[NetBehaviour] Microcodes website
I've created a website for my Microcodes at http://pallit.lhi.is/microcodes I'll be updating the site as frequently as necessary. -- * Pall Thayer artist http://www.this.is/pallit * ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Odyssey going down and thank you
I wonder how long SL will last? Linden have spent a pile on it. They need to recoup that at some point, or go bust. When SL does close down will what comes after employ similar enough protocols that inventories will be transferable or at least parseable? As you observe, this is not a new problem. Like you I have work on 10² floppies (even on old 1/4² tapes) which are not only unreadable but meant to be read by machines that ceased to be produced thirty years ago. There might be a museum somewhere with the kit to read them and display the outputs although highly unlikely as at the time I used fairly customised systems. I made a decision at the end of the 1980¹s to switch from high-end systems (at that time Silicon Graphics and systems like that) to consumer level systems. I did this because as I found myself showing my work in more diverse places it was becoming more of a challenge to source the necessary kit. Curators and organisers were, quite reasonably, worried about the hoops I was making them jump through if they wanted to show my stuff. I think I made the right decision, even if it did mean that (at the time) some were critical of my work for going low-tech and clunky. Personally I wasn¹t that bothered for me it wasn¹t the smoothness of the graphics that mattered but the structure of the code and how that was manifest in the behaviour of the systems and the interaction of people with them. The advent of the internet and, particularly, the web was a really important development in that it established a set of more or less universal protocols. This led to huge uptake of computing and related technologies by both users and producers. It also allowed the distinction between the two groups to become blurred, as we see in web 2.0, with social media and user-generated content. This only happened because the protocols were simple and universal. It is also interesting to note that early works made employing these protocols still work today, with little if any adjustment. This is quite amazing for somebody use to seeing their work become technologically unplayable within 5 years of production due to fundamental changes in the platforms involved. I have work on the net that I put up 15 years ago. I haven¹t touched it since but it still works on almost every type of computer, operating system and browser. Here¹s to universal protocols! Regards Simon On 4/3/09 05:05, Alan Sondheim sondh...@panix.com wrote: Thank you for writing Steve Dietz; I haven't heard back. I've soured on Odyssey the last few days - the politics, people interfer- ing with each other, etc., are depressing. Sugar Seville ran Odyssey brilliantly by not running it; with her leaving, structure has become reified and contested. On one level this is good - a way of seeing a larger picture - but on the other it suddenly emphasizes ideological issues that are debilitating, I think I put up a second work on the site along with Selavy Oh; Gaz came in and created a prism over the whole area which subverts what I was doing, etc. This is fine and in the spirit of Odyssey at least at the moment - I'm just not personally interested in working this way. As far as a museum goes, that would be good for SL in general - once Linden runs out of steam, if SL closes down (and it surely will), all these relatively early experiments in virtual culture will be gone. We can save inventories, but without the proper software, they'll be as useless as the 10 floppy disk I have with pascal programs I wrote in 1977... - Alan | Alan Sondheim Mail archive: http://sondheim.rupamsunyata.org/ | To access the Odyssey exhibition The Accidental Artist: | http://slurl.com/secondlife/Odyssey/48/12/22 | Webpage (directory) at http://www.alansondheim.org | sondh...@panix.com, sondh...@gmail.org, tel US 718-813-3285 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour Simon Biggs Research Professor edinburgh college of art s.bi...@eca.ac.uk www.eca.ac.uk www.eca.ac.uk/circle/ si...@littlepig.org.uk www.littlepig.org.uk AIM/Skype: simonbiggsuk Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] UK Government Wants To Bypass Data Protection Act.
UK Government Wants To Bypass Data Protection Act. Clause 152 of the Coroners and Justice Bill, currently being debated by the UK Parliament, would allow any Minister by order to take from anywhere any information gathered for one purpose (http://www.publications.parliament.uk/pa/cm200809/cmbills/009/09009.100-106.html), and use it for any other purpose. Personal information arbitrarily used without consent or even knowledge: the very opposite of 'Data Protection.' An 'Information Sharing Order', as defined in Clause 152, would permit personal information to be trafficked and abused, not only all across government and the public sector — it would also reach into the private sector. And it would even allow transfer of information across international borders. NO2ID has launched a Facebook group to challenge this threat to data protection. http://www.facebook.com/group.php?gid=54487688497ref=mf ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Radars Fences II - Tactical Bioart in the Age of Biotechnology.
