found time to look browse leisurely through this morning.  Her 
work is indeed very beautiful, colourful and certainly eye catching!  I love 
her choice of colours too and read all the wonderful comments from admirers and 
her own helpful hints.  However she did write on 30th March 2014 and I quote 

'Keep doing that white, Traditional work . . . . . . . . . . because I can't 
(and have no desire to do so)'

I have not criticised anyone for working coloured contemporary work but simply 
asked was there anyone out there who makes/teaches fine white traditional 
needlelace?  In answer to that question, I was told about Margaret Stephens.  
Thanks to Lorelie I have now seen some wonderful examples of her work.

Catherine Barley


Catherine Barley Needlelace
www.catherinebarley.com

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Re: [lace] Significant Needlelacers

2018-03-30 Thread Catherine Barley
Wonderful teacher and lacemaker. A personal friend whom I have known since the 
very early 80's when teaching for Susan Cox at The English Lace School.  
Annette I have known more recently and a beautiful lacemaker too.

Cahterine Barley

Catherine Barley Needlelace
www.catherinebarley.com


Subject : [lace] Significant Needlelacers

Must mention Marie Laurie and Annette Meldrum from Australia.
Marie has published "Hungarian Needlepoint Halas Lace: an Australian 
Intetpretation" after being one of the first westerners allowed into Hungary to 
study this traditional technique.

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Re: RE: [lace] Nenia Lovesey-City and Guilds

2018-03-29 Thread Catherine Barley
Neither Nenia or Ros Hills were responsible for setting up the City & Guilds 
course, it was Margaret Clark of The Lace Guild here in the UK who was the 
driving force behind setting it up.  All the prominent lace teachers in the UK 
were invited to be one of the Guinea Pigs, as they had to start somewhere!  
Nenia was invited to be one of the Assessors to mark/assess the work of the 
Guinea Pigs, having sat their examination and displayed the practical work 
required in the syllabus.  However, she was in poor health at the time and 
unable to take on the responsibility, so I was invited to take her place, being 
the only other person with sufficient knowledge of needlelace to meet the 
requirement, along with Susanne Thompson, and Anne Collier for the bobbin 
laces.  We three assessors were housed in a nearby hotel well away from the 
Guinea Pigs, who sat their written exam at Knuston Hall.  This all took place 
over a weekend and I believe this was in September 1987?

A number of the successful Guinea Pigs then went on to become Assessors 
themselves eg Cynthia Voysey, Barbara Underwood, Gil Dye, Sue Willoughby (I 
think chair of The Lace Guild at that time?), Carol Williamson, Anne Dyer and 
many well known names.  The first C & G 2 year course held at Camberley Adult 
Education Centre is where both Ros Hills & myself taught the class of 18 
students  to make needlelace and Pat Earnshaw taught them how identify the 
various types of lace.  She had an amazing collection of lace and of course had 
written several books on the subject, so what a treat it was to be able to 
examine/handle many of her exquisite laces.  By sheer coincidence my book 
Needlelace Designs & Techniques had just been published and the first three 
types of needlelace, namely Venetian Gros Point, Hollie Point and Point de 
Gaze, were three of the needlelaces that had to be covered in the C & G 
examination.

The Westhope Group was formed shortly after the Guinea Pigs had sat their exam 
with a few f the successful candidates being invited to join the group, numbers 
limited by the number of beds available at the college.  Several well known 
authors/tutors were members and came from North, South, West and East to enjoy 
our weekend get togethers, planning exhibitions etc and picking each other's 
brains.  What a wonderful time it was!  Sadly nothing lasts forever and the C & 
G lacemaking course is no more!  The main reason for setting up the C & G 
Lacemaking course in the first place was to do away with the so called 'cowboy' 
tutors, who having attended a couple of lacemaking courses, considered 
themselves qualified to teach but if they had a C & G qualification that would 
guarantee a higher standard of tuition.

Yes I think the introduction of the C & G course did play a very large part as 
a major drive in the lace movement.

Catherine Barley

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : devonth...@gmail.com
Date : 29/03/2018 - 14:39 (GMTDT)
To : ec...@cix.co.uk, lace@arachne.com
Subject : RE: [lace] Nenia Lovesey-City and Guilds



I am trying to write the catalog for the exhibit. Since Ros Hills is in the
show, I sat down to reread her books. In Colour and Texture in Needlelace, she
makes reference to Nenia Lovesay. I was surprised to hear that Nenia made
bobbin lace, as I had always associated her with needle lace. I had not
realized what a major figure she was, though. Both she and Ros were involved
in the City and Guilds program which I am beginning to realize must have had
major impact. I get the impression that this program is no longer in existence? 
Is that right?

Was the City and Guilds program a major driver of the lace movement in the
UK?

Devon

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Re: [lace] Needle lace revival

2018-03-29 Thread Catherine Barley
Interesting and whatever turns you on I guess!  'Beauty is in the eye of the 
beholder'

Let's hope the exhibition results in what you are hoping to achieve, by 
awakening the general public to lace in it's many forms and that there will be 
sufficient interest/stimulation to get at least some of them sufficiently 
interested to enrol on a class to learn for themselves.

Catherine

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : devonth...@gmail.co

Subject : [lace] Needle lace revival

If you watch a 17 minute interview with Maggie Hensel-Brown
https://www.youtube.com/watch?v=RsO5wICsojY conducted by Angharad Rixon,
proprietor of Textile Support and the genius behind The Doily Free Zone, you
will see that she credits a class with Margaret Stephens with setting her off
on her lace journey.

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Re: [lace] Needle Lace Revival

2018-03-28 Thread Catherine Barley
I have looked at Penny Nickels work and agree it is very impressive and can 
recognise the influence of my Snow Queen panel, but for some reason my panel 
does not seem to come into the category of 'Contemporary Fibre Art' - I wonder 
why?  I know people are visiting my website by the number of hits it gets on a 
regular basis and clearly they learn something from the detailed progressive 
images that I have shown there, but my work seems to all be classified as 
'living in the past' recreating old fashioned traditional techniques.  Perhaps 
the skills that have taken me over forty years to perfect are the problem, and 
maybe if I were to incorporate some irregular tension in my work, it may be 
viewed as more 'avant- garde'.  Clearly we all learn from the old traditional 
techniques so it is essential that they continue to be practised, otherwise 
they will disappear into obscurity.

I wish you and all your exhibitors the greatest success with your exhibition.

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : devonth...@gmail.com
Subject : [lace] Needle Lace Revival



 In the US, Carolyn Wetzel is investing a tremendous amount of time, effort
and money to become a needle lace teacher with expertise in Aemelia Ars,
Alencon and Frisado de Valladolid. She is a real asset in perpetuating needle
lace.

I think it is imperative to give some recognition to, and to exhibit, youngish
needle lace artists. With no encouragement, they will stop doing needle lace
art and go on to do something that is better understood and appreciated.

My exhibit Lace, not Lace: Contemporary Fiber Art from Lacemaking Techniques
has several young(ish) needle lacemakers in it.
One is Penny Nickels. She has a blogspot called Donkeywolf
http://donkeywolf.blogspot.com/ where you can see two works that will be in
the show. 

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Re: [lace] Needle Lace Revival

2018-03-28 Thread Catherine Barley
Such good news Anna, where can I see some of her work?

Happy Lacemaking

Catherine

Catherine Barley Needlelace
www.catherinebarley.com

Original message--
Subject : Re: [lace] Needle Lace Revival

Margaret Stephens, here in Australia, is very much an expert and teacher 
in needle lcae. her classes at both the Embroiders' Guild and the Lace 
guild are booked out. She has even written 2 how to books one on 
Retecella and one on Amelia Ars. Both show the traditional and modern 
colo

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Re: RE: [lace] Needle Lace revival

2018-03-28 Thread Catherine Barley
I have her book and attended her class at the OIDFA Conference in Caen 2012.  
An excellent tutor!

Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com

--
Subject : RE: [lace] Needle Lace revival

  Also, don't forget Brigitte Delesques Dépalle, who wrote by far the best 
manual on needlelace and still teaches. She and I were students together at 
Alençon.

-Original Message-
From: Devon Thein <dmt11h...@aol.com> 

Subject: Re: [lace] Needle Lace revival

Oops.
Sorry, Madame Laurie. Can’t wait to see your articles. Everyone save your 
lobster claws.
Needle lace lives!

Devon

Sent from my iPad

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Re: [lace] Needle Lace Revival

2018-03-28 Thread Catherine Barley
Such refreshing news I'm now reading about tutors who teach Traditional 
needlelace!  It warms my heart, as I felt I had failed, having spent over 30 
years trying to pass on the legacy that Nenia Lovesey left to us all.  It would 
be a disaster if Traditional Needlelace disappeared into obscurity like so many 
other skills have done,  Modern technology is wonderful but children seem to be 
no longer taught them at school as there is no time apparently but they would 
rather spend their time sitting at computers, game boys, x boxes etc (whatever 
they are)!

Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : l...@binnie.id.au
Date : 27/03/2018 - 23:53 (GMTDT)
To : devonth...@gmail.com, lace@arachne.com
Subject : Re: [lace] Needle Lace Revival

Margaret Stephens, here in Australia, is very much an expert and teacher 
in needle lcae. her classes at both the Embroiders' Guild and the Lace 
guild are booked out. She has even written 2 how to books one on 
Retecella and one on Amelia Ars. Both show the traditional and modern 
colour.

Anna from a warm Sydney Autumn morning

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Fwd: [lace] Lace revival

2018-03-27 Thread Catherine Barley
Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : catherinebar...@btinternet.com
Date : 27/03/2018 - 18:14 (GMTDT)
To : ec...@cix.co.uk, lace@arachne.com
Subject : Fwd: [lace] Lace revival

Original message
>From : catherinebar...@btinternet.com
Date : 27/03/2018 - 17:36 (GMTDT)
To : ec...@cix.co.uk, lace@arachne.com
Subject : Re: [lace] Lace revival

I was also taught bobbin lace by Nenia Lovesey in the late 60's early 70's 
after having seen her demonstrating in a church hall in Crowthorne, Berks where 
I lived.  I was fascinated and asked where I could learn, to which she replied 
"at the Berkshire craft Centre in Wokingam in what was the old Brewery".  I 
enrolled and took to bobbin lace like a duck to water, just couldn't get enough 
of it!  Nenia always told us to be beware as once we had caught the Lace Fever, 
there was no cure, and how right she was! I also learnt from the Swedish 
Knippling book with the accompany brown cards printed with the Torchon patterns 
and still have both book and patterns today.

Nenia was invited to be Craft Co-ordinator at South Hill Park Arts Centre in 
Bracknell and asked me to take over the bobbin lace classes at the Wokingham 
Craft Centre.  I said I couldn't possibly as I felt I had insufficient 
knowledge, but she insisted and said I would be okay, so I agreed.   Once she 
had got South Hill Park Arts Centre up and running she asked me to teach bobbin 
lace there too, which once again I did.  However, there were no qualifications 
that one could study for in those days and Nenia had also been asked to teach a 
City & Guilds Creative Textiles course at Windsor & Maidenhead College, which 
covered everything that made a textile, including both bobbin and needlelace.  
This was my chance to gain some sort of qualification, so jumped at the 
opportunity!

When I signed up for the bobbin lace class in the late 60's my youngest child 
Suzanne had just started school, so with both of them at school I was able to 
have a couple of hours to myself to indulge in my new found hobby, but by the 
time I enrolled on the C & G course at Windsor, they were both teenagers, so 
some years had passed before I got to this stage!

I knew nothing whatsoever about needlelace and had probably looked at many 
examples, assuming in my ignorance that they were bobbin lace - wrong!  I 
excelled at needlework at school in the late 40's/early 50's and would have 
loved to have earned a living at it, but my teacher at school told my parents 
that it was hard work and poorly paid, so I had to drop the needlelwork and 
take the shorthand/typing class.  Britain was still recovering from the war in 
the early 50's and no way would I have been able to earn a decent living by 
needlelwork!  How I would have love to had been an apprentice at The Royal 
school of Needlelwork, so you can imagine how honoured felt when several 
decades later I was invited asked to teach needlelace the apprentices at the 
RSN which was then based at Princes Gate, London.  I taught them one whole day 
a week for six weeks.

