[LUTE] Re: Density of Savarez KF Alliance Strings?

[Arto Wikla]

Dear Susanne

Years ago I went to a pharmacy and asked them to measure the weight of 
one KF string with their precision scale. I had by myself measured the 
length and thickness very accurately. After calculatios I got the 
density 1791 Kg/m³.


This has worked to me.

I hope this helps!

Arto

On 15/03/17 20:38, Susanne Herre wrote:


Dear all,

Does anyone know the exact density of Savarez KF Alliance Strings? (to
feed the string calculator with the correct info ;-))

That would be really helpful!

Many thanks,

Susanne Herre



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[LUTE] Density of Savarez KF Alliance Strings?

[Susanne Herre]

Dear all,

Does anyone know the exact density of Savarez KF Alliance Strings? (to 
feed the string calculator with the correct info ;-))


That would be really helpful!

Many thanks,

Susanne Herre



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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: do you know these ads? -now removed

[wayne lute]

Hi Lute people -

 Thanks to you people who pointed out that the pictures came from ebay.  I have 
removed the ads from my web page.

  Wayne



> Begin forwarded message:
> 
> From: wbc 
> Subject: [LUTE] do you know these ads?
> Date: March 15, 2017 at 1:15:00 PM EDT
> To: lute@cs.dartmouth.edu
> 
> Hi Lute people -
> 
>  I just got two ads, one for a romantic guitar and one for a vihuela, I 
> posted them on my lutes for sale web page -  
> http://www.cs.dartmouth.edu/~wbc/lute/forsale.html 
>  - but something about 
> the ads has me concerned.  They both came in within a few minutes, both are 
> terse and don’t describe the instrument much at all.  Neither pictures are 
> great.  And the names are a but odd.  Could you folks take a look at what now 
> are the first two entries and tell me what you think, especially if you 
> happen to know the people or instruments involved.
> 
> Wayne
> 
> 
> 
> --
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 


--

[LUTE] Re: do you know these ads?

[Dmitry Medvedev]

I have seen the vihuela before. It's an instrument made by Clive 
Titmuss. There is an old posting on ebay with the same picture:


http://www.ebay.com/itm/Vihuela-early-6-course-guitar-new-for-sale-by-Kelowna-luthier-Clive-Titmuss-/301568244999

Dmitry


On 3/15/2017 1:15 PM, wbc wrote:

Hi Lute people -

   I just got two ads, one for a romantic guitar and one for a vihuela, I posted them 
on my lutes for sale web page -  http://www.cs.dartmouth.edu/~wbc/lute/forsale.html 
 - but something about the 
ads has me concerned.  They both came in within a few minutes, both are terse and 
don’t describe the instrument much at all.  Neither pictures are great.  And the 
names are a but odd.  Could you folks take a look at what now are the first two 
entries and tell me what you think, especially if you happen to know the people or 
instruments involved.

  Wayne



--

To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] do you know these ads?

[wbc]

Hi Lute people -

  I just got two ads, one for a romantic guitar and one for a vihuela, I posted 
them on my lutes for sale web page -  
http://www.cs.dartmouth.edu/~wbc/lute/forsale.html 
 - but something about the 
ads has me concerned.  They both came in within a few minutes, both are terse 
and don’t describe the instrument much at all.  Neither pictures are great.  
And the names are a but odd.  Could you folks take a look at what now are the 
first two entries and tell me what you think, especially if you happen to know 
the people or instruments involved.

 Wayne



--

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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: Continuo: Score vs Part; also Page-Turners

[guy_and_liz Smith]

A  melody line is handy, especially for recitative but I'd rather not deal with 
a full score. Too many page turns.

A related question: what did continuo players use back in the day, i.e., when 
did we start publishing part music as a score? That's a common practice in 
modern editions, but most of the 16th and early 17th century music that I've 
played in various wind bands was originally published as individual parts, 
often in separate books (Gesualdo being a notable exception). Most of the 
Baroque music I've played (mainly opera and orchestral continuo) was in 
(relatively) modern editions, so I'm not sure about the originals. At least 
some Baroque music that I'm familiar with (Castello, for example), was 
published as part music; continuo is just another part book.

Guy

-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of 
howard posner
Sent: Wednesday, March 15, 2017 9:17 AM
To: Lute List
Subject: [LUTE] Re: Continuo: Score vs Part; also Page-Turners

It’s always nice to have the score, or the melodic line, in the continuo part.  
I’ve done a lot of cutting and pasting to avoid inconvenient page turns.

> On Mar 15, 2017, at 6:25 AM, Edward Chrysogonus Yong  
> wrote:
> 
>  Dear Lutenetters who play basso continuo,
>   Is there a preference either way for playing from bass part or full
>   score, assuming both have the same figures?




