Re: GESO 2007 - San Francisco - GDG

2007-05-08 Thread Brendan MacRae
Quite a good gallery, Godfrey. Good conversions.

-Brendan
--- Godfrey DiGiorgi [EMAIL PROTECTED] wrote:

 Working my way through the photos I made in SF on
 Friday, I put  
 together a small set of 12 BW renderings.
 
 http://www.gdgphoto.com/sfstreet/
 
 Comments, critique and thoughts appreciated.
 
 Godfrey
 
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Re: PESO - Rail Bird

2007-05-08 Thread Brendan MacRae
Gotta get a big lens.

-Brendan
--- Kenneth Waller [EMAIL PROTECTED] wrote:

 Check out
 

http://mypeoplepc.com/members/kwaller/offwallphoto/id2.html
 
 K10D, 600mmFA f4.0, 1/160, f4.0, 400 ISO on Gitzo
 1548 tripod with Kirk King 
 Cobra Head.
 
 Comments appreciated.
 
 Kenneth Waller 
 
 
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Re: PESO: Waterworks

2007-05-08 Thread Godfrey DiGiorgi

On May 7, 2007, at 6:19 PM, Rick Womer wrote:

 I went shooting with my spiffy new K10D on Sunday.
 The old Philadelphia Waterworks on the banks of the
 Schuylkill River have been restored, and this is one
 view.

 http://www.photo.net/photodb/photo?photo_id=5942460

 This shot used none of the camera's neat features; I
 just liked it.  I like the camera too.

Very nice.

It probably did use one of the camera's neat features, although you  
would hardly notice it: the AntiShake. ;-)

Mine spends most of its time in Av mode, working much like I have  
with the DS and the Nikon FE2/F3 before that.

Godfrey

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Re: PESO - It's a boy!

2007-05-08 Thread Godfrey DiGiorgi
Hello!

Congratulations to the family.

Nice photo too! :-)

Godfrey


On May 7, 2007, at 2:16 PM, Brendan MacRae wrote:

 Say hello to Finn Christopher MacRae. Born on Cinco de
 Mayo @ 15:57PST.

 http://www.primelensphoto.com/finn.jpg

 7lbs 6.4 oz, 21 inches long. My wife really had no
 pain meds. This wasn't her choice, there just wasn't
 time. Her doctor almost didn't make it to the delivery
 room...made for an interesting labor...it's long
 story.

 In any event, both mom and baby are doing well.


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Re: PESO - It's a boy!

2007-05-08 Thread Toine
Congratulations!!! He's looking great and a very beautiful name
Toine

On 5/7/07, Brendan MacRae [EMAIL PROTECTED] wrote:
 Say hello to Finn Christopher MacRae. Born on Cinco de
 Mayo @ 15:57PST.

 http://www.primelensphoto.com/finn.jpg

 7lbs 6.4 oz, 21 inches long. My wife really had no
 pain meds. This wasn't her choice, there just wasn't
 time. Her doctor almost didn't make it to the delivery
 room...made for an interesting labor...it's long
 story.

 In any event, both mom and baby are doing well.

 -Brendan





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Re: PESO - Log Revisited

2007-05-08 Thread Eactivist
In a message dated 5/7/2007 9:50:54 P.M. Pacific  Daylight Time, 
[EMAIL PROTECTED] writes:
Well, theoretically it is indeed an  improvement. But I have both opened 
and when I swap between them all I have  to say is Bad Marnie, Bad, bad 
Marnie  ;-).

Boris

===
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Re: PESO - another olive sparrow

2007-05-08 Thread David Mann
On May 8, 2007, at 2:18 PM, Christian wrote:

 Here's another olive sparrow; bathing.

 http://tinyurl.com/24qpmd

That's fantastic.

- Dave



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PESO: green and white

2007-05-08 Thread Toine
Yesterday I was searching for spectacular colorful flowers like
orchids and went home with these little white blossoms:
http://leende.net/peso/20070506
istD, M100/4 macro

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Re: PESO: Listen

2007-05-08 Thread Boris Liberman
Yes, I see that now. That's *my* main problem with candids. Further, I
usually don't notice things such as this one. So we're on the same
page here, in a certain sense.

On 5/8/07, William Robb [EMAIL PROTECTED] wrote:

 - Original Message -
 From: Boris Liberman
 Subject: Re: PESO: Listen


  Is she gonna sneeze? ;-)
 
  Sir William, you've lost her right hand and procured a piece of metal or
  wood behind her... Not a worthy exchange if you ask me...
 
  The expression is caught all right though.

  http://users.accesscomm.ca/wrobb/pictures/peso/listen.html


 Boris, have another look if you care to. You will see why I cropped the
 image the way I did, if you scroll down a bit.

 William Robb


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Re: PESO: Another dog picture

2007-05-08 Thread Boris Liberman
Having high cholesterol levels in my blood, I actually tend to eat
less meat than I used. I ain't no vegetarian yet, but I don't insist
on eating meat either.

On 5/8/07, William Robb [EMAIL PROTECTED] wrote:
 You must be a vegetarian.
 That roll of toilet paper is actually part of a leg bone from a steer
 (bovine).
 He's turning into a mighty fine dog though, I must say.
 Thanks for looking and commenting.

 William Robb

  For those of you who are not on my Jester spam list.
 
  http://users.accesscomm.ca/wrobb/fellas/jester/mayday_dogs.html



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Re: New Zealand (+ Hong Kong stopover)

2007-05-08 Thread David Mann
On May 7, 2007, at 11:20 PM, Peter Lacus wrote:

 16.5. Christchurch
 Arriving at 8am. After some 26 hours spent in planes we'll probably
 rest. We also need to buy some food, mobile phone pay-as-you-go  
 package
 and most importantly familiarize ourself with the left side of the  
 road
 driving (here in London I rode just my bike so far). David, are you
 around? ;-)

It's a work day but I work in the central city so we may be able to  
meet up for a coffee or something.

 17.5. Christchurch - Lake Tekapo (Mt Cook)
 18.5. Lake Tekapo - Queenstown (Te Anau)

 alternatively:
 17.5. Christchurch - Dunedin
 18.5. Dunedin - Te Anau

 I'd like to see the Catlins Forest and the wildlife of the Otago
 peninsula but the other option is also tempting. We probably need to
 discuss this with David.

Dunedin to Te Anau would be quite a long day if you're going via the  
Catlins (I don't even know if they've sealed the road yet).   
Whichever option you choose you'll love it :)  If you do stay in  
Tekapo I hope you get a clear night.  They have some of the clearest  
air in the southern hemisphere and the night sky is incredible.

 19.5. Milford Sound / Doubtful Sound - Queenstown

 unfortunately just one of them depending on the circumstances. But  
 Bob's
 postcard picture from Doubtful Sound surely looks like from a fairy
 tale so I am slightly biased towards the latter.

If you do Doubtful Sound you can also take a tour through Manapouri  
power station.  This way also involves quite a lot less travel.

Here's Milford on a good day, halfway down from the Homer Tunnel:
http://www.bluemoon.net.nz/photo/photodb/view.php?p=63

 20.5. Queenstown - Franz Jozef
 21.5. Franz Jozef - Punakaiki Rocks
 22.5. Punakaiki Rocks - Kaikoura

Check out Hanmer on the way.

 23.5. Kaikoura - Christchurch


 we prefer not to hurry, so eventually we may allow more time for  
 some of
 these places, perhaps skip Kaikoura altogether and drive from  
 Punakaiki
 to Christchurch via Arthur's Pass (provided it's any quicker).

Going via Arthurs Pass would probably cut out a couple of hours.   
Arthurs Pass is pretty nice but so is the Kaikoura coast.

I'd suggest skipping the North Island ;)

- Dave



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RE: Green Man and Pig's Head

2007-05-08 Thread Bob W
Thanks - that one's my favourite.

--
 Bob
 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Rick Womer
 Sent: 08 May 2007 02:51
 To: Pentax-Discuss Mail List
 Subject: Re: Green Man and Pig's Head
 
 Very nice, especially the maypole one (top right).
 
 Rick
 
 --- Bob W [EMAIL PROTECTED] wrote:
 
  The sun comes out for about 5 minutes, and all the
  heathens rush out
  to conduct their foul pagan rituals:
  
  http://www.web-options.com/Mayday/
  
  Bob
  


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Re: Green Man and Pig's Head

2007-05-08 Thread mike wilson

 
 From: Bob W [EMAIL PROTECTED]
 Date: 2007/05/07 Mon PM 10:13:27 GMT
 To: 'Pentax-Discuss Mail List' pdml@pdml.net
 Subject: Green Man and Pig's Head
 
 The sun comes out for about 5 minutes, and all the heathens rush out
 to conduct their foul pagan rituals:
 
 http://www.web-options.com/Mayday/


I laughed out loud when I saw the green tongue.


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RE: PESO - another olive sparrow

2007-05-08 Thread Bob W
Wonderful photo - I really like it. 

--
 Bob
 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Christian
 Sent: 08 May 2007 03:18
 To: Pentax-Discuss Mail List
 Subject: PESO - another olive sparrow
 
 Ok, last one...  for a while :-)  I'm catching a plane back 
 home tomorrow.
 
 Here's another olive sparrow; bathing.
 
 http://tinyurl.com/24qpmd
 
 Same setup but no flash.  We were getting set to leave the 
 blind and had 
 dismantled most of our gear when they landed and started bathing and

 using my perch.
 
 Comments?
 
 -- 
 
 Christian
 http://photography.skofteland.net
 
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RE: Green Man and Pig's Head

2007-05-08 Thread Bob W
 Never  heard of the green man. What is that all about?

the Green Man is a traditional figure representing the force of Nature
and spring, I think. Probably pre-Christian but it is carved into a
lot of churches here.

http://en.wikipedia.org/wiki/Green_Man

There was one carved in the parish church we went to when I was at
school, although I can't find a picture of it, but this is the church
(and the house I lived in - Elizabethan house on the right with 2
large gables at the ends and 4 smaller gables between):
http://www.hobster.co.uk/Images/Balloon/church.jpg

It finds its way into a lot of pub names. Here it was part of the
scaffolding in the town where I was at school - this is where the
locals used to hang people, so it was said:

http://www.ashbourne-town.com/pubs/green/index.html

--
 Bob
 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of [EMAIL PROTECTED]
 Sent: 08 May 2007 03:53
 To: pdml@pdml.net
 Subject: Re: Green Man and Pig's Head
 
 In a message dated 5/7/2007 3:13:24 P.M. Pacific  Daylight Time, 
 [EMAIL PROTECTED] writes:
 The sun comes out for about 5  minutes, and all the heathens rush
out
 to conduct their foul pagan  rituals:
 
 http://www.web-options.com/Mayday/
 
 Bob
 
 ===
 Very  nice gallery. Colorful, interesting bits and pieces, 
 especially the 
 green man  and the pig's head. You guys have some interesting 
 native rituals. :-) 
 Never  heard of the green man. What is that all about?
 