Nenia was an incredible woman, a member of the World Crafts Council and there 
was nothing that she couldn't do.  She taught us to spin, weave, card a fleece, 
work Irish crochet, knit, work Sans Blas, bobbin lace, needllace, 
Carrickmacross and so many other things, too many to mention!  Today she would 
have been awarded an OBE for services to lacemaking but sadly she was never 
honoured with such a prestigious award, although more than well deserved.  Most 
of us who make needlelace today, would not know how, had it not been for Nenia, 
as to the best of my knowledge she was the only person who knew how to make it! 
 None of the other guilds in 1980 were remotely interested in needlelace, 
largely due to the fact that they knew nothing about it!  As a result, Nenia 
and a small group of her students at the publication party for the launch of 
her first book 'Needlepoint Lace' published by B T Batsford in 1980, decided to 
form our own Guild, which ran until October 2017.  However, as!
  not one single member came forward to join our committee at the AGM last 
year, the Guild of Needleace had no option but to fold!  What a sad state of 
affairs and we really do owe it Nenia to continue the legacy she has left to 
us.  Is there no one out there who  makes beautiful fine white needlelace and 
who can pass on these techniques for the benefit of future generations?  I have 
done my level best over several decades, travelling many thousands of miles 
both here in the UK and overseas to pass on my skills, but all I hear is "I 
couldn't possibly see to do such fine work" but I see beautiful fine white 
Honiton lace still being made, along with gorgeous Binche, Bucks etc so why is 
it so difficult to find a tutor to teach 'Traditional Needlelce" I wonder?

Nenia wrote a book 'Reflections on Lace' for her grandchildren, pu

Re: [lace] Lace revival - bobbins

2018-03-27 Thread Catherine Barley
If  you have received my response to Kathleen's email more than once, please 
accept my sincere apologies.  As a subscriber to Arachne myself. it as come 
through in my Spam
folder rather than my mailbox  P!ease would someone email me to acknowledge 
receipt if you have received it in your mailbox.

Many thanks

Catherine Barley UK  

Catherine Baey Needlelace
www.catherinebarley.com

Original message
>From : ec...@cix.co.uk
Date : 27/03/2018 - 11:42 (GMTDT)
To : lace@arachne.com
Subject : [lace] Lace revival - bobbins

Strange how this thread has revived so many memories! When I started making 
lace with Nena Lovesey in 1970, with my Belgian bobbins, she not only taught me 
to make lace, she taught me all sorts of things about lace. This continued with 
talks which she gave to emerging lace groups. So I learned about the East 
Midlands lace making area, and its industry, and about Honiton lace. I learned 
about English spangled bobbins.

My husband, on a journey to London, passed through Woburn, and spotted an 
antique shop. He collected antique cameras, so went in to investigate, and 
found, not cameras but lace bobbins. He bought about 70 bobbins, very cheaply 
because there was as yet no demand for them. The owner was delighted that they 
would be used to make lace! On his way back he called into the shop again and 
the owner had dug out more bobbins, which he bought. So I started my collection 
of antique spangled bobbins, with about 120 including a few with inscriptions, 
and some bone ones.  How lucky was I?

Kathleen, in a  brighter Berkshire.



Sent from my iPad

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Re: [lace] Lace revival

2018-03-27 Thread Catherine Barley
Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : catherinebar...@btinternet.com
Date : 27/03/2018 - 17:36 (GMTDT)
To : ec...@cix.co.uk, lace@arachne.com
Subject : Re: [lace] Lace revival

I was also taught bobbin lace by Nenia Lovesey in the late 60's early 70's 
after having seen her demonstrating in a church hall in Crowthorne, Berks where 
I lived.  I was fascinated and asked where I could learn, to which she replied 
"at the Berkshire craft Centre in Wokingam in what was the old Brewery".  I 
enrolled and took to bobbin lace like a duck to water, just couldn't get enough 
of it!  Nenia always told us to be beware as once we had caught the Lace Fever, 
there was no cure, and how right she was! I also learnt from the Swedish 
Knippling book with the accompany brown cards printed with the Torchon patterns 
and still have both book and patterns today.

Nenia was invited to be Craft Co-ordinator at South Hill Park Arts Centre in 
Bracknell and asked me to take over the bobbin lace classes at the Wokingham 
Craft Centre.  I said I couldn't possibly as I felt I had insufficient 
knowledge, but she insisted and said I would be okay, so I agreed.   Once she 
had got South Hill Park Arts Centre up and running she asked me to teach bobbin 
lace there too, which once again I did.  However, there were no qualifications 
that one could study for in those days and Nenia had also been asked to teach a 
City & Guilds Creative Textiles course at Windsor & Maidenhead College, which 
covered everything that made a textile, including both bobbin and needlelace.  
This was my chance to gain some sort of qualification, so jumped at the 
opportunity!

When I signed up for the bobbin lace class in the late 60's my youngest child 
Suzanne had just started school, so with both of them at school I was able to 
have a couple of hours to myself to indulge in my new found hobby, but by the 
time I enrolled on the C & G course at Windsor, they were both teenagers, so 
some years had passed before I got to this stage!

I knew nothing whatsoever about needlelace and had probably looked at many 
examples, assuming in my ignorance that they were bobbin lace - wrong!  I 
excelled at needlework at school in the late 40's/early 50's and would have 
loved to have earned a living at it, but my teacher at school told my parents 
that it was hard work and poorly paid, so I had to drop the needlelwork and 
take the shorthand/typing class.  Britain was still recovering from the war in 
the early 50's and no way would I have been able to earn a decent living by 
needlelwork!  How I would have love to had been an apprentice at The Royal 
school of Needlelwork, so you can imagine how honoured felt when several 
decades later I was invited asked to teach needlelace the apprentices at the 
RSN which was then based at Princes Gate, London.  I taught them one whole day 
a week for six weeks.

Nenia was an incredible woman, a member of the World Crafts Council and there 
was nothing that she couldn't do.  She taught us to spin, weave, card a fleece, 
work Irish crochet, knit, work Sans Blas, bobbin lace, needllace, 
Carrickmacross and so many other things, too many to mention!  Today she would 
have been awarded an OBE for services to lacemaking but sadly she was never 
honoured with such a prestigious award, although more than well deserved.  Most 
of us who make needlelace today, would not know how, had it not been for Nenia, 
as to the best of my knowledge she was the only person who knew how to make it! 
 None of the other guilds in 1980 were remotely interested in needlelace, 
largely due to the fact that they knew nothing about it!  As a result, Nenia 
and a small group of her students at the publication party for the launch of 
her first book 'Needlepoint Lace' published by B T Batsford in 1980, decided to 
form our own Guild, which ran until October 2017.  However, as!
  not one single member came forward to join our committee at the AGM last 
year, the Guild of Needleace had no option but to fold!  What a sad state of 
affairs and we really do owe it Nenia to continue the legacy she has left to 
us.  Is there no one out there who  makes beautiful fine white needlelace and 
who can pass on these techniques for the benefit of future generations?  I have 
done my level best over several decades, travelling many thousands of miles 
both here in the UK and overseas to pass on my skills, but all I hear is "I 
couldn't possibly see to do such fine work" but I see beautiful fine white 
Honiton lace still being made, along with gorgeous Binche, Bucks etc so why is 
it so difficult to find a tutor to teach 'Traditional Needlelce" I wonder?

Nenia wrote a book 'Reflections on Lace' for her grandchildren, published again 
by B T Batsford in 1988 (now out of print of course), but f you can get hold of 
a copy or borrow it from your Guild library, I recommend that you read it.  

Fwd: [lace] Lace revival

2018-03-27 Thread Catherine Barley
Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : catherinebar...@btinternet.com
Date : 27/03/2018 - 17:36 (GMTDT)
To : ec...@cix.co.uk, lace@arachne.com
Subject : Re: [lace] Lace revival

I was also taught bobbin lace by Nenia Lovesey in the late 60's early 70's 
after having seen her demonstrating in a church hall in Crowthorne, Berks where 
I lived.  I was fascinated and asked where I could learn, to which she replied 
"at the Berkshire craft Centre in Wokingam in what was the old Brewery".  I 
enrolled and took to bobbin lace like a duck to water, just couldn't get enough 
of it!  Nenia always told us to be beware as once we had caught the Lace Fever, 
there was no cure, and how right she was! I also learnt from the Swedish 
Knippling book with the accompany brown cards printed with the Torchon patterns 
and still have both book and patterns today.

Nenia was invited to be Craft Co-ordinator at South Hill Park Arts Centre in 
Bracknell and asked me to take over the bobbin lace classes at the Wokingham 
Craft Centre.  I said I couldn't possibly as I felt I had insufficient 
knowledge, but she insisted and said I would be okay, so I agreed.   Once she 
had got South Hill Park Arts Centre up and running she asked me to teach bobbin 
lace there too, which once again I did.  However, there were no qualifications 
that one could study for in those days and Nenia had also been asked to teach a 
City & Guilds Creative Textiles course at Windsor & Maidenhead College, which 
covered everything that made a textile, including both bobbin and needlelace.  
This was my chance to gain some sort of qualification, so jumped at the 
opportunity!

When I signed up for the bobbin lace class in the late 60's my youngest child 
Suzanne had just started school, so with both of them at school I was able to 
have a couple of hours to myself to indulge in my new found hobby, but by the 
time I enrolled on the C & G course at Windsor, they were both teenagers, so 
some years had passed before I got to this stage!

I knew nothing whatsoever about needlelace and had probably looked at many 
examples, assuming in my ignorance that they were bobbin lace - wrong!  I 
excelled at needlework at school in the late 40's/early 50's and would have 
loved to have earned a living at it, but my teacher at school told my parents 
that it was hard work and poorly paid, so I had to drop the needlelwork and 
take the shorthand/typing class.  Britain was still recovering from the war in 
the early 50's and no way would I have been able to earn a decent living by 
needlelwork!  How I would have love to had been an apprentice at The Royal 
school of Needlelwork, so you can imagine how honoured felt when several 
decades later I was invited asked to teach needlelace the apprentices at the 
RSN which was then based at Princes Gate, London.  I taught them one whole day 
a week for six weeks.

Nenia was an incredible woman, a member of the World Crafts Council and there 
was nothing that she couldn't do.  She taught us to spin, weave, card a fleece, 
work Irish crochet, knit, work Sans Blas, bobbin lace, needllace, 
Carrickmacross and so many other things, too many to mention!  Today she would 
have been awarded an OBE for services to lacemaking but sadly she was never 
honoured with such a prestigious award, although more than well deserved.  Most 
of us who make needlelace today, would not know how, had it not been for Nenia, 
as to the best of my knowledge she was the only person who knew how to make it! 
 None of the other guilds in 1980 were remotely interested in needlelace, 
largely due to the fact that they knew nothing about it!  As a result, Nenia 
and a small group of her students at the publication party for the launch of 
her first book 'Needlepoint Lace' published by B T Batsford in 1980, decided to 
form our own Guild, which ran until October 2017.  However, as!
  not one single member came forward to join our committee at the AGM last 
year, the Guild of Needleace had no option but to fold!  What a sad state of 
affairs and we really do owe it Nenia to continue the legacy she has left to 
us.  Is there no one out there who  makes beautiful fine white needlelace and 
who can pass on these techniques for the benefit of future generations?  I have 
done my level best over several decades, travelling many thousands of miles 
both here in the UK and overseas to pass on my skills, but all I hear is "I 
couldn't possibly see to do such fine work" but I see beautiful fine white 
Honiton lace still being made, along with gorgeous Binche, Bucks etc so why is 
it so difficult to find a tutor to teach 'Traditional Needlelce" I wonder?