Radars Fences II Tactical Bioart in the Age of Biotechnology In the age of genetics, biotechnology, and bioinformatics, life is increasingly fashioned and configured at the intersection of several discourses and practices, such as population genetics, molecular and informatic sequences, human enhancement technologies, and the therapeutic and agricultural applications of genomics. Asides from raising crucial epistemological questions, these technoscientific practices compete for attention, credibility, and funding within the scientific community, the market place, and the public domain. But as the far-reaching implications of biotech research unravel, the opacity and secrecy surrounding the industry and the patenting of life become increasingly problematic. This is partly due to the difficult ethical questions raised by the life sciences, but also to the rapid extension of scientific knowledge production to a number of non-scientific environments. As Bruno Latour (2001) has pointed out, the tendency of the experimental method to transcend its modern boundaries is the result of three distinct processes: 1) the end of the scientific laboratory as a secluded space available only to specialists; 2) the increasing agency of patients and ordinary citizens in formulating the scientific questions to be solved; 3) and the extension of the scale of scientific experiments to the whole planet, as in the case of global warming, AIDS, and so on. Within this triple displacement, which turns the technoscientific experiment into a more and more collective endeavor, a thriving community of bioartists, researchers, and hobbyists have provided new analytical and activist models by which to intervene and participate in the life sciences. Through a broad set of hands-on interventions that provide a critique-in-action of both the political economy and the naturalization of the biotech industry, bioartists and researchers have fostered interspecies contacts, engineered hybrid life forms, and set up independent Biolabs. Together, they propose new scientific protocols and call for a wider, and far more direct participation among lay, artistic, activist, and academic publics. Radars Fences II features five researchers and artists who have been at the forefront of the battle for the democratization of the life sciences over the last decade: Beatriz da Costa, Natalie Jeremijenko, Richard Pell, Claire Pentecost, and Paul Vanouse will present their own work and discuss with the public models of interdisciplinary engagement at the beginning of the biological century. Full conference overview and schedule can be found here: http://blogs.nyu.edu/blogs/md1445/rf/ ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] UK Government Wants To Bypass Data Protection Act.
On Wed, Mar 4, 2009 at 10:16 AM, marc garrett marc.garr...@furtherfield.org wrote: Clause 152 of the Coroners and Justice Bill, currently being debated by the UK Parliament, would allow any Minister by order to take from anywhere any information gathered for one purpose [...] NO2ID has launched a Facebook group to challenge this threat to data protection. http://www.facebook.com/group.php?gid=54487688497ref=mf The Facebook group page has details of lots of practical things we can do to help stop this, like writing to your MP (writetothem.com makes this trivial). - Rob. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] 4th-century head modofications...
4th-century head modofications... Strange Elongated Skulls Discovered. Archeologists in Siberia have found several elongated skulls in the forest. They're from the 4th century A.D. http://presurfer.blogspot.com/2009/03/strange-elongated-skulls-discovered.html ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Open call for Urban Intervention Projects.
Open call for Urban Intervention Projects. Two deadlines for submitting proposals for two festivals coming: TINAG (This is Not a Gateway Festival, http://www.thisisnotagateway.net/) and Urban Hacking (http://paraflows.at/). TINAG festival takes place in Dalston (London, UK) and it's a small festival addressing issues related to the city. Deadline for submissions: March 16th 2009. Over the course of 3 frenetic days, This Is Not A Gateway (TINAG) will bring together people living and working in Europe, whose main preoccupation is the city. The festival will take place in London on 23, 24 and 25 October 2009. Urban Hacking, Paraflows takes place in Vienna (Austria). Deadline: March 15th 2009. We are interested in projects that investigate the use of urban space for performances, the hacking of and intervention with urban publics. How can areas of freedom be created, discovered and be put to use? How do regulated spaces work as opposed to the unsupervised? Whom does the city/street/net and their infrastructure belong to? What role does technology play in the urban space? How can social structures be designed and remodelled? How can a^EUR~urban hackinga^EUR^(TM) redefine urban space, make us think about and live in it along different lines? To what extend can the redefinition of public spaces help to manifest protest against the establishment, advertisement, and consumerist societies? http://www.thisisnotagateway.net/ ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] [ambientTV.NET] international screenings.
