RE: DOF and format size

2001-10-26 Thread Bob Rapp

Anthony wrote:

What you missed is that as film formats get larger the lens needed to
get a certain angle of view also lengthens, so the amount of DOF getting
onto the film in the first place is less.

With very minor variations, the depth of field is a function of angle of
view rather than focal length. Thus a suitable lens selected for 4X5, or
8X10 for that matter, will have the same depth of field - aperture for
aperture as the 35mm counterpart. This applies as long as the reproduced
images are the same size and not enlarged the same degree.

In addition, a large format lens such as the 65mm Rodenstock Grandagon N
offers its highest resolution at apertures between 22 and 32. The depth of
field will be enormous although one would argue that diffraction will cause
degradation. True, however the negative is almost 4 times the size that of a
24x36 35mm frame.

What is also missed is that current 35mm films cannot capture the
resolution of some of our higher quality lenses. In 4X5 photography the lens
need to only be 1/4 as sharp (which is not the case) as lens for 35 mm to
deliver the same amount of sharpness.

Bob
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photo comments

2001-10-26 Thread David Brooks

I have put my first attempt of bar shooting with
Delta 3200 on
http://brooks1952.tripod.com/davespentaxpages
if anyone who uses this film or shoots
bars would like to comment,please do

Thanks
Dave


Pentax User
Stouffville Ontario Canada

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Re: Re: Pentax Spotmatic service manual now on line!

2001-10-26 Thread David Brooks

Thanks for doing a great job.

Dave

 Begin Original Message 

From: Ken Archer [EMAIL PROTECTED]
Sent: Thu, 25 Oct 2001 21:30:17 -0500
To: [EMAIL PROTECTED]
Subject: Re: Pentax Spotmatic service manual now on line!


Beautiful job, Mark.  I know it looks better than the original you 
started with.

On Thursday 25 October 2001 20:34, Mark Roberts wrote:
 I put in a couple of extra hours and got it finished before weekend.
 The Pentax Spotmatic service manual, complete with meter addendum,
 and two service memoranda, is now officially on line at
 http://www.robertstech.com/pentax.htm

 It's a big document, but the PDF is only 3.7 Megabytes, thanks to
 using OCR on all the text and careful optimization of all the 
images.

 This service manual is just superb. Not due to my efforts, of 
course,
 but because of the care that went into it on the part of the 
original
 writers. It has tons of detailed text descriptions and plenty of
 diagrams. Top notch effort. Even the English is pretty 
understandable
 ;)

 Hope all the Spottie fans and screw-heads enjoy it!

-- 
Kenneth Archer + San Antonio, Texas
[EMAIL PROTECTED]   ICQ #24980801
Powered by Linux ++ Mailed by Kmail
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 End Original Message 




Pentax User
Stouffville Ontario Canada

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Re: LX battery check?

2001-10-26 Thread Tom Ivar Helbekkmo

William Robb [EMAIL PROTECTED] writes:

 Whether alkaline batteries will die rapidly enough for the
 battery warning to not work is something I do not know.

It's not an unreasonable assumption, though.  An important selling
point of alkaline is that they have a very sharp cutoff when they run
down.  This gives correct voltage until as close to end-of-life as
possible, which is good for many applications, but bad when you need
to know ahead of time that it's coming up.

-tih
-- 
Puritanism -- the haunting fear that someone, somewhere, may be happy.
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RE: Pentax in Detroit, was: Fast 35mm Lenses

2001-10-26 Thread William D. Sawyer

Mike,

Try:

Oakland Camera Repair
30575 Dequindre
Madison Hts, MI  48071
(248) 588-1151

That's at 13 Mile Rd.  Dequindre.

Bill Sawyer
[EMAIL PROTECTED]


-Original Message-
[mailto:[EMAIL PROTECTED]]On Behalf Of Mike Steele


 
Hi Detroiters (and everybody else), Where is a good
place to take Pentax equipment for servicing (like
CLA). The only shop I'm familiar with is Camera Mart,
and I'm not sure they do service work (never asked!).
Thanks!  Mike Steele
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Re: Pentax Spotmatic service manual now on line!

2001-10-26 Thread Mark Roberts

Thanks to everyone for the compliments.

I have a Super Program service manual that I may start on soon but it's
even bigger than the Spotmatic manual (and probably less useful since fewer
people have the electronics background to work on this camera).

I'm still looking for k-series manuals as I believe they would be the most
useful items to add next.

Thanks for doing a great job.

Dave

 Begin Original Message 

From: Ken Archer [EMAIL PROTECTED]
Sent: Thu, 25 Oct 2001 21:30:17 -0500
To: [EMAIL PROTECTED]
Subject: Re: Pentax Spotmatic service manual now on line!


Beautiful job, Mark.  I know it looks better than the original you 
started with.

On Thursday 25 October 2001 20:34, Mark Roberts wrote:
 I put in a couple of extra hours and got it finished before weekend.
 The Pentax Spotmatic service manual, complete with meter addendum,
 and two service memoranda, is now officially on line at
 http://www.robertstech.com/pentax.htm

 It's a big document, but the PDF is only 3.7 Megabytes, thanks to
 using OCR on all the text and careful optimization of all the 
images.

 This service manual is just superb. Not due to my efforts, of 
course,
 but because of the care that went into it on the part of the 
original
 writers. It has tons of detailed text descriptions and plenty of
 diagrams. Top notch effort. Even the English is pretty 
understandable
 ;)

 Hope all the Spottie fans and screw-heads enjoy it!

-- 
Kenneth Archer + San Antonio, Texas
[EMAIL PROTECTED]   ICQ #24980801
Powered by Linux ++ Mailed by Kmail
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 End Original Message 




Pentax User
Stouffville Ontario Canada

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-- 
Mark Roberts
www.robertstech.com
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RE: LX battery check?

2001-10-26 Thread Matamoros, Cesar A.

 -Original Message-
 From: Skofteland, Christian [SMTP:[EMAIL PROTECTED]]
 Sent: Thursday, October 25, 2001 11:47 AM
 To:   '[EMAIL PROTECTED]'
 Subject:  RE: LX battery check?
 
 The lock up is a warning that the batteries failed while in auto.  Odd
 that
 you didn't get the flickering LED's prior to this happening.  Maybe it's
 the
 battery type as Bill suggested or as you said you didn't know what to look
 for as a low battery warning.
 
 Christian Skofteland
 
Hmmm, I will have to check what is in my LXs.  One of them
had the battery go out without warning in September.  I was verifying the
meter selection for available light shooting in a church one evening.  There
were no flickering LEDs.  The following afternoon the first shot I took
locked up the mirror in Auto.  I turned it to B.  And replaced the
batteries.  I believe they were alkalines, but I cannot be certain at this
point.

I have only had it occur like this once
before a couple of years ago.  I believe I usuall carry the Duracell
batteries, whichever ones they are.

César Matamoros II
Panama City, Florida
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Re: Pentax digital info

2001-10-26 Thread Jan van Wijk

On Thu, 25 Oct 2001 17:55:25 -0500, lbparis wrote:


I'm personally pretty sure you are right.  I expect to see a
Pentax digital SLR body in the 5MP range for no more than
$2KUS (maybe less).  In which case, I'll be right in line with
an order.

I'll be right behind you in the queue!

Regards, JvW

-
Jan van Wijk;   www.fsys.demon.nl
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RE: OT: Ill-timed failures

2001-10-26 Thread Kent Gittings

Maybe but Microsoft with their 15,000 programmers has often had to go out
and buy somebody else's solution to a problem they either couldn't fix or
lacked the time to commit the resources. I've been in this industry since
the days of CPM and one thing Microsoft has the muscle to do is buy an
entire company just to get the rights to their code because they couldn't do
it for the same money or less on their own.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of lbparis
Sent: Thursday, October 25, 2001 7:01 PM
To: [EMAIL PROTECTED]
Subject: Re: OT: Ill-timed failures


Dave,

That's your guess, but Microsoft has been writing programs and
operating systems for at least as long as any of the Linux
programmers.  I think they are capable of writing networking
code without stealing anyone else's.  I don't think you can
prove what you say, so why say it?

Len
---

- Original Message -
From: David A. Mann [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, October 21, 2001 5:52 PM
Subject: Re: OT: Ill-timed failures


 Dave O'Brien writes:

  Win2k is a very good mix of Win9x and NT.  It's got the
driver support
  of Win9x and far more stability and the solid networking of
NT.
 
  Quite frankly, I'd say that someone in Microsoft played with
Linux or
  FreeBSD and said Cripes, the competition makes us look like
  incompetent idiots.  We'd better come up with something with
gets us a
  little street cred.

  I believe that MS pulled a fair bit of networking code off
one of the free BSD
 variants for use in NT.  They'd rip stuff off Linux as well
but the GPL (license)
 won't let them, which is why they complain about it.

 Cheers,


 - Dave

 David A. Mann, B.E. (Elec)
 http://www.digistar.com/~dmann/

 Why is it that if an adult behaves like a child they lock him
up,
  while children are allowed to run free on the streets? --
Garfield
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RE: Pentax digital info

2001-10-26 Thread Kent Gittings

Don't forget that the bigger the chip die size the lower the initial yield.
Possibly they have found that they can't produce enough good chips to meet
their contract requirements for both Contax and Pentax so Pentax may have
bowed out because they could not get guaranteed enough chips to have the
required number of cameras for sale at introduction.
Lots of possible scenarios. Maybe a low yield on the contract allows them to
charge more per chip and Pentax didn't want the camera to get even more
expensive while maybe Contax didn't care because their target consumer tends
to be more affluent than Pentax's.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Mark Roberts
Sent: Thursday, October 25, 2001 9:07 PM
To: [EMAIL PROTECTED]
Subject: Re: Pentax digital info


From what little more I've been able to dig up I'm pretty sure the reason
Philips is not making the CCD is for financial reasons rather than
technical:
The semiconductor business was in a big slump *before* the Sept 11 terrorist
attacks and is doing even more poorly now. They just aren't in a position to
produce anything that isn't going to sell in big numbers (and a 6 megapixel
CCD
falls squarely into that category).

I suspect they're hoping to produce this part when the economy picks up at a
later date (they insist it's an active part in their catalog even though
they
won't give me pricing or availability). This would explain why Pentax was so
diplomatic in their announcement, not saying Philips has bailed out and
left us
holding the bag. They want to be on friendly terms so they can use this
part
when it finally does become available. (A little company like Pentax is in
no
position to upset a multinational behemoth like Philips even slightly.)


lbparis [EMAIL PROTECTED] wrote:
Mark,

I'm personally pretty sure you are right.  I expect to see a
Pentax digital SLR body in the 5MP range for no more than
$2KUS (maybe less).  In which case, I'll be right in line with
an order.

Len
---

- Original Message -
From: Mark Roberts [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, October 25, 2001 1:40 PM
Subject: Pentax digital info


 Philips is almost certainly having some *major* problems with
the production
 of the 6 megapixel CCD.

 Since I'm the Components Engineer responsible for
semiconductors (mostly
 discretes but including all optoelectronic devices) at my
company I've been
 doing some investigating. I've been going back and forth with
their North
 American distributors for over a week and they still won't
cough up pricing
 *or* availability information. The latest voice mail I got
from the local
 rep tried to steer me toward looking for alternative devices.
It seems that
 no one at, or associated with, Philips even wants to *talk*
about this device.

 Considering that they've just lost one significant customer
for this part
 with the cancellation of the Pentax 6MP digital SLR,
unavailibility of this
 part is more than suspicious, IMO, and indicates they're
having major problems
 of some kind. Perhaps yield issues, perhaps the soft
semiconductor market
 has forced them to cut back in general and this part was one
that got the
 axe. Who knows.