Nenia wrote a book 'Reflections on Lace' for her grandchildren, published again 
by B T Batsford in 1988 (now out of print of course), but f you can get hold of 
a copy or borrow it from your Guild library, I recommend that you read it.  

Re: [lace] Lace revival

2018-03-27 Thread Catherine Barley
) all 
praising her for her hard work and dedication to reviving so many of the old 
crafts that were in danger of dying out, mainly due to the war years!  The same 
thing is about to happen if we don't endeavour to keep the various forms of 
lacemaking alive; difficult I know in this modern world, which is so very 
different from the one that most of us grew up in.  There is so much 
fascinating history/information in her book, even talking about how as a child 
she used to sit under the table in London where the Tebbs sisters wer!
 e teaching lace!   

Catherine Barley
Henley-on-Thames, UK
 
Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : ec...@cix.co.uk
Date : 27/03/2018 - 09:32 (GMTDT)
To : lace@arachne.com
Subject : [lace] Lace revival

I started to make bobbin lace in 1970. Nena Lovesey started me off with a 
simple pillow, some Belgian bobbins, and excellent basic instruction! I loved 
it! When she thought I was able enough, she introduced me to the Swedish 
Knipplerscan books. There were two paperback books of patterns, starting with 
the simplest and gradually increasing the complexity. 

Nena believed that the two wars had split families up, and moved them apart, so 
that grandparents were no longer able to pass on craft skills to grandchildren. 
So she instigated the opening of a craft centre, and collected as many crafts 
people as she could to pass on their skills to another generation. This 
included “male” crafts as well as “female” ones. I think she had a big 
influence on lace, in this area of the UK at least, where she taught and 
encouraged so many lace makers.



Kathleen
In a wet and chilly Berkshire UK

Sent from my iPad

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[lace] Fwd: THE LACE MUSEUM LLC

2018-02-14 Thread Catherine Barley
This link has been sent to me by a friend and any of you living in Detroit, USA 
might be interest in making a trip to this new museum, which apparently only 
opened in November 2017.  Looks interesting!

Catherine Barley
UK were its cold, wet and miserable and can't wait for Spring to appear!
 
Catherine Barley Needlelace
www.catherinebarley.com

Original message

Subject : THE LACE MUSEUM LLC

Hi thought you would like to see this website of a new lace museum.

http://www.thelacemuseumllc.com/




曆

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Re: [lace] scissors for lace?

2017-12-31 Thread Catherine Barley
Oh Susan, you lucky, lucky lady!  I've just looked at your fabulous prize and 
they are to die for!  The beautiful wooden case too, an absolute dream.  I 
thought I must have a pair, until I looked at the price plus shipping of course 
and customs charges for us in the UK.  Oh well, one can dream.  

Such good news about your husband too and know how that feels, as my husband 
has also been one of the lucky ones with regard to cancer. 

Happy New Year to all and happy lacemaking.

Catherine Barley UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : hottl...@neo.rr.com
Date : Sun, 31 Dec 2017 2:40:15 +
To : lace@arachne.com
Subject : [lace] scissors for lace?


 These tiny beauties are beyond exquisite & they cut like a dream. Did I 
mention that I am over the moon?! I posted a photo to Flickr & I am most eager 
to use them for Rosaline, Honiton & needle lace. Very pointy & exceedingly 
sharp, they will be handy in tight spaces where accuracy is key. Hardanger 
comes to mind, but it's not my thing. I've already tried them on a small, 
beaded needlepoint project & I am in love! Which brings me to the question of 
the day. What kind of scissors are being used for lace? I confess to owning 
many scissors, some quite nice--but I have never had scissors like this. Nor 
would I have suspected that there would be such a dramatic difference in 
quality! Yikes, did I miss the scissor tutorial? What are the experts using & 
why? Looking forward to candid opinions & advice because I am still in shock. 
Sincerely, Susan Hottle USA 

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Re: [lace] Lace pillow from Hallowell, Maine

2017-12-10 Thread Catherine Barley
Thank you Jeri for another fascinating and informative read.

Catherine Barley UK

Catherine Barley Needlelace
www.catherinebarley.com

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Re: [lace] sharing.

2017-12-10 Thread Catherine Barley
Far better to share and witness the pleasure it gives to the recipient than to 
keep back/withhold something for ourselves.  None of us would be enjoying our 
craft today, had our mentors not passed on their skills and knowledge.  I know 
Diana that you too have been more then generous over the years and very much 
appreciated by all recipients.  We owe it to our own mentors to pass on what we 
have learned from them plus the little tips that we have worked out through 
trial and error for ourselves.  'Poor is the student who cannot surpass his 
master'!

Catherine Barley in Henley-on-Thames, UK where it's snowing hard and settling 
this morning!

Catherine Barley Needlelace
www.catherinebarley.com

-
Subject : Re: [lace] sharing.

I’m afraid there are people in all area of collecting and crafting who are 
unwilling to ‘share’ - what’s mines mine and stays mine! My husband requested a 
copy of a rare local photograph the response was a refusal with the words “well 
if I give you a copy then there would be two..”!
Which meant that if that picture disappeared the image was lost - and as he did 
not make provision for his archive after his death the image has been lost to 
future generations researching the area.

Diana in Northamptonshire - where it is bitterly cold and we’re expecting snow.

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Re: [lace] Please Share Lace Experiences and Questions

2017-12-09 Thread Catherine Barley
I have always maintained that if one claims to be or advertises their services 
as a Tutor of whatever subject, one should be prepared to pass on ALL skills 
and knowledge, so that our craft may continue for the benefit of future 
generations.  We have been led to believe that lacemakers of the past often 
burnt their prickings etc so that others might not copy them, but of course 
they made lace for a living, whilst the majority of us make it for sheer 
pleasure and enjoyment and also sometimes find it to be challenging, so no 
reason whatsoever to keep some our skills a secret!  

Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : jeria...@aol.com
Subject : [lace] Please Share Lace Experiences and Questions

We all know lace experts who keep secrets.
Jeri Ames in Maine USA
Lace and Embroidery Resource Center
 

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[lace] Santina Levy article

2017-12-09 Thread Catherine Barley
Good morning all
t's now 7.45am Saturday morning and I have finally found time to read the 
fascinating article about Santina Levy.  Thank you so much Jeri for all your 
postings on Arachne, which are always lengthy, well researched and full of 
valuable and interesting information.  I wish you all a wonderful Christmas and 
hope that you will be able to find a little 'me' time during the holiday break, 
to sit and indulge in a little lacemaking, be it bobbin lace, needlelace, 
tambour lace, knitted lace, tatting, crochet or whatever it is that you are 
currently working on. 
Catherine Barley from a very cold UK where we actually had snow yesterday!
Catherine Barley Needlelace
www.catherinebarley.com

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Re: [lace] Jeri's Narratives

2017-12-07 Thread Catherine Barley
Oh dear, where has all this come from!  I too, have clearly missed something 
something as I was out all day yesterday, checked my emails before retiring to 
bed last night (I'm in the UK) and there was nothing about all this ranting and 
Jeri leaving the list, both subjects which appear to me at least, to have 
originated from the US?  These emails have come into my mail box overnight and 
this is the first I have read about any discontent from either Jeri or the 
rants!

I'm so sorry that Jeri is 'resigning' from Arachne, because she is such a 
valuable asset to our group and has even once more, provided us all with 
valuable information about the confiscation of rosewood bobbins and DMC phasing 
out some lace making threads!  She is clearly very upset that few of us take 
just a very short time out of our days, to thank her for the time and trouble 
she takes to collate all of this information and then share it with us through 
Arachne. Very few even bother to post on Arachne these days, compared to the 
number of postings we used to have, and it too would seem to be in danger of 
disappearing altogether if we don't make an effort to keep it going.  I'm as 
guilty as anyone and have really enjoyed reading the thread these last few days 
about whether or not pins were used in every hole and every row of the point 
ground laces, even though I no longer make bobbin lace, only needlelace!  Life 
is too short and if we don't do something about it, we might !
 also lose Jeri and Arachne!  Where shall we all go if we need advice or 
information if both or even one of these lifelines disappear I wonder.  I still 
have no idea what all the ranting is about!

The written word can so easily be misinterpreted, resulting in anger and 
frustration.  Please read your postings very carefully before hitting 'Send' on 
your computer, to make sure that your posting is not ambiguous in any way and 
in danger of being misinterpreted by a recipient.

Catherine Barley from a dark, miserable windy morning in the UK




Catherine Barley Needlelace
www.catherinebarley.com

--
Subject : Re: [lace] Jeri's Narratives

Here are 2 topics someone might write about this week:  1) Some governments
are confiscating rosewood bobbins (as if they were as endangered as ivory) and
2) DMC and Anchor's phasing out of some lace making threads - in the U.K., but
maybe elsewhere, too?  I read about these yesterday on the home page of
www.nelg.us .
 
Jeri Ames in Maine USA
Lace and Embroidery Resource Center 
 
In a message dated 12/6/2017 6:34:56 PM Eastern Standard Time,
k...@wirelace.net writes:

 
I have found over the past year that I do not get most of Jeri's. I also feel I 
must have missed something. I
sincerely hope that we are not loosing her.

Kim

I think I must have missed an email. How are we losing Jeri?
> Liz, Raleigh, NC

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Re: [lace] Lace art by Agnes Herczeg

2017-09-03 Thread Catherine Barley
Thank you Arlene for sharing.  They are truly beautiful!

Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message

Subject : [lace] Lace art by Agnes Herczeg

Hello, all -
A non-lacemaking friend thought I might be interested in this article - I was!
 Sharing here because I'm sure some of you will enjoy this work and the
pictures especially:
http://mymodernmet.com/lace-art-agnes-herczeg/


Enjoy!Arlene in NJ

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Re: [lace] IOLI Convention photos on Flickr

2017-07-25 Thread Catherine Barley
Thank you Arlene for the wonderful photos!  What an amazing display of such 
beautiful lace and great that you were able to include photos/descriptions 
supplied by those who made them.  I read your previous emails about all the 
research you had done in locating places to eat and reserving an area for the 
Arachne lunch, and do hope those who attended, appreciated the time an effort 
spent on your part to organise this for them.

Many thanks

Catherine Barley UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message--
Subject : [lace] IOLI Convention photos on Flickr

Hello, all -
I've just added a ridiculous number of pictures (135) to my Flickr album, all
from Convention. 

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[lace] Stumpwork casket exhibition Ashmolean, Oxford

2017-05-11 Thread Catherine Barley
Raised Work by Ornamental Embroidery Students - Tuesday 25 April - Sunday 4 
June.  A small exhibition showcasing contemporary work inspired by 
seventeenth-century English embroidery in the Ashmolean collection.  The pieces 
on display include caskets and picture panels stitched in a variety of silks 
and metal threads using a number of raised work techniques, including 
needlelace, couched and wire work and flat stitches.
I went to see this small exhibition of some 20 stumpwork/raised embroidery 
caskets and panels and it is well worth a visit.  It is a small exhibition but 
there are quite a lot of extremely interesting additional works displayed in 
the textile department, including a large panel dated 1673 The Sacrifice of 
Isaac, which was the inspiration for some of the embroideries for the 
contemporary caskets.  A poppy, marigold, tulip and iris have been worked in 
each corner of the original panel and have been reproduced by the students on 
their own caskets, giving an insight into how beautiful and vibrant the colours 
would have been on the antique original now on display.
There is a two page article in the current edition of Inspirations Issue No 94, 
with beautiful photos of some of the work.  A very nice restaurant located on 
the 4th floor which opens onto the terrace with outside seating provided a 
welcome break for lunch.  Too cold for us to sit out on the day we went but you 
could be lucky and enjoy a lovely lunch overlooking the rooftops of Oxford.
Catherine Barley
Henley-on-Thames, UK
Catherine Barley Needlelace
www.catherinebarley.com

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Re: [lace] Thistle Threads Subjects on TV Sunday Morning

2017-05-08 Thread Catherine Barley
Hi Jeri
Yes I received your email yesterday (busy weekend) and did read the Thistle 
Threads blog.  I did sign up for Tricia's online course so already knew about 
this incredibly talented and 'power house' lady.  She really is an amazing lady 
and the amount of work she manages to produce is absolutely incredible.  The 
amount of time she has dedicated to research, photography, written 
instructions. plus time spent with those youngsters and their Robotic 
championships is just mind blowing.  Her home is always full of youngsters, 
plus sometimes their parents, all of whom she feeds and waters!  She is one 
incredible lady.