 Marnie aka Doe  :-)
 
 -
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Re: PESO - another olive sparrow

2007-05-08 Thread Toine
Excellent!
Toine

On 5/8/07, Christian [EMAIL PROTECTED] wrote:
 Ok, last one...  for a while :-)  I'm catching a plane back home tomorrow.

 Here's another olive sparrow; bathing.

 http://tinyurl.com/24qpmd

 Same setup but no flash.  We were getting set to leave the blind and had
 dismantled most of our gear when they landed and started bathing and
 using my perch.

 Comments?

 --

 Christian
 http://photography.skofteland.net

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PESO - never mind the noise!

2007-05-08 Thread John Coyle
Another baby picture, but I can only claim the photo credit for this one!

http://tinyurl.com/ywo5p5

Technical stuff on the page

John Coyle
Brisbane, Australia

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Re: Green Man and Pig's Head

2007-05-08 Thread Paul Stenquist
Ditto on the maypole. The foreground figures give it dimension and  
interest. Like the pig's head as well. Yumm!
Paul
On May 7, 2007, at 9:51 PM, Rick Womer wrote:

 Very nice, especially the maypole one (top right).

 Rick

 --- Bob W [EMAIL PROTECTED] wrote:

 The sun comes out for about 5 minutes, and all the
 heathens rush out
 to conduct their foul pagan rituals:

 http://www.web-options.com/Mayday/

 Bob


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Re: PESO - olive sparrow

2007-05-08 Thread Paul Stenquist
Much better. Just superb.
Paul
On May 7, 2007, at 11:55 PM, Christian wrote:

 Maris V. Lidaka Sr. wrote:
 Well done!  Now it is a sparrow rather than being crossed with a  
 cardinal.
 Image is sharp including the feathers.  And I like the closer crop  
 - on 2nd
 viewing of the original, the small diaganol branch in the lower  
 right corner
 is distracting and doesn't really belong in the photo.

 Thanks, Maris!  When I re-did the RAW conversion, I too decided that
 little branch needed to be eliminated.  I like the closer crop too.


 http://tinyurl.com/2y4ylv

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Re: PESO: Waterworks

2007-05-08 Thread Brian Walters
They don't build 'em like that anymore!  Modern design would call for something 
purely functional with aesthetics being of little or no concern (or do I just 
sound like a grumpy old man)

Anyway excellent shot.  With the variation of lighting on those columns, 
this might also look great as a BW conversion.


Cheers

Brian

++
Brian Walters
Western Sydney Australia



Quoting Rick Womer [EMAIL PROTECTED]:

 I went shooting with my spiffy new K10D on Sunday. 
 The old Philadelphia Waterworks on the banks of the
 Schuylkill River have been restored, and this is one
 view.
 
 http://www.photo.net/photodb/photo?photo_id=5942460
 
 This shot used none of the camera's neat features; I
 just liked it.  I like the camera too.
 
 Rick
 
 http://www.photo.net/photos/RickW

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Re: PESO - Log Revisited

2007-05-08 Thread David J Brooks
Actually, there should have been a smily at the end.

Sorry

Dave

On 5/6/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
 In a message dated 5/6/2007 4:33:06 P.M. Pacific  Daylight Time,
 [EMAIL PROTECTED] writes:
 but.

 Is this still a  photograph.

 Removing a tree to enhance a subject matter.

 Is it  making the point to your obvious lovely work forum.

 Not sure removing  large objects helps for what your trying to do. As
 you see. i have a bit of a  kerfuffle with this.

 Dave

 ===
 I cheated. I am deeply  ashamed of myself. :-( Well, at least I'll pretend to
 be if it makes people feel  better. Dave, you have no idea how much PS I may
 or may not do to the photos I  show where I don't admit it.

 Marnie aka Doe  :-)

 -
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OT Class update 1

2007-05-08 Thread David J Brooks
Hi gang.

Well last night  was the first of 5 lighting/portrait classes in
Barrie. Long day as i was in the field until 5:30 then a made dash to
the school. Took a while to find everything, but we did.

As i walked in to the class room, one gent in the class was raving
about his new digital camera, must be a Nikon shooter, says i.LOL

Nope, he has the K10D and kit lens, so i whipped out mine, camera that
is, and we bonded. I feel so good now.:-)

Teacher is not the regular instructor for the class. Great i think, a
Physics prof teaching me photography.

Wrong. She also teaches the night classes for Wedding and Children's portraits.

Bonus, says I. Maybe this is worth the drive to Barrie, me thinks.

Course outline was presented and a two hour talk about portraits, what
to look for, the shapes thingy.(how to set up the people to form, in
principle, diamond, triangle and eclipse.Not really sure how to
explain this yet, but it made sense in the examples)

She asked us what we wanted from the course, and i mentioned more
experience with not only on baord flash, but how to light and expose
for studio stuff. I mentioned about the possible pet work in stores.
She used to do that before just going to people portraits, so she will
add that to the class, and will bring in a bunch of tips for me.

Sounds like a real nigh class. Learn what you want, not what the
school says you need to:-)

Looking foreard to next week, She is bringing her lighting in and we
get to play.

Sorry for the OT and ramble.Thansk for listening and support

Dave

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Re: OT Class update 1

2007-05-08 Thread Scott Loveless
David J Brooks wrote:
 Hi gang.

 Well last night  was the first of 5 lighting/portrait classes in
 Barrie. Long day as i was in the field until 5:30 then a made dash to
 the school. Took a while to find everything, but we did.

 As i walked in to the class room, one gent in the class was raving
 about his new digital camera, must be a Nikon shooter, says i.LOL

 Nope, he has the K10D and kit lens, so i whipped out mine, camera that
 is, and we bonded. I feel so good now.:-)

 Teacher is not the regular instructor for the class. Great i think, a
 Physics prof teaching me photography.

 Wrong. She also teaches the night classes for Wedding and Children's 
 portraits.

 Bonus, says I. Maybe this is worth the drive to Barrie, me thinks.

 Course outline was presented and a two hour talk about portraits, what
 to look for, the shapes thingy.(how to set up the people to form, in
 principle, diamond, triangle and eclipse.Not really sure how to
 explain this yet, but it made sense in the examples)

 She asked us what we wanted from the course, and i mentioned more
 experience with not only on baord flash, but how to light and expose
 for studio stuff. I mentioned about the possible pet work in stores.
 She used to do that before just going to people portraits, so she will
 add that to the class, and will bring in a bunch of tips for me.

 Sounds like a real nigh class. Learn what you want, not what the
 school says you need to:-)

 Looking foreard to next week, She is bringing her lighting in and we
 get to play.

 Sorry for the OT and ramble.Thansk for listening and support

 Dave

   
Sounds fun, Dave.  But I wouldn't call it OT.  :)  I'm assuming you're 
going to post pics taken in class eventually?

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Re: OT: rootbeer?

2007-05-08 Thread graywolf
Yes, and pseudphidrine is, supposedly, used in the manufacture of crack. 
Hence in North Carolina, at least, it is a semi-controlled substance. 
You do not need a prescription, but it is kept behind the Rx counter and 
you are only allowed to buy 3 packs a year (I see nothing keeping you 
from buying 3 packs at every store in town, however).

Everything not prohibited is mandatory! The only reason drugs were 
made illegal in the US is because good old J Edgar Hoover blackmailed 
them into making them illegal so he would not have to disband the FBI 
when prohibition was ended. Orwell had no imagination.

Wait a minute, Bob, you live in England...



Bob W wrote:
 Just like the gauntlet I have to run these days to  
 buy Sudafed for my allergies!
 
 The word Sudafed is derived from 'pseudo ephedrine' - it's a man-made
 version of ephedrine. Ephedra was the stimulant of choice (alongside
 poppies and hemp) for the ancient Indo-Europeans, and is thought to
 have been one of the principle ingredients (in liquid form) of soma or
 haoma, the sacred drink of the Indo-Iranians. It was widely used in
 rituals such as burials among the people of Central Asia, and for
 hallucinogenic purposes. 
 
 So next time you have a bunged-up nose and reach for the Sudafed,
 think of yourself as sharing in the ancient rituals of your nomadic
 Bronze Age ancestors of the steppes.

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Re: Green Man and Pig's Head

2007-05-08 Thread Godfrey DiGiorgi
Hey Bob,

Looks like a fun time. This one is without a doubt my favorite in the  
set ...
   http://www.web-options.com/Mayday/content/_5075226_large.html

I could see it rendered in BW too.

Godfrey

On May 8, 2007, at 12:19 AM, Bob W wrote:

 The sun comes out for about 5 minutes, and all the
 heathens rush out
 to conduct their foul pagan rituals:

 http://www.web-options.com/Mayday/


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Re: PESO: Waterworks

2007-05-08 Thread Rick Womer
Thanks, Brian.  I was thinking about that, but I enjoy
the warmth of the light.  There are a few others from
the same shoot that I might try converting, though.

Rick

--- Brian Walters [EMAIL PROTECTED] wrote:

 They don't build 'em like that anymore!  Modern
 design would call for something purely functional
 with aesthetics being of little or no concern (or do
 I just sound like a grumpy old man)
 
 Anyway excellent shot.  With the variation of
 lighting on those columns, this might also look
 great as a BW conversion.
 
 
 Cheers
 
 Brian
 
 ++
 Brian Walters
 Western Sydney Australia
 
 
 
 Quoting Rick Womer [EMAIL PROTECTED]:
 
  I went shooting with my spiffy new K10D on Sunday.
 