 Don't know if this the same CCD that was to be used in the
Contax digital
 SLR. The Philips press release only mentioned Pentax
(http://www.semiconductors.philips.com/publications/content/file
_735.html)

 I'll post more information when/if I get it but I think I'm
getting about
 as much as I'm going to find out without a personal spy inside
Philips!
 We'll see.




 --
 Mark Roberts
 www.robertstech.com
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www.robertstech.com
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RE: K2 shutter vibration question

2001-10-26 Thread Kent Gittings

That's one reason my astro cameras are KX's and one Yashica Electro-X. They
all have mechanical MLU. Very important on short exposures like the moon and
planets. For longer ones you can just hold a black sheet over the telescope
objective and wait a few seconds till all vibrations will have stopped and
then pull it away to start the exposure.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Peter Spiro
Sent: Thursday, October 25, 2001 11:26 PM
To: [EMAIL PROTECTED]
Subject: RE: K2 shutter vibration question


Various tests have found that small differences in camera vibration can make
big differences in resolution at moderately slow shutter speeds.   People on
the Olympus list have tested their cameras with or without diaphragm
pre-fire, and it turns out that even the vibrations from the diaphragm
closing down makes a substantial difference to resolution.

This is apparently not something you can solve by locking the camera down,
no matter how rigid the tripod.  It seems to occur not because the camera
moves, but because its body vibrates.  I suspect that it has to something to
do with the fact that the metal in cameras is mainly brass (the same metal
used in musical instruments because it vibrates so well).

When Keppler did a test (POP, June 99) of cameras with and without the
mirror locked up, the biggest difference was around 1/15th of a  second,
where locking up the mirror could increase the resolution from a 135 mm lens
by 80%.

If you use a long exposure, like a few seconds, it won't make that much
difference, since the vibrations will occur only for a small percentage of
the time the exposure is underway.   With a 5 second exposure, Keppler found
that there was no difference in resolution with or without the mirror locked
up.  This might be why Mark Roberts likes his K2 with small apertures, long
shutter speeds.

When Popular Photography tested the K2 (December 1976) they reported the
shutter vibration was about 0.7 volts, double the average of cameras tested
up to that time.   (For the cloth focal plane shutter MX, by contrast, the
vibration level was about 0.2 volts).

An easy subjective test you can do at home goes as follows:  Set a small
shot glass with about half an inch of water in it on top of the flash shoe,
fire the shutter and watch for the ripples.  You will find that you get much
bigger ripples from a K2 (mirror locked up) than an MX or ME (mirror not
locked up).

As somebody suggested, it is possible that the K2's vibrations are mainly
when the second curtain of the shutter hits the far end, in which case it
won't cause much of a problem.

Anybody who has a K2 can test for this quite easily.Lock up the mirror,
set the shutter speed to B, and  release the shutter with a cable release,
holding it open.   Watch for ripples in the water.   If the camera is good,
the ripples should be minimal.  Then let the shutter close, and see if most
of the ripple action is concentrated at that end of the cycle.  I hope
somebody tries this, and reports back to the group, to clarify this issue.
I will be happy to revise my opinion of what is in many ways a fine camera.

(I just did this test with my MX, at 1 second exposure, with the mirror
locked up.  Vibrations when the shutter opened were almost non-existent.
BTW, on my MX the quasi-MLU does not seem to work at B.)



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RE: Pentax digital info

2001-10-26 Thread Mark Roberts

I considered that but my sources tell me it's not the case: Philips simply
isn't making this part at all at this time for anyone; their fabs are producing
just parts they can sell in big quantities.


Don't forget that the bigger the chip die size the lower the initial yield.
Possibly they have found that they can't produce enough good chips to meet
their contract requirements for both Contax and Pentax so Pentax may have
bowed out because they could not get guaranteed enough chips to have the
required number of cameras for sale at introduction.
Lots of possible scenarios. Maybe a low yield on the contract allows them
to
charge more per chip and Pentax didn't want the camera to get even more
expensive while maybe Contax didn't care because their target consumer
tends
to be more affluent than Pentax's.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Mark Roberts
Sent: Thursday, October 25, 2001 9:07 PM
To: [EMAIL PROTECTED]
Subject: Re: Pentax digital info


From what little more I've been able to dig up I'm pretty sure the reason
Philips is not making the CCD is for financial reasons rather than
technical:
The semiconductor business was in a big slump *before* the Sept 11 terrorist
attacks and is doing even more poorly now. They just aren't in a position
to
produce anything that isn't going to sell in big numbers (and a 6 megapixel
CCD
falls squarely into that category).

I suspect they're hoping to produce this part when the economy picks up
at
a
later date (they insist it's an active part in their catalog even though
they
won't give me pricing or availability). This would explain why Pentax was
so
diplomatic in their announcement, not saying Philips has bailed out and
left us
holding the bag. They want to be on friendly terms so they can use this
part
when it finally does become available. (A little company like Pentax is
in
no
position to upset a multinational behemoth like Philips even slightly.)


lbparis [EMAIL PROTECTED] wrote:
Mark,

I'm personally pretty sure you are right.  I expect to see a
Pentax digital SLR body in the 5MP range for no more than
$2KUS (maybe less).  In which case, I'll be right in line with
an order.

Len
---

- Original Message -
From: Mark Roberts [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, October 25, 2001 1:40 PM
Subject: Pentax digital info


 Philips is almost certainly having some *major* problems with
the production
 of the 6 megapixel CCD.

 Since I'm the Components Engineer responsible for
semiconductors (mostly
 discretes but including all optoelectronic devices) at my
company I've been
 doing some investigating. I've been going back and forth with
their North
 American distributors for over a week and they still won't
cough up pricing
 *or* availability information. The latest voice mail I got
from the local
 rep tried to steer me toward looking for alternative devices.
It seems that
 no one at, or associated with, Philips even wants to *talk*
about this device.

 Considering that they've just lost one significant customer
for this part
 with the cancellation of the Pentax 6MP digital SLR,
unavailibility of this
 part is more than suspicious, IMO, and indicates they're
having major problems
 of some kind. Perhaps yield issues, perhaps the soft
semiconductor market
 has forced them to cut back in general and this part was one
that got the
 axe. Who knows.

 Don't know if this the same CCD that was to be used in the
Contax digital
 SLR. The Philips press release only mentioned Pentax
(http://www.semiconductors.philips.com/publications/content/file
_735.html)

 I'll post more information when/if I get it but I think I'm
getting about
 as much as I'm going to find out without a personal spy inside
Philips!
 We'll see.




 --
 Mark Roberts
 www.robertstech.com
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www.robertstech.com
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This 

RE: DOF and format size (was: Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.)

2001-10-26 Thread Kent Gittings

I totally agree with your assessment of DOF.
In addition I think the perceived DOF of digital prints is as good as it is
possibly because as long as the DPI of the blowup is less than the eye can
perceive and lower than the pixel count of the original image the DOF
doesn't appear to shrink as the print gets larger. This maybe the reason 3-4
MP images looks so good in 8x10 blowups and why digital doesn't really have
to match the theoretical 32 MP performance of fine grain film. Something to
consider in the overall equation.
Be interesting to try this with a digitally scanned negative or positive
image and see if it holds as you get larger blowups compared to using an
enlarger on the original negative. Anybody want to do a report on this?
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Anthony Farr
Sent: Friday, October 26, 2001 1:10 AM
To: [EMAIL PROTECTED]
Subject: OT: DOF and format size (was: Re: Pentax Digital NEWS - FULL
STORY from AP 27th OCT.)


- Original Message -
From: dave o'brien [EMAIL PROTECTED]

(snip)

 DOF has to do with the focal length and the f-stop. Print
 magnification has nothing whatsoever to do with it.
 -

But print magnification has EVERYTHING to do with it.

Until now I have kept my silence WRT this subject but no more. Too
frequently anecdote and intuition have been been offered as
informed knowledge.  The facts follow.

The DOF concept  is based on the circles of confusion (COC) of the out
of focus part of a photograph being either smaller than the unaided eye
can appreciate, in which case the subject matter will seem acceptably
focussed, or large enough for the same unaided eye to see the
unsharpness of it.  Quite simply, when the enlargement factor of a print
is increased then the COC of nearly focussed areas will become larger
and will cross the threshold between small enough to pass as sharp and
large enough to be deemed unsharp.

Photographers who either criticise or praise different sized formats for
their DOF characteristics are correct only as long as the developed film
or a contact print (or 1:1 enlargement) is being viewed unmagnified.
Otherwise, a 22mm standard lens on a 110 camera will produce the same
DOF as will a 43mm lens on 35mm (the statistical standard lens), or a
75mm lens on 6x4.5cm, a 90mm lens on 6x7cm, or even a 320mm lens on
8x10in, as long as the shooting aperture is always the same and the
prints being judged are always the same size, and regardless of
differences in DOF of the unenlarged negatives.

WARNING: ANECDOTE AND SUPPOSITION FOLLOWS.

Digital cameras seem to bend theses rules somewhat because the imaging
chips have optical characteristics of their own to confuse the equation.
CCD pixels prefer to look straight ahead unlike film which easily
accepts exposing light from oblique angles (the apparently fatal
flaw of the full frame Philips chip proposed for the MZ-D).  That narrow
acceptance angle may lend CCD produced images more apparent DOF (my
guess anyway) the same way as the CCD array in a scanner has great DOF
even without a lens.  That's my ~theory~ anyway for the long DOF that
some list members have reported from their digicams.

BTW the DOF scale on lenses for 35mm cameras are more suited to viewing
as projections rather than as prints, and even when they're printed the
overwhelming majority are 4x6in minilab prints. PS 35mm and smaller or
low end digicams most often have small aperture wide angle lenses so
have greater inherent DOF to begin with.  Medium and large format
photographs almost always end up as prints for sale or for serious
scrutiny by serious amateurs.  It's no wonder that their DOF of  is more
critically judged.

Regards,
Anthony Farr
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Digital sensitivity

2001-10-26 Thread Mike Johnston

Tom Van Veen,
There's a good comparison of sensitivity vs. noise for the Canon D30 and
EOS-1D at:

http://www.dpreview.com/articles/canoneos1d/page9.asp

It looks like the 1D has usable sensitivity up to 800 ISO equivalent, at
least.

--Mike
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Re: Pentax in Detroit, was: Fast 35mm Lenses

2001-10-26 Thread PAUL STENQUIST

In the Detroit area he best choice is Oakland Photographic Repair. You
can find there number through directory assistance or in the phone book.
They're in a strip mall just south of 13 Mile on Dequindre. I believe
the town is Warren. They've CLAed all my Spotmatics and disassembled and
cleaned a lens for me. They don't work on LX, but they will work on any
other Pentax camera. I've been very pleased with their work.
Paul

Mike Steele wrote:
 
 Hi Detroiters (and everybody else), Where is a good
 place to take Pentax equipment for servicing (like
 CLA). The only shop I'm familiar with is Camera Mart,
 and I'm not sure they do service work (never asked!).
 Thanks!  Mike Steele
 
 --- PAUL STENQUIST [EMAIL PROTECTED] wrote:
  Hi Bill,
  Adray Camera on Big Beaver near Dequindre has a fair
  selection of Pentax
  stuff. The guy at the counter told me they're going
  to get the MZ-S. I
  keep asking for it in stores and act surprised and
  dismayed when they
  say they don't have one. I'm not going to buy one,
  but I do enjoy
  tweaking our local dealers a bit.
  Paul
 
  William D. Sawyer wrote:
  
   Hi Paul,
  
   I know Woodward Camera well - I bought a new ME
  Super (black body) from them in 1981, when Pentax
  was their largest line. If you talk to their people
  who have been around since then, they are hard
  pressed to say anything good about Pentax Marketing.
   To use their phrase, Pentax Gave Away their
  market share.
  