I sit and listen to the radio while I'm making lace or doing my embroidery and 
the time just seems to fly by and takes me into a little world of my own, away 
from any anxieties or problems I might have.  I did read Tricia's blog but of 
course do this anyway from time to time.

Thank you for all the time and energy YOU put into research for us lacemakers 
too.  I agree that correspondence on Arachne is scarce, in fact it's almost non 
existent!  Where is everyone and why so little activity?

I'm off with lacemaking friends tomorrow to see the Stumpwork caskets 
exhibition at the Ashmoleum in Oxford and will report back during the week.  Is 
anyone else going to see it or perhaps already been?  Have any of you signed up 
for Tricia's Cabinet of Curiosities course?  

Catherine Barley
Henley-on-Thames
UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : jeria...@aol.com
Date : 07/05/2017 - 19:58 (GMTDT)
To : lace@arachne.com
Cc : dmt11h...@aol.com
Subject : [lace] Thistle Threads Subjects on TV Sunday Morning

Did anyone receive my memo yesterday about the Thistle Threads blog?
 
One subject was Tricia Wilson Nguyen's recommendations of You Tube,  
podcasts, audio books while you are doing handwork.  We women DO  multi-task, 
and 
some of her text was very interesting.  Many of  you are able to make Lace 
and learn something new at the same  time!  
  

Correspondence on Arachne is scarce.  It is not a good trend.   Surely, you 
have something to say about a recent guild meeting's speaker, work  you are 
doing, questions to ask?  
 
Jeri Ames in Maine USA
Lace and Embroidery Resource Center

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Re: [lace] Fwd: The Urchins

2017-03-21 Thread Catherine Barley
Oh Sue they are spectacular!   What an achievement!  My goodness your fingers 
must have been very sore by the time you had completed yours but I'm sure it 
was all worth it when you saw the final results!  I can fully appreciate the 
organizational skills, to say nothing of the time involved in the assembly of 
these beautiful sea urchins.  Well done, you must be very proud.

Catherine Barley UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : suebabbs...@gmail.com

Subject : Re: [lace] Fwd: The Urchins

I see they somehow the urls for the Urchin project somehow got stripped from
the email I sent.  Thanks for letting me know, Lin. Here’s the link to the
installation in Singapore:

http://choishine.com/urchins.html

Construction:  http://choishine.com/UrchinsFabrication.html

Concept: http://choishine.com/UrchinsConcept.html

I hope you enjoy looking at them.
Sue

suebabbs...@gmail.com

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Re: [lace] lappets

2017-02-12 Thread Catherine Barley
Hi Nancy

Thank you so much for the video links and I've watched them all this morning.  
However, like yourself, my French is pretty much non-existent so not able to 
know if they divulged the brand of thread that they use to make their Alencon 
lace, but I doubt very much that they would have done!  I really don't think 
the Tourist Board would be willing to share this information either.  I'm 
inclined to agree with you about the lace on the heading of their page but the 
image is so poor that I couldn't really be certain as some of the areas do look 
very similar to some of the needlelace filling - surely they wouldn't make such 
a dreadful error, but who knows!

Many thanks once again for the time and trouble you have taken on my behalf.

Happy lacemaking

Catherine 
Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : nancy.a.n...@gmail.com
Date : 11/02/2017 - 20:13 (GMTST)
To : catherinebar...@btinternet.com
Cc : lace@arachne.com
Subject : Re: [lace] lappets

Catherine,

I didn't see an answer to your question about Alencon lace, but I don't get
all the [lace] messages, so everybody forgive me if I duplicate someone
else's answer.

Yes, it is apparently still made:
https://www.youtube.com/watch?v=7hI1uz0p9sk
https://www.youtube.com/watch?v=i_7lwhYEUCk
https://www.youtube.com/watch?v=iBws14YwHgw

My French is close to non-existent, so I don't know if there's enough info
in those to provide a lead to find out what thread they use.

Maybe write to the Tourism Bureau to see if they could put you in touch
with someone?
http://www.holidays-alencon.com/discover/point-dalencon-lacework  (The page
cracks me up, however--maybe I'm losing it, but the lace in the heading on
their page is not Alencon needle-lace but rather is Belgian bobbin-lace, if
I'm not mistaken.)

Nancy
Connecticut, USA

On Fri, Feb 10, 2017 at 3:17 AM, Catherine Barley <
catherinebar...@btinternet.com> wrote:

> Does anyone know what brand of thread is currently used in France to make
> their Alencon lace or even if anyone does actually still make Alencon lace?
>

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Re: [lace] lappets

2017-02-10 Thread Catherine Barley
Janice your giraffe is exquisite!  Many congratulations and you must be 
delighted with the result.

I am faced with a similar problem in that I am currently working on an antique 
Point de Gaze pattern of a collar, given to me some 30 or so years ago by a 
Belgian lady.  At that time I didn't have the knowledge or expertise that I now 
have but always promised myself that I would work it one day.  I have been 
working on it for just over two years now and hope to complete it this year, 
but I have been faced with the same problem in that the threads that would have 
been used to work such a piece, are no longer available!  I have been using the 
Brok cotton threads which are also being discontinued and which worked well for 
needlelace but have had to resort to the Egyptian cotton threads which are 
produced in quite a variety of the different gauges that are required to work 
the Point de Gaze,  However, I find they don't have the 'body' of the antique 
threads and am doubtful that they would stand up to the 'wear and tear' that 
would be imposed on a collar?  I may wear it just the !
 once when finally completed and then have to resort to having it framed, as I 
would be devastated if the 170 Egyptian cotton that I have used for the fine 
net background should start to disintegrate into holes!

Does anyone know what brand of thread is currently used in France to make their 
Alencon lace or even if anyone does actually still make Alencon lace?

Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : jbl...@sbcglobal.net
Date : 10/02/2017 - 02:04 (GMTST)
To : lace@arachne.com
Subject : [lace] lappet

http://www.flickr.com/photos/lacemaker/sets/


Re: [lace] Christmas Lace Star finished

2017-01-03 Thread Catherine Barley
Oh Sue it's beautiful and I had no trouble clicking on the link either!  How I 
enjoyed seeing again some of the beautiful laces that you have made in the 
past.  Exquisite!

Catherine Barley on a cold and frosty morning here in the UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : suebabbs...@gmail.com

  I still have to mount it in its frame, but
I’ve posted some photos of it on the pillow on Flickr.

The pattern is by Renate Richter, and was apparently published in the German
ANNA magazine No. 11/2008, and is now available from
http://www.kloeppelstube-zwoenitz.de/schweif-mit-christigeburt.html

















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Re: [lace] Arachne Flickr page

2017-01-01 Thread Catherine Barley
Oops so sorry it's David that needs the stent NOT Brian (late night last night 
and clearly not firing on all 4 cylinders this morning)! Thinking of you David 
and sending best wishes for a speedy recovery.

Catherine

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : catherinebar...@btinternet.com
Date : 01/01/2017 - 09:27 (GMTST)
To : clayblackw...@comcast.net, jeria...@aol.com
Cc : suebabbs...@gmail.com, lace@arachne.com
Subject : Re: [lace] Arachne Flickr page

Thank you Clay & Sue for all you do too and of course Jeri for all her highly 
informative postings.  Arachne is such a wonderful international group of 
highly knowledgeable lacemakers, all of whom are willing to share their 
knowledge and expertise whenever called upon.  For some strange reason it 
doesn't appear to be as active as it used to, but clearly many of us are still 
lurking, as there is always an immediate response to any queries posted by 
needy lace makers.

Happy New Year to all and most of all good health for 2017.  Good to know that 
Clay is making good recovery and hopefully Brian will get fixed up with his 
stent very soon.

Catherine Barley in a dull, wet Henley-on-Thames but grateful that the 3/4 days 
of continual fog have now disappeared.
 
Original message
>From : clayblackw...@comcast.net
Date : 01/01/2017 - 00:51 (GMTST)
To : jeria...@aol.com
Cc : lace@arachne.com, suebabbs...@gmail.com
Subject : Re: [lace] Arachne Flickr page

Thank you Geri, for your kind words!

I am so grateful for Sue Babbs who has been able to preserve our Flickr page!
The fact is that I had a serious head injury about 18 months ago, and this has
impacted my ability to stay on top of things!  Fortunately, Sue has been able
to take the lead and keep us up and running!  So, yes, I will continue to
financially support the page, and hopefully Sue will continue to provide the
technical leadership we nee

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Re: [lace] Arachne Flickr page

2017-01-01 Thread Catherine Barley
Thank you Clay & Sue for all you do too and of course Jeri for all her highly 
informative postings.  Arachne is such a wonderful international group of 
highly knowledgeable lacemakers, all of whom are willing to share their 
knowledge and expertise whenever called upon.  For some strange reason it 
doesn't appear to be as active as it used to, but clearly many of us are still 
lurking, as there is always an immediate response to any queries posted by 
needy lace makers.

Happy New Year to all and most of all good health for 2017.  Good to know that 
Clay is making good recovery and hopefully Brian will get fixed up with his 
stent very soon.

Catherine Barley in a dull, wet Henley-on-Thames but grateful that the 3/4 days 
of continual fog have now disappeared.
 
Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : clayblackw...@comcast.net
Date : 01/01/2017 - 00:51 (GMTST)
To : jeria...@aol.com
Cc : lace@arachne.com, suebabbs...@gmail.com
Subject : Re: [lace] Arachne Flickr page

Thank you Geri, for your kind words!

I am so grateful for Sue Babbs who has been able to preserve our Flickr page!
The fact is that I had a serious head injury about 18 months ago, and this has
impacted my ability to stay on top of things!  Fortunately, Sue has been able
to take the lead and keep us up and running!  So, yes, I will continue to
financially support the page, and hopefully Sue will continue to provide the
technical leadership we nee

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Re: RE: [lace] Festive Costume Auction on Dec. 12, 2016

2016-12-02 Thread Catherine Barley
Oops so sorry, I forgot to trim my post, but as there are so few postings these 
days I guess it's not too big a problem.

Catherine Barley Needlelace
www.catherinebarley.com


 
This pre-Christmas auction in England has some very interesting  elegant
offerings:
 http://kerrytaylorauctions.com/Catalog/?id=437
 If you enjoyed this, please comment, so others will know I have posted
this.
 
Jeri Ames in Maine USA
Lace and Embroidery Resource Cent

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Re: RE: [lace] Festive Costume Auction on Dec. 12, 2016

2016-12-02 Thread Catherine Barley
Thanks Jeri

I too enjoyed drooling over some of the gorgeous fashion garments but I'm 
afraid my wallet just isn't fat enough to bid on any of them.  Difficult to 
ascertain what type of lace is around the apron , hoped it might be needlelace 
but looks to be more like a bobbin lace from what I can see?

Many thanks for your continued and highly informative postings.  Arachne seems 
to have gone to sleep of late -  where is everyone?

Catherine Barley
Henley-on-Thames, UK where it's been extremely cold and frosty this week but 
beautifully sunny too!
Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : ameld...@ozemail.com.au
Date : 01/12/2016 - 20:49 (GMTST)
To : jeria...@aol.com, lace@arachne.com
Subject : RE: [lace] Festive Costume Auction on Dec. 12, 2016

Thanks Jeri
I so enjoyed looking through the virtual catalogue. What a varied
collection.
Well worth the look! Some great detail about the apron in the opening
message.
Annette in very hot Wollongong Australia

From: jeria...@aol.com
Anyone interested in fashion and costumes, and how lace was sometimes used?
How about Royal garments?  
 