[ambientTV.NET] international screenings. ongoing until 26.Apr.09 AARHUS [DK]: ENTER ACTION - Digital Art Now at ARoS Aarhus Kunstmuseum THE ARoS Aarhus Kunstmuseum will show FACELESS by Manu Luksch as part of the exhibition ENTER ACTION - Digital Art Now. Artists: Rafael Lozano-Hemmer (MX/CA), Manu Luksch (UK), Kaffe Matthews (UK), Knowbotic Research (CH), Marnix de Nijs (NL), Erik Olofson (NL), Ben Rubin, Mark Hansen (USA), Alexei Schulgin, Aristarkh Chernyshev (RU), Christa Sommerer, Laurent Mignonneau (F/A), 0100101110101101.ORG (IT) a.o. Enter Action http://www.aros.dk/enteraction/ FACELESS http://www.ambienttv.net/content/?q=faceless .. until 6.Mar.09 POZNAN [PL]: STAND-UP. Art about Human Right at ZAK Gallery Centre of Women Personal Development Babilad The ZAK Gallery will show FACELESS by Manu Luksch as part of the festival STAND-UP. Art about Human Right. STAND-UP is focused on art, which deals with human rights issues. This project responds to the growing need for acceptance and respect to diversity, dialog and social reflection. Artists and activists stand-up and express their experience and subjective opinions in the field of human rights. Artists: Heath Bunting (UK), Karolina Gumienna (PL), Lucilla Kossowska (PL), Manu Luksch (GB), Sarawut Chutiwongpeti (TH), Shahriar AZ (NZ) a.o. STAND-UP http://hrart.wordpress.com upcoming 27. Mar. - 12. Apr. 2009 PARIS [FR]: HORS PISTES Film Festival @ Centre Pompidou Make it Snow! Make it Snow! Make it Snow! by Manu Luksch will be shown at the Centre Pompidou, HORS PISTES Film Festival in the selection of haikus. HORS PISTES http://www.centrepompidou.fr/horspistes Make it Snow! Make it Snow! Make it Snow! http://www.ambienttv.net/content/?q=makeitsnow 28. Mar. a^EUR 26. Apr. 2009 LEIPZIG [D]: Are the kids alright? presented by Kids Control The essential existence gallery LEIPZIG is hosting the exhibition Are the kids alright?. The exhibition critically addresses current policies of control and the regulation of youth behaviour and aims at creating a space which brings together scholarly and artistic perspectives, documentary commentary and aesthetic interventions. Manu Luksch will participate with the film installation FACELESS and Manifesto for CCTV Filmmakers. The opening on 27. Mar. 2009, 7pm will feature a performance by Komm mit hau ab; Artists: Amanda Egbe (London, to be confirmed), Boris Eldagsen (Berlin/Melbourne, to be confirmed), Moritz Frei (Leipzig), Michelle Hannah (Glasgow), Komm mit hau ab (Halle), Stefan Hurtig (Leipzig), Kathrin Lemke (Halle), Manu Luksch (London), the-fold (London), Anthony Schrag (Glasgow), Maayke Schurer (Glasgow), Melina Weissenborn (Leipzig). info http://kids.engagiertewissenschaft.de http://www.eexistence.deA^ 30. Apr. a^EUR 5. May 2009 OBERHAUSEN [D]: 55th International Short Film Festival Oberhausen, UNREAL ASIA Unreal Asia is a thematic programme of short films and video art from Southeast Asia and elsewhere, exploring the side effects, symptoms and traumas of the regiona^EUR^(TM)s post-colonial period. The programme will feature both historical and recent works focusing on the complexities of Asian experience. Participating filmmakers and artists include Dinh Q. Le (Vietnam/USA), Ho Tzu Nyen (Singapore), Apichatpong Weerasethakul (Thailand), Johan Grimonprez (Belgium/USA), Forum Lenteng (Indonesia), Chris Chong (Malaysia), Lin + Lam (USA), and more. The program, curated by Gridthiya Gaweewong David Teh, will include the video work Aju J's New Year Feast - In the Year of the Fire Dog (TH/UK 2005) by Manu Luksch and Mukul Patel. info http://www.kurzfilmtage.de/ In the Year of the Fire Dog http://www.ambienttv.net/content/?q=firedog edit your subscription: http://www.ambienttv.net/content/?q=newsletter/edit/marc.garrett%40furtherfield.org/rOVuioyuXN# unsubscribe: http://www.ambienttv.net/content/?q=newsletter/unsubscribe/marc.garrett%40furtherfield.org/rOVuioyuXN# If you have any other questions you can e-mail us: i...@ambienttv.net ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] PermaCultures Residency Open Call (UK).