  The old Philadelphia Waterworks on the banks of
 the
  Schuylkill River have been restored, and this is
 one
  view.
  
 
 http://www.photo.net/photodb/photo?photo_id=5942460
  
  This shot used none of the camera's neat features;
 I
  just liked it.  I like the camera too.
  
  Rick
  
  http://www.photo.net/photos/RickW
 

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Re: PESO: Waterworks

2007-05-08 Thread Rick Womer
Thanks, Godfrey.  The exposure was 1/[EMAIL PROTECTED]/16, my last
beer was with lunch 5 hours earlier, and I hadn't had
any caffeine, so even the anti-shake didn't have much
to do!

On other shots, though, it has worked =very= nicely. 
The camera generally handles wonderfully.

Rick
  
--- Godfrey DiGiorgi [EMAIL PROTECTED] wrote:

 
 On May 7, 2007, at 6:19 PM, Rick Womer wrote:
 
  I went shooting with my spiffy new K10D on Sunday.
  The old Philadelphia Waterworks on the banks of
 the
  Schuylkill River have been restored, and this is
 one
  view.
 
 
 http://www.photo.net/photodb/photo?photo_id=5942460
 
  This shot used none of the camera's neat features;
 I
  just liked it.  I like the camera too.
 
 Very nice.
 
 It probably did use one of the camera's neat
 features, although you  
 would hardly notice it: the AntiShake. ;-)
 
 Mine spends most of its time in Av mode, working
 much like I have  
 with the DS and the Nikon FE2/F3 before that.
 
 Godfrey
 
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Re: Waterworks

2007-05-08 Thread Rick Womer
Thanks for the compliment!  People around here might
quibble about =anything= being a step up from an LX,
though...

Rick

--- Bob Rapp [EMAIL PROTECTED] wrote:

 You don't need fancy features to take a great
 photo! 
 I too, have been learning the new features.
 Quite a step up from a LX!
 
 Bob
 - Original Message - 
 From: Rick Womer [EMAIL PROTECTED]
 Subject: PESO: Waterworks
 
 
 I went shooting with my spiffy new K10D on Sunday. 
  The old Philadelphia Waterworks on the banks of
 the
  Schuylkill River have been restored, and this is
 one
  view.
  
 
 http://www.photo.net/photodb/photo?photo_id=5942460
  
  This shot used none of the camera's neat features;
 I
  just liked it.  I like the camera too.
  
  Rick
  
  http://www.photo.net/photos/RickW
  
 
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Re: PESO - Log Revisited

2007-05-08 Thread Eactivist
In a message dated 5/8/2007 5:16:55 A.M. Pacific  Daylight Time, 
[EMAIL PROTECTED] writes:
Actually, there should have been a  smily at the end.

Sorry

Dave

===
Nevermind. Mine  had a smiley.

Marnie aka Doe  :-)

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Re: Green Man and Pig's Head

2007-05-08 Thread Eactivist
In a message dated 5/8/2007 12:51:41 A.M.  Pacific Daylight Time, 
[EMAIL PROTECTED] writes:
the Green Man is a  traditional figure representing the force of Nature
and spring, I think.  Probably pre-Christian but it is carved into a
lot of churches  here.

http://en.wikipedia.org/wiki/Green_Man

There was one carved  in the parish church we went to when I was at
school, although I can't find a  picture of it, but this is the church
(and the house I lived in - Elizabethan  house on the right with 2
large gables at the ends and 4 smaller gables  between):
http://www.hobster.co.uk/Images/Balloon/church.jpg

It finds  its way into a lot of pub names. Here it was part of the
scaffolding in the  town where I was at school - this is where the
locals used to hang people, so  it was  said:

http://www.ashbourne-town.com/pubs/green/index.html

--
Bob

=
Very  interesting. Thanks.

Marnie aka  Doe

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Re: PESO - never mind the noise!

2007-05-08 Thread Christian
John Coyle wrote:
 Another baby picture, but I can only claim the photo credit for this one!
 
 http://tinyurl.com/ywo5p5
 
 Technical stuff on the page
 
 John Coyle
 Brisbane, Australia
 

That's a very sweet photo...  aww.

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Re: PESO: Waterworks

2007-05-08 Thread pnstenquist
Nicely done. It's tough to find a good angle for a shot like this. You did it 
well.
Paul
 -- Original message --
From: Rick Womer [EMAIL PROTECTED]
 Thanks, Godfrey.  The exposure was 1/[EMAIL PROTECTED]/16, my last
 beer was with lunch 5 hours earlier, and I hadn't had
 any caffeine, so even the anti-shake didn't have much
 to do!
 
 On other shots, though, it has worked =very= nicely. 
 The camera generally handles wonderfully.
 
 Rick
   
 --- Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
 
  
  On May 7, 2007, at 6:19 PM, Rick Womer wrote:
  
   I went shooting with my spiffy new K10D on Sunday.
   The old Philadelphia Waterworks on the banks of
  the
   Schuylkill River have been restored, and this is
  one
   view.
  
  
  http://www.photo.net/photodb/photo?photo_id=5942460
  
   This shot used none of the camera's neat features;
  I
   just liked it.  I like the camera too.
  
  Very nice.
  
  It probably did use one of the camera's neat
  features, although you  
  would hardly notice it: the AntiShake. ;-)
  
  Mine spends most of its time in Av mode, working
  much like I have  
  with the DS and the Nikon FE2/F3 before that.
  
  Godfrey
  
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 http://www.photo.net/photos/RickW
 
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Re: PESO - another olive sparrow

2007-05-08 Thread Christian
Bob W wrote:
 Wonderful photo - I really like it. 
 
 --
  Bob

Thanks, Bob.  I'm really happy with it too.

-- 

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 http://tinyurl.com/24qpmd

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Re: PESO - cardinal

2007-05-08 Thread Christian
Brendan MacRae wrote:
 Really nice shot, Christian. You nailed it. Very
 interesting pose for him, too.
 

Thanks, Brendan.  I really like the pose too.

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Re: PESO - olive sparrow

2007-05-08 Thread Christian
Paul Stenquist wrote:
 Much better. Just superb.
 Paul

Thanks a bunch. Paul.

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Re: PESO - another olive sparrow

2007-05-08 Thread Christian
Toine wrote:
 Excellent!
 Toine

Thanks!

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Re: PESO - another olive sparrow

2007-05-08 Thread Christian
David Mann wrote:
 On May 8, 2007, at 2:18 PM, Christian wrote:
 
 Here's another olive sparrow; bathing.

 http://tinyurl.com/24qpmd
 
 That's fantastic.
 

Thanks, Dave.  The guy in the blind with me (whom I shot with all 3 
days) had a 1DMkIIn and was machine gunning the little guy at 8fps.  I 
was happy with the way this one turned out: sharp head, beak and eye; 
motion blur on the body and water drops frozen in mid-air.


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Re: OT Class update 1

2007-05-08 Thread David J Brooks
Yes i will.

Both good ones and what i think are bad ones.

I'd like to get feedback on those.

Dave

On 5/8/07, Scott Loveless [EMAIL PROTECTED] wrote:
 David J Brooks wrote:
  Hi gang.
 
  Well last night  was the first of 5 lighting/portrait classes in
  Barrie. Long day as i was in the field until 5:30 then a made dash to
  the school. Took a while to find everything, but we did.
 
  As i walked in to the class room, one gent in the class was raving
  about his new digital camera, must be a Nikon shooter, says i.LOL
 
  Nope, he has the K10D and kit lens, so i whipped out mine, camera that
  is, and we bonded. I feel so good now.:-)
 
  Teacher is not the regular instructor for the class. Great i think, a
  Physics prof teaching me photography.
 
  Wrong. She also teaches the night classes for Wedding and Children's 
  portraits.
 
  Bonus, says I. Maybe this is worth the drive to Barrie, me thinks.
 
  Course outline was presented and a two hour talk about portraits, what
  to look for, the shapes thingy.(how to set up the people to form, in
  principle, diamond, triangle and eclipse.Not really sure how to
  explain this yet, but it made sense in the examples)
 
  She asked us what we wanted from the course, and i mentioned more
  experience with not only on baord flash, but how to light and expose
  for studio stuff. I mentioned about the possible pet work in stores.
  She used to do that before just going to people portraits, so she will
  add that to the class, and will bring in a bunch of tips for me.
 
  Sounds like a real nigh class. Learn what you want, not what the
  school says you need to:-)
 
  Looking foreard to next week, She is bringing her lighting in and we
  get to play.
 
  Sorry for the OT and ramble.Thansk for listening and support
 
  Dave
 
 
 Sounds fun, Dave.  But I wouldn't call it OT.  :)  I'm assuming you're
 going to post pics taken in class eventually?

 --
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Repari ofan M-2.8/28mm lens

2007-05-08 Thread Jens Bladt
Hello List
A friend of mine needs to repair an old M 2.8/28mm lens.
Some years ago someone here posted photographs about repairing/taking apart
the old Pentax lenses - like K, M or A-lenses.
Would these instructions still be available somewhere on the www, please?
Regards
Jens Bladt

http://www.jensbladt.dk

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OT: Seikanon lens

2007-05-08 Thread Jens Bladt
Anyone ver tryied one?
This one doesn't look too bad at all:
http://www.flickr.com/photos/bladt/sets/72157600191710910/

Jens Bladt

http://www.jensbladt.dk

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K10D and Sigma, again, sorry

2007-05-08 Thread David J Brooks
Hi Troops

The fellow in class that had the K10D last night, has the newer Sigma
500 DG super, and he has trouble getting the wireless mode/flash to
work properly.Major under exposures.

So am i.

Is this now a dead issue with the DG super, and K10D in that wireless is kaput.

If so, i quess the best way would be to sell and buy the 360 or 540/500

Any more thoughts on this matter.

Dave


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Re: K10D and Sigma, again, sorry

2007-05-08 Thread Rick Womer
My DG Super is at Sigma now getting upgraded.  Stay
tuned.

Rick

--- David J Brooks [EMAIL PROTECTED] wrote:

 Hi Troops
 
 The fellow in class that had the K10D last night,
 has the newer Sigma
 500 DG super, and he has trouble getting the
 wireless mode/flash to
 work properly.Major under exposures.
 
 So am i.
 
 Is this now a dead issue with the DG super, and K10D
 in that wireless is kaput.
 