This pre-Christmas auction in England has some very interesting  elegant
offerings:
 http://kerrytaylorauctions.com/Catalog/?id=437
 If you enjoyed this, please comment, so others will know I have posted
this.
 
Jeri Ames in Maine USA
Lace and Embroidery Resource Center


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Re: [lace] Wemyss School of Needlework, Scotland - Goldwork possibilities

2016-09-20 Thread Catherine Barley
Thank you Jeri once again for your lengthy post, full of interesting 
information as always.  I had no idea that this school existed!

Catherine Barley Needlelace
www.catherinebarley.com

-
Subject : [lace] Wemyss School of Needlework, Scotland - Goldwork possibilities

RSN = Royal School of Needlework, located at Hampton Court Palace,  England.
 
There is an article in the August/September 2016 magazine  "Stitch", 
published in England by The Embroiderers' Guild for sale to the public  
(available 
at some local U.S.-located Barnes & Noble book stores)  -- about a school 
supported by the Wemyss Clan/family, near Fife  Scotland, that has been in 
operation since 1877.  The founding of this  small school that prepared up to 
36 local girls per 6-month session for a  vocation, was inspired by the 
Royal School of Needlework's founding in  1872.  
  
Jeri Ames in Maine USA
Lace and Embroidery Resource 

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Re: [lace] Wearing lace

2016-08-02 Thread Catherine Barley
None taken Brian!

Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com

--
Subject : [lace] Wearing lace
 

I like ladies wearing lace!!  :)  Sometimes they pop up on my computer
screen and I have to tell Jean I was Googling "lace bobbins"! 

Light heartedly.With no disrespect meant.

Brian

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Re: [lace] Survey Request

2016-07-30 Thread Catherine Barley
1C and 2B for me

Catherine Barley UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : hcl...@mac.com
Date : 29/07/2016 - 20:17 (GMTDT)
To : lace@arachne.com
Subject : [lace] Survey Request

I would like you please to send me your answer to the questions below. I will 
collate them all and send a summary to the list. 

1) Can you 'see' a picture in your head?

A) Yes, but only if I have just seen it in reality 
B) Yes, but only if I have ever seen it
C) Yes, even if I have to imagine what it would look like 
D) No, when I shut my eyes I just see darkness 

2) What is/was your involvement with lace in YOUR opinion 

A) I make/made lace from existing designs
B) I make/made lace that includes my own designs
C) I am/was a lace designer who also makes lace
D) I am interested in lace and/or lacemaking but I don't make any

You can just tell me something like "I'm 1C and 2B" or you can tell me more 
detail, the choice is yours. Please do answer though!

There are no wrong answers and none are 'better' than the others so please be 
honest. I will keep your individual answers confidential and only provide the 
list with a statistical summary. 

This is a topic that has intrigued me since my childhood. I have wondered what 
the ratio would be for artists and craftsmen of various types and how it 
impacts their ability and willingness to try various crafts. I have seen how 
various members of my family developed likes and dislikes based on their 
answer. I would now like to understand this wonderful group who have all been 
drawn to lacemaking in some way. 

If anyone has any questions then do please ask. 

Let's say that you have until 10th August to send me your answers. Oh, and I 
will give you my personal answers with the results ;-)

Many thanks in advance, Helen (on the summery west coast of mainland Canada)

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Re: [lace] Survey Request

2016-07-30 Thread Catherine Barley
Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : hcl...@mac.com
Date : 29/07/2016 - 20:17 (GMTDT)
To : lace@arachne.com
Subject : [lace] Survey Request

I would like you please to send me your answer to the questions below. I will 
collate them all and send a summary to the list. 

1) Can you 'see' a picture in your head?

A) Yes, but only if I have just seen it in reality 
B) Yes, but only if I have ever seen it
C) Yes, even if I have to imagine what it would look like 
D) No, when I shut my eyes I just see darkness 

2) What is/was your involvement with lace in YOUR opinion 

A) I make/made lace from existing designs
B) I make/made lace that includes my own designs
C) I am/was a lace designer who also makes lace
D) I am interested in lace and/or lacemaking but I don't make any

You can just tell me something like "I'm 1C and 2B" or you can tell me more 
detail, the choice is yours. Please do answer though!

There are no wrong answers and none are 'better' than the others so please be 
honest. I will keep your individual answers confidential and only provide the 
list with a statistical summary. 

This is a topic that has intrigued me since my childhood. I have wondered what 
the ratio would be for artists and craftsmen of various types and how it 
impacts their ability and willingness to try various crafts. I have seen how 
various members of my family developed likes and dislikes based on their 
answer. I would now like to understand this wonderful group who have all been 
drawn to lacemaking in some way. 

If anyone has any questions then do please ask. 

Let's say that you have until 10th August to send me your answers. Oh, and I 
will give you my personal answers with the results ;-)

Many thanks in advance, Helen (on the summery west coast of mainland Canada)

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Re: [lace] Supporting young lacemakers

2016-07-24 Thread Catherine Barley
I'm inclined to agree with Marianne as our lace takes many, many hours to 
produce and people just wouldn't pay a reasonable price, even based on the 
minimum hourly wage recognised here in the UK!  I occasionally have my car 
cleaned whilst shopping in my local M & S store and it costs me £7.00p and 
takes the man about half an hour.  What skill is required to clean a car 
compared to that of making a beautiful piece of Floral Bucks, Point de Gaze etc 
which has taken many months, sometimes years to produce, and would anyone be 
prepared to pay the worker £14.00p an hour for those many hours of work -  I 
don't think so, in fact I know so!

When teaching for the Springetts some years ago, every September they would 
hold a Supplier's Fair where all of us tutors who taught for them, would be at 
one end of the huge sports hall, demonstrating our particular lacemaking skills 
and with a display of our work, enabling lacemakers to see what we had to offer 
and enrol on a course.  I recall a young man coming up to me and asking how 
much was the stumpwork wedding scene that I had on display?  I told him it was 
not for sale as people just would not pay a reasonable price for the number of 
hours it had taken me to work.  He was determined to have this piece, got 
himself a chair and sat down beside me, chatting away for a while.  He then 
asked me how much it would cost if it were for sale?  I replied that it had 
taken me six months to work and what would his salary be for six months 
employment?  He quickly stood up and went on his way!

Wouldn't it be a very sad state of affairs if very few of the younger 
generation had the skills of well known lacemakers such as Barbara Underwood, 
Yvonne Schele, Ulrike Lohr, Pat Read, Geraldine Stott, Brigitte Cook and many, 
many more, who have all worked so hard to write/publish books on their 
particular skills, for the benefit of those less dedicated/talented.  We do 
need the younger generation to feel as passionate as these ladies all have been 
about their craft, so that it will continue for future generations and not 
disappear into obscurity.  It is just as difficult for an artist/painter to 
make a living wage, as these items are 'luxury' items which most families 
cannot afford to buy and are not essential items.  The lacemakers of the past 
who actually worked these beautiful laces, were not the ones who received the 
large sums of money they commanded, neither did painters such as Rubens, Van 
Dyke etc.  They all struggled in their lifetime to make enough money to survi!
 ve and it was not until many years after their death that their 
skills/expertise was recognised, thus commanding extraordinarily high prices, 
and justly so, as they are rare and beautiful works of art.  We do think twice 
perhaps about buying a new car or at least replacing our old one with a 
second-hand car, but just think how many thousands/millions of a particular 
model are produced, and how much we have to pay for them, but they are 
essentials and we need them to travel to our place of employment where we earn 
sufficient money to pay our bills and survive.  I think we have to accept the 
fact that it just isn't possible to earn a LIVING wage from lacemaking.  We may 
be able to reward ourselves in earning a wage of some kind, but would it be 
sufficient to save up a deposit for a home, pay a mortgage, run a car, feed and 
clothe ourselves I wonder?

Catherine Barley
UK

 
Catherine Barley Needlelace
www.catherinebarley.com

Original message from Marianne Gallant

Really, to replace the people that we are losing, we need designers and 
teachers, not 'artists'. And we should not be letting them think they 
can make money selling their creations, but they can by selling the 
patterns. Knitters, crocheters, quilters and for that matter tatters 
don't make a lot of money selling their finished products, I hear them 
all complaining that people don't want to 'pay' for labour, often not 
even enough for the materials. But they have no problem selling the 
patterns, and/or writing books. It just takes too many hours to create 
and item, which means you can't get even minimum wage for your labour.

*Marianne*

Marianne Gallant

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Re: [lace] Supporting young lacemakers

2016-07-22 Thread Catherine Barley
Wow, fascinating and exciting information!  Perhaps our generation was not so 
lucky after all as 'the world is their oyster' for the younger generation of 
today.  I guess it depends on one's priorities in this modern world!  Most 
don't seem to be in a hurry to marry and have a family but when they do, have 
no qualms about going back to work and have someone else look after the 
children and this is often where the grandparents are needed.  Mind you, they 
don't necessarily have to marry the father these days and some little ones even 
have two daddies instead of one mother and one father.  Some have a multitude 
of 'Uncles' too.  It certainly is a very different world to the one that my 
generation grew up in.

I guess everything goes full circle eventually and one spider said that 
knitting and crochet are now back in vogue and that people are looking to hand 
made rather than the disposable items that have become so popular.  How many of 
us ever have our iron or hairdryer repaired these days, as it's as cheap to buy 
a new one and throw the old one away!  How fortunate we are compared to or 
parents and grandparents!  Perhaps the 'throw-away' lifestyle that seems to 
exist at present, will eventually disappear, bringing back the appreciation of 
true talent and expertise.  I do hope these youngsters are successful and will 
be able to make a living from their craft, but only time will tell.

Catherine barley
UK

Catherine Barley Needlelace
www.catherinebarley.com

Original message
Devon Thein wrote:

Subject : [lace] Supporting young lacemakers

 One thing that is very interesting about the young millennial
artists is that, since art, not motherhood, is their primary occupation,
they really do produce work. They treat their art with a high level of
seriousness and professionalism. It is quite impressive.
Thoughts?
Devon

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Re: [lace] Death of Radmila Zuman, American Czech Lace Expert

2016-07-21 Thread Catherine Barley
Thank you Jeri for letting us know of the sad passing of Radmilla Zuman, such a 
talented and highly respected, internationally renowned lacemaker who 
contributed so much to the lace world at large.  Sadly so many mums don't have 
the luxury of staying at home to bring up their families these days, so miss 
out on the opportunity of a little 'me' time once they are old enough to go to 
school, which gave those of us of a similar age, the opportunity to learn a 
craft such as lacemaking.  Life moves at a much faster pace these days with 
many bonuses in the field of technology etc but also some disadvantages too.  
The true experts seem mostly to be of a similar age and disappearing from our 
lives either through tragic illness or just plain old age.

Catherine Barley
Henley-on-Thames UK where Summer has finally arrived but far too hot and sticky 
to comfortably make needlelace this week!

Catherine Barley Needlelace
www.catherinebarley.com

Original message
>From : jeria...@aol.com
Date : 20/07/2016 - 18:27 (GMTDT)

Subject : [lace] Death of Radmila Zuman, American Czech Lace Expert

Dear Lacemakers,
 
We have lost another of our precious lace experts, Radmila Zuman.
 

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Re: [lace] Printing out patterns

2015-07-08 Thread Catherine Barley
Not as crucial for needlelace patterns as for bobbin lace of course, as no 
two students will have the same tension to their stitches anyway.  When 
writing my book Needleace Designs  Techniques I asked a Dutch student of 
mine to work one of the Hollie Point samples and she suggested that it would 
be helpful to give the exact number of stitches required for the foundation 
row.  I explained to her that I could not do this as it would be highly 
unlikely that every reader would produce work to the exact tension of my own 
but need to adjust the number of stitches worked, according to their 
individual tension.  All they need to do is either work more or fewer 
stitches as required,   Not possible of course for the bobbin laces and the 
pattern/pricking needs be the same size as the original!