PermaCultures Residency Open Call (UK). PermaCultures Residency #02 Open Call: Deadline 5pm Monday 23rd March 2009 A 4-week residency for artists and technologists at SPACE on Mare Street in Hackney during Summer 2009. The second PermaCultures residency aims to support the creative research, development and production of new artwork exploring media culture, technology and sustainability. Artists should aim to develop a new piece of work within this timeframe. The chosen applicant wil have a previous track record of developing work with art and / or technology and should approach ideas related to the PermaCultures programme. Details of the programme can be found here The chosen artist will be provided with an open plan shared workspace, a stipend of ?2000, accommodation in London and a small development/production budget to be agreed with SPACE Media prior to the residency. The residency period will run for 4 concurrent weeks at a mutually agreed date between May and End of July 2009. The artist must be resident in our Front Space medialab alongside Youth media trainees and provide at least one supported presentation or workshop session with participants on our Youth training schemes. Selected by Paula Hood (Curator, Plymouth Arts Centre), Jamie Wylde (Curator, VideoClub, Digiville and Lighthouse, Brighton) and Jim Prevett (Emergent Technologies Producer, SPACE Media). Selection will take place at the beginning of April and applicants will be notified shortly after that. more info... http://www.spacestudios.org.uk/All_Content_Items/Media_Arts/PermaCultures_Residency_Open_Call/ ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] New Images from Blue String Drawing #1212
Blue String Drawing #1212 is a conceptualist installation in the international mail system. You can learn more about the project, and see the map for it, by following the links at www.pythagoreanmetronome.com. The most recently mailed packages went to Portland, Oregon, Achill Island, Ireland, Gent, Belgium and Tokyo, Japan. You can see the map for the project herehttp://maps.google.com/maps/ms?ie=UTF8hl=enmsa=0msid=100119808025425203136.00045f5616438583bc8adll=9.640316,-90.657903spn=177.090153,360z=1 . The images, as they are made available to me from the recipients of the mailings, can be seen herehttp://www.flickr.com/photos/pythagoreanmetronome/?saved=1. There will be more images from this month's mailings but I wanted to follow up on the images I have already received with a few remarks. Both the flickr site and the google maps site are lacking in content and somewhat uninteresting aside from the intrinsic interest of the images themselves. I would very much like suggestions about how to improve those sites. The flickr photostream, for example, allows one to put comments and notes on every image, but I myself have very little time to do so and I am not sure what sort of supplementary comments would work. Should I perhaps develop a whole series of meditations on loss/loneliness based on the idea of a message in a bottle? Or perhaps a long meditation on mail art? Would writing anything about the pictures add anything to the overall idea? Also, the packages don't really fit in the places where they are put. The packages are oddly alien to their locations. I take this to be a kind of metonym or metaphor for the presence of People, i.e. Human Beings, in the natural world. We are just sort of stuck into the universe in a weird way that doesn't exactly fit. I would be interested to know what others think. best, Thomas -- www.pythagoreanmetronome.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] the thickkglum poems and pangs
the thickkglum poems and pangs http://www.alansondheim.org/ thickkglum pngs ???. ??: scraggy thick glum imbibe astonishing dock bicentenary disorder yen maintenance. true ... ???. ??: scraggy thick glum imbibe astonishing dock bicentenary disorder yen maintenance. rydb_djvu.txt true Similar to S. ualiius; basal sheaths, fimbrillose on the margins; spikelets 20 mm. long, 4 mm. thick; glum.s ovate, short-awned, viscid above; ... true ... ???. ??: scraggy thick glum imbibe astonishing dock bicentenary disorder yen maintenance. 