   My A 35mm f2 came from another camera shop
  across town, and I paid $80 for it.  While that may
  reflect the condition of the lens (cosmetically, the
  only thing wrong is a missing nib), more likely,
  it reflects the absence of a market for Pentax
  equipment in the Detroit area.  I was in Camera Mart
  today, the largest camera store here, and the best
  Pentax 35mm body they had was a ZX-7, and no lenses.
   I'm told the local Pentax rep is domiciled in
  Cleveland, and services a seven state area. Aggod
  deal for buying used, I guess, but not for anything
  new.
  
   I didn't dare ask about an MZ-S.  Sad.
  
   Bill Sawyer
   [EMAIL PROTECTED]
  
   -Original Message-
   [mailto:[EMAIL PROTECTED]]On Behalf Of
  PAUL STENQUIST
   Sent: October 23, 2001 10:46 PM
  
   BTW, I bought it from Woodward Camera,
   which Bill would know to be a rather expensive
  place to shop. However,
   they had marked it wrong, and I got it for $90.
  That makes up for all
   the times they ripped me off.
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Re: Pentax 645n Rules !!!

2001-10-26 Thread Aaron Reynolds

On Friday, October 26, 2001, at 02:37  AM, [EMAIL PROTECTED] wrote:

 If you compare the dimensions of the two, for the 645 and 67, they are 
 pretty
 similar. But the ED-IF will definitely be sharper (unless you mean the 
 ED-IF
 for the 67).

Yeah, I'm looking at buying the 300mm f4 ED IF for 67. :)

-Aaron
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Re: Little White Half Sphere

2001-10-26 Thread Bob Blakely

You can order these little beads from Pentax Colorado. They're very cheap.
 
Regards,
Bob...

Let us contemplate our forefathers, and posterity, 
and resolve to maintain the rights bequeathed to us
from the former, for the sake of the latter.
The necessity of the times, more than ever, calls
for our utmost circumspection, deliberation, fortitude,
and perseverance. Let us remember that 'if we
suffer tamely a lawless attack upon our liberty,
we encourage it, and involve others in our doom.'
It is a very serious consideration that millions yet
unborn may be the miserable sharers of the event.
- Samuel Adams, 1771
  
From: Bill Owens [EMAIL PROTECTED]


 As a last resort, you could put a bead of epoxy glue in the hole, let it
 cure then paint it white
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Re: Pentax repair at Colorado

2001-10-26 Thread tom

Dave Stratton wrote:
 
 The following may be a point of interest to some on this group...
 
 I recently sent a Pentax lx  to Colorado for repair and CLA.   The major
 problem that I was aware of  I was unable to remove the finder...the
 finder release was not operable.
 
 I mailed the Camera on 9/4.  By 10/17 I had the Camera back.   This time
 line was reasonable since the mailing from Alaska is 5 to 7 days, and the
 procedure isupon their receipt of the camera they evaluate the needed
 repair and mail you an estimate of the costthen wait until they receive
 your approval to do the needed work (when done through the mail this
 requires three consecutive mailings before they have a approval to complete
 the work (~20 days consumed by mailings).  The actual turn-around of the
 work was in the order of 3 weeks.  I was pleased with this time line.

You can speed this up a bit if you just call them to authorize and pay
for the repair.

tv
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Re: OT: Ill-timed failures

2001-10-26 Thread John A. Hufnagel

Hmmm Sounds like a Do-It-Yourself problem... :P
Do it yourself... Or buy it for less than it'd cost to do it yourself.

Seems like a simple equation to me. =)

I'll shut up now.

- John
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Service center questions...

2001-10-26 Thread John A. Hufnagel

I'd like to throw my hat into the ring for requesting LOCAL authorized
camera repair shops. I'm on Northern New Jersey.  Anyone know of a place
there?

And while we're at is, has anyone compiled a list of service centers on
a web page?  Seems that it would be useful.

-- John
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Pentax AF viewfinders

2001-10-26 Thread Erik Nordin

One of the things I've noticed with the modern AF cameras is the overall
degeneration of the viewfinders compared to mechanical cameras. The image is
smaller, less bright, and they never cover the entire image area (neither
does the MX, but it shows more than the MZ cameras). At least not the Pentax
ones. Why is it so difficult to put a decent viewfinder on the newer models?
I've compared of course the LX, but also MX, with the MZ-3 and MZ-S and the
difference is apparent. I just don't get it.

First I thought it was the high eyepoint, which is the only thing that's
better with the AF bodies. Holding a N for a while made me understand
that you can have both. It can't be because of the integrated flash either,
since even the horrible Nikon F70 has a better viewfinder. Is it to minimize
the size of the camera? Or is it simply for cost reasons? Either case it's a
lousy tradeoff. Anybody got a clue?

I haven't really bothered until I got the MX as a backup body, only to
discover that I like the viewfinder in it so much more. I was thinking of
saving money for a MZ-S, but I really think that a pro-level body should be
equipped with a topclass viewfinder.

/Erik
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Re: Digital sensitivity

2001-10-26 Thread tom

Mike Johnston wrote:
 
 Tom Van Veen,
 There's a good comparison of sensitivity vs. noise for the Canon D30 and
 EOS-1D at:
 
 http://www.dpreview.com/articles/canoneos1d/page9.asp
 
 It looks like the 1D has usable sensitivity up to 800 ISO equivalent, at
 least.

Neato, I wonder what prints at that sensitivity look like?  Maybe, since
Pentax is starting now, their digital slr will be good up to EI 1600.

Course, since it won't be full-frame they'll need a FA 14-30/4...I'd be
ok with that. Hopefully the work on the P66T won't slow them down too
much.

tv
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Re: LX History (was: Re: LX on eBay -- worth buying?)

2001-10-26 Thread Jerome

 This got me thinking. Why above 535?? Is there a website
or other
 source of info that chronicles the LX ? Especially with
reference to
 serial numbers versus time ?

http://members.iinet.net.au/~cam/serial/

This link doesn't contains enough serials/date to be of help when 
inspecting an LX, trying to find out when it was produced via its serial.

First, as it's been said here, the base plate can be easily changed so 
do not only rely on the serial number to estimate the production date of an LX.

Second, these cameras needs CLA every ten years or so. And it goes
from a very simple CLA to CLA AND a full exchange of every mechanical part
of the mirror box. So nowadays the vast majority of LXes have already had
at least one CLA and upon the request of the owner it can have been only 
CLA'ed or CLA'ed AND updated.

Third, these cameras were expensive and mostly used by pros and often abused...

I have owned 3 LX in my life... 
My first one was a 535 late model and have clearly been used and
abused by it's previous pro-photographer owner (who bought it new)...
I sold it long time ago for a very small sum as it needed a serious rebuild of 
some internal mechanical parts (not even mentioning a very rough cosmetic 
presentation).
My second one was a 523 (from memory) that has seen very little use,
was almost perfect cosmetically and I used it only for some studio photoshoots.
As it was really nice, I was afraid to take it for night/action shoots...using my 
beat-up
black MX or my Super A for these It is now the property of a fellow PDMLer.
My last one (and currently my main Pentax body) is a 530 that has seen 
moderate use from it's previous owner, and that shows some wear marks...
I'm not afraid to take it with me even for some risky shoots were he might 
receive some more marks...although I take great care of my equipment, 
you never know what can happen !

All this leading me to the conclusion that it's almost impossible to know only 
from an LX serial number its features...
You need to know its former degree of use (and sometimes abuse) and it's 
CLA history...
From the serial number you can only estimate its production date...unless
someone is able to list and time-stamp all the numerous (80+) versions of the LX.

Regards
Jerome
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RE: Pentax digital info

2001-10-26 Thread Kent Gittings

Probably means they had some kind of production glitch and little or no
useable yield on the initial runs. And now with Pentax jumping ship they may
not be able to continue for cost reasons.
35mm size CCD arrays are also the preferred size for medium format digital
backs, which up till now I think are made by using multiple smaller arrays.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Mark Roberts
Sent: Friday, October 26, 2001 9:32 AM
To: [EMAIL PROTECTED]
Subject: RE: Pentax digital info


I considered that but my sources tell me it's not the case: Philips simply
isn't making this part at all at this time for anyone; their fabs are
producing
just parts they can sell in big quantities.


Don't forget that the bigger the chip die size the lower the initial yield.
Possibly they have found that they can't produce enough good chips to meet
their contract requirements for both Contax and Pentax so Pentax may have
bowed out because they could not get guaranteed enough chips to have the
required number of cameras for sale at introduction.
Lots of possible scenarios. Maybe a low yield on the contract allows them
to
charge more per chip and Pentax didn't want the camera to get even more
expensive while maybe Contax didn't care because their target consumer
tends
to be more affluent than Pentax's.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Mark Roberts
Sent: Thursday, October 25, 2001 9:07 PM
To: [EMAIL PROTECTED]
Subject: Re: Pentax digital info


From what little more I've been able to dig up I'm pretty sure the reason
Philips is not making the CCD is for financial reasons rather than
technical:
The semiconductor business was in a big slump *before* the Sept 11
terrorist
attacks and is doing even more poorly now. They just aren't in a position
to
produce anything that isn't going to sell in big numbers (and a 6 megapixel
CCD
falls squarely into that category).

I suspect they're hoping to produce this part when the economy picks up
at
a
later date (they insist it's an active part in their catalog even though
they
won't give me pricing or availability). This would explain why Pentax was
so
diplomatic in their announcement, not saying Philips has bailed out and
left us
holding the bag. They want to be on friendly terms so they can use this
part
when it finally does become available. (A little company like Pentax is
in
no
position to upset a multinational behemoth like Philips even slightly.)


lbparis [EMAIL PROTECTED] wrote:
Mark,

I'm personally pretty sure you are right.  I expect to see a
Pentax digital SLR body in the 5MP range for no more than
$2KUS (maybe less).  In which case, I'll be right in line with
an order.

Len
---

- Original Message -
From: Mark Roberts [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, October 25, 2001 1:40 PM
Subject: Pentax digital info


 Philips is almost certainly having some *major* problems with
the production
 of the 6 megapixel CCD.

 Since I'm the Components Engineer responsible for
semiconductors (mostly
 discretes but including all optoelectronic devices) at my
company I've been
 doing some investigating. I've been going back and forth with
their North
 American distributors for over a week and they still won't
cough up pricing
 *or* availability information. The latest voice mail I got
from the local
 rep tried to steer me toward looking for alternative devices.
It seems that
 no one at, or associated with, Philips even wants to *talk*
about this device.

 Considering that they've just lost one significant customer
for this part
 with the cancellation of the Pentax 6MP digital SLR,
unavailibility of this
 part is more than suspicious, IMO, and indicates they're
having major problems
 of some kind. Perhaps yield issues, perhaps the soft
semiconductor market
 has forced them to cut back in general and this part was one
that got the
 axe. Who knows.

 Don't know if this the same CCD that was to be used in the
Contax digital
 SLR. The Philips press release only mentioned Pentax
(http://www.semiconductors.philips.com/publications/content/file
_735.html)

 I'll post more information when/if I get it but I think I'm
getting about
 as much as I'm going to find out without a personal spy inside
Philips!
 We'll see.




 --
 Mark Roberts
 www.robertstech.com
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--
Mark Roberts
www.robertstech.com
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RE: upside down and backwards?

2001-10-26 Thread Peifer, William [OCDUS]

David Brooks wrote:
 I know the image on the film is upside down,same
 as our eye see's it only the brain flips it.  My 
 is is it upside down and backward or just upside down
 on the film.