 If so, i quess the best way would be to sell and buy
 the 360 or 540/500
 
 Any more thoughts on this matter.
 
 Dave
 
 
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 http://brooksinthecountry.blogspot.com/
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Re: PESO: Waterworks

2007-05-08 Thread Rick Womer
Thanks, Paul.  Yes, it's a difficult place to shoot. 
There seem to be either parked cars in the foreground
or various architectural distractions in the
background from most vantage points.

Rick

--- [EMAIL PROTECTED] wrote:

 Nicely done. It's tough to find a good angle for a
 shot like this. You did it well.
 Paul
  -- Original message
 --
 From: Rick Womer [EMAIL PROTECTED]
  Thanks, Godfrey.  The exposure was 1/[EMAIL PROTECTED]/16, my
 last
  beer was with lunch 5 hours earlier, and I hadn't
 had
  any caffeine, so even the anti-shake didn't have
 much
  to do!
  
  On other shots, though, it has worked =very=
 nicely. 
  The camera generally handles wonderfully.
  
  Rick

  --- Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
  
   
   On May 7, 2007, at 6:19 PM, Rick Womer wrote:
   
I went shooting with my spiffy new K10D on
 Sunday.
The old Philadelphia Waterworks on the banks
 of
   the
Schuylkill River have been restored, and this
 is
   one
view.
   
   
  
 http://www.photo.net/photodb/photo?photo_id=5942460
   
This shot used none of the camera's neat
 features;
   I
just liked it.  I like the camera too.
   
   Very nice.
   
   It probably did use one of the camera's neat
   features, although you  
   would hardly notice it: the AntiShake. ;-)
   
   Mine spends most of its time in Av mode, working
   much like I have  
   with the DS and the Nikon FE2/F3 before that.
   
   Godfrey
   
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  http://www.photo.net/photos/RickW
  
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Re: K10D and Sigma, again, sorry

2007-05-08 Thread pnstenquist
I gave up on the Sigma. Too many problems. And it quit working completely when 
I tried it on the K10D. I guess I should send it in, although it's probably off 
warranty. I bought the Pentax 540. Works great. And I've now added the external 
battery pack. It's a good unit.
Paul
 -- Original message --
From: David J Brooks [EMAIL PROTECTED]
 Hi Troops
 
 The fellow in class that had the K10D last night, has the newer Sigma
 500 DG super, and he has trouble getting the wireless mode/flash to
 work properly.Major under exposures.
 
 So am i.
 
 Is this now a dead issue with the DG super, and K10D in that wireless is 
 kaput.
 
 If so, i quess the best way would be to sell and buy the 360 or 540/500
 
 Any more thoughts on this matter.
 
 Dave
 
 
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Re: K10D and Sigma, again, sorry

2007-05-08 Thread David J Brooks
Paul, is this on, and off camera?Wireless modes to.

Is the 360 the only model that does not offer swivel positions. The
500 and 540 do, correct.



Dave

On 5/8/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
 I gave up on the Sigma. Too many problems. And it quit working completely 
 when I tried it on the K10D. I guess I should send it in, although it's 
 probably off warranty. I bought the Pentax 540. Works great. And I've now 
 added the external battery pack. It's a good unit.
 Paul
  -- Original message --
 From: David J Brooks [EMAIL PROTECTED]
  Hi Troops
 
  The fellow in class that had the K10D last night, has the newer Sigma
  500 DG super, and he has trouble getting the wireless mode/flash to
  work properly.Major under exposures.
 
  So am i.
 
  Is this now a dead issue with the DG super, and K10D in that wireless is 
  kaput.
 
  If so, i quess the best way would be to sell and buy the 360 or 540/500
 
  Any more thoughts on this matter.
 
  Dave
 
 
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Re: K10D and Sigma, again, sorry

2007-05-08 Thread David J Brooks
On 5/8/07, Rick Womer [EMAIL PROTECTED] wrote:
 My DG Super is at Sigma now getting upgraded.  Stay
 tuned.

Waiting with worms on my tongue.:-)

Dave

 Rick

 --- David J Brooks [EMAIL PROTECTED] wrote:

  Hi Troops
 
  The fellow in class that had the K10D last night,
  has the newer Sigma
  500 DG super, and he has trouble getting the
  wireless mode/flash to
  work properly.Major under exposures.
 
  So am i.
 
  Is this now a dead issue with the DG super, and K10D
  in that wireless is kaput.
 
  If so, i quess the best way would be to sell and buy
  the 360 or 540/500
 
  Any more thoughts on this matter.
 
  Dave
 
 
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Re: Re:

2007-05-08 Thread Tom C
What?  Is Godfrey in a 3rd grade photography?  :-) Sorry to appear rude.

What is good about this picture?  I don't find anything appealing about it.  
I don't see that it took any more effort than haphazardly raising the camera 
to one's eye and pressing the shutter release, maybe not even looking 
through the viewfinder.

Not only  is the main subject not in clear focus, the secondary subject is 
not either, and both are cut off.  I'm not a believer that some sort of 
unspoken social commentary, makes a photograph a good photograph.

If this is the kind of image that constitutes an incredible photograph, then 
by God, every person that ever picked up a camera and pressed the shutter 
release a half dozen times is a good photographer, and we should all stop 
trying.

Tom C.

 On 08/05/07, Paul Stenquist [EMAIL PROTECTED] wrote:
I missed this as well. Beautifully captured. Very moving.
Paul
On May 7, 2007, at 5:50 PM, frank theriault wrote:

  On 5/5/07, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
http://homepage.mac.com/ramarren/photo/PAW7/22.htm
 
  I missed this first time 'round.
 
  In incredible photograph.
 
  Just incredible...
 
  cheers,
  frank
 
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PESO - Found My Ex

2007-05-08 Thread frank theriault
She's a restauranteur:

http://gmapuploader.com/iframe.php?mapId=6Q6hFkxnjN

And a lovely restaurant it is, too...

;-)

cheers,
frank

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Re: PESO -- Night Life III (I wonder where my shoes got to...)

2007-05-08 Thread Eactivist
In a message dated 5/7/2007 3:29:20 P.M. Pacific  Daylight Time, 
[EMAIL PROTECTED] writes:
Hula Hanks. You've got to  love a club that can convince random members 
of the clientèle to become part  of the entertainment.  How? It could 
have been the drinks, two martinis  and I felt that I'd been kicked by a 
horse. 

This is a work safe  photo in most places but some may find it  exploitive.

http://home.earthlink.net/~morephotos/PESO_--_nightlife%5B3%5D.html

Equipment:   Pentax *ist-Ds/smc Pentax 43mm f1.9 limited.

As usual comments are  welcome but may be totally ignored.


Works better than the  first one (or the second one, woman on patio). Unsure 
how I feel about it,  Peter. It looks like a good promo for the club, and you 
caught a good moment.  But.. well, I guess, personally, I have never been that 
hot on shots from taken  from the audience. If it is a son's or daughter's 
school play or something, then  I find it more engaging/intriguing. Whatever. 
Sorry to not be more  clear/decisive.

Marnie aka Doe  :-)

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Re: PESO - Found My Ex

2007-05-08 Thread Christian
frank theriault wrote:
 She's a restauranteur:
 
 http://gmapuploader.com/iframe.php?mapId=6Q6hFkxnjN
 
 And a lovely restaurant it is, too...

HAR!  My ex would own/operate Stupid, Disrespectful, Insane Bitch's if 
there was such a restaurant...

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Re: K10D and Sigma, again, sorry

2007-05-08 Thread Mark Roberts
[EMAIL PROTECTED] wrote:

I gave up on the Sigma. Too many problems. And it quit working 
completely when I tried it on the K10D. I guess I should send it in, 
although it's probably off warranty. 

Sigma updated my EF500 free, even though it was long out of warranty.

I bought the Pentax 540. Works great. And I've now added the external 
battery pack. It's a good unit.

I'm gonna get one of those next :-)


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Re: PESO: Waterworks

2007-05-08 Thread Scott Loveless
Rick Womer wrote:
 I went shooting with my spiffy new K10D on Sunday. 
 The old Philadelphia Waterworks on the banks of the
 Schuylkill River have been restored, and this is one
 view.

 http://www.photo.net/photodb/photo?photo_id=5942460

 This shot used none of the camera's neat features; I
 just liked it.  I like the camera too.

 Rick

 http://www.photo.net/photos/RickW


  
 
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Thanks for posting this, Rick.  Architecture like this fascinates me, 
and you've done a good job photographing it.

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Re: Repair of an M-2.8/28mm lens

2007-05-08 Thread Scott Loveless
Charles Robinson wrote:
 On May 8, 2007, at 10:10, Jens Bladt wrote:

   
 Hello List
 A friend of mine needs to repair an old M 2.8/28mm lens.
 Some years ago someone here posted photographs about repairing/ 
 taking apart
 the old Pentax lenses - like K, M or A-lenses.
 Would these instructions still be available somewhere on the www,  
 please?

 

 Here's one for a 50mm f1.4 K lens but it may have some bearing on  
 what needs to be done with the 28mm M

 http://homepages.ihug.co.nz/~Srawhiti/pentax50mmf1.4.html


  
Or this one:  http://www.hermes.net.au/bayling/repair.html  Not the same 
lens, but the repair technique is universal.

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Re: PESO - Heavy Weather 2

2007-05-08 Thread Tim Øsleby
One of the most unusual bird shots I have ever seen. That's an UNUSUAL 
compliment ;-)
Or is it? Anyway, thanks Marnie.

Me puting a picture together from three shots? You got to be kidding ;-)
I'm not able to edit one shot properly in PS.

Seriuosly. To see a young Seagul next to a Eurasian Oistercatcher is pretty 
common. It is also rather common to see Northern Lapwing visiting their 
habitat. And all those birds are Mostly Harmless (but they spell better than 
you and I (-; )
And don't forget. I'm using long glass that makes them look closer than they 
really are.

Tim Typo
Mostly Harmless

- Original Message - 
From: [EMAIL PROTECTED]
To: pdml@pdml.net
Sent: Tuesday, May 08, 2007 4:58 AM
Subject: Re: PESO - Heavy Weather 2


 In a message dated 5/7/2007 12:07:05 P.M.  Pacific Daylight Time,
 [EMAIL PROTECTED] writes:
 I've already displayed the  first one. I think I have material for four of
 five in a Birds in Heavy  Weather serie.
 The idea of making a serie of them is partly inspired by  Marnie's 
 projects.
 http://foto.no/cgi-bin/bildegalleri/vis_bilde.cgi?id=308716
 I  like the composition in this one. Not fancy, but effecient.

