[LUTE] Re: Tablature

2018-12-11 Thread G. C.
   Thanks Ron, for reminding me of Coelho's site. There is SO much erudite
   and relevant material there!

   G.


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[LUTE] Re: Tablature

2018-12-11 Thread Jean-Marie Poirier
..only after a couple of schnaps ! :-)
Jean-Marie

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>..and in German tablature :)



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[LUTE] Re: Tablature

2018-12-11 Thread Martin Shepherd

..and in German tablature :)

On 11/12/2018 20:33, Arto Wikla wrote:

I thought every serious lutenist can sing the tabulature lines.

sincerely

Arto

On 11/12/18 21:25, r.turov...@gmail.com wrote:

What about those of us who compose in tabulature?

I also know a few people who can sing off the tab.
RT


http://turovsky.org
Feci quod potui. Faciant meliora potentes.


On Dec 11, 2018, at 2:11 PM, Ron Andrico  wrote:

Modern tablatures appear to be a substitute
   for reading music in standard notation and seem to require aural
   familiarity with the intabulated piece.




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[LUTE] Re: Tablature

2018-12-11 Thread Arto Wikla

I thought every serious lutenist can sing the tabulature lines.

sincerely

Arto

On 11/12/18 21:25, r.turov...@gmail.com wrote:

What about those of us who compose in tabulature?

I also know a few people who can sing off the tab.
RT


http://turovsky.org
Feci quod potui. Faciant meliora potentes.


On Dec 11, 2018, at 2:11 PM, Ron Andrico  wrote:

Modern tablatures appear to be a substitute
   for reading music in standard notation and seem to require aural
   familiarity with the intabulated piece.




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[LUTE] Roman Turovsky - Tombeau de Walerian Lukasinski - Maciej Konczak (baroque lute)

2018-12-11 Thread r . turovsky


> 
>   For your perusal and enlightenment/delectation:
> 
>https://www.youtube.com/watch?v=IkgCITuz4pM
>   https://en.wikipedia.org/wiki/Walerian_%C5%81ukasi%C5%84ski
> 
> http://www.polyhymnion.org/tombeau/tombeaux/s/tombeau-lukasinski.pdf
> 
>   Enjoy!
>   Amities,
>   RT
>   



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[LUTE] Re: Tablature

2018-12-11 Thread r . turovsky
What about those of us who compose in tabulature?

I also know a few people who can sing off the tab.
RT


http://turovsky.org
Feci quod potui. Faciant meliora potentes.

> On Dec 11, 2018, at 2:11 PM, Ron Andrico  wrote:
> 
> Modern tablatures appear to be a substitute
>   for reading music in standard notation and seem to require aural
>   familiarity with the intabulated piece.



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[BAROQUE-LUTE] Roman Turovsky - Tombeau de Walerian Lukasinski - Maciej Konczak (baroque lute) - YouTube

2018-12-11 Thread Roman Turovsky
   For your perusal and enlightenment/delectation:

   [1]https://www.youtube.com/watch?v=IkgCITuz4pM

   [2]https://en.wikipedia.org/wiki/Walerian_%C5%81ukasi%C5%84ski

   [3]http://www.polyhymnion.org/tombeau/tombeaux/s/tombeau-lukasinski.pdf

   Enjoy!
   Amities,
   RT
   --

References

   1. https://www.youtube.com/watch?v=IkgCITuz4pM
   2. 
https://en.wikipedia.org/wiki/Walerian_Łukasiński?fbclid=IwAR0JOHgi5XQb-rgkPHS_W6yM4WL2SgQrZGuRNmEZjFguvmttivvfder3j3Y
   3. 
http://www.polyhymnion.org/tombeau/tombeaux/s/tombeau-lukasinski.pdf?fbclid=IwAR0Wr4lG7OUmWgCtFulSguAOiVFlKbDwKzpP2IJ5V5x63_5PXiJSbtDZPSc


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[LUTE] Re: Tablature

2018-12-11 Thread Alain Veylit
Many thanks Goran for your kind words. Tablature is insufficiently 
recognized as the first form of computer code: converting music to 
numbers was done long before DVDs came about, after all. I am really 
glad though that tablature never made it to the compression stage... 
Although you could argue that German tab came close to that. I read 
somewhere it was a good format to save paper because it takes relatively 
less space. Could it be the famed and elusive MP1 format??