Hi Dave,

Each point in the object plane is ~inverted~ through the center of the lens
to transform into the corresponding point in the image plane.  This
inversion operation must be symmetric with respect to rotation about the
optic axis, since this is the symmetry property of your lens.  Thus, an
object point ~above~ the center of the lens corresponds to an image point
~below~ the center of the lens.  Likewise, an object point to the ~left~ of
the center of the lens corresponds to an image point to the ~right~ of the
center of the lens, and so forth.  The confusion arises because of the fact
that you can view your processed film from either the emulsion side or the
back (non-emulsion) side.  The act of flipping your film over from front
side to back is a ~reversion~ (i.e., left becomes right, but top does not
become bottom).  This operation doesn't have the same symmety property as
your lens.  This is probably more easily demonstrated with an example.

Imagine, for example, that you're making an exposure of someone standing in
front of your camera, and that you're standing ~behind~ your camera.
Everything you see toward the top of this person will be imaged onto the
bottom of your film, and everything you see to the left side of this person
will be imaged onto the right side of your film.  Keep in mind, though, that
left and right in this case are with respect to your position ~behind~
the camera; thus, you're looking at the back side of the film.  If you go
around the front of the camera so that you are now looking at the emulsion
side of your film, left and right are reversed.

Bottom line, then, is as follows.  If you're viewing processed film from the
back side, the picture is ~inverted~ (top to bottom and left to right, or
upside down and backwards as you describe).  If you're viewing processed
film from the emulsion side, the picture is ~reverted~ (top to bottom, but
not left to right -- upside down, but not backwards, as you describe).  Hope
this helps.

Bill Peifer
Rochester, NY
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Lens Fungus and Irradiated Mail

2001-10-26 Thread Eric Lawton

I was reading the news regarding the USPS begining to irradiate our mail and 
I got to thinking about the problems that would cause when sending 
undeveloped film through the mail.

However, I did think of one possible positive aspect to this.  If you ever 
discover a lens beginning to experience fungus growth just send it by USPS 
to a friend in an appropriate location and have the USPS irradiate it.  That 
ought to kill the fungus.

Eric

_
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Re: BW Film choice

2001-10-26 Thread tom

Mick Maguire wrote:
 
 I'm thinking of doing some pictures at the Dartmouth college homecoming
 bonfire tonight. I had thought I might try doing some black and white shots
 in available light. Here is the list of what I have in the fridge (film
 wise) right now:
 
 Ilford Delta pro 100
 Ilford XP2 400
 Kodak TMax 100
 Kodak TMax 400

Well, what did you end up doing?

tv
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RE: DOF and format size

2001-10-26 Thread Collin Brendemuehl

Almost, guys.

DOF is based on the diameter of the aperture.

f is a function of relative light availability, not DOF.  It is an exposure 
function only.
Take your 50/1.4 lens.  (roughly speaking) Lens diameter x 1.4 = film plane diagonal.  
A lens of f1.4 on a 4x5 would be about 4.5 in diameter!

Put that same 1 aperture on a 4x5, 150mm lens, and it's (again, roughly) f5.6.  DOF 
is the same, but light transmission changed.  As a consequence, with the same 
aperture, shutter speed is longer with the same opening -- because the film plane is 
larger and needs more light to cover it.

To get roughly the same DOF between formats, shooting 35mm @ 1/125 @ f8, you'd be 
using 1/8 @ f32 on 4x5 or 1/30 @ f16 on a 6x7.  Roughly 2 stops difference from format 
to format.

Don't confuse aperture with DOF.  The relationship is only an indirect one.

Collin
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Re: Lens Fungus and Irradiated Mail - Is the Sky Falling?

2001-10-26 Thread Shel Belinkoff

Has irradiation, of the type proposed to be used by the USPS, been shown
to cause problems with film?  If so, what problems?  Or is this another
internet-sky-is-falling worry based on assumption rather than fact or
even anecdotal evidence.  What's being proposed is not X-rays, which can
sometimes cause problems, but something other. 

Eric Lawton wrote:
 
 I was reading the news regarding 
 the USPS begining to irradiate our 
 mail and I got to thinking about 
 the problems that would cause when 
 sending undeveloped film through the mail.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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Re: Pentax AF viewfinders

2001-10-26 Thread Isaac Crawford

Erik Nordin wrote:
 
 One of the things I've noticed with the modern AF cameras is the overall
 degeneration of the viewfinders compared to mechanical cameras. The image is
 smaller, less bright, and they never cover the entire image area (neither
 does the MX, but it shows more than the MZ cameras). At least not the Pentax
 ones. Why is it so difficult to put a decent viewfinder on the newer models?
 I've compared of course the LX, but also MX, with the MZ-3 and MZ-S and the
 difference is apparent. I just don't get it.

Agreed. If you really want to be sick, look in a Minolta 5, 7, or 9.
They have incredible screens. Granted, that's been one of Minolta's
strengths for a while (I believe that Hasselblad is still using the
Minolta screens), but really, couldn't Pentax come up with something
close? Even a cheapie Cosina clone we sold had a better finder than what
you see in any of the Pentax cameras... SIGH!

Isaac
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Re: Lens Fungus and Irradiated Mail - Is the Sky Falling?

2001-10-26 Thread Alexandre Suaide

It they want to kill bacteria and virus they would use
electron beams. The amount of radiation should be
large but it is not x-ray or gamma-ray radiation. So,
this kind of radiation should not cause damage to films as films are
sensible to light (x-ray and gamma-ray are a kind of light
with much higher frequencies). 

Alex

Shel Belinkoff wrote:
 
 Has irradiation, of the type proposed to be used by the USPS, been shown
 to cause problems with film?  If so, what problems?  Or is this another
 internet-sky-is-falling worry based on assumption rather than fact or
 even anecdotal evidence.  What's being proposed is not X-rays, which can
 sometimes cause problems, but something other.
 
 Eric Lawton wrote:
 
  I was reading the news regarding
  the USPS begining to irradiate our
  mail and I got to thinking about
  the problems that would cause when
  sending undeveloped film through the mail.
 
 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
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-- 
---
Alexandre A. P. Suaide, PhD mailto:[EMAIL PROTECTED]
STAR/EMC group  Phone: (WSU) (313) 577-5419
Wayne State University (BNL) (631) 344-7635
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Re: Lens Fungus and Irradiated Mail - Is the Sky Falling?

2001-10-26 Thread Shel Belinkoff

What I read is that the proposed system will be using electron beams, so
perhaps we're making some headway in finding out if the system will
damage film or not.  Any further comments by those in the know about
these things?

Alexandre Suaide wrote:
 
 It they want to kill bacteria and virus they would use
 electron beams. The amount of radiation should be
 large but it is not x-ray or gamma-ray radiation. So,
 this kind of radiation should not cause damage to films as films are
 sensible to light (x-ray and gamma-ray are a kind of light
 with much higher frequencies).

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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RE: BW Film choice

2001-10-26 Thread Mick Maguire

I ended up doing as you said and pushing both the TMax400 and the XP2 to
1600. I should have the results back in a week or so (the person who does
the DP at the local lab is on vacation), so I'll let you know how it turned
out :)

Regards,
/\/\ick...

++
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 __/)   Mick Maguire |
|   Email: [EMAIL PROTECTED]  |
(_/)  ICQ: 48609010  |
 \/  |
  \  /---+



-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of tom
Sent: Friday, October 26, 2001 2:11 PM
To: [EMAIL PROTECTED]
Subject: Re: BW Film choice


Mick Maguire wrote:

 I'm thinking of doing some pictures at the Dartmouth college homecoming
 bonfire tonight. I had thought I might try doing some black and white
shots
 in available light. Here is the list of what I have in the fridge (film
 wise) right now:

 Ilford Delta pro 100
 Ilford XP2 400
 Kodak TMax 100
 Kodak TMax 400

Well, what did you end up doing?

tv
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RE: Pentax digital info

2001-10-26 Thread Mick Maguire

I would think it is more likely to be as Mark said; that they don't want to
spend money on this project right now in view of the economic climate. On
the other hand they probably don't want to can the project either because if
somebody big was interested, and willing to put money up front they could
afford to get the part into full production. Initial yields on
semiconductors (particularly large ones) are always very low and it takes
investment of millions of dollars to get the yield up from those seen in
initial batches, to a good enough yield for profitability and sensible
retail cost, involving months of redesign, tweaking and experimentation.

Regards,
/\/\ick...

++
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-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Kent Gittings
Sent: Friday, October 26, 2001 10:53 AM
To: [EMAIL PROTECTED]
Subject: RE: Pentax digital info


Probably means they had some kind of production glitch and little or no
useable yield on the initial runs. And now with Pentax jumping ship they may
not be able to continue for cost reasons.
35mm size CCD arrays are also the preferred size for medium format digital
backs, which up till now I think are made by using multiple smaller arrays.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Mark Roberts
Sent: Friday, October 26, 2001 9:32 AM
To: [EMAIL PROTECTED]
Subject: RE: Pentax digital info


I considered that but my sources tell me it's not the case: Philips simply
isn't making this part at all at this time for anyone; their fabs are
producing
just parts they can sell in big quantities.


Don't forget that the bigger the chip die size the lower the initial yield.
Possibly they have found that they can't produce enough good chips to meet
their contract requirements for both Contax and Pentax so Pentax may have
bowed out because they could not get guaranteed enough chips to have the
required number of cameras for sale at introduction.
Lots of possible scenarios. Maybe a low yield on the contract allows them
to
charge more per chip and Pentax didn't want the camera to get even more
expensive while maybe Contax didn't care because their target consumer
tends
to be more affluent than Pentax's.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Mark Roberts
Sent: Thursday, October 25, 2001 9:07 PM
To: [EMAIL PROTECTED]
Subject: Re: Pentax digital info


From what little more I've been able to dig up I'm pretty sure the reason
Philips is not making the CCD is for financial reasons rather than
technical:
The semiconductor business was in a big slump *before* the Sept 11
terrorist
attacks and is doing even more poorly now. They just aren't in a position
to
produce anything that isn't going to sell in big numbers (and a 6 megapixel
CCD
falls squarely into that category).

I suspect they're hoping to produce this part when the economy picks up
at
a
later date (they insist it's an active part in their catalog even though
they
won't give me pricing or availability). This would explain why Pentax was
so
diplomatic in their announcement, not saying Philips has bailed out and
left us
holding the bag. They want to be on friendly terms so they can use this
part
when it finally does become available. (A little company like Pentax is
in
no
position to upset a multinational behemoth like Philips even slightly.)


lbparis [EMAIL PROTECTED] wrote:
Mark,

I'm personally pretty sure you are right.  I expect to see a
Pentax digital SLR body in the 5MP range for no more than
$2KUS (maybe less).  In which case, I'll be right in line with
an order.

Len
---

- Original Message -
From: Mark Roberts [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, October 25, 2001 1:40 PM
Subject: Pentax digital info


 Philips is almost certainly having some *major* problems with
the production
 of the 6 megapixel CCD.

 Since I'm the Components Engineer responsible for
semiconductors (mostly
 discretes but including all optoelectronic devices) at my
company I've been
 doing some investigating. I've been going back and forth with
their North
 American distributors for over a week and they still won't
cough up pricing
 *or* availability information. The latest voice mail I got
from the local
 rep tried to steer me toward looking for alternative devices.
It seems that
 no one at, or associated with, Philips even wants to *talk*
about this device.

 Considering that they've just lost one significant customer
for this part
 with the cancellation of the Pentax 6MP digital SLR,
unavailibility of this
 part is more than suspicious, IMO, and indicates they're
having major problems
 of some kind. Perhaps yield issues, perhaps 

Re: Lens Fungus and Irradiated Mail - Is the Sky Falling?