 Thumb up, or  thumb down folks?
 When asking, I'm thinking of this photo and about the serie  idea.

 Tim Typo
 Mostly Harmless

 =
 I think thumbs  up. That is one of the most unusual bird shots I have ever
 seen. A few things I  am not thrilled about, but it's nice how they all 
 line up
 and also look like all  different species (subspecies whatever). Is that 
 one
 you have put together from  three shots? If not, really, really good 
 timing.

 I guess I'd like that  back bird to have just a tad more definition, maybe 
 up
 the contrast just a tad  in that area. Like +1 - +3. Overall I find it 
 very
 interesting to look  at.

 Marnie aka Doe  :-)

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Re: Repair of an M-2.8/28mm lens

2007-05-08 Thread Charles Robinson
On May 8, 2007, at 10:10, Jens Bladt wrote:

 Hello List
 A friend of mine needs to repair an old M 2.8/28mm lens.
 Some years ago someone here posted photographs about repairing/ 
 taking apart
 the old Pentax lenses - like K, M or A-lenses.
 Would these instructions still be available somewhere on the www,  
 please?


Here's one for a 50mm f1.4 K lens but it may have some bearing on  
what needs to be done with the 28mm M

http://homepages.ihug.co.nz/~Srawhiti/pentax50mmf1.4.html


  -Charles

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Re: Apples

2007-05-08 Thread Tim Øsleby
A very fine show Jens. What's the music, it reminds me of Phillip Cathrine?

Tim Typo
Mostly Harmless

- Original Message - 
From: Jens Bladt [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Monday, May 07, 2007 9:03 AM
Subject: DESO: Apples


 Pklease take a look at my flowers:
 http://www.jensbladt.dk/Flash-Shows/apples.swf
 Requires Shockwave Flash (or other SWF software)
 Regards
 Jens Bladt

 http://www.jensbladt.dk
 +

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Re: K10D and Sigma, again, sorry

2007-05-08 Thread pnstenquist
My Sigma doesn't work at all any more. I think something popped when I tried to 
use it on the K10D. It had already been upgraded for the K 100D, so I figured 
it would be okay. I don't know how the 540 Pentax differs from the 360, other 
than it has more range. The 500 won't work on the K10D. It's TTL.
Paul
 -- Original message --
From: David J Brooks [EMAIL PROTECTED]
 Paul, is this on, and off camera?Wireless modes to.
 
 Is the 360 the only model that does not offer swivel positions. The
 500 and 540 do, correct.
 
 
 
 Dave
 
 On 5/8/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
  I gave up on the Sigma. Too many problems. And it quit working completely 
  when 
 I tried it on the K10D. I guess I should send it in, although it's probably 
 off 
 warranty. I bought the Pentax 540. Works great. And I've now added the 
 external 
 battery pack. It's a good unit.
  Paul
   -- Original message --
  From: David J Brooks [EMAIL PROTECTED]
   Hi Troops
  
   The fellow in class that had the K10D last night, has the newer Sigma
   500 DG super, and he has trouble getting the wireless mode/flash to
   work properly.Major under exposures.
  
   So am i.
  
   Is this now a dead issue with the DG super, and K10D in that wireless is 
 kaput.
  
   If so, i quess the best way would be to sell and buy the 360 or 540/500
  
   Any more thoughts on this matter.
  
   Dave
  
  
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   http://brooksinthecountry.blogspot.com/
   Ontario Canada
  
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Re: PESO - Heavy Weather 2

2007-05-08 Thread Godfrey DiGiorgi
I like the idea in this photo a lot. What I would like to see is a  
bit more separation between the foreground bird and its surroundings.  
You might be able to do that with a little bit of careful image  
processing work.

Godfrey

On May 7, 2007, at 11:38 AM, Tim Øsleby wrote:

 I've already displayed the first one. I think I have material for  
 four of
 five in a Birds in Heavy Weather serie.
 The idea of making a serie of them is partly inspired by Marnie's  
 projects.
 http://foto.no/cgi-bin/bildegalleri/vis_bilde.cgi?id=308716
 I like the composition in this one. Not fancy, but effecient.

 Thumb up, or thumb down folks?
 When asking, I'm thinking of this photo and about the serie idea.


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Re: PESO - Found My Ex

2007-05-08 Thread Maris V. Lidaka Sr.
Though I don't get along with my ex either, IMHO this is going a bit too 
far.

Maris

Christian wrote:
 frank theriault wrote:
 She's a restauranteur:

 http://gmapuploader.com/iframe.php?mapId=6Q6hFkxnjN

 And a lovely restaurant it is, too...

 HAR!  My ex would own/operate Stupid, Disrespectful, Insane Bitch's
 if there was such a restaurant... 


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PESO - Prancing Horses

2007-05-08 Thread frank theriault
http://gmapuploader.com/iframe.php?mapId=49fYIPjFnN

I actually focused on the prancing horse on the mirror, but it still
came out blurry.  I guess it's the lens, being soft off-centre or
something.  Can't be my (or the camera's) focusing, right?

;-)

Comments welcome.

cheers,
frank

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Re: K10D and Sigma, again, sorry

2007-05-08 Thread pnstenquist
I'm going to send the Sigma in for an upgrade. However, I think something is 
broken. It won't flash at all.
Paul
 -- Original message --
From: Mark Roberts [EMAIL PROTECTED]
 [EMAIL PROTECTED] wrote:
 
 I gave up on the Sigma. Too many problems. And it quit working 
 completely when I tried it on the K10D. I guess I should send it in, 
 although it's probably off warranty. 
 
 Sigma updated my EF500 free, even though it was long out of warranty.
 
 I bought the Pentax 540. Works great. And I've now added the external 
 battery pack. It's a good unit.
 
 I'm gonna get one of those next :-)
 
 
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Re: Re:

2007-05-08 Thread pnstenquist
At least two viewers. Frank and I both said we liked it. I find it quite 
fascinating. The juxtaposition of the person and the dog adds interest. The 
jacket that separates the two is sharply in focus, as the head and the dog 
become slightly softer background and foreground elements. Social commentary is 
irrelevant. The pic is good because it's compelling and unique. BTW, I 
frequently cut off the tops of heads on purpose. If this shot wasn't packed 
tightly into the frame, it wouldn't be nearly as good.
Paul


 -- Original message --
From: Jack Davis [EMAIL PROTECTED]
 The was, in some unique way, especially meaningful to one viewer. That
 doesn't, necessarily, validate it to anyone else.
 I think that's what every photographer and viewer has to realize. 
 
 Jack
 
 --- Tom C [EMAIL PROTECTED] wrote:
 
  What?  Is Godfrey in a 3rd grade photography?  :-) Sorry to appear
  rude.
  
  What is good about this picture?  I don't find anything appealing
  about it.  
  I don't see that it took any more effort than haphazardly raising the
  camera 
  to one's eye and pressing the shutter release, maybe not even looking
  
  through the viewfinder.
  
  Not only  is the main subject not in clear focus, the secondary
  subject is 
  not either, and both are cut off.  I'm not a believer that some sort
  of 
  unspoken social commentary, makes a photograph a good photograph.
  
  If this is the kind of image that constitutes an incredible
  photograph, then 
  by God, every person that ever picked up a camera and pressed the
  shutter 
  release a half dozen times is a good photographer, and we should all
  stop 
  trying.
  
  Tom C.
  
   On 08/05/07, Paul Stenquist [EMAIL PROTECTED] wrote:
  I missed this as well. Beautifully captured. Very moving.
  Paul
  On May 7, 2007, at 5:50 PM, frank theriault wrote:
  
On 5/5/07, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
  http://homepage.mac.com/ramarren/photo/PAW7/22.htm
   
I missed this first time 'round.
   
In incredible photograph.
   
Just incredible...
   
cheers,
frank
   
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Re: Re:

2007-05-08 Thread Jack Davis
The was, in some unique way, especially meaningful to one viewer. That
doesn't, necessarily, validate it to anyone else.
I think that's what every photographer and viewer has to realize. 

Jack

--- Tom C [EMAIL PROTECTED] wrote:

 What?  Is Godfrey in a 3rd grade photography?  :-) Sorry to appear
 rude.
 
 What is good about this picture?  I don't find anything appealing
 about it.  
 I don't see that it took any more effort than haphazardly raising the
 camera 
 to one's eye and pressing the shutter release, maybe not even looking
 
 through the viewfinder.
 
 Not only  is the main subject not in clear focus, the secondary
 subject is 
 not either, and both are cut off.  I'm not a believer that some sort
 of 
 unspoken social commentary, makes a photograph a good photograph.
 
 If this is the kind of image that constitutes an incredible
 photograph, then 
 by God, every person that ever picked up a camera and pressed the
 shutter 
 release a half dozen times is a good photographer, and we should all
 stop 
 trying.
 
 Tom C.
 
  On 08/05/07, Paul Stenquist [EMAIL PROTECTED] wrote:
 I missed this as well. Beautifully captured. Very moving.
 Paul
 On May 7, 2007, at 5:50 PM, frank theriault wrote:
 
   On 5/5/07, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
 http://homepage.mac.com/ramarren/photo/PAW7/22.htm
  
   I missed this first time 'round.
  
   In incredible photograph.
  
   Just incredible...
  
   cheers,
   frank
  
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Re: PESO -- Night Life III (I wonder where my shoes got to...)

2007-05-08 Thread P. J. Alling
If it were my daughter I'd be a bit disappointed in her...

[EMAIL PROTECTED] wrote:
 In a message dated 5/7/2007 3:29:20 P.M. Pacific  Daylight Time, 
 [EMAIL PROTECTED] writes:
 Hula Hanks. You've got to  love a club that can convince random members 
 of the clientèle to become part  of the entertainment.  How? It could 
 have been the drinks, two martinis  and I felt that I'd been kicked by a 
 horse. 

 This is a work safe  photo in most places but some may find it  exploitive.

 http://home.earthlink.net/~morephotos/PESO_--_nightlife%5B3%5D.html

 Equipment:   Pentax *ist-Ds/smc Pentax 43mm f1.9 limited.