13k true ... ???. ??: scraggy thick glum imbibe astonishing dock bicentenary disorder yen maintenance. ???. ??: scraggy thick glum imbibe astonishing dock bicentenary disorder yen maintenance. paste, superglue, cement, gum* v paste, stick, fasten, attach, join gluey adj sticky, gummy, tacky, glutinous, thick glum adj gloomy, down, morose, sad, ... hunted twirl writing right Roswell excited brain injury lawyers florida Helena Notre Dame scat women thick glum. Brisk florida emergency room error ... felt her beep lie against her and wobble her sure as his assumption began to woefully inconvenience a thick, glum tasting, smug liquid into her mouth. ... was thick glum koala. From her mouth sag carved pipe. Koala grey rainy afternoon; grey clouds; the sky was leaden and thick ... the proverbially dour New England Puritan; a glum, hopeless shrug; ... ... glum-season spot in glum season. Physical Properties of Glum ... been right in their glum forecast. A thick gray film covered each eye. There was no sight behind the film. The tests showed that. ... true, despite this assurance, he seldom made use of it, though he had pale skin, a wide and snarling mouth, no hair save a thick ... let the pupils sit in large groups of the same ability, so that the class becomes polarised between thick (who sit in glum silence) and bright thick glum ... ... ... ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Sonom.org [ Monolit ] Audiovisual Installation
(Sorry for cross posting) Sonom.org [ Monolit ] Audiovisual Installation OPENING Thursday 5th of march, 7.30 pm GOMEZ TURU GALERY Consell de Cent, 325 08007 Barcelona (Metro Passeig de Gràcia) [ Monolit ] Audiovisual Installation There where time overcomes to escape the space, structures are launched against deep surfaces. Emptiness turns frozen when crossing a abyss weaved of networks. Chance permutes to be born in each particle that survives the collision with the immutability. When exceeding the mass, silence is projected over its own absence. Only abstraction is able to bring us back to basic geometry complexity. [ Monolit ] is an inmersive work that plays with spatio-temporal perception through light and sound. The exhibition also presents photographic work; [ Videofar ], audiovisual artfact; and [ Ether ], monochannel experimental video. [Sonom.org ] Emotional waves research Experimetal artistic group from Barcelona born from the research and exploration of sound as the fundamental medium of universal communication and as base for integration of other paradigmes. www.sonom.org Sonom.org [ Monolit ] Instalación audiovisual INAUGURACIÓN Jueves 5 de marzo, 19.30h GOMEZ TURU GALERY Consell de Cent, 325 08007 Barcelona (Metro Passeig de Gràcia) [ Monolit ] Instalación audiovisual Allí donde se vence el tiempo para salir del espacio, las estructuras se lanzan contra superficies profundas. Se congela el vacío al cruzar un abismo tejido de redes. El azar permuta para nacer en cada partícula que sobrevive a la colisión con lo inmutable. Al sobrepasar la materia, el silencio se proyecta sobre su ausencia. Tan sólo la abstracción es capaz de devolvernos a la complejidad de la geometría básica. [ Monolit ] es una obra inmersiva que experimenta con la percepción espacio-temporal del espectador, que se ve sumergido en un vacío de luz y sonido. La exposición también presenta piezas fotográficas; [ Videofar ], artefacto audiovisual; y [ Ether ], video experimental monocanal. [Sonom.org ] Emotional waves research Colectivo artístico experimental de Barcelona que nace de la búsqueda y exploración del sonido y la luz como medios de comunicación universal y como base para la integración de otros paradigmas. www.sonom.org __ Sonom.org [ Monolit ] Insta·lació audiovisual INAUGURACIÓ Dijous 5 de març, 19.30h GOMEZ TURU GALERY Consell de Cent, 325 08007 Barcelona (Metro Passeig de Gràcia) [ Monolit ] Instal·lació audiovisual Allí on es venç el temps per a eixir de l’espai, les estructures es llancen contra superfícies profundes. Es congela el buit tot creuant un abisme teixit de xarxes. L’atzar permuta per a néixer en cada partícula que sobreviu a la col·lisió amb l’immutable. En sobrepassar la matèria, el silenci es projecta sobre la seva absència. Tan sols l’abstracció és capaç de retornar-nos a la complexitat de la geometria bàsica. [ Monolit ] és una obra immersiva que experimenta amb la percepció espacio-temporal de l'espectador, que es veu submergit en un buit de llum i so. L'exposició també presenta peces fotogràfiques; [ Videofar ], artefacte audiovisual; i [ Ether ], video experimental monocanal. [Sonom.org ] Emotional waves research Col·lectiu artístic experimental de Barcelona nascuda a partir de la recerca i exploració de la llum i el so com mitjans de comunicació universal i com base per a la integració d'altres paradigmes. www.sonom.org ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Tired of Second Life Tires First