2001-10-26 Thread tom

William Robb wrote:
 
 - Original Message -
 From: Shel Belinkoff
 Subject: Re: Lens Fungus and Irradiated Mail - Is the Sky
 Falling?
 
  Has irradiation, of the type proposed to be used by the USPS,
 been shown
  to cause problems with film?  If so, what problems?  Or is
 this another
  internet-sky-is-falling worry based on assumption rather
 than fact or
  even anecdotal evidence.  What's being proposed is not X-rays,
 which can
  sometimes cause problems, but something other.
 
 Good point. However, most any radiation can affect a film
 emulsion, and if the USPS is planning this as an anti terrorist
 measure to kill anthrax spores and the like, the amount of
 irradiation would be quite high.

I've heard in a couple of places, most recently last night on NPR, that
they're going to use some sort of electron radiation to start with.
Apparently, this isn't as strong as x-rays, and will only be used on
letters, not packages. It can't penetrate very far, so it wouldn't work
on anything else.

Also, they'll only be doing it to mail heading to the White House or
Congress, or other similar high profile destinations.

Supposedly they're exploring other options, including x-rays and gamma
rays for the future.

tv
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Digital Advances

2001-10-26 Thread Collin Brendemuehl

Pentax now has 2 Optio models listed on the US site.
The 330 and the 430.

Looking @ the features of them, I wouldn't be surprised to see that they're Epson 
electronics with Pentax glass.  Anyone out there know for certain?

Collin

Here's some text from the page:

Within its sleek stainless steel exterior, the Optio 430 digital camera features a 
4.13 megapixel, 1/1.8 inch CCD and an optical 3X zoom lens.

Within its sleek stainless steel exterior, the Optio 430 digital camera features a 
4.13 megapixel, 1/1.8 inch CCD and an optical 3X zoom lens.

The Optio 430 offers a choice of three autofocus settings. Seven-point autofocus 
covers a wide area of the frame and allows the subject to come into clear focus. Spot 
AF allows you to pinpoint the focus in the center. Free autofocus provides greater 
compositional freedom, allowing you to place the center of focus anywhere within the 
frame that you choose.
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RE: Lens Fungus and Irradiated Mail - Is the Sky Falling?

2001-10-26 Thread Mick Maguire

From what I heard on the radio, USPS are saying it will be either electrons
or gamma radiation. They confirmed that film sent in the mail would be
rendered useless.

Regards,
/\/\ick...

++
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(_/)  ICQ: 48609010  |
 \/  |
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-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Shel Belinkoff
Sent: Friday, October 26, 2001 11:20 AM
To: [EMAIL PROTECTED]
Subject: Re: Lens Fungus and Irradiated Mail - Is the Sky Falling?


Has irradiation, of the type proposed to be used by the USPS, been shown
to cause problems with film?  If so, what problems?  Or is this another
internet-sky-is-falling worry based on assumption rather than fact or
even anecdotal evidence.  What's being proposed is not X-rays, which can
sometimes cause problems, but something other.

Eric Lawton wrote:

 I was reading the news regarding
 the USPS begining to irradiate our
 mail and I got to thinking about
 the problems that would cause when
 sending undeveloped film through the mail.

--
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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Vs: Question on SMC filters

2001-10-26 Thread Raimo Korhonen

Hey, what´s this - I posted this several days ago and now it pops up again at the PDML 
- is it my mail provider or the list? 
All the best!
Raimo
Personal photography homepage at http://personal.inet.fi/private/raimo.korhonen

-Alkuperäinen viesti-
Lähettäjä: Raimo Korhonen [EMAIL PROTECTED]
Vastaanottaja: [EMAIL PROTECTED] [EMAIL PROTECTED]
Päivä: 26. lokakuuta 2001 15:25
Aihe: Vs: Question on SMC filters


A multicoated filter does not reduce flare other than produced by the filter itself.
Multicoated lenses are usually wholly multicoated so that also the internal surfaces 
are multicoated - but all surfaces may not have the same number or similar types of 
coatings. Actually the internal reflections are the most detrimental to image quality 
but even a single coating reduces these significantly. So you may like to test the 
Konica lens and see for yourself.
All the best!
Raimo
Personal photography homepage at http://personal.inet.fi/private/raimo.korhonen

-Alkuperäinen viesti-
Lähettäjä: Robert Wetmore [EMAIL PROTECTED]
Vastaanottaja: [EMAIL PROTECTED] [EMAIL PROTECTED]
Päivä: 22. lokakuuta 2001 20:26
Aihe: Question on SMC filters


Hello, all...let me ask a question which will display my ignorance of 
optical principles:

Does mounting a multicoated filter actually reduce lens flare, or does it 
just minimize the flare that would have been added by the filter itself?  In 
other words, would adding an SMC filter improve performance on non-SMC 
lenses in regard to flare?  (Only the outside element is multicoated on SMC 
glass, right - so does flare just come from rays striking the first glass 
surface?)  Help; I'm confused.

I ask because I am thinking of buying up some of the undervalued Konica 
glass out there (after great results from their 57/1.2) but, since I have 
been spoiled by the SMC of Pentax glass, I am wondering how much an SMC 
filter would help.

Thanks,
Rob
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RE: Pentax Digital NEWS! Part one

2001-10-26 Thread Kent Gittings

Actually except in the 60's they never had the might to challenge C or
N. Only their loyal momentum kept them up near the top. As it is they
are the leader still usually in PS so the Optio line looks like they have
begun to switch over to digital. In high end cameras they don't have the
infrastructure to compete with the top 2 who usually lose money on the pro
stuff and make it back on the rest by convincing people the quality is the
same as the pro stuff (which it is not). Being the smallest company and
without the resources of conglomerates behind them like the other 3 they
can't afford to pop up with pro cameras at will without knowing in advance
they can sell enough to make money. Remember the prime job of the camera is
something to hold the media up so the lens can form an image. And while both
Pentax and Minolta have excellent pro lenses neither makes enough models to
suit any of the pros I know personally. And the ones they do generally
require a long lead time because they are special order, or you have to find
them used. And the top 3rd party pro lines are made in Pentax (not as much
as Minolta however), but just try finding, for example, a used last
generation 500/4.5 Sigma in Pentax AF mount. Good luck with that.
So who is going to buy a high end 6MP Pentax 35mm lens digital camera for
around $7000? Certainly not the Pentax user who is using a PZ-1p/MZ-3/ZX-5n
as his primary camera. He'd have to sell everything including his lenses to
afford it.
It just happens in marketing that a company making a good product that
doesn't sell is in lots worse shape than one that doesn't make the product
at all. Besides I'm sure one of the secret marketing criteria was how many
MZ-S bodies they sold initially. If they can't sell their target with a
$1400 body how can they justify a $7000 body? Just coming out with a great
product like that is a sure way to go into the red and go under when you
can't sell enough and you don't have big pockets behind you. The others know
they have a ready market because of the investment in their pro glass most
high end users have, which Pentax and Minolta can't say. I applaud Minolta
for bringing out the Maxxum 9 and keeping at least one pro caliber body at
the top of their line. I'm also sure they aren't making that much on them
overall, especially with the Maxxum 7 out.
I think Pentax probably made the correct, although possibly less popular
decision in this case.
A cheaper body with less resolution that possibly costs only a few hundred
over an MZ-S is more likely to attract the Pentax loyalist to actually buy
one, instead of screaming about not paying $7000 for the other one. Nothing
Pentax and to a lesser extent Minolta brings out is going to convince a high
end Canon or Nikon shooter to switch to Pentax or Minolta unless their is
only one lens they use.
Unless Pentax decided to bring a body out that used Nikon or Canon lenses.
Unfortunately that would most likely sell better than one using their own
line simply because the potential buyer list is much larger.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Chaso DeChaso
Sent: Monday, October 22, 2001 4:00 PM
To: [EMAIL PROTECTED]
Subject: Pentax Digital NEWS! Part one


Wasn't there a time when Pentax actually cared about
being a leader?  Are they now content with always
following (more and more distantly), at best offering
products close to the others and cheaper?  This would
be sad.  If they simply don't have the might to
compete against N and C* anymore, at least
they could do one thing really well - in the digital
realm, this could have been the full-frame CCD SLR.

Is Pentax to become the next Contax, who was fifteen
(or however many) years late with autofocus?  Maybe
Pentax will release a fantastic digital SLR in 2016
when almost nobody remembers who Pentax is.

In any case, they really have to release something
serious soon or they'll be wiped off the map.  (I
don't care about digital products too much, I just
want them to stay in business so that they can make
lenses and film cameras for a while longer.)

Olympus seems to be a model of a company managing
their resources well and focusing on certain distinct
areas very wisely.

Pentax brand loyalty goes pretty far - the next couple
years may be a test of just how far.


Good point but if Pentax does We're no worse than
the
rest but it costs less ( we hope ).  [Brendan]
Make a great connection at Yahoo! Personals.
http://personals.yahoo.com
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Re: RE: upside down and backwards?

2001-10-26 Thread David Brooks

Thanks Bill.
So if i look at my flawed picture from the emulsion side
(where i see the picture as i would in a print)the flaw
is on the lower right.My main question is ,is the flaw 
really on the lower right OR upper left.
I want to take the camera in to see if it can be serviced
and want to talk to the tech with some knowledge.
Thanks

Dave

 Begin Original Message 

From: Peifer, William [OCDUS] [EMAIL PROTECTED]
Sent: Fri, 26 Oct 2001 10:38:53 -0400
To: '[EMAIL PROTECTED]' [EMAIL PROTECTED]
Subject: RE: upside down and backwards?


, for example, that you're making an exposure of someone standing in
front of your camera, and that you're standing ~behind~ your camera.
Everything you see toward the top of this person will be imaged onto 
the
bottom of your film, and everything you see to the left side of this 
person
will be imaged onto the right side of your film.  Keep in mind, 
though, that
left and right in this case are with respect to your position 
~behind~
the camera; thus, you're looking at the back side of the film.  If 
you go
around the front of the camera so that you are now looking at the 
emulsion
side of your film, left and right are reversed.

Bottom line, then, is as follows.  If you're viewing processed film 
 from the
back side, the picture is ~inverted~ (top to bottom and left to 
right, or
upside down and backwards as you describe).  If you're viewing 
processed
film from the emulsion side, the picture is ~reverted~ (top to 
bottom, but
not left to right -- upside down, but not backwards, as you 
describe).  Hope
this helps.

Bill Peifer
Rochester, NY
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 End Original Message 




Pentax User
Stouffville Ontario Canada

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Re: Lens Fungus and Irradiated Mail

2001-10-26 Thread Aaron Reynolds

On Friday, October 26, 2001, at 11:10  AM, Eric Lawton wrote:

 However, I did think of one possible positive aspect to this.  If you 
 ever discover a lens beginning to experience fungus growth just send it 
 by USPS to a friend in an appropriate location and have the USPS 
 irradiate it.  That ought to kill the fungus.

Talk about making the best of a bad situation!

Of course, they could also examine the box, determine that it contains 
electronics and large cylindrical chambers, and then detonate it, just 
to be safe.

-Aaron
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Re: Service center questions...

2001-10-26 Thread David Brooks

I think Shel started one but have not heard from him
re that for a while

Dave

 Begin Original Message 

From: John A. Hufnagel [EMAIL PROTECTED]
Sent: Fri, 26 Oct 2001 10:21:34 -0400
To: [EMAIL PROTECTED]
Subject: Service center questions...


I'd like to throw my hat into the ring for requesting LOCAL authorized
camera repair shops. I'm on Northern New Jersey.  Anyone know of a 
place
there?

And while we're at is, has anyone compiled a list of service centers 
on
a web page?  Seems that it would be useful.