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[LUTE] Re: Continuo: Score vs Part; also Page-Turners

[David van Ooijen]

   When accompanying a soloist, I prefer to see his/part. Otherwise bass
   part is more convenient. But I can live with either score or part.
   Recits are the exception: I want to read these along.

   David

   On Wed, 15 Mar 2017 at 17:19, howard posner <[1]howardpos...@ca.rr.com>
   wrote:

 It's always nice to have the score, or the melodic line, in the
 continuo part.   I've done a lot of cutting and pasting to avoid
 inconvenient page turns.
 > On Mar 15, 2017, at 6:25 AM, Edward Chrysogonus Yong
 <[2]edward.y...@gmail.com> wrote:
 >
 >   Dear Lutenetters who play basso continuo,
 >Is there a preference either way for playing from bass part or
 full
 >score, assuming both have the same figures?
 To get on or off this list see list information at
 [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

   ***
   David van Ooijen
   [4]davidvanooi...@gmail.com
   [5]www.davidvanooijen.nl
   ***

   --

References

   1. mailto:howardpos...@ca.rr.com
   2. mailto:edward.y...@gmail.com
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   4. mailto:davidvanooi...@gmail.com
   5. http://www.davidvanooijen.nl/

[LUTE] Re: Continuo: Score vs Part; also Page-Turners

[howard posner]

It’s always nice to have the score, or the melodic line, in the continuo part.  
I’ve done a lot of cutting and pasting to avoid inconvenient page turns.

> On Mar 15, 2017, at 6:25 AM, Edward Chrysogonus Yong  
> wrote:
> 
>  Dear Lutenetters who play basso continuo,
>   Is there a preference either way for playing from bass part or full
>   score, assuming both have the same figures?




To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: Continuo: Score vs Part; also Page-Turners

[Miles Dempster]

Hello Edward,

There have been positive comments on this list about using a tablet and 
foot-operated page turner.
I’m thinking adopting this solution when the next iPad Pro is released, which I 
believe will be within a few weeks.


Miles




> On Mar 15, 2017, at 9:25 AM, Edward Chrysogonus Yong  
> wrote:
> 
>   Dear Lutenetters who play basso continuo,
>   Is there a preference either way for playing from bass part or full
>   score, assuming both have the same figures?
>   I find that playing from a score means I can get my bearings better but
>   have to flip pages more, no easy task when both hands are occupied with
>   playing. That's when I sometimes wish I either played from a bass part
>   to reduce page turns or had a page-turner. Does anyone use a
>   page-turner?
>   Curious to hear your thoughts.
>   From sunny Singapore,
>   Edward C. Yong
>   
>   τούτο ηλεκτρονικόν ταχυδρομείον εκ είΦωνου εμεύ επέμφθη.
>   Hæ litteræ electronicæ ab iPhono missæ sunt.
>   此電子郵件發送于自吾iPhone。
>   This e-mail was sent from my iPhone.
> 
>   --
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Continuo: Score vs Part; also Page-Turners

[Edward Chrysogonus Yong]

   Dear Lutenetters who play basso continuo,
   Is there a preference either way for playing from bass part or full
   score, assuming both have the same figures?
   I find that playing from a score means I can get my bearings better but
   have to flip pages more, no easy task when both hands are occupied with
   playing. That's when I sometimes wish I either played from a bass part
   to reduce page turns or had a page-turner. Does anyone use a
   page-turner?
   Curious to hear your thoughts.
   From sunny Singapore,
   Edward C. Yong
   
   τούτο ηλεκτρονικόν ταχυδρομείον εκ 
είΦωνου εμεύ επέμφθη.
   Hæ litteræ electronicæ ab iPhono missæ sunt.
   此電子郵件發送于自吾iPhone。
   This e-mail was sent from my iPhone.

   --


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[BAROQUE-LUTE] Re: F-Pcnrs Ms. sans cote

[Fischer BE (Aon)]

   Dear Jean-Marie,


   To your kind information: I uploaded all my recordings of pieces in
   Accords Noveaux from the Jane Pickering Lute Book as MP3 files in
   following open cloud:
   [1]https://soundcloud.com/user-731566193/sets/pieces-for-baroque-lute-m
   s-egerton-2046 In total 17 pieces from various composers and various
   tunings.


   Kind regards, Ernst Bernhard


   Von: jmpoirier2 [mailto:jmpoiri...@wanadoo.fr]
   Gesendet: Mittwoch, 22. Februar 2017 17:47
   An: Fischer BE (Aon) 
   Betreff: RE : [BAROQUE-LUTE] F-Pcnrs Ms. sans cote


   I have that in stock,  Ernst.  My favorite repertoire actually 😉!

   Please contact me privately for a valid email a address.  It's a heavy
   file.  I will use Wetransfer to send it.