 As usual comments are  welcome but may be totally ignored.

 
 Works better than the  first one (or the second one, woman on patio). Unsure 
 how I feel about it,  Peter. It looks like a good promo for the club, and you 
 caught a good moment.  But.. well, I guess, personally, I have never been 
 that 
 hot on shots from taken  from the audience. If it is a son's or daughter's 
 school play or something, then  I find it more engaging/intriguing. Whatever. 
 Sorry to not be more  clear/decisive.

 Marnie aka Doe  :-)

 -
 Warning: I am now  filtering my email, so you may be censored.  




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Re: PESO: Waterworks

2007-05-08 Thread Rick Womer
My pleasure.  This was all a construction site at the
time of the Philly PDML.  We may have to hold another
one someday...

--- Scott Loveless [EMAIL PROTECTED] wrote:


 Thanks for posting this, Rick.  Architecture like
 this fascinates me, 
 and you've done a good job photographing it.
 
 -- 
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 www.twosixteen.com
 
 
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Re: PESO - Found My Ex

2007-05-08 Thread frank theriault
On 5/8/07, Maris V. Lidaka Sr. [EMAIL PROTECTED] wrote:
 Though I don't get along with my ex either, IMHO this is going a bit too
 far.

I hope you didn't find this insulting, Maris.

I actually don't get along so badly with my ex.  I'm just having fun
with my friends (on this list).

cheers,
frank


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Re: PESO - It's a boy!

2007-05-08 Thread Tim Øsleby
Way to go :-)

Tim Typo
Mostly Harmless

- Original Message - 
From: Brendan MacRae [EMAIL PROTECTED]
To: pdml pdml@pdml.net
Sent: Monday, May 07, 2007 11:16 PM
Subject: PESO - It's a boy!


 Say hello to Finn Christopher MacRae. Born on Cinco de
 Mayo @ 15:57PST.

 http://www.primelensphoto.com/finn.jpg

 7lbs 6.4 oz, 21 inches long. My wife really had no
 pain meds. This wasn't her choice, there just wasn't
 time. Her doctor almost didn't make it to the delivery
 room...made for an interesting labor...it's long
 story.

 In any event, both mom and baby are doing well.

 -Brendan





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Re: Re:

2007-05-08 Thread Jack Davis
I stipulate that we both saw the same image. Far as I'm concerned,
you're under no obligation to attempt to justify your reaction.

Jack
--- [EMAIL PROTECTED] wrote:

 At least two viewers. Frank and I both said we liked it. I find it
 quite fascinating. The juxtaposition of the person and the dog adds
 interest. The jacket that separates the two is sharply in focus, as
 the head and the dog become slightly softer background and foreground
 elements. Social commentary is irrelevant. The pic is good because
 it's compelling and unique. BTW, I frequently cut off the tops of
 heads on purpose. If this shot wasn't packed tightly into the frame,
 it wouldn't be nearly as good.
 Paul
 
 
  -- Original message --
 From: Jack Davis [EMAIL PROTECTED]
  The was, in some unique way, especially meaningful to one viewer.
 That
  doesn't, necessarily, validate it to anyone else.
  I think that's what every photographer and viewer has to realize. 
  
  Jack
  
  --- Tom C [EMAIL PROTECTED] wrote:
  
   What?  Is Godfrey in a 3rd grade photography?  :-) Sorry to
 appear
   rude.
   
   What is good about this picture?  I don't find anything appealing
   about it.  
   I don't see that it took any more effort than haphazardly raising
 the
   camera 
   to one's eye and pressing the shutter release, maybe not even
 looking
   
   through the viewfinder.
   
   Not only  is the main subject not in clear focus, the secondary
   subject is 
   not either, and both are cut off.  I'm not a believer that some
 sort
   of 
   unspoken social commentary, makes a photograph a good photograph.
   
   If this is the kind of image that constitutes an incredible
   photograph, then 
   by God, every person that ever picked up a camera and pressed the
   shutter 
   release a half dozen times is a good photographer, and we should
 all
   stop 
   trying.
   
   Tom C.
   
On 08/05/07, Paul Stenquist [EMAIL PROTECTED] wrote:
   I missed this as well. Beautifully captured. Very moving.
   Paul
   On May 7, 2007, at 5:50 PM, frank theriault wrote:
   
 On 5/5/07, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
   http://homepage.mac.com/ramarren/photo/PAW7/22.htm

 I missed this first time 'round.

 In incredible photograph.

 Just incredible...

 cheers,
 frank

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Re: PESO - Prancing Horses

2007-05-08 Thread drew
frank theriault wrote:
 http://gmapuploader.com/iframe.php?mapId=49fYIPjFnN
 
 I actually focused on the prancing horse on the mirror, but it still
 came out blurry.  I guess it's the lens, being soft off-centre or
 something.  Can't be my (or the camera's) focusing, right?
 
 ;-)
 
 Comments welcome.
 
 cheers,
 frank
 

It's most likely to be a badly printed badge... you know Italian cars 
are not renown for their superb build quality. Supercars are no 
exception.. ;-)  I like the picture too BTW, pity the car was not super 
clean.

Have fun,
Andy.


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Re: PESO - Prancing Horses

2007-05-08 Thread cbwaters
let me help you out there Frank...
http://bp0.blogger.com/_EaTEtfR4WJw/RkBpjwA3C7I/AQ0/ZBUC62cjluY/s400/april_30+067.jpg

CW

- Original Message - 
From: frank theriault [EMAIL PROTECTED]
To: Pentax-Discuss Mail List PDML@pdml.net
Sent: Tuesday, May 08, 2007 1:33 PM
Subject: PESO - Prancing Horses


I actually focused on the prancing horse on the mirror, but it still
 came out blurry.  I guess it's the lens, being soft off-centre or
 something.  Can't be my (or the camera's) focusing, right?

 ;-)

 Comments welcome.

 cheers,
 frank

 -- 
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: PESO - Prancing Horses

2007-05-08 Thread cbwaters
Ok, that's not the first time recently that this has happened but Frank's 
initial post didn't have a link when it got to my computer.
Just forget I said anything
CW

- Original Message - 
From: drew [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Tuesday, May 08, 2007 1:55 PM
Subject: Re: PESO - Prancing Horses


 frank theriault wrote:
 http://gmapuploader.com/iframe.php?mapId=49fYIPjFnN

 I actually focused on the prancing horse on the mirror, but it still
 came out blurry.  I guess it's the lens, being soft off-centre or
 something.  Can't be my (or the camera's) focusing, right?

 ;-)

 Comments welcome.

 cheers,
 frank


 It's most likely to be a badly printed badge... you know Italian cars
 are not renown for their superb build quality. Supercars are no
 exception.. ;-)  I like the picture too BTW, pity the car was not super
 clean.

 Have fun,
 Andy.


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Re: Re:

2007-05-08 Thread Tom C
Granted, everyone has their own taste and I can't, nor do I want to, change 
that.  However, I and several others tend to find the list is often too 
self-congratulatory.

Almost every single photo shown here meets with praise.  That tends to 
diminish the value of truly well-deserved praise, and to some degree it does 
the photographer a disservice.

Some photos are failures (yes there is alway subjectivity), and to tell the 
photographer otherwise sends the wrong signals.  We don't need to do it in a 
discourteous manner, but we often learn as much or more from failures as we 
do from successes.  D or C-grade work should not be given an A-grade, 
otherwise what incentive will there be for improvement?  When the mechanism 
that could enable someone to improve is out of order, what then?

Tom C.


From: Jack Davis [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Re:
Date: Tue, 8 May 2007 10:23:28 -0700 (PDT)

The was, in some unique way, especially meaningful to one viewer. That
doesn't, necessarily, validate it to anyone else.
I think that's what every photographer and viewer has to realize.

Jack

--- Tom C [EMAIL PROTECTED] wrote:

  What?  Is Godfrey in a 3rd grade photography?  :-) Sorry to appear
  rude.
 
  What is good about this picture?  I don't find anything appealing
  about it.
  I don't see that it took any more effort than haphazardly raising the
  camera
  to one's eye and pressing the shutter release, maybe not even looking
 
  through the viewfinder.
 
  Not only  is the main subject not in clear focus, the secondary
  subject is
  not either, and both are cut off.  I'm not a believer that some sort
  of
  unspoken social commentary, makes a photograph a good photograph.
 
  If this is the kind of image that constitutes an incredible
  photograph, then
  by God, every person that ever picked up a camera and pressed the
  shutter
  release a half dozen times is a good photographer, and we should all
  stop
  trying.
 
  Tom C.
 
   On 08/05/07, Paul Stenquist [EMAIL PROTECTED] wrote:
  I missed this as well. Beautifully captured. Very moving.
  Paul
  On May 7, 2007, at 5:50 PM, frank theriault wrote:
  
On 5/5/07, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
  http://homepage.mac.com/ramarren/photo/PAW7/22.htm
   
I missed this first time 'round.
   
In incredible photograph.
   
Just incredible...
   
cheers,
frank
   
--
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Re: Re:

2007-05-08 Thread Fernando Terrazzino
Hi Tom,

Let me start saying, that without getting into the story that came
with the image (which lifts the image into a different arena) and
speaking strictly about the photographic properties of the image, even
though I understand the appeal of the photograph and I like (I repeat,
I like) the way it's framed and the elements in the photograph, and
also I may add that to my eye is an example, albeit not a totally
clear one, of a photograph that tells a story (even without Godfrey's
explanation I wonder who this person is, if the dog belongs to her,
why is she holding her jacket in that way, etc) In my opinion it could
be better with a less tight framing, not because I want to see the
dog's legs (the way the dog is framed I actually like) but to include
maybe some person passing by, looking at her that might actually
connect the person with the viewer, etc.

Now, I think you are being unfare saying that this is an easy-to-take
image, to me that means that you never really tried this genre, which
is probably the total opposite to the  kind of photography that I see
from you, and that I greatly enjoy.

Here, you have a split second to decide how to frame a subject, mostly
instinctively, that's problably why if you see the contact sheets of
some of the masters of street photography you will see that they suck,
most of it is done in the editing process, were the eye of the
photographer-curator selects what deserves to be published.