-- John
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 End Original Message 




Pentax User
Stouffville Ontario Canada

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Re: I need a new printer

2001-10-26 Thread William Robb

Thank you!!
William Robb
- Original Message -
From: Maris V. Lidaka, Sr. 
Subject: Re: I need a new printer


 I have it and I like it.  I believe the $30 rebate program is
still in effect through Halloween.

 Maris
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Re: Vs: Question on SMC filters

2001-10-26 Thread Robert Harris

Raimo Korhonen wrote:

 Hey, what´s this - I posted this several days ago and now it pops up again at the 
PDML - is it my mail provider or the list? 


It isn't you. It's at least two of us. The server seems to be hiccuping 
-- I got repeats of a bunch of Oct. 22 messages today.

Bob
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Re: DOF and format size

2001-10-26 Thread Tom Rittenhouse

What you are missing there is aperture size. As your focal length goes up so
does the diameter of the aperature for a given f-stop. The larger aperature
(not f-stop) means a larger circle of confusion. If you make an 8x10  print
from a 35mm and from a 4x5 the magnificaton stays the same (with reguard to
the subject to image size), but while a 50mm has a aperture of 25mm at f2.0,
a 200m has an aperture of 25mm at f8.0 so to get the same DOF you would need
to set your 200mm 4x5 lens at f.8.0 and your 35mm 50mm lens at f2.0.

The problem most folk seem to have is from us using f-stop and aperture
interchangablely. The strictly speanking are not the same thing at all. Note
in the forgoing example both lenses have a 25mm aperture while the f-stops
are far different.

--graywolf


- Original Message -
From: William Robb [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, October 26, 2001 1:31 AM
Subject: Re: DOF and format size

 I am not quite sure about this. Presuming that DOF is (as I have
 been taught) is a function on reproduction ratio (both on the
 negative and on the print), it would logically follow from your
 arguement that medium format would have an edge over 35mm, and
 large format would be better still.
 Here is why. The larger negative, because it needs to be
 magnified less than the smaller one for any given print size,
 will show a smaller COC on the print.
 This would go against the generally accepted norm that smaller
 formats give better DOF.
 Or am I missing something
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RE: Lens Fungus and Irradiated Mail - Is the Sky Falling?

2001-10-26 Thread Peifer, William [OCDUS]

Shel wrote:
 What I read is that the proposed system will be using electron beams,
 so perhaps we're making some headway in finding out if the system
 will damage film or not.  Any further comments by those in the know
 about these things?

I heard this as well on NPR yesterday on the way home from work.  They
didn't say anything about the typical electron current or electron energy of
these electron guns.  They ~did~ say, as many on the list have already
noted, that the penetration depth isn't very large, so that letters would
likely have to be laid flat for this to do any good.  One thing energetic
electrons are very good at doing is ionizing things, so it may be that at
least part of the bactericidal action is due to localized generation of
nasty oxidizing agents like ionized molecular and atomic oxygen, ionized
nitrogen, etc.  Another thing energetic electrons are good at doing is
knocking core electrons out of metal atoms, resulting in X-ray emission.  In
fact, this is exactly how an X-ray tube is constructed -- an electron beam
of several kilovolts to a few tens of kilovolts impinges on a metal target,
like copper.  Could be that the damage to film would arise due to X-ray
emission from electron bombardment of the metal cassettes and metal spools
used in packaging roll film.  I also heard the same NPR commentator make
remarks regarding use of gamma irradiation facilities for mail.  Current
facilities in the US are used for sterilization of foods and medical
devices, and they apparently would not accept mail for gamma sterilization.
A new gamma irradiation facility might cost somewhere in the neighborhood of
several million USD and take up to a year to build.  IIRC, the commentator
stated that several hundred such facilities would be needed to irradiate all
mail in the US.  Thus, widespread use of gamma sounds like it will not be
feasible.

God help the poor SOB who ships a fungus-infected lens.  Imagine the
consequences if some postal employee -- or FBI agent, Secret Service agent,
INS agent, etc., etc. -- recognize the fungus as some unidentified
biological agent.  Yikes!

Bill Peifer
Rochester, NY
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Re: OT: Ill-timed failures

2001-10-26 Thread Tom Rittenhouse

Well Dave, I didn't mean they would lose their propriatary status, but is
they don't make a Linux driver available, someone will of nessessity have to
reverse engineer their non-linux driver before the hardware will work with
Linux. Now a days many hardware manufactures include Linux drivers as a
matter of course, others could care less, so there is still often a period
where you can not use the newest hardware with Linux.
--graywolf

- Original Message -
From: David A. Mann [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, October 26, 2001 1:30 AM
Subject: Re: OT: Ill-timed failures


 Tom Rittenhouse writes:

  The problem with GPLed software is if hardware manufactures consider
their
  drivers to be proprietary it takes awhile for someone to reverse
engineer
  the driver so it often does not support the very latest hardware.

  There is nothing wrong with releasing proprietary software for an
open-source
 platform.  However, if you modify GPL code you must release your
 modifications under the same license.

 Cheers,

 - Dave

 David A. Mann, B.E. (Elec)
 http://www.digistar.com/~dmann/

 Why is it that if an adult behaves like a child they lock him up,
  while children are allowed to run free on the streets? -- Garfield
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Tamron SP 17mm F3.5

2001-10-26 Thread J. C. O'Connell

Just got my Tamron 17mm F3.5 SP lens today
(ebay). Looks like a winner to me. Sharp
corner to corner and excellent contrast.
Heres a scan ( scan doesnt do it justice).
http://www.gate.net/~hifisapi/tamron17.jpg
Also notice almost zero distortion and
no corner light falloff.
Shot was taken in overcast light 1/125 sec at
f8 on kodak gold 100 film.

Not sure how it will do on flare on a sunny
day. Anyone else have experience with this lens?
JCO
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Girl on Porch (was: Boy on Porch

2001-10-26 Thread Bob Walkden

Hi,

yin  yang...g

http://www.web-options.com/img0008.jpg

taken in Harar, Ethiopia. April 1996.
MX A70-210/4 K64.

---

 Bob  

mailto:[EMAIL PROTECTED]

Thursday, October 25, 2001, 10:52:33 PM, you wrote:

 Here's another scan I made yesterday.  My apologies for the quality of
 this stuff, I've not even gotten close to understanding Photoshop ...

 http://home.earthlink.net/~belinkoff/boy_on_porch.jpg

 When I saw this boy standing on his porch watching events in the street,
 I just hat to put the camera to my eye.

 Comments welcome, of course.
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Re: Applying Lipstick

2001-10-26 Thread Bob Walkden

Hi,

I prefer the uncropped version because the woman is positioned more
closely to a 3rd. The cropped version is somewhat unbalanced. Unfortunately
the bright white behind her head is on the 3rd. White always drags the eye
towards it, and with it being bang on the 3rd it is rather distracting. It
might pay to tone it down a little.

---

 Bob  

mailto:[EMAIL PROTECTED]

Thursday, October 25, 2001, 9:27:11 PM, you wrote:

 I borrowed a scanner yesterday and offer these two rough scans for your
 enjoyment:

 http://home.earthlink.net/~belinkoff/applying_lipstick.jpg
 http://home.earthlink.net/~belinkoff/applying_lipstick_crop1.jpg

 Comments are welcome.  
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RE: Tamron SP 17mm F3.5

2001-10-26 Thread J. C. O'Connell

I also did an comparison of the Tamron 17mm
F3.5 with the SMC Takumar 50mm F1.4 for color
balance and coverage purposes:

http://www.gate.net/~hifisapi/50vs17.jpg

The coverage of the 17mm is enormous!
And it matches well with pentax optics for
color balance.
JCO
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-26 Thread aimcompute

I guess what I'm thinking is, there's a difference between interpolation and
a raw pixel.  Interpolation is still a *guesstimate* and in the end does not
really fill in *what* was missing.   It fills in *something*.  I don't think
their can be any substitute for raw pixel count.

Tom C.


- Original Message -
From: Isaac Crawford [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, October 22, 2001 8:55 PM
Subject: Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.


 Patrick White wrote:
 
  aimcompute writes:
  I guess it makes sense.  Up to now. digital photography has never
really
  been about quality.
  I find the Fuji Super CCD technology somewhat of a joke.  You can't end
up
  with more raw material than you start with.

 The Nikon D1x uses interpolation in one direction (the width I believe)
 without any obvious problems.

 Isaac
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Got a cheap film scanner...

2001-10-26 Thread Tim S Kemp

bought the pacific image filmscan 1800 for the following reasons.

Cost.
Sick of scanning prints on a flatbed and having low contrast crappy colours
Cost
Most of my scans are for web / inkjet prints so not concerned too much over
resolution
Cost.

Not been disappointed yet! Am currently rescanning my favorites!!!
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Warning about Billpoint / eBay payments

2001-10-26 Thread Mick Maguire

eBay have introduced checkout to replace Billpoint payments. It is
actually a rehash of billpoint. But whatever, I have been fighting with it
(as a buyer) all afternoon and may have paid for an item 3 times over! My
advice would be to avoid Billpoint payments or checkout for now.

Regards,
/\/\ick...

++
||
 __/)   Mick Maguire |
|   Email: [EMAIL PROTECTED]  |
(_/)  ICQ: 48609010  |
 \/  |
  \  /---+
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Re: Tamron SP 17mm F3.5

2001-10-26 Thread Paul Jones

A guy at work has one of these in a minolta mount, the shots i've seen taken
with it are quite nice, although its a bit of a flare machine.

Regards,
Paul Jones
- Original Message -
From: J. C. O'Connell [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, October 27, 2001 8:16 AM
Subject: RE: Tamron SP 17mm F3.5


 I also did an comparison of the Tamron 17mm
 F3.5 with the SMC Takumar 50mm F1.4 for color
 balance and coverage purposes:

 http://www.gate.net/~hifisapi/50vs17.jpg

 The coverage of the 17mm is enormous!
 And it matches well with pentax optics for
 color balance.
 JCO
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Shutter Vibration Tested (RE: K2 shutter vibration question)

2001-10-26 Thread Dave Weiss

The following is from Peter:

Date: Fri, 26 Oct 2001 03:25:33 + 
From: Peter Spiro [EMAIL PROTECTED] 
Subject: RE: K2 shutter vibration question 


Anybody who has a K2 can test for this quite easily.Lock up the mirror,
set the shutter speed to B, and  release the shutter with a cable release,
holding it open.   Watch for ripples in the water.   If the camera is good,
the ripples should be minimal.  Then let the shutter close, and see if most
of the ripple action is concentrated at that end of the cycle.  I hope
somebody tries this, and reports back to the group, to clarify this issue.  
I will be happy to revise my opinion of what is in many ways a fine camera. 

(I just did this test with my MX, at 1 second exposure, with the mirror
locked up.  Vibrations when the shutter opened were almost non-existent.  
BTW, on my MX the quasi-MLU does not seem to work at B.) 


Hi Peter et. al.:

Okay, Peter, I tried the water test with the following cameras:

SPII
K1000
MeSuper
LX
K2

I did this with much trepidation as I had a bad experience Wednesday with
water and camera combination (I dropped my Super Program in creek!  Yikes,
what a feeling!)

I put each camera on a wooden cutting board and put a wash rag under the
lens to cushion it a bit.  I balanced a coffee mug 2/3 full of water and
fired the shutter in B and watched for ripples. I re-ran all the cameras
several times, checking again and again and finally checking the cameras in
order of ranking.  

In general, the initial slap of the shutter was much less than the return. 
I would say roughly 50% less.  Suprising to me was that the mirror lock up
did make more difference than it did.  