Catherine Barley
UK


Catherine Barley Needlelace
www.catherinebarley.com

- Original Message - 
From: Leonard Bazar leonard...@yahoo.com

To: lace@arachne.com
Sent: Tuesday, July 07, 2015 8:55 AM
Subject: [lace] Printing out patterns



Dear All
Brenda has noted what can be a problem. Could I ask those producing 
patterns
to be printed out somehow or other to include a scale, just a line marked 
with

a cm or inch (or both) so that we can check if all is well, or adjust if
necessary. I attended a workshop given by Cathy Barley, the pattern being 
sent

by e mail attachment, which I duly printed out, and thought - I know she
produces beautiful fine work, but surely not this fine, so had another 
copy
sent, with a scale...she does!! But there seriously can be problems with 
this,
and I have seen people caught out by the 95 or 100 pc being considered 
full

size by Adobe and others.



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[lace] Cynthia Voysey

2015-05-23 Thread Catherine Barley
Dear Spiders

It is with great sadness that I have to tell you that my dear friend and
colleague Cynthia Voysey, passed away on 13th May and I'm sure that many of
you reading this email will have attended a class in Honiton lace with Cynthia
at some time over the years, as she was an exceptional tutor of international
renown.  She had been in slow decline for the last three years suffering from
Altzheimers.

Her funeral will take place on Wednesday 27th May at 11.30am at Exeter
Crematorium, St Peterr's Chapel, family flowers only.  There may just be one
or two from the UK living close enough and would like to attend her funeral.

Catherine Barley
Henley-on-Thames
UK (where it's bright, warm and sunny today).

Catherine Barley Needlelace
www.catherinebarley.com

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Re: [lace-chat] A Breath of Fresh Air in a Troubled World - Absolutely Beautiful!

2015-04-02 Thread Catherine Barley
- Original Message - 
From: David C COLLYER


Subject: [lace-chat] A Breath of Fresh Air in a Troubled World - 
Absolutely Beautiful!



She is nine years old and I guarantee tears in your eyes
https://www.youtube.com/embed/66-A2MyVDbUhttps://www.youtube.com/embed/66-A2MyVDbU


Incredible voice for one so young but also a totally inappropriate choice 
of song for a nine year old.  A fair number of folk think that this piece 
of music is about the vocalist's 'Beloved Father' but it is actually about 
her pleading to her father for permission to marry the man she loves.  I 
used to sing this myself when much younger but in English.  I don't think 
its her father that she wishes to marry! (see translation below).  Perhaps 
Ave Maria would have been a better choice and I'm sure her rendition would 
have been equally as beautiful.


Oh my beloved father,

I love him, yes I love him,

I'll go to Porta Rosa to buy our wedding ring!

Oh yes I really love him,

And if you still say no,

I'll go to Ponte Vecchio,

And throw myself below.

If I am not to marry him Alas,

I can but die.

Father be kind I pray, Father be kind I pray.

Catherine Barley
UK


Catherine Barley Needlelace
www.catherinebarley.com 


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Re: [lace] Sakagami Katsuko

2015-03-16 Thread Catherine Barley

Beautiful work and such a sad loss to the lacemaking community.

Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com
-
Subject: [lace] Sakagami Katsuko



Hello everyone,

A Japanese lace teacher passed away.

Lace became part of Japanese culture due to people who devoted
themselves to this art.

Sakagami Katsuko was a lace teacher who will be remembered with
respect and gratitude.
Mrs. Sakagami designed lace, made lace and was a wonderful teacher.

http://www.kakolace.jp/museum/lace4.php

https://c4.staticflickr.com/8/7632/16783326606_f9e1b1c3a8.jpg



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Re: [lace] picot progress;

2015-02-10 Thread Catherine Barley

Oh Sharon

I do sympathise!  I too offered to complete a needlelace parasol cover which 
was started by a student of mine who died of breast cancer.  She was one of 
those poor unfortunates who in the very early days, was given too much 
radium, which eventually affected the use of her arm and fingers and the 
government here in the UK were about to negotiate compensation for these 
poor ladies.  The work of two different hands was so marked that it was 
totally unacceptable and I decided to start from scratch with a design of my 
own, hoping that my deceased student would have understood and forgiven me!


I did complete the parasol but it took me 6 yrs from design to completion, a 
true labour of love, but I had greetings cards printed which were 
multi-purpose, so could be used as a Thank you, Birthday card etc and with 
help from colleagues, family and friends I was able to donate just over 
£1,500. 00 ($2,286 USD) to Breast Cancer research in her memory from the 
sale of my 'Parasol for Iris' cards.  Iris was a very special lady who came 
to me as a student but over the years we became very close friends.


You can see a photograph of my 'Parasol for Iris' on my website (see link 
below).



Catherine Barley Needlelace
www.catherinebarley.com


- Original Message - 
From: Rick  Sharon Whiteley rswhite...@shaw.ca

To: lace@arachne.com
Sent: Monday, February 09, 2015 10:22 PM
Subject: [lace] picot progress

Having said that, I must say

the blocking Iâ?Tve done already looks marvellous, itâ?Ts even better than
when it first came off the pillow.  Itâ?Ts very gratifying when you can 
take
something that looks crappy and make it beautiful...but Iâ?Tll never take 
on

another project like this again.  Sharon on wet and soggy Vancouver Island

-



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Re: [lace] Book publishing - was Magic of Shetland Lace Knitting

2015-02-01 Thread Catherine Barley

-


1, Where would books be stored?


Not much room for guests on my spare bedroom (or dining room) until stocks 
reduce.


2, Who would pack parcels and take them down to the post office?  There 
may be a rush in the first couple of days, but after that it’s only one or 
two parcels as and when; certainly not not enough to employ someone to do 
it but books don’t pack themselves!


Yes, several trips per week to the post office with many books each time to 
carry, and they are heavy!  Once the initial rush is over it's not so bad.


3, Trading from another country would make the annual income tax return 
even more complicated!  I will accept US dollars or Euros in cash for an 
occasional single book as there’s always someone going on holiday who will 
take them, but my policy is really payment in Sterling (GBP) only


What would I do without PayPal as I too will only accept Sterling (GBP).  My 
book Needlelace Designs  Techniques is a 'give-away' price compared to 
those being advertised for second hand copies on well known internet sites 
(hence the reprint) but it's the high cost of shipping overseas that really 
pushes the price up, with a copy to countries such as Australia, USA, New 
Zealand, Japan etc. adding almost half the cost of the book in addition, 
whereas 1st class post for a copy within the UK is £2.38p.


Catherine Barley
UK

www.catherinebarley.com

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Re: [lace] Silk Threads, Use of Hand Creams - Conservation File

2015-01-17 Thread Catherine Barley
Most of my needlelace is worked using white thread which unlike the bobbin 
laces, comes into contact continually with ones hands and although I wash my 
hands at regular intervals whilst working, I never use hand creams of any 
description after washing!  There will be a residue of cream, no matter how 
long one massages the cream into ones hands and this will of course attract 
dirt, resulting in a less than pure white completed piece of work.  When 
I've finished stitching for the day, this is the time to apply the much 
needed hand creams.


Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com

- Original Message - 
From: jeria...@aol.com

To: lace@arachne.com
Sent: Friday, January 16, 2015 5:12 PM
Subject: [lace] Silk Threads, Use of Hand Creams - Conservation File



It is suggested you either use hand cream, or not.  Be  consistent.

We concluded that every hand cream altered the color of the threads,  or
the way light traveled across stitch surfaces, regardless of the
manufacturer's claims.  Some hand creams might have been harmless,  but 
there were

definite difference



Jeri Ames in Maine USA
Lace and Embroidery Resource Center


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Re: [lace] Re: Book review information/ was Reprints

2015-01-13 Thread Catherine Barley
When I've sent review copies of my book I've always expected an 'honest' 
review in return! The book is not sent as a 'bribe' for a 'positive' review 
but it is hoped that it will be given to someone who is knowledgeable about 
the subject of the book and will therefore give an 'honest' and 
knowledgeable appraisal.  Of course all authors hope for a positive review 
as they believe their book to contain clear working instructions/diagrams 
with supporting images - they wouldn't have wasted their time writing it in 
the first place if they believed it to be a poor representation of the title 
and likely to be 'remaindered'!  However, would be purchasers would like an 
honest appraisal to help them decided whether or not to purchase a copy. 
It's not always possible to see a copy of these books before we buy them and 
if the book reviewer's name is included with the review and known to be 
knowledgeable on the subject, his/her 'honest' review will be respected and 
they will hopefully not write something that they do not believe to be a 
true valuation.  Thy are NOT given to groups on return for a positive 
review!


Catherine Barley
UK


Catherine Barley Needlelace
www.catherinebarley.com
- Original Message - 
From: Bev Walker walker.b...@gmail.com

Subject: [lace] Re: Book review information/ was Reprints



In answer, I don't see why an honest opinion can't be written on behalf of
the author. Review copies aren't 'free' - they are given to groups in
return for a positive review. If a book is so poor that it merits a
negative review, then the copy should be returned to the author, not kept
in the group's library. Never in all the many years that I've written
reviews on lace books have I had to do this.

On Mon, Jan 12, 2015 at 10:45 AM, Mousie mousie...@yahoo.co.uk wrote:


I think I would slightly disagree with Bev on this point. Following the
guidelines we are given, the reviews I've written for Lace have always 
been

based on my honest opinion of the book, and not written on behalf of the
author which would, I feel, be biased.





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Re: [lace] Fine Art of Fiber - Chicago Botanic Garden

2014-11-05 Thread Catherine Barley

Many congratulations Sue.  It's beautiful and well deserved!

Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com

- Original Message - 
From: Sue Babbs suebabbs...@gmail.com


I was astounded today to discover that my lace mask had been chosen to be 
on

the front cover of the book of this yearâ?Ts Women's Journeys in Fiber
exhibit, which is part of the whole show.  I had no idea that they were 
going

to do this, so it is very exciting

http://www.blurb.com/b/5664883-masks-disguise-expose-celebrate
Sue


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[lace] Au ver a Soie silk 100/3

2014-10-10 Thread Catherine Barley
Dear Spiders

I've had a query regarding a project in my book regarding the use of Au Ver a
Soie 100/3 silk thread as an alternative to the Gutermann 100/3 silk thread
specified.  I've never used it myself so don't have a reel to compare but can
any of you tell me if it is close to the Gutermann 100/3 in wpc?  Obviously
it's not as crucial as in bobbin lace, as one simply works more stitches to
each row but does need to be of a fairly similar weight/gauge.  Brenda, I
think you are the most knowledgeable on this subject, can you please advise me
on this one?

Catherine Barley
Henley-on-Thames
UK

Catherine Barley Needlelace
www.catherinebarley.com

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Re: [lace] The royal lacemaker

2014-10-09 Thread Catherine Barley
I too have just bought this book on UK Amazon for £3.75p plus postage. 
Ordered this morning, dispatched already and should be with me tomorrow 
morning!  Kindle edition priced at £2.99p.


Catherine Barley
Henley-on-Thames where it's cold and raining.

Catherine Barley Needlelace
www.catherinebarley.com
-
Subject: Re: [lace] The royal lacemaker



Dear Friends,

'The Royal Lacemaker is an overseas book not available here.


I have just bought this book on my Kindle for AUD$6.32
Should be able to start it in a few days. 


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Re: [lace-chat] Great video

2014-10-09 Thread Catherine Barley
Oh thank you Sue, what an incredible voice from such a tiny little girl.  It 
gave me goose bumps all over!


Catherine Barley
Henley-on-Thames

Catherine Barley Needlelace
www.catherinebarley.com
Subject: [lace-chat] Great video


I think you will enjoy listening to this  An incredibly talented little 
girl.

Sue T
Dorset UK

http://www.youtube.com/watch?v=GIy9FcBKdXo



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[lace] BRIDGET COOK BACK IN PRINT!!!