I for one am happy to see this new work of Godfrey, I enjoy his
flawless photographs, but is certainly healthy to see him posting also
this other work, I hope he keeps posting more of this.

As a viewer I do enjoy looking at this genre, I like this quote that I
read somewhere: Street photography is photography for photographers
because only knowing how difficult is to get results you learn to
enjoy it. That's the best way I can put it.

And finally, I'm not a street photographer, now I'm just merely in a
phase were I'm trying to take some photographs in the street, I enjoy
the process, the thrill and the adrenaline, and from time to time I
nail some photos that I enjoy and even share. The rate of pictures
taken versus keepers went down, but I find the process more enjoyable,
and this has also given me the chance to admire some work that belongs
to people that excels in that type of photography.

I also welcome the photographs of posters that seem to loosen up a
little bit more often, from the top of my head I can name Boris, Jack,
Marnie, Paul and the king of them all Frank. Makes the PDML more
enjoyable for me.

Cheers,

Fernando


On 5/8/07, Tom C [EMAIL PROTECTED] wrote:
 What?  Is Godfrey in a 3rd grade photography?  :-) Sorry to appear rude.

 What is good about this picture?  I don't find anything appealing about it.
 I don't see that it took any more effort than haphazardly raising the camera
 to one's eye and pressing the shutter release, maybe not even looking
 through the viewfinder.

 Not only  is the main subject not in clear focus, the secondary subject is
 not either, and both are cut off.  I'm not a believer that some sort of
 unspoken social commentary, makes a photograph a good photograph.

 If this is the kind of image that constitutes an incredible photograph, then
 by God, every person that ever picked up a camera and pressed the shutter
 release a half dozen times is a good photographer, and we should all stop
 trying.

 Tom C.

  On 08/05/07, Paul Stenquist [EMAIL PROTECTED] wrote:
 I missed this as well. Beautifully captured. Very moving.
 Paul
 On May 7, 2007, at 5:50 PM, frank theriault wrote:
 
   On 5/5/07, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
 http://homepage.mac.com/ramarren/photo/PAW7/22.htm
  
   I missed this first time 'round.
  
   In incredible photograph.
  
   Just incredible...
  
   cheers,
   frank
  
   --
   Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
  
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Re: PESO - It's a boy!

2007-05-08 Thread Boris Liberman
Congratulations!!!

May he live long and prosper life and shoot some Pentax ;-).

Boris


Brendan MacRae wrote:
 Say hello to Finn Christopher MacRae. Born on Cinco de
 Mayo @ 15:57PST.
 
 http://www.primelensphoto.com/finn.jpg
 
 7lbs 6.4 oz, 21 inches long. My wife really had no
 pain meds. This wasn't her choice, there just wasn't
 time. Her doctor almost didn't make it to the delivery
 room...made for an interesting labor...it's long
 story. 
 
 In any event, both mom and baby are doing well.
 
 -Brendan
 
 
 
 
 
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Re: K10D and Sigma, again, sorry

2007-05-08 Thread David J Brooks
Humm.

I checked on Pentax Canada and Henrys cameras, and i cannot see
anything that indicates the 360 does or does not swivel. It says it
does bounce, but i like the 180 swivel feature my Nikon SB 80DX has,
including the 90 degree bounce.

Can those who have the 360 and or 540 confirm which one can do the 180 swivel.

That will be my decision maker.

Dave

On 5/8/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
 I'm going to send the Sigma in for an upgrade. However, I think something is 
 broken. It won't flash at all.
 Paul
  -- Original message --
 From: Mark Roberts [EMAIL PROTECTED]
  [EMAIL PROTECTED] wrote:
 
  I gave up on the Sigma. Too many problems. And it quit working
  completely when I tried it on the K10D. I guess I should send it in,
  although it's probably off warranty.
 
  Sigma updated my EF500 free, even though it was long out of warranty.
 
  I bought the Pentax 540. Works great. And I've now added the external
  battery pack. It's a good unit.
 
  I'm gonna get one of those next :-)
 
 
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K10D and Sigma, again, sorry

2007-05-08 Thread Walter Hamler
The 360 does not swivel, just flip up 90*.  That is why I want the 540 as 
well. It has a rebate going right now, but I don't know if that is Canada 
also.

Walt 


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Re: PESO - Heavy Weather 2

2007-05-08 Thread Tim Øsleby
Thank you.
As I've stated several times. Me and PS don't get along very well.
But I think I'm open to suggestions...

Tim Typo
Mostly Harmless

- Original Message - 
From: Godfrey DiGiorgi [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Tuesday, May 08, 2007 6:50 PM
Subject: Re: PESO - Heavy Weather 2


I like the idea in this photo a lot. What I would like to see is a
bit more separation between the foreground bird and its surroundings.
You might be able to do that with a little bit of careful image
processing work.

Godfrey

On May 7, 2007, at 11:38 AM, Tim Øsleby wrote:

 I've already displayed the first one. I think I have material for
 four of
 five in a Birds in Heavy Weather serie.
 The idea of making a serie of them is partly inspired by Marnie's
 projects.
 http://foto.no/cgi-bin/bildegalleri/vis_bilde.cgi?id=308716
 I like the composition in this one. Not fancy, but effecient.

 Thumb up, or thumb down folks?
 When asking, I'm thinking of this photo and about the serie idea.


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Re: Re:

2007-05-08 Thread Tom C
Paul,

I'll speak my mind and hope you don't take offense, because none is 
intended.  You and Frank seem to like almost every single photo that's 
shown. Maybe you're just two terrifically positive individuals. :-)

To some though, it may come across as undiscriminating.  When my son was 2 
or 3 years old and brought me a crayon-scribbled mess on a sheet of paper 
and said Look Daddy. Isn't this a pretty picture?, I said yes and praised 
it unconditionally, as I knew he was doing his best.  I'd likely not praise 
that same picture if he just produced it at age 10, and likely he wouldn't 
have the same emotions about a picture he drew when he was 3 either.

If my 16 year old showed me some artwork and I praised all equally, and 
especially if I praised what he clearly perceived was inferior as much as 
the work that excelled, my praise would quickly start to lose it's value.

Personally, when I comment on a photo here, I must really like it to give it 
praise.  If I see something that could make it better, I'll sometimes offer 
that.  More likely than not, if I don't like it or think it's just average, 
the lack of feedback will be my implicit comment.

You of course, are entitled to your own tastes and opinions.

Tom C.


From: [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Re:
Date: Tue, 08 May 2007 17:44:19 +

At least two viewers. Frank and I both said we liked it. I find it quite 
fascinating. The juxtaposition of the person and the dog adds interest. The 
jacket that separates the two is sharply in focus, as the head and the dog 
become slightly softer background and foreground elements. Social 
commentary is irrelevant. The pic is good because it's compelling and 
unique. BTW, I frequently cut off the tops of heads on purpose. If this 
shot wasn't packed tightly into the frame, it wouldn't be nearly as good.
Paul


  -- Original message --
From: Jack Davis [EMAIL PROTECTED]
  The was, in some unique way, especially meaningful to one viewer. That
  doesn't, necessarily, validate it to anyone else.
  I think that's what every photographer and viewer has to realize.
 
  Jack
 
  --- Tom C [EMAIL PROTECTED] wrote:
 
   What?  Is Godfrey in a 3rd grade photography?  :-) Sorry to appear
   rude.
  
   What is good about this picture?  I don't find anything appealing
   about it.
   I don't see that it took any more effort than haphazardly raising the
   camera
   to one's eye and pressing the shutter release, maybe not even looking
  
   through the viewfinder.
  
   Not only  is the main subject not in clear focus, the secondary
   subject is
   not either, and both are cut off.  I'm not a believer that some sort
   of
   unspoken social commentary, makes a photograph a good photograph.
  
   If this is the kind of image that constitutes an incredible
   photograph, then
   by God, every person that ever picked up a camera and pressed the
   shutter
   release a half dozen times is a good photographer, and we should all
   stop
   trying.
  
   Tom C.
  
On 08/05/07, Paul Stenquist [EMAIL PROTECTED] wrote:
   I missed this as well. Beautifully captured. Very moving.
   Paul
   On May 7, 2007, at 5:50 PM, frank theriault wrote:
   
 On 5/5/07, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
   http://homepage.mac.com/ramarren/photo/PAW7/22.htm

 I missed this first time 'round.

 In incredible photograph.

 Just incredible...

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: PESO - Heavy Weather 2

2007-05-08 Thread Godfrey DiGiorgi
I didn't say to use Photoshop... I said to do image processing. There  
*are* other tools.

Although, frankly, I would suggest getting over your phobia by buying  
a book and reading, understanding. Nothing kills a phobia so quickly  
as understanding. ;-)

G



On May 8, 2007, at 11:37 AM, Tim Øsleby wrote:

 Thank you.
 As I've stated several times. Me and PS don't get along very well.
 But I think I'm open to suggestions...

 I like the idea in this photo a lot. What I would like to see is a
 bit more separation between the foreground bird and its surroundings.
 You might be able to do that with a little bit of careful image
 processing work.

 http://foto.no/cgi-bin/bildegalleri/vis_bilde.cgi?id=308716


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Re: Re:

2007-05-08 Thread pnstenquist
I generally don't comment on photos I don't like. That's why my responses 
weight heavily on the plus side. And if you're paying attention, you'll notice 
that when I do comment, I frequently offer a suggestion. If someone really 
wants a thumbs up or thumbs down, I always reply  honestly. I gave Tim's three 
birds a thumbs down the other day, and I was probably the only list member who 
didn't like Ken's Cardinal. And I consider Ken a personal friend. If I was 
tossing bouquets, he would surely get one. Yes, I am entitled to my own tastes 
and opinions. But that doesn't stop you from critiquing them. How rude. Go back 
to worrying about Pentax finances. 

No, wait. Don't.
Paul
 -- Original message --
From: Tom C [EMAIL PROTECTED]
 Paul,
 
 I'll speak my mind and hope you don't take offense, because none is 
 intended.  You and Frank seem to like almost every single photo that's 
 shown. Maybe you're just two terrifically positive individuals. :-)
 
 To some though, it may come across as undiscriminating.  When my son was 2 
 or 3 years old and brought me a crayon-scribbled mess on a sheet of paper 
 and said Look Daddy. Isn't this a pretty picture?, I said yes and praised 
 it unconditionally, as I knew he was doing his best.  I'd likely not praise 
 that same picture if he just produced it at age 10, and likely he wouldn't 
 have the same emotions about a picture he drew when he was 3 either.
 