The following would be my SUBJECTIVE ranking of initial vibrations--

Top 2 were close but

1.  k1000 (very short waves, low amplitude)
2.  LX - mirror up (similar to k1000, longer waves)

Another close grouping

3.  SPII (slightly longer waves than No. 2)
4.  LX - mirror down (very similar to the SPII, slight more amplitude)

Much worse than above

5.  K2 - mirror up (long wave, a bit more amplitude than No. 4)
6.  K2 - mirror down (a bit longer wave and amplitude than No. 5)
7.  MeSuper - (longest wave, amplitude)

The return curtain vibrations rankings were similar, maybe less difference
between the LX, SPII grouping and the K2 MeSuper grouping.  And I love that
MeSuper!  Ah well.

As far as the K2 is concerned, I am sad to report that the initial slap,
while less then the return curtain vibration, was still substantial, in my
less than expert opinion.

I hope someone else tries this as I do not want to be the final word on this
subject.

dave





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Re: Flocking Material

2001-10-26 Thread PAUL STENQUIST

Hi Shel,
Back in the sixties, people did some absolutely atrocious things to
automobiles with paint that produced a velvet look and texture. It was
flocking terrible stuff. I know it came in black, and I bet someone
still sells the wretched stuff. And while it may be awful for almost any
application, it would probably work quite well as a coating for the
inside of lens hoods. 
Paul

Shel Belinkoff wrote:
 
 Anyone know where I can get some flocking to line a few lens hoods?
 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
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Re: Flocking Material

2001-10-26 Thread lbparis

I looked through my Micro-Tools catalog and could not find any
flocking material or flocking paper but you may want to go to:

  http://www.micro-tools.com

Then select the USA and look in the leftmost column for
restoration supplies.  I saw various sizes of light baffle
material that may possibly be used to reduce reflection from the
inside surfaces of lens hoods.  Anyway, it's a lead.  You could
also seek a source from a TLR repair service.  I think flocking
material is used extensively in the camera bodies.

Len


- Original Message -
From: Shel Belinkoff [EMAIL PROTECTED]
To: Pentax List [EMAIL PROTECTED]
Sent: Friday, October 26, 2001 12:24 PM
Subject: Flocking Material


 Anyone know where I can get some flocking to line a few lens
hoods?
 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
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Re: Pentax Digital NEWS! Part one

2001-10-26 Thread PAUL STENQUIST

Chaso DeChaso wrote in regard to our favorite brand:
 
 I just
 want them to stay in business so that they can make
 lenses and film cameras for a while longer.)
 
Pentax has already made quite enough cameras and lenses to service my
needs until the day I die. And some very fine ones at that. I guess I
don't really give a hoot whether or not they continue to make new ones.
Paul
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Re: scanning negatives/photos

2001-10-26 Thread PAUL STENQUIST

Prints of the City, a minilab on Sepulveda near National does a good job
on both processing and scanning. Their turnaround time is quick as well,
and the prices are reasonable.
Paul

[EMAIL PROTECTED] wrote:
 
 Hi All,
 
 I live in the Southern California area (Irvine).  Do you guys know of any
 business that would scan photos or negatives and save them on cd or disk?
 It doesn't have to be here in Irvine.  It could be in Los Angeles too.  I
 am way behind in computer technology devices.  I don't own a scanner or a
 cd-writer.  My PC is 4 years old.  The reason being primarily due to lack
 of funds.  But I just started this photography class and I am loving it.
 
 Anyway, just wanted to know if there is such a service being done.  Thank
 you.
 
 Francis M. Alviar
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good buy?

2001-10-26 Thread lll l l ll l l ll llll ll l llll lll l l l ll l llll l l lll l ll ll llll ll

hey now...
gotta Super Takumar 1:3.5/135with case in great
condition for $23.50...good buy?
buy the way...i would like to get info on my spotmatic
or talk with anyone from the texas area(USA)
Make a great connection at Yahoo! Personals.
http://personals.yahoo.com
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Re: Minolta Dimage Scan Dual Do's Don'ts

2001-10-26 Thread Mark Erickson

Does anyone have any particular do's and don'ts for using this 
particular model scanner.  I bought one recently and need any help I 
can get.
-- 
Kenneth Archer + San Antonio, Texas
[EMAIL PROTECTED]   ICQ #24980801
Powered by Linux ++ Mailed by Kmail

I have a Dimage Scan Dual and use it quite a bit.  I recommend
that you buy the latest version of Ed Hamrick's VueScan (available
at http://www.hamrick.com) and use it to do the scans.  Like most
low-cost scanners, the Dual shows quite a bit of noise in dark
regions of scanned slides.  VueScan allows you do set up single-
pass multi-scanning, which samples each point multiple times
and saves the average.  This really, really, really improves the
output. 

The images in the pages below were all shot on Kodak E100VS and
scanned with my Minolta Scan Dual scanner using VuesScan and
a multi-scanning factor of 4.  Almost all of these pictures have
lots of dark areas in them.  The VueScan output was much, much
better than the best I could get with the Minolta software. 

http://www.westerickson.net/mark/pidgeonpoint/pidgeonpoint.html 

http://www.westerickson.net/mark/muirbeach/muirbeach.html 

http://www.westerickson.net/mark/rodeobeach/rodeobeach.html 

 --Mark
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Re: LX History (was: Re: LX on eBay -- worth buying?)

2001-10-26 Thread PAUL STENQUIST

I look for three things in a used LX: good overall condition, the second
meter button on the exposure compensation dial, and the 3200 asa setting
on the film speed adjustment dial. If it has all of these, it can
generally be repaired and adjusted for good service. 
Paul

Jerome wrote:
 
  This got me thinking. Why above 535?? Is there a website
 or other
  source of info that chronicles the LX ? Especially with
 reference to
  serial numbers versus time ?
 
 http://members.iinet.net.au/~cam/serial/
 
 This link doesn't contains enough serials/date to be of help when
 inspecting an LX, trying to find out when it was produced via its serial.
 
 First, as it's been said here, the base plate can be easily changed so
 do not only rely on the serial number to estimate the production date of an LX.
 
 Second, these cameras needs CLA every ten years or so. And it goes
 from a very simple CLA to CLA AND a full exchange of every mechanical part
 of the mirror box. So nowadays the vast majority of LXes have already had
 at least one CLA and upon the request of the owner it can have been only
 CLA'ed or CLA'ed AND updated.
 
 Third, these cameras were expensive and mostly used by pros and often abused...
 
 I have owned 3 LX in my life...
 My first one was a 535 late model and have clearly been used and
 abused by it's previous pro-photographer owner (who bought it new)...
 I sold it long time ago for a very small sum as it needed a serious rebuild of
 some internal mechanical parts (not even mentioning a very rough cosmetic 
presentation).
 My second one was a 523 (from memory) that has seen very little use,
 was almost perfect cosmetically and I used it only for some studio photoshoots.
 As it was really nice, I was afraid to take it for night/action shoots...using my 
beat-up
 black MX or my Super A for these It is now the property of a fellow PDMLer.
 My last one (and currently my main Pentax body) is a 530 that has seen
 moderate use from it's previous owner, and that shows some wear marks...
 I'm not afraid to take it with me even for some risky shoots were he might
 receive some more marks...although I take great care of my equipment,
 you never know what can happen !
 
 All this leading me to the conclusion that it's almost impossible to know only
 from an LX serial number its features...
 You need to know its former degree of use (and sometimes abuse) and it's
 CLA history...
 From the serial number you can only estimate its production date...unless
 someone is able to list and time-stamp all the numerous (80+) versions of the LX.
 
 Regards
 Jerome
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Re: Pentax in Detroit, was: Fast 35mm Lenses

2001-10-26 Thread Kenneth Waller

I've had good results with Midwest Camera Repair, 313 Oak Street, Wyandotte,
Mi. 48192. Phone (313) 285-2220. Although lately I've been using Pentax in
Colorado.
Ken Waller
- Original Message -
From: Mike Steele [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, October 26, 2001 7:33 AM
Subject: Re: Pentax in Detroit, was: Fast 35mm Lenses


 Hi Detroiters (and everybody else), Where is a good
 place to take Pentax equipment for servicing (like
 CLA). The only shop I'm familiar with is Camera Mart,
 and I'm not sure they do service work (never asked!).
 Thanks!  Mike Steele

 --- PAUL STENQUIST [EMAIL PROTECTED] wrote:
  Hi Bill,
  Adray Camera on Big Beaver near Dequindre has a fair
  selection of Pentax
  stuff. The guy at the counter told me they're going
  to get the MZ-S. I
  keep asking for it in stores and act surprised and
  dismayed when they
  say they don't have one. I'm not going to buy one,
  but I do enjoy
  tweaking our local dealers a bit.
  Paul
 
  William D. Sawyer wrote:
  
   Hi Paul,
  
   I know Woodward Camera well - I bought a new ME
  Super (black body) from them in 1981, when Pentax
  was their largest line. If you talk to their people
  who have been around since then, they are hard
  pressed to say anything good about Pentax Marketing.
   To use their phrase, Pentax Gave Away their
  market share.
  
   My A 35mm f2 came from another camera shop
  across town, and I paid $80 for it.  While that may
  reflect the condition of the lens (cosmetically, the
  only thing wrong is a missing nib), more likely,
  it reflects the absence of a market for Pentax
  equipment in the Detroit area.  I was in Camera Mart
  today, the largest camera store here, and the best
  Pentax 35mm body they had was a ZX-7, and no lenses.
   I'm told the local Pentax rep is domiciled in
  Cleveland, and services a seven state area. Aggod
  deal for buying used, I guess, but not for anything
  new.
  
   I didn't dare ask about an MZ-S.  Sad.
  
   Bill Sawyer
   [EMAIL PROTECTED]
  
   -Original Message-
   [mailto:[EMAIL PROTECTED]]On Behalf Of
  PAUL STENQUIST
   Sent: October 23, 2001 10:46 PM
  
   BTW, I bought it from Woodward Camera,
   which Bill would know to be a rather expensive
  place to shop. However,
   they had marked it wrong, and I got it for $90.
  That makes up for all
   the times they ripped me off.
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Re: I need a new printer

2001-10-26 Thread PAUL STENQUIST

I would go with the Epson 1280. It's somewhat of a bargain at about $475
US, and it produces glorious prints in sizes up to 13 x 18 (and even
longer for banners or panoramas). Big is beautiful. 
Paul

William Robb wrote:
 
 My beloved Epson Stylus Color 740 has met a rather ugly demise,
 and I am in the market for a new (but inexpensive) printer. I
 like the Epson C80 for a few reasons, which I will list: It does
 a large enough paper size for my needs (8.5x11, is that A4 to
 you Euros?) and has a fairly good printing speed. It used
 individually repaceable colour cartridges which are fairly
 reasonabley priced, and the inks are Epsons Durabrite inks,
 which they say are colorfast for 70 years (certain conditions do
 apply). It also is a 3 picolitre dot size, which is very small.
 Any comments on this printer would be appreciated, along with
 comments about potential competitors in the same class of
 equipment.
 Thanks
 William Robb
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Re: Vs: Question on SMC filters

2001-10-26 Thread PAUL STENQUIST

It's the list. I get a few repeats every time I log on.
Paul

Raimo Korhonen wrote:
 
 Hey, what´s this - I posted this several days ago and now it pops up again at the 
PDML - is it my mail provider or the list?
 All the best!
 Raimo
 Personal photography homepage at http://personal.inet.fi/private/raimo.korhonen
 
 -Alkuperäinen viesti-
 Lähettäjä: Raimo Korhonen [EMAIL PROTECTED]
 Vastaanottaja: [EMAIL PROTECTED] [EMAIL PROTECTED]
 Päivä: 26. lokakuuta 2001 15:25
 Aihe: Vs: Question on SMC filters
 
 A multicoated filter does not reduce flare other than produced by the filter itself.
 Multicoated lenses are usually wholly multicoated so that also the internal 
surfaces are multicoated - but all surfaces may not have the same number or similar 
types of coatings. Actually the internal reflections are the most detrimental to 
image quality but even a single coating reduces these significantly. So you may like 
to test the Konica lens and see for yourself.
 All the best!
 Raimo
 Personal photography homepage at http://personal.inet.fi/private/raimo.korhonen
 
 -Alkuperäinen viesti-
 Lähettäjä: Robert Wetmore [EMAIL PROTECTED]
 Vastaanottaja: [EMAIL PROTECTED] [EMAIL PROTECTED]
 Päivä: 22. lokakuuta 2001 20:26
 Aihe: Question on SMC filters
 
 
 Hello, all...let me ask a question which will display my ignorance of
 optical principles:
 
 Does mounting a multicoated filter actually reduce lens flare, or does it
 just minimize the flare that would have been added by the filter itself?  In
 other words, would adding an SMC filter improve performance on non-SMC
 lenses in regard to flare?  (Only the outside element is multicoated on SMC
 glass, right - so does flare just come from rays striking the first glass
 surface?)  Help; I'm confused.
 