On 12/11/18 8:31 AM, G. C. wrote:

  Personally I first learned modern guitar tablature, switched to
  French
  tab on the lute, then learned Italian tablature, and finally wrote a
  piece of software to convert Neapolitan tab to Spanish, Italian
  and/or
  French.

And how great that you did Alain! I'm sure, we are ALL extremely
thankful for your gargantuan work with tablature conversion!

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[LUTE] Re: Da Milano

2018-12-11 Thread Jean-Marie Poirier
Yes, we definitely are !!! ;-)
Jean-Marie


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>   I'm sure, we are ALL extremely thankful for your gargantuan work with 
> tablature conversion!



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[LUTE] Re: Da Milano

2018-12-11 Thread G. C.
 Personally I first learned modern guitar tablature, switched to
 French
 tab on the lute, then learned Italian tablature, and finally wrote a
 piece of software to convert Neapolitan tab to Spanish, Italian
 and/or
 French.

   And how great that you did Alain! I'm sure, we are ALL extremely
   thankful for your gargantuan work with tablature conversion!

   --


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[LUTE] Re: Da Milano

2018-12-11 Thread Alain Veylit
If I recall correctly, Neapolitan tablature is similar to Spanish but 
fret numbers start with 1 instead of zero - i.e. an empty string is 
notated 1. I think French tablature won out for the lute because it is 
much easier to notate diapasons in that system - as opposed to Italian 
tab. Modern guitar tablature presented itself as a kind of novelty in 
the 1960's with people like Stephan Grossman or Marcel Dadi.


Personally I first learned modern guitar tablature, switched to French 
tab on the lute, then learned Italian tablature, and finally wrote a 
piece of software to convert Neapolitan tab to Spanish, Italian and/or 
French.



On 12/11/18 5:03 AM, G. C. wrote:

  Hi Christopher,

you wrote: modern guitar tab basically
   derives from the system devised for Hawaiian slide guitar music
around
   1915.

So they just reinvented it almost 400 years later? Yes, that sounds
reasonable.


G.

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[LUTE] Neapolitan tablature (Was: Da Milano)

2018-12-11 Thread G. C.
   Back to the Sultzbach prints. I can't help to notice, that vol. 1
   (italian tab) has only the playing instructions in italian, also
   printed in vol 2, while vol. 2 (neapolitan tab) has two additional
   dedications in   latin. Both volumes have a latin end page, quoting the
   spanish king Carlos V,   (which is pertinent to his neapolitan domain
   at the time). Vol. 1 is dated 25th of May 1536 and Vol. 2, August 1536.
   The latin dedication (which I can't read unfortunately) is also for a
   spaniard, Don Pedro de Toledo. There seems to be a "Toledo" clue here,
   as also the "Leonardi Schipani Dechasticum" quotes "Toletum". A
   translation of these 2 short pages would definitely be of help. ;)
   Could this imply, that the work might have come in two versions, one in
   italian and one in latin, and that only one of each has survived?
   And are these "strong" versions of Da Milano works? (I don't have in
   front of me how much of this material found its way into the Ness
   edition)
   B.R.
   G.

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[LUTE] Re: Da Milano

2018-12-11 Thread G. C.
 Hi Christopher,

   you wrote: modern guitar tab basically
  derives from the system devised for Hawaiian slide guitar music
   around
  1915.

   So they just reinvented it almost 400 years later? Yes, that sounds
   reasonable.


   G.

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[LUTE] Re: Da Milano

2018-12-11 Thread Christopher Stetson
   Hi, all.
   In re:   G. C.'s comment, "today's guitar scene has been completely
   inundated with spanish tab while the lute world seems to favour french
   tablature."   It's a matter of notational history.   Historically
   today's guitar tab has nothing to do with 16th century vihuela
   tablature.   In the 18th and 19th centuries the "serious" guitar
   community had moved to staff notation.   Though there are a few
   examples from the late nineteenth century, modern guitar tab basically
   derives from the system devised for Hawaiian slide guitar music around
   1915.
   Best, and keep playing,
   Chris.