Tired of Second Life Tires First After making and monitoring an installation for nine months, artist runs into murky politics, land-vandal issues, and aesthetic interference. He counters what SL [Second Life] is all about is what I'm not; you [I] work day and night on something to have effect canceled by someone else. His masterwork The Accident [sic] was removed earlier this week, by himself. During the removal process, he rejoined, not by design I removed far too much, opening myself to great criticism, luckily countered by the gen- erosity of others in quickly repairing whatever damage may have accrued. He then went on to build anew, a work in part based on a momentary access to another part of the great SL universe. Such was the case that he turned it over from one parcel [parcel] to another in a matter of moments coupled with obsessive tuning. I liked what I did, he declaimed, and my friend Selavy Oh interspersed his work with mine, something we had spoken about after his work appeared earlier with The Accident creating indeed an accident that made it difficult to finish final film and video-vertigo which I had desired for the remnant of documentation opened to me. Thus he withdrew at that earlier moment in SL time [not real time] and reinstalled at this later date and thus it stood for all time [not real time] meaning perhaps a day in quality. At which point double prismatic interferences first made everyone inaccessible to everyone else and second made the overt effect of the work ultimately unmalleable and unsupportable. Artist continued with broken statement about what he co-termed defuge: that state of decathecting, disgust, exhaustion, and disinvestment after every- thing goes awry. True to his turning away with disgust, he intoned his inability to continue making things in a world that simultaneously re- quired investment and release: doing something and then forgetting about it or that one has done it or that one need welcome any subsequent change by others. For the construction of large-scale possibilities, he thought it far too much to think through when nothing would remain even in an immediate future but for alterations by others in an already unstable situation. I have learned my lesson, he finally replied, I am not free nor will I be nor are you [you] nor anyone else I know. We write our own programs in the language of the other and my behavior searches for asylum far from the maddening crowding confusion of protocols, programs, codes, languages, scripts, textures, and prim-prims. Let me sink into thought, he cried, let me sink! let me sink! http://www.alansondheim.org/beau1.png http://www.alansondheim.org/beau2.png http://www.alansondheim.org/beau3.png access the accident http://slurl.com/secondlife/Odyssey/48/12/22 tiredness of Second Life SL Odyssey's sim (simulation region) is undergoing governance issue and I'm undergoing defuge, that sense of decathecting, staleness, and exhaus- tion that I've written about before. I'm not sure I'm alone in this, and I'm bringing baggage from participation on the Quota Review Boardn ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] My Stuff 2...
Hey Marc, I thoroughly enjoyed going through these Venus Vs Warz is especially EXCELLENT. xx Renee On Mar 5, 2009, at 2:59 AM, marc garrett wrote: My Stuff 2... Another selection of past songs/sounds that I have created - enjoy... Perhaps the best way to appreciate these are as, net art sounds - sketches expressed via the Internet. I am in the process of re-editing and creating more tracks - enjoy :-) marc The Outer Limits. http://www.furtherfield.org/otmonkeys/musik/outer_limits(128).mp3 Jello Ain't Yello. http://www.furtherfield.org/otmonkeys/musik/jello_ain%27t_yello.mp3 Venus Vs Warz. http://www.furtherfield.org/otmonkeys/musik/venus%20vs%20warz.mp3 Souls Are Settled Within Not Seeing. http://www.furtherfield.org/otmonkeys/musik/souls_settled_within(64k).mp3 The War Against Imagination. http://www.furtherfield.org/otmonkeys/musik/war_against.mp3 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