 I ask because I am thinking of buying up some of the undervalued Konica
 glass out there (after great results from their 57/1.2) but, since I have
 been spoiled by the SMC of Pentax glass, I am wondering how much an SMC
 filter would help.
 
 Thanks,
 Rob
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Re: Minolta Dimage Scan Dual Do's Don'ts

2001-10-26 Thread Bruce Dayton

Hey Mark,

Nice stuff!  I'm impressed with the scans and the images.  You have a good
eye.

Thanks for the tip.  I have the Scan Dual II and VueScan but have not tried
the single pass multi-scanning.  I have a few slides that I have not been
satisified with the scan quality that I am now going to go back and try
again.

Bruce Dayton


- Original Message -
From: Mark Erickson [EMAIL PROTECTED]
To: pentax-discuss [EMAIL PROTECTED]
Sent: Friday, October 26, 2001 5:20 PM
Subject: Re: Minolta Dimage Scan Dual Do's  Don'ts


 Does anyone have any particular do's and don'ts for using this
 particular model scanner.  I bought one recently and need any help I
 can get.
 --
 Kenneth Archer + San Antonio, Texas
 [EMAIL PROTECTED]   ICQ #24980801
 Powered by Linux ++ Mailed by Kmail

 I have a Dimage Scan Dual and use it quite a bit.  I recommend
 that you buy the latest version of Ed Hamrick's VueScan (available
 at http://www.hamrick.com) and use it to do the scans.  Like most
 low-cost scanners, the Dual shows quite a bit of noise in dark
 regions of scanned slides.  VueScan allows you do set up single-
 pass multi-scanning, which samples each point multiple times
 and saves the average.  This really, really, really improves the
 output.

 The images in the pages below were all shot on Kodak E100VS and
 scanned with my Minolta Scan Dual scanner using VuesScan and
 a multi-scanning factor of 4.  Almost all of these pictures have
 lots of dark areas in them.  The VueScan output was much, much
 better than the best I could get with the Minolta software.

 http://www.westerickson.net/mark/pidgeonpoint/pidgeonpoint.html

 http://www.westerickson.net/mark/muirbeach/muirbeach.html

 http://www.westerickson.net/mark/rodeobeach/rodeobeach.html

  --Mark
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Re: Tamron SP 17mm F3.5

2001-10-26 Thread William Robb

If that's your backyard, I know where a PDML party should
happen...
- Original Message -
From: J. C. O'Connell
Subject: RE: Tamron SP 17mm F3.5


 I also did an comparison of the Tamron 17mm
 F3.5 with the SMC Takumar 50mm F1.4 for color
 balance and coverage purposes:

 http://www.gate.net/~hifisapi/50vs17.jpg

 The coverage of the 17mm is enormous!
 And it matches well with pentax optics for
 color balance.

If that's your backyard, I know where a PDML party should
happen...

I don't know if my Tokina is anything like yours (mine is an
RMC), but I quite like mine also.
William Robb
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Re: Flare Tests ...

2001-10-26 Thread PAUL STENQUIST

It's interesting that some of the Takumars outperformed some of the
Takumar SMCs, (although in the smae lens design, the SMCs seem to have
done at least a bit better). In any case, this information demonstrates
what tremendous bargains some of the old super taks are. It's also
interesting that of all the taks, the SMC 150/4 (which the list has
generally relegated to bow-wow status), was the worst of the tested
Pentax lenses.
Paul

William Robb wrote:
 
 - Original Message -
 From: Shel Belinkoff 
 Subject: Flare Tests ...
 
  Old, but very interesting information.  Guess which lens had
 the least
  flare?
 
  http://people.smu.edu/rmonagha/mf/flare2.txt
 
 Probably the Takumar 50mm f/1.4
 William Robb
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Re: Girl on Porch (was: Boy on Porch

2001-10-26 Thread William Robb

- Original Message - 
From: Bob Walkden [EMAIL PROTECTED]
To: Shel Belinkoff 
Subject: Girl on Porch (was: Boy on Porch


 Hi,
 
 yin  yang...g
 
 http://www.web-options.com/img0008.jpg

I like that image. Thank you for showing it to us.
Bill
 
 taken in Harar, Ethiopia. April 1996.
 MX A70-210/4 K64.
 
 ---
 
  Bob  
 
 mailto:[EMAIL PROTECTED]
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Re: I need a new printer

2001-10-26 Thread William Robb

Hi Paul, I would love to, but I can really only spring for a
cheapie. I got a reply from a guy, I think on the Leben list
that said swell things about the C80. I suspect i will go off
and try to find one this evening.
Thanks again
Bill
- Original Message -
From: PAUL STENQUIST [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, October 26, 2001 6:24 PM
Subject: Re: I need a new printer


 I would go with the Epson 1280. It's somewhat of a bargain at
about $475
 US, and it produces glorious prints in sizes up to 13 x 18
(and even
 longer for banners or panoramas). Big is beautiful.
 Paul
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Re: Lens Fungus and Irradiated Mail - Is the Sky Falling?

2001-10-26 Thread UniqueToo

Has irradiation, of the type proposed to be used by the USPS, been shown
to cause problems with film?  

The official word: the technology to be used will damage film.  However, in 
the near future (next 12-18 months) only letter mail will treated.  
The process for parcels has not yet been determined and will take much longer 
to implement.  By the time it is put in place there should be safeguards in 
place to prevent damage to film, live plants, etc.
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Re: Flocking Material

2001-10-26 Thread Rob Studdert

On 26 Oct 2001, at 10:24, Shel Belinkoff wrote:

 Anyone know where I can get some flocking to line a few lens hoods?

Hi Shel,

Floc (the abbreviation of flocculus) as applied to photographic equipment I 
believe is generally a short synthetic hair like material which is sprinkled on 
a surface prepared with an adhesive. You can buy various types of floc and 
appropriate glues from hobby card making shops however I don't recall 
seeing any black floc but who knows? I am sure that Goths make cards too :-
) 

You could start here: http://www.theinkpadnyc.com

Cheers,



Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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RE: good buy?

2001-10-26 Thread Paul M. Provencher

You can download a manual at http://whitemetal.com/pentax/index.htm

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of lll l l ll l l ll
  ll l  lll l l l ll l  l l lll l ll ll  ll
 Sent: Friday, October 26, 2001 8:20 PM
 To: [EMAIL PROTECTED]
 Subject: good buy?
 
 
  
 hey now...
 gotta Super Takumar 1:3.5/135with case in great
 condition for $23.50...good buy?
 buy the way...i would like to get info on my spotmatic
 or talk with anyone from the texas area(USA)
 Make a great connection at Yahoo! Personals.
 http://personals.yahoo.com
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Re: Applying Lipstick

2001-10-26 Thread Shel Belinkoff

Hi ...

You're right about the white light. There was little I could about it do
wrt to exposure and development to tone it down.  Less development would
have muddied the print even more and ruined what little contrast there
is between the woman's collar and her face and sweater.  Had the print
been made in the darkroom I'd have burned that area a bit.  PS 6.0 has a
feature that will allow dodging and burning, and even the scanner may
have a way to set the levels. Of course, I don't know how to do that
yet, but learning is just a matter of time.  Your comment is right on
the money.

BTW, the film used for this shot is TX ... compare the grain structure
of the current TX with that of the older TX in the photo of April.  The
developers used were similar, but the newer TX seems to have a finer,
smoother grain pattern without losing accutance, and a smoother
tonality.  It may just be that my poorer skills in the early days
contributed to the grain difference ...

Bob Walkden wrote:
 
 Hi,
 
 I prefer the uncropped version because the woman is positioned more
 closely to a 3rd. The cropped version is somewhat unbalanced. Unfortunately
 the bright white behind her head is on the 3rd. White always drags the eye
 towards it, and with it being bang on the 3rd it is rather distracting. It
 might pay to tone it down a little.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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Pentax vs Metz flash for MZ-S

2001-10-26 Thread Rob Studdert

Hi Team,

Has anybody compared the form and function of the new Pentax AF360FGZ 
for the MZ-S with the new Metz 54 MZ-3 Flash?

The Metz offers HSS but not wireless operation as far as I can ascertain 
however I like concept of the Metz regarding inter-system compatibility. Any 
other issues that should be considered?

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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Re: good buy?

2001-10-26 Thread Ken Archer

Howdy, there are a bunch of us on the list from Texas.

On Friday 26 October 2001 19:19, wrote:
 hey now...
 gotta Super Takumar 1:3.5/135with case in great
 condition for $23.50...good buy?
 buy the way...i would like to get info on my spotmatic
 or talk with anyone from the texas area(USA)
 Make a great connection at Yahoo! Personals.
 http://personals.yahoo.com
-- 
Kenneth Archer + San Antonio, Texas
[EMAIL PROTECTED]   ICQ #24980801
Powered by Linux ++ Mailed by Kmail
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Re: I need a new printer

2001-10-26 Thread Maris V. Lidaka, Sr.

It was probably me - I have and love the C80.  There is a review at
http://www.tssphoto.com/sp/dg//c80/review.html

And a $30 rebate through Halloween.

Maris

- Original Message - 
From: William Robb [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, October 26, 2001 7:45 PM
Subject: Re: I need a new printer


| Hi Paul, I would love to, but I can really only spring for a
| cheapie. I got a reply from a guy, I think on the Leben list
| that said swell things about the C80. I suspect i will go off
| and try to find one this evening.
| Thanks again
| Bill
| - Original Message -
| From: PAUL STENQUIST [EMAIL PROTECTED]
| To: [EMAIL PROTECTED]
| Sent: Friday, October 26, 2001 6:24 PM
| Subject: Re: I need a new printer
| 
| 
|  I would go with the Epson 1280. It's somewhat of a bargain at
| about $475
|  US, and it produces glorious prints in sizes up to 13 x 18
| (and even
|  longer for banners or panoramas). Big is beautiful.
|  Paul
| -
| This message is from the Pentax-Discuss Mail List.  To unsubscribe,
| go to http://www.pdml.net and follow the directions. Don't forget to
| visit the Pentax Users' Gallery at http://pug.komkon.org .
| 
| 
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Re: Pentax AF viewfinders

2001-10-26 Thread Alan Chan

I agree that Nikon AF bodies have better viewfinders than Pentax AF bodies 
in general. I believe the prime reason to make loosy viewfinders is to keep 
the cost down, no matter what people say.

regards,
Alan Chan

_
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp
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