   On Tue, Dec 11, 2018 at 6:31 AM G. C. <[1]kalei...@gmail.com> wrote:

Thanks for the info Matthew, I doubt that I'll find that article
 though
:)
I find it interesting though, that only one print in neapolitan
 tab,
and one in spanish tab (Milà ¡n) survives, while today's guitar
 scene
has been completely inundated with spanish tab while the lute
 world
seems to favour french tablature.
G
On Tue, Dec 11, 2018 at 11:40 AM Matthew Daillie
<[1][2]dail...@club-internet.fr> wrote:
  I would suggest reading Dinko Fabris's article 'The Origin of
  Italian Lute Tablature', if you can find it (it was published
 in in
  2001 in Basler Jahrbuch fà ¼r Historische Musikpraxis)!
  There are two lute pieces in Neapolitan tabulature in the
 Pesaro
  manuscript Ms. 1144 but that doesn't answer your question
 regarding
  printed sources other than da Milano's 1536 Libro secondo.
  Best,
  Matthew
  Le 11 dà ©c. 2018 à   11:05, "G. C." <[2][3]kalei...@gmail.com>
 a à ©crit
  :
  >   Found book 1 and It corresponds to Gerbode's facsimile.
  >
  > So, is volume 2 of Sulzbach the only print we have of
  neapolitan tab?
  > G.
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 References
1. mailto:[4]dail...@club-internet.fr
2. mailto:[5]kalei...@gmail.com
 To get on or off this list see list information at
 [6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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References

   1. mailto:kalei...@gmail.com
   2. mailto:dail...@club-internet.fr
   3. mailto:kalei...@gmail.com
   4. mailto:dail...@club-internet.fr
   5. mailto:kalei...@gmail.com
   6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Da Milano

2018-12-11 Thread G. C.
   Thanks for the info Matthew, I doubt that I'll find that article though
   :)
   I find it interesting though, that only one print in neapolitan tab,
   and one in spanish tab (Milán) survives, while today's guitar scene
   has been completely inundated with spanish tab while the lute world
   seems to favour french tablature.
   G
   On Tue, Dec 11, 2018 at 11:40 AM Matthew Daillie
   <[1]dail...@club-internet.fr> wrote:

 I would suggest reading Dinko Fabris's article 'The Origin of
 Italian Lute Tablature', if you can find it (it was published in in
 2001 in Basler Jahrbuch für Historische Musikpraxis)!
 There are two lute pieces in Neapolitan tabulature in the Pesaro
 manuscript Ms. 1144 but that doesn't answer your question regarding
 printed sources other than da Milano's 1536 Libro secondo.
 Best,
 Matthew
 Le 11 déc. 2018 à 11:05, "G. C." <[2]kalei...@gmail.com> a écrit
 :
 >  Found book 1 and It corresponds to Gerbode's facsimile.
 >
 >So, is volume 2 of Sulzbach the only print we have of
 neapolitan tab?
 >G.

   --

References

   1. mailto:dail...@club-internet.fr
   2. mailto:kalei...@gmail.com


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[LUTE] Re: Da Milano

2018-12-11 Thread Matthew Daillie
I would suggest reading Dinko Fabris's article 'The Origin of Italian Lute 
Tablature', if you can find it (it was published in in 2001 in Basler Jahrbuch 
für Historische Musikpraxis)!

There are two lute pieces in Neapolitan tabulature in the Pesaro manuscript Ms. 
1144 but that doesn't answer your question regarding printed sources other than 
da Milano's 1536 Libro secondo.

Best,

Matthew


Le 11 déc. 2018 à 11:05, "G. C."  a écrit :

> Found book 1 and It corresponds to Gerbode's facsimile.
> 
>   So, is volume 2 of Sulzbach the only print we have of neapolitan tab?
>   G.
> 
>   --
> 
> 
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[LUTE] Re: Da Milano

2018-12-11 Thread G. C.
 Found book 1 and It corresponds to Gerbode's facsimile.

   So, is volume 2 of Sulzbach the only print we have of neapolitan tab?
   G.

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[LUTE] Re: Da Milano

2018-12-11 Thread G. C.
 I see now, that book 2 on Gerbode's site is effectively in
 neapolitan tab. What about book 1?

   G.

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[LUTE] Da Milano

2018-12-11 Thread G. C.
   Dear All,
   I'm looking for the two books in Neapolitan tab from 1536
   Intavolatura de viola o vero lauto cio e Recercate, Canzone Francese,
   Motette, composto per lo Eccelente & Unico musico Francesco Milanese,
   non mai piu stampata Libro primo (secondo) della Fortuna, Naples 1536
   There should be a Minkoff reprint from 1977
   I can't recall seeing it on the net. Gerbode has the facs of two
   volumes by Sulzbach in italian tab, but I can't remember now if they
   correspond to the ones in neapolitan tab. Any suggestions?
   Best wishes
   G.

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