2014-09-28 Thread Catherine Barley
Good morning all

I just thought I'd let you know that Bridget Cook's book Idrija Lace is once
again available as a Paperback.  Full details of cost and how to order can be
obtained by emailing Bridget herself at lacebmc...@btinternet.com

It's good news that we are gradually getting these out of print titles
available once again and at an affordable price, by authors reprinting
themselves!  If we want our craft to survive, this is the way to go!

Catherine Barley
Henley-on-Thames.
UK

Catherine Barley Needlelace
www.catherinebarley.com

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Re: [lace] Escher designs

2014-09-02 Thread Catherine Barley

Wow Carolina, that's beautiful.  Many congratulations

Catherine Barley
UK where summer has returned!

Catherine Barley Needlelace
www.catherinebarley.com
- Original Message - 
From: carolina de la Guardia carolina...@aol.com


I have worked recently an insert for T-shirt in black forming a group of 
opposite leaves which remembers Escher designs:


https://www.facebook.com/photo.php?fbid=10204508661018992set=a.4189948789458.2176679.1306761032type=1



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Re: [lace] contributing

2014-08-22 Thread Catherine Barley

Good for you!

Catherine Barley

Catherine Barley Needlelace
www.catherinebarley.com
- Original Message - 
From: Lorelei Halley lhal...@bytemeusa.com

To: lace@arachne.com
Sent: Thursday, August 21, 2014 7:29 PM
Subject: [lace] contributing


When our local guild first started, one of our members came up to me while 
I
was crocheting and told me I was doing it wrong. I told her to show me a 
row

using her method. Then I demonstrated a row using my method, and said I'm
faster than you. Why should I adopt your method and slow down?   This was 
a
lady who ran around the room telling everybody they were doing things 
wrong. I

was gleeful at an opportunity to metaphorically drop a rock on her head.
Lorelei

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Re: [lace] Teaching antics

2014-08-22 Thread Catherine Barley

Oh my goodness

That's appalling and so was the behavior of the tutor who cut off the 
bobbins.  I hope she was never invited to teach again!  Don't forget to 
complete the Appraisal form distributed at the end of class, giving you the 
opportunity to report  such behavior to the organisers.  Students do not pay 
good money to be humiliated!


Catherine Barley

Catherine Barley Needlelace
www.catherinebarley.com

- Original Message - 
From: laceviolins...@comcast.net

To
Subject: Re: [lace] Teaching antics


The teacher told us that all the instruction was printed on papers hanging 
around the class on the walls.


Then on the last day of instruction she said that she would not be 
teaching, that she and her friends were going to be have some wine in the 
back of the room, so we should just go ahead and lace.




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Re: [lace] Contributing / helping build community

2014-08-20 Thread Catherine Barley

I had someone local tell me I was doing my tatting joins wrong (it was

different than how this person prefers to do them)


Robin the next time someone says something like this to you just quote 
There's more than one way of skinning a cat!  You might also tell them 
that you'll try their method and that perhaps they might like to try yours 
and maybe you will both gain something from the experience.


I am NOT a professional nor am

I some uber OCD designer.  I'm an artist and a mom.


Professionals are paid for their skills but I don't think the majority of 
lace tutors who are paid a very nominal sum, can claim to make a living from 
the fees they receive.  However, they do give up a considerable amount of 
their time to pass on their skills to others but neither are they a charity! 
They cannot be expected to pay their own travelling expenses to travel 
hundreds of miles, leaving their own families to fend for themselves, as the 
majority of them are mums too.  I spoke to one lace tutor at an IOLI 
Convention some years ago who said her young son announced at a family 
gathering that he was A Lace Orphan!  Husbands and kids don't enjoy mum 
being away and having to fend for themselves, sometimes for a week or more, 
with poor mum returning home to total chaos when often suffering from jetlag 
too.


I for one, take my hat off to all those generous souls who submit the odd 
article for a lace bulletin and even if they are classified as a 
'Professional', they do not receive payment for this but submit them for the 
benefit of the lace community at large.  We've all read the very interesting 
reports from participants at the IOLI Convention this year and thoroughly 
enjoyed them.  One doesn't have to be a 'Professional' to send a pattern 
with brief instructions as to threads, number of bobbins required etc. just 
a generous spirit and a little of their time.  Anyone who has the nerve to 
crticise these generous lacemakers should be ashamed of themselves.


The above is not a criticism or directed at any individual, but just  an 
attempt to reassure the less confident that we are all equal in that we have 
a common interest and are all eager to improve our skills in that direction. 
If we don't like/approve of something that someone has been generous enough 
to send in, we don't have to take it on board.  We need these generous 
spirited lacemakers for our craft to survive and the last thing we want to 
do is to upset them and risk losing the valuable information and patterns 
they generously donate for the benefit of us all.  They were all 'beginners' 
once and have been extremely grateful to their tutors/friends for passing 
on/sharing their skills with them too.


Robin, we'd love to see your patterns.

Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com

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Re: [lace] About Jeri's Posts

2014-08-17 Thread Catherine Barley

Dear Jeri

Thank you for your words of wisdom and yes, I'm afraid we are all guilty at 
times of taking for granted the various lace bulletins/newsletters that we 
subscribe to.  I've lost count of the number of times I've been told when 
enquiring why an individual has not renewed her membership,  that there is 
little of interest in it's contents to her.  Some folk are very quick to 
criticize/voice their disapproval but how often do any of them contribute an 
article to a guild bulletin to which they subscribe I wonder?


The odd 'thank you' or acknowledgement would be much appreciated but perhaps 
better to send to the individual whose article we have enjoyed reading 
rather than have dozens of 'me too's' cluttering up the Arachne mail box. 
We'd all do well to remember that without these dedicated folk's 
contributions, we might well have no bulletins/articles whatsoever to 
read/subscribe to!


Catherine Barley
UK


Catherine Barley Needlelace
www.catherinebarley.com
- Original Message - 
From: jeria...@aol.com

To: lace@arachne.com
Sent: Saturday, August 16, 2014 9:47 PM
Subject: [lace] About Jeri's Posts



Dear Lace Friends Around  the World,

Your input has  been encouraging.  Not only for me, but I hope for the
other  regular contributors to Arachne who spend hours in thoughtful 
research
to confirm what they write before hitting Send Now.  A note  to them once 
in

a while telling how you used the information they shared  would be
encouraging.

When Arachne was very young I begged some prominent  American lace experts
to participate.  The summary of their  attitudes was:

1.  It is too much work
2.  People do not appreciate volunteer efforts
3.  No one ever says thank you
4.  It is a subject ridiculed both publicly and at home
5.  Public disagreement is bad for my lace business


We should wrap up this  subject.  Before we do - please tell the regular
editors, writers, translators, and proofreaders of your  lace-related
newsletters and Guild bulletins how much you appreciate  their gifts of 
time and

knowledge.   It really does  take a long time to prepare thoughtful
information for you, requiring  much reading, consultation with others, 
memories, and

so forth, and then  condensing salient details into information bites.



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Re: [lace] Little Danish Heart pattern

2014-08-15 Thread Catherine Barley

Dear Jeri

Please don't stop posting on Arachne as I'm sure that like myself, almost 
everyone on Arachne reads the valuable information that you take the time 
and trouble to post for the benefit of the lace community at large.  What 
would we do without you!  There's always bound to be the odd objection but 
just remember that One can't please all of the people all of the time (but 
one can please most of the people most of the time)!


Catherine Barley
Henley-on-Thames
UK

Catherine Barley Needlelace
www.catherinebarley.com
-
Subject: Re: [lace] Little Danish Heart pattern



Dear Jeri,
While I rarely comment I am compelled to remark on your statement  I was 
told
again this week, that people do not read what I write on  Arachne. I want 
you
to know I read your your writings and appreciate you sharing your 
knowledge
with all of us.  I don't believe I am the only one.  The person who told 
you
this should have confined her comments to an I statement. She doesn't 
speak

for me.


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Re: [lace] How can you estimate thread

2014-08-15 Thread Catherine Barley

Good morning all

We've had this very same discussion at a local lace group I belong to.  One 
of our members is also making a waistcoat in wool and anxious that she may 
not have purchased sufficient to complete the whole garment.  She recently 
completed one front and it was suggested that she weigh it to calculate how 
much she would need for the other front and back.  We also suggested that 
perhaps she might construct the back using a complimentary fabric but of 
course she would prefer to make it in lace, as this would be a showpiece and 
not worn under a jacket which would expose only the two fronts.


Catherine Barley

Catherine Barley Needlelace
www.catherinebarley.com
- Original Message - 


Go by ratio.  Or go by weight. You will
know, or can measure the weight of 1 spool of the thread you will use. 
(Most
manufacturers give you the weight rather than length in meters or yards.) 
You

then measure the weight of the finished little square. Then do a ratio
equation.



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[lace] Messages not getting through

2014-07-23 Thread Catherine Barley
I've read with interest the many postings on this subject which prompted me to
check on the email addresses of the 'Junk' mail received and they are almost
ALL aol addresses!  Some are all AOL (upper case) and some aol (lower case).
Devon, all of your emails come through in my Junk mail too but you have been
able to receive replies from me in the past in response  (Miss Channer's mat
and with scanned images as attachments).  However, I notice that some of you
emails are lower case and some are upper case.

I have received quite a few enquiries as to the cost of postage for copies of
my book but when I have replied quoting the rather expensive postage costs, I
have not received a reply and naturally assumed that it was too expensive and
that they were not going to place an order.  In view of the emails I've read
this morning, I am now going to go back through my files and check to see if
the emails were aol or not as I might have lost some potential sales!

I will not use exclamations marks (!) in my Subject titles neither with I use
all upper case to draw attention to the email.  Thank you everyone for all the
very useful information posted.

Catherine Barley

Catherine Barley Needlelace
www.catherinebarley.com

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Fw: [lace] Noelene's Poems - Inspired by Lace

2014-07-22 Thread Catherine Barley

Dear Jeri

For some strange reason all your posting to Arachne come through to me in my 
Junk E-mail box!  I have twice sent the email below to you personally but it 
has been returned 'Failed bad destination system address'.  I would hate you 
to think that I had not even bothered to reply so hope I will be forgiven in 
contacting you this way (see below).  Fortunately I do check my Junk E-mails 
on a daily basis so don't miss anything.


Kind Regards

Catherine


Catherine Barley Needlelace
www.catherinebarley.com
- Original Message - 
From: Catherine Barley catherinebar...@btinternet.com

To: jeria...@aol.com
Sent: Tuesday, July 22, 2014 7:56 AM
Subject: Re: [lace] Noelene's Poems - Inspired by Lace



Dear Jeri

Thank you so much for taking the time and trouble to let me know that 
Holly does not have Noelene's book of Poems listed on her site.  No doubt 
you will have read Noelene's posting on Arachne.


Postage/shipping costs are somewhat prohibitive at present and postage to 
the US and Australia for one of my own Print On Demand books is almost 
half the cost of the book in addition!  Sales have been good for me but 
quite a number of people have not followed through when advised of the 
cost of shipping.  Money is tight for everyone at the moment and all 
having to think twice when it comes to purchases.


If you're attending the IOLI Convention yourself next month Jeri, I'm sure 
you will have a wonderful time.


Many thanks once again.

Kind Regards

Catherine

Catherine Barley Needlelace
www.catherinebarley.com




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[lace] Re: Noelene's Poems

2014-07-21 Thread Catherine Barley
I too would like to thank Noelene for granting permission for me to 
reproduce her poem 'Lure Of The Lace Book' in the Print On Demand edition of 
my book 'Needlelace Designs  Techniques' published earlier this year.  If 
anyone living in the UK and who is attending the IOLI Convention in the US 
this month, would be willing to buy me a copy of Noelene's recently 
published book of poems, I would be truly grateful, as I am only too aware 
of the crazy prices to ship books overseas!  (please email me privately and 
of course I will be happy to reimburse you).  I would love to have a copy as 
her poems are a joy to read and I just love her sense of humour.