   Best,

   Jean-Marie

    Message d'origine 
   De : "Fischer BE (Aon)" <[2]fischer...@aon.at>
   Date : 22/02/2017 4:43 PM (GMT+01:00)
   À : [3]baroque-lute@cs.dartmouth.edu
   Objet : [BAROQUE-LUTE] F-Pcnrs Ms. sans cote
   Dear lute friends,
   Who can provide me a photocopy or PDF of the manuscript F-Pcnrs Ms.
   sans
   cote [Bullen Reymes Lute Book] Paris, Centre National de Recherche
   Scientifique, Bibliothèque, or can give me a clue where and how to
   obtain a
   copy for reference / private purpose.
   Thank you, Ernst
   To get on or off this list see list information at
   [4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. 
https://soundcloud.com/user-731566193/sets/pieces-for-baroque-lute-ms-egerton-2046
   2. mailto:fischer...@aon.at
   3. mailto:baroque-lute@cs.dartmouth.edu
   4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: Ballard 1623 ?

[Jean-Marie Poirier]

Thank you Joachim ! It seems it's definitely a closed door then :-( !

Al the best,

Jean-Marie

--
 
>Dear Jean-Marie:
>
>"BALLARD, Pierre (ed.). Tablature de Luth de differents auteurs sur l’accord 
>ordinaire et extraordinaire recueillie par P. Ballard, Paris: P. Ballard, 1623 
>(the title page alone was part of the collection of March Pincherle, when this 
>was auctioned in Paris [Hôtel Drouot], 3 to 5 March 1975 – its present 
>whereabouts are unknown)."
>
>(From the source list of F.-P. Goy's thesis on the manuscript sources of music 
>in Accords Nouveaux. This can be found in Andreas Schlegel's website 
>accordsnouveaux.ch.)
>
>Best wishes,
>
>Joachim
>
>
>-Original-Nachricht-
>Betreff: [LUTE] Ballard 1623 ?
>Datum: 2017-03-15T10:03:06+0100
>Von: "Jean-Marie Poirier" 
>An: "'Lute List'" 
>
>Dear all,
>
>There are dozens of references circulating to Ballard's 1623 "Tablature de 
>luth de differents auteurs sur l'accord ordinaire et extraordinaire", declared 
>"Lost"
>except its title page... I could not find a single reference giving the 
>whereabouts of this mysterious title-page.
>
>Would anyone on this list know where precisely this precious document is 
>preserved ?
>
>Thank you for your feedback anyway !
>
>Best wishes to all,
>
>Jean-Marie Poirier
>
>
>
>To get on or off this list see list information at
>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
>
>

[LUTE] Re: Ballard 1623 ?

[jo.lued...@t-online.de]

Dear Jean-Marie:

"BALLARD, Pierre (ed.). Tablature de Luth de differents auteurs sur l’accord 
ordinaire et extraordinaire recueillie par P. Ballard, Paris: P. Ballard, 1623 
(the title page alone was part of the collection of March Pincherle, when this 
was auctioned in Paris [Hôtel Drouot], 3 to 5 March 1975 – its present 
whereabouts are unknown)."

(From the source list of F.-P. Goy's thesis on the manuscript sources of music 
in Accords Nouveaux. This can be found in Andreas Schlegel's website 
accordsnouveaux.ch.)

Best wishes,

Joachim


-Original-Nachricht-
Betreff: [LUTE] Ballard 1623 ?
Datum: 2017-03-15T10:03:06+0100
Von: "Jean-Marie Poirier" 
An: "'Lute List'" 

Dear all,

There are dozens of references circulating to Ballard's 1623 "Tablature de luth 
de differents auteurs sur l'accord ordinaire et extraordinaire", declared "Lost"
except its title page... I could not find a single reference giving the 
whereabouts of this mysterious title-page.

Would anyone on this list know where precisely this precious document is 
preserved ?

Thank you for your feedback anyway !

Best wishes to all,

Jean-Marie Poirier



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Ballard 1623 ?

[Jean-Marie Poirier]

Dear all,

There are dozens of references circulating to Ballard's 1623 "Tablature de luth 
de differents auteurs sur l'accord ordinaire et extraordinaire", declared "Lost"
except its title page... I could not find a single reference giving the 
whereabouts of this mysterious title-page.

Would anyone on this list know where precisely this precious document is 
preserved ?

Thank you for your feedback anyway !

Best wishes to all,

Jean-Marie Poirier



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[BAROQUE-LUTE] Ballard 1623

[Jean-Marie Poirier]

Dear all,

There are dozens of references circulating to Ballard's 1623 "Tablature de luth 
de differents auteurs sur l'accord ordinaire et extraordinaire", declared "Lost"
except its title page... I could not find asingle reference giving the 
whereabouts of this mysterious title-page.

Would anyone on this list know where precisely this precious document is 
preserved ?

Thank you for your feedback anyway !

Best wishes to all,

Jean-Marie Poirier



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html