Noelene, if you're reading this I hope sales go really well for you at 
Convention with your book and I only wish I could be there with you all. 
Have a wonderful time.


Happy Lacemaking

Catherine

Catherine Barley Needlelace
www.catherinebarley.com

Sent: Monday, July 21, 2014 8:57 AM
Subject:  Bedfordshire



Hi  Arachnids



My thanks Noelene for your poems for my wedding hanky/christening bonnet
booklets. They are just right. If anyone who purchased one of my booklets
before I included the poems would like a copy  of them, please contact me.

Happy lacemaking

Alex



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[lace] Fw: Noelene's Poems

2014-07-21 Thread Catherine Barley
I have received an email from a UK  lacemaker who has kindly offered to buy 
a copy of Noelene's Poems for me but we are wondering if it will be 
available at the IOLI Convention this month in the US or whether I've got it 
wrong and that it will be available at the OIDFA Convention in Australia, 
also taking place this month?  Noelene is Australian so maybe I've got it 
wrong!  However, I do seem to recall Holly Van Sciver being mentioned with 
regard to having copies for sale.  Can anyone else recall any US lace 
vendors being mentioned?


Many thanks

Catherine Barley

If anyone living in the UK and who is attending the IOLI Convention in the 
US this month, would be willing to buy me a copy of Noelene's recently 
published book of poems, I would be truly grateful, as I am only too aware 
of the crazy prices to ship books overseas!

Catherine Barley Needlelace
www.catherinebarley.com
- Original Message - 
From: Catherine Barley catherinebar...@btinternet.com









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Re: [lace] lace photos

2014-05-09 Thread Catherine Barley
Me too!  I really enjoyed the other link to the lace photos, Binche and 
Needlelace.  Thank you Lorelei


Catherine Barley
Henley-on-Thames
UK
Catherine Barley Needlelace
www.catherinebarley.com
- Original Message - 
From: Maureen maur...@roger.karoo.co.uk

To: Lorelei Halley lhal...@bytemeusa.com

Subject: Re: [lace] lace photos



I couldn't open this it said invalid request

Maureen
E Yorks



On 8 May 2014, at 21:44, Lorelei Halley

What to do with all those strips:
https://scontent-a-dfw.xx.fbcdn.net/hphotos-frc1/t1.0-9/10245462_628921067198
190_5297656344381281822_n.jpg

Lorelei



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Re: [lace] Chantilly Lace - HAND MADE?

2014-05-09 Thread Catherine Barley
Perhaps it's classified as 'hand made' because someone operates the 
machinery (using their hands) to produce the lace!


Catherine Barley
Henley-on-Thames
UK

Catherine Barley Needlelace
www.catherinebarley.com
- Original Message - 
From: Jay Ekers jek...@bigpond.net.au


Subject: RE: [lace] Chantilly Lace



I  clicked on a couple of the Handmade bobbin laces from the city of
Chantilly, France. http://www.housefabric.com/Chantilly-Lace-C285.aspx

The descriptions of two only asserted that they are made in France; or 
are

original Chantilly lace made in France.  But for a third,

Please Note; This lace is produced on true Chantilly Lace Lever looms.
Pieces are 3.3 yards.

This is a definition of 'hand made'?

Jay in Sydney 


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[lace] Jean Leader/Marie Laurie

2014-05-08 Thread Catherine Barley
Good morning Jean

Would you be good enough to contact me please with regard to Marie's visit to
the UK.

Many thanks

Cathy

Catherine Barley Needlelace
www.catherinebarley.com

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[lace] Queen Victoria's wedding dress

2014-04-30 Thread Catherine Barley
Dear Spiders

Thank you all so much for your quick and highly informative replies to my
query about Queen Victoria's dress.  I shall send a polite/educational email
to the company in question, quoting snippets from information received.  Also
I shall tell them that even Kate Middleton's wedding dress was made of machine
made lace and not handmade and pass on the link that Brenda sent me.

I think we can close the book on this one now but thank you all very much.
I'm off to Waddesdon Manor in Buckinghamshire today to see the 'Lace 21'
exhibition.

Catherine Barley
Henley-on-Thames
UK

Catherine Barley Needlelace
www.catherinebarley.com

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[lace] Queen Victoria's wedding dress lacce?

2014-04-29 Thread Catherine Barley
Dear Spiders

Can of you please let me know how many lacemakers and how many months it took
them to make the lace for Queen Victoria's wedding dress.  I do have this
information but it would save me several hours of time ploughing my way
through the many lace books on my shelves to find an accurate answer.  The
reason I ask is that I have today received an email from 'a large fashion
company' and I laughed my socks off when I read it!  One would have thought
that perhaps they would have some knowledge as to the many, many hours it
takes to make hand-made lace, particularly 'all-over lace by the metres to
make evening gowns'. I hope to be able to give them some accurate information
and a little education as to the production of hand made lace!  See quote
below!

'Dear Catherine

I hope all is well with you.  I work for a fashion company and we are sourcing
for traditional lace made in UK and Ireland.  I'd like to explore the idea of
ordering or commissioning lace from you.  We are primarily interested in lace
trims and all-over lace by the meters (not a typing error by me) to make
evening gowns.  I love your work and I hope this is something you are
interested in'.

Anyone interested in working 24/7 to churn out these 'meters' of 'all-over
lace'?

Catherine Barley
Henley-in-Thames
UK


Catherine Barley Needlelace
www.catherinebarley.com

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[lace] Out of Print Authors

2014-04-01 Thread Catherine Barley
The Lace Guild have kindly offered me a 'Meet The Author' spot at Convention
this coming April 11th - April 13th at Worcester.  Any authors who have an Out
of Print title that they would like to have available once again, can come
along and see my own newly released Print On Demand edition of Needlelace
Designs  Techniques.  Alex Stillwell has nursed me through the production of
this book and without her help and guidance I wouldn't have known where to
start!  We are both very keen to help other authors get their books in print
once again and it's not quite the daunting experience that perhaps we
imagined.

If you can't get to Convention and want to see how a Print On Demand copy
looks, visit my website www.catherinebarley.com and scroll down to
SALES/ORDERS where you will see a photo of my book.  Do come along and have a
chat.

See you there!

Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com

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[lace] Needlelace Designs Techniques

2014-03-12 Thread Catherine Barley
Good morning all

If you have ordered a copy of Needlelace Designs  Techniques from me and I
have said I would send you a PayPal Invoice which you have not received,
please email me again.  A lacemaker from Australia has not received such an
invoice and has emailed me to this effect.  There are also one or two others
who have not responded, so maybe you didn't receive yours either?  I would
hate you to think I hadn't fulfilled my promise!

Many thanks

Catherine Barley
Henley-on-Thames
UK

 Where it's a beautiful warm, sunny day today.  Maybe spring has arrived after
all!

Catherine Barley Needlelace
www.catherinebarley.com

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Re: [lace] Bruge and Kant

2014-03-06 Thread Catherine Barley
One can't please all of the people all of the time!  Quite true, as we all 
have different requirements and different expectations.


Catherine Barley
Henley-on-Thames
UK

Catherine Barley Needlelace
www.catherinebarley.com
-
From: Jean Nathan jean...@hotmail.co.uk

Subject: [lace] Bruge and Kant


If all lace books were translated into English, why shouldn't those in 
English
be translated into all the other languages spoken by lace makers. 


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[lace] Needlelace Designs Techniques reprint

2014-03-05 Thread Catherine Barley
Good morning all

Particularly to those of you who emailed me privately showing an interest in
the reprint of Needlelace Designs  Techniques.  I am pleased to tell you that
I collected my books from the printer yesterday and would ask that you email
me privately for the relevant details.  Thank you all for the valuable
feedback you gave me, which has ultimately led to my being able to use Print
On Demand at an affordable price.

Catherine Barley
Henley-on-Thames
UK


Catherine Barley Needlelace
www.catherinebarley.com

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Re: [lace] PayPal scam

2014-03-01 Thread Catherine Barley
I also received one supposedly from PayPal last week, which I forwarded on 
to them and they confirmed as being 'spoof'.  Mine said :


We  routinely  review  account  activity  within  our  network  and  found 
an

issue  with  your  account  that's  preventing  a  payment  from  being
processed.   We  need  your  help  to  resolve  it  and  realise  that  you 
may  not
be  able  to  respond  immediately,  so  we've  acted  to  protect  your 
account
by  limiting  some  features,  like  sending  payments.   This  is  a 
temporary
measure  until  the  issue's  resolved.  We  apologise  for  any 
inconvenience.


I shall be collecting the reprint copies of my book 'Needlelace Designs  
Techniques' next week and naturally was concerned as it will be available 
from me, and payment can be made using PayPal for overseas buyers.  I didn't 
want there to be any problems! I am receiving similar emails on a regular 
basis supposedly from ebilling at BT who are my service provider!


Catherine Barley
Henley-on-Thames
UK

Catherine Barley Needlelace
www.catherinebarley.com
---
Subject: [lace] PayPal scam


Recently, I received an email from i...@paypal.com which asked me to 
sign into a link and confirm my paypal information for security 
purposes.  I smelled a rat and called PayPal to alert them.  They 
confirmed my suspicion that this was a scam and said any time they send an 
email, they address it to the user name with which I am subscribed, and 
not, dear user.


So, if you receive a similar email, please either delete it immediately, 
or forward it to Pay-Pal so they can get to the bottom of it.


Clay



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[lace] OIDFA Bulletin error!

2014-02-20 Thread Catherine Barley
Good morning fellow spiders



I just thought I'd let you know that I received my OIDFA Bulletin yesterday
and noticed that the review of Alex Stillwell's  book 'Drafting Torchon Lace
Patterns' has been incorrectly priced at £28.50p plus postage!  This should of
course read £16.50p - quite a substantial difference!



The presses are now ready to roll with the Print On Demand edition of my own
book Needlelace Designs  Techniques and I would hope to have it available
sometime next month.  My grateful thanks to all of you who have responded to
my queries about type of binding, PDF files etc. all of which have been
extremely useful.  The book will be spiral bound and with full colour as in
the original.



Catherine Barley

Henley-on-Thames



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Re: [lace] Posting to list

2014-02-14 Thread Catherine Barley

Nothing wrong with this latest message from you Hazel!

Catherine Barley


Catherine Barley Needlelace
www.catherinebarley.com
- Original Messag From: Hazel Smith hazel_twiggy_sm...@yahoo.com

Subject: [lace] Posting to list


Now my last post a couple of days ago about crediting designers is showing 
as almost unreadable owing to odd characters and erratic line changes even 
though the original message in my sent folder is perfectly OK. 
Presumably that's why no one has commented on what I said - I don't blame 
you. But I don't know what's causing the problem so it looks like it's 
back to lurking for me


Hazel


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Re: [lace] website and Withof pianorunner

2014-01-26 Thread Catherine Barley

Dear Anneke

You piano runner is incredibly beautiful and many congratulations on such a 
wonderful achievement.  Sister Judith has been a shining example to us all 
with her dedication and lacemaking/design skills.  It would be lovely to see 
some more detailed images of your beautiful piano runner and Sister Judith 
must have been thrilled to see her design completed by one of her talented 
student, and only days before her 100th birthday - what a wonderful 100th 
birthday gift!


Thank you for sharing.

Catherine

Catherine Barley Needlelace
www.catherinebarley.com
 


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Re: [lace] What is the biggest and the hardest piece of lace you have ever done?

2014-01-14 Thread Catherine Barley

Wow!  That's beautiful.  Well done you!

Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com
---
Subject: Re: [lace] What is the biggest and the hardest piece of lace you 
have ever done?




This is my most challenging lace project so far.
http://www.flickr.com/photos/warpedandwonderful/8310332097/
overall it is 20 x 33
there are 8 strips sewn together to fill the center
took about 9 months to complete.

Vila Cox
Warped  Wonderful   http://www.warpedandwonderful.com
http://www.facebook.com/pages/Warped-Wonderful-Handwoven-Treasures/241360532566599



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