 If my 16 year old showed me some artwork and I praised all equally, and 
 especially if I praised what he clearly perceived was inferior as much as 
 the work that excelled, my praise would quickly start to lose it's value.
 
 Personally, when I comment on a photo here, I must really like it to give it 
 praise.  If I see something that could make it better, I'll sometimes offer 
 that.  More likely than not, if I don't like it or think it's just average, 
 the lack of feedback will be my implicit comment.
 
 You of course, are entitled to your own tastes and opinions.
 
 Tom C.
 
 
 From: [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Re:
 Date: Tue, 08 May 2007 17:44:19 +
 
 At least two viewers. Frank and I both said we liked it. I find it quite 
 fascinating. The juxtaposition of the person and the dog adds interest. The 
 jacket that separates the two is sharply in focus, as the head and the dog 
 become slightly softer background and foreground elements. Social 
 commentary is irrelevant. The pic is good because it's compelling and 
 unique. BTW, I frequently cut off the tops of heads on purpose. If this 
 shot wasn't packed tightly into the frame, it wouldn't be nearly as good.
 Paul
 
 
   -- Original message --
 From: Jack Davis [EMAIL PROTECTED]
   The was, in some unique way, especially meaningful to one viewer. That
   doesn't, necessarily, validate it to anyone else.
   I think that's what every photographer and viewer has to realize.
  
   Jack
  
   --- Tom C [EMAIL PROTECTED] wrote:
  
What?  Is Godfrey in a 3rd grade photography?  :-) Sorry to appear
rude.
   
What is good about this picture?  I don't find anything appealing
about it.
I don't see that it took any more effort than haphazardly raising the
camera
to one's eye and pressing the shutter release, maybe not even looking
   
through the viewfinder.
   
Not only  is the main subject not in clear focus, the secondary
subject is
not either, and both are cut off.  I'm not a believer that some sort
of
unspoken social commentary, makes a photograph a good photograph.
   
If this is the kind of image that constitutes an incredible
photograph, then
by God, every person that ever picked up a camera and pressed the
shutter
release a half dozen times is a good photographer, and we should all
stop
trying.
   
Tom C.
   
 On 08/05/07, Paul Stenquist [EMAIL PROTECTED] wrote:
I missed this as well. Beautifully captured. Very moving.
Paul
On May 7, 2007, at 5:50 PM, frank theriault wrote:

  On 5/5/07, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
http://homepage.mac.com/ramarren/photo/PAW7/22.htm
 
  I missed this first time 'round.
 
  In incredible photograph.
 
  Just incredible...
 
  cheers,
  frank
 
  --
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
  --
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Re: Re:

2007-05-08 Thread Tom C
Ahh yes, the freedom to be intolerant. ;-)


Tom C.


From: [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Re:
Date: Tue, 08 May 2007 18:57:54 +

I generally don't comment on photos I don't like. That's why my responses 
weight heavily on the plus side. And if you're paying attention, you'll 
notice that when I do comment, I frequently offer a suggestion. If someone 
really wants a thumbs up or thumbs down, I always reply  honestly. I gave 
Tim's three birds a thumbs down the other day, and I was probably the only 
list member who didn't like Ken's Cardinal. And I consider Ken a personal 
friend. If I was tossing bouquets, he would surely get one. Yes, I am 
entitled to my own tastes and opinions. But that doesn't stop you from 
critiquing them. How rude. Go back to worrying about Pentax finances.

No, wait. Don't.
Paul
  -- Original message --
From: Tom C [EMAIL PROTECTED]
  Paul,
 
  I'll speak my mind and hope you don't take offense, because none is
  intended.  You and Frank seem to like almost every single photo that's
  shown. Maybe you're just two terrifically positive individuals. :-)
 
  To some though, it may come across as undiscriminating.  When my son was 
2
  or 3 years old and brought me a crayon-scribbled mess on a sheet of 
paper
  and said Look Daddy. Isn't this a pretty picture?, I said yes and 
praised
  it unconditionally, as I knew he was doing his best.  I'd likely not 
praise
  that same picture if he just produced it at age 10, and likely he 
wouldn't
  have the same emotions about a picture he drew when he was 3 either.
 
  If my 16 year old showed me some artwork and I praised all equally, and
  especially if I praised what he clearly perceived was inferior as much 
as
  the work that excelled, my praise would quickly start to lose it's 
value.
 
  Personally, when I comment on a photo here, I must really like it to 
give it
  praise.  If I see something that could make it better, I'll sometimes 
offer
  that.  More likely than not, if I don't like it or think it's just 
average,
  the lack of feedback will be my implicit comment.
 
  You of course, are entitled to your own tastes and opinions.
 
  Tom C.
 
 
  From: [EMAIL PROTECTED]
  Reply-To: Pentax-Discuss Mail List pdml@pdml.net
  To: Pentax-Discuss Mail List pdml@pdml.net
  Subject: Re: Re:
  Date: Tue, 08 May 2007 17:44:19 +
  
  At least two viewers. Frank and I both said we liked it. I find it 
quite
  fascinating. The juxtaposition of the person and the dog adds interest. 
The
  jacket that separates the two is sharply in focus, as the head and the 
dog
  become slightly softer background and foreground elements. Social
  commentary is irrelevant. The pic is good because it's compelling and
  unique. BTW, I frequently cut off the tops of heads on purpose. If this
  shot wasn't packed tightly into the frame, it wouldn't be nearly as 
good.
  Paul
  
  
-- Original message --
  From: Jack Davis [EMAIL PROTECTED]
The was, in some unique way, especially meaningful to one viewer. 
That
doesn't, necessarily, validate it to anyone else.
I think that's what every photographer and viewer has to realize.
   
Jack
   
--- Tom C [EMAIL PROTECTED] wrote:
   
 What?  Is Godfrey in a 3rd grade photography?  :-) Sorry to appear
 rude.

 What is good about this picture?  I don't find anything appealing
 about it.
 I don't see that it took any more effort than haphazardly raising 
the
 camera
 to one's eye and pressing the shutter release, maybe not even 
looking

 through the viewfinder.

 Not only  is the main subject not in clear focus, the secondary
 subject is
 not either, and both are cut off.  I'm not a believer that some 
sort
 of
 unspoken social commentary, makes a photograph a good photograph.

 If this is the kind of image that constitutes an incredible
 photograph, then
 by God, every person that ever picked up a camera and pressed the
 shutter
 release a half dozen times is a good photographer, and we should 
all
 stop
 trying.

 Tom C.

  On 08/05/07, Paul Stenquist [EMAIL PROTECTED] wrote:
 I missed this as well. Beautifully captured. Very moving.
 Paul
 On May 7, 2007, at 5:50 PM, frank theriault wrote:
 
   On 5/5/07, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
 http://homepage.mac.com/ramarren/photo/PAW7/22.htm
  
   I missed this first time 'round.
  
   In incredible photograph.
  
   Just incredible...
  
   cheers,
   frank
  
   --
   Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
  
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Re: PESO - Prancing Horses

2007-05-08 Thread Godfrey DiGiorgi

On May 8, 2007, at 10:33 AM, frank theriault wrote:

 http://gmapuploader.com/iframe.php?mapId=49fYIPjFnN

 I actually focused on the prancing horse on the mirror, but it still
 came out blurry.  I guess it's the lens, being soft off-centre or
 something.  Can't be my (or the camera's) focusing, right?

 ;-)

Focusing errors are never the photographer's fault. ]'-)

G

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Re: OT: rootbeer?

2007-05-08 Thread Eactivist
In a message dated 5/8/2007 6:54:00 A.M. Pacific  Daylight Time, 
[EMAIL PROTECTED] writes:
Everything not prohibited is  mandatory! The only reason drugs were 
made illegal in the US is because  good old J Edgar Hoover blackmailed 
them into making them illegal so he  would not have to disband the FBI 
when prohibition was ended. Orwell had no  imagination.


==
Think that's it? I've often wondered by  whom and when some drugs were made 
illegal. Since many like the cocaine in coke,  opium in laudanum, etc. were 
legal for a long, long time.

Marnie aka Doe  

-
Warning: I am now  filtering my email, so you may be censored.  




** See what's free at http://www.aol.com.

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Re: Re:

2007-05-08 Thread Fernando Terrazzino
I don't think that this is a masterpiece, I do understand why some ppl
like it and why some don't.

Peace.

On 5/8/07, Tom C [EMAIL PROTECTED] wrote:
 Hi Fernando,

 You're right.  I'm not a street photographer and do not aspire to be.  I
 have found some photography in the genre to be very appealing, however,
 including one of Godfrey's exhibited here a year or so ago.  It was of an
 older genteel lady, sitting up sleeping on a bench.  I thought it was
 exquisitely composed and made a very powerful statement.  I would go so far
 as to say that IT was a great photograph.

 I simply believe this image is no where near as good.


 Tom C.



 From: Fernando Terrazzino [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Re:
 Date: Tue, 8 May 2007 14:20:40 -0400
 
 Hi Tom,
 
 Let me start saying, that without getting into the story that came
 with the image (which lifts the image into a different arena) and
 speaking strictly about the photographic properties of the image, even
 though I understand the appeal of the photograph and I like (I repeat,
 I like) the way it's framed and the elements in the photograph, and
 also I may add that to my eye is an example, albeit not a totally
 clear one, of a photograph that tells a story (even without Godfrey's
 explanation I wonder who this person is, if the dog belongs to her,
 why is she holding her jacket in that way, etc) In my opinion it could
 be better with a less tight framing, not because I want to see the
 dog's legs (the way the dog is framed I actually like) but to include
 maybe some person passing by, looking at her that might actually
 connect the person with the viewer, etc.
 
 Now, I think you are being unfare saying that this is an easy-to-take
 image, to me that means that you never really tried this genre, which
 is probably the total opposite to the  kind of photography that I see
 from you, and that I greatly enjoy.
 
 Here, you have a split second to decide how to frame a subject, mostly
 instinctively, that's problably why if you see the contact sheets of
 some of the masters of street photography you will see that they suck,
 most of it is done in the editing process, were the eye of the
 photographer-curator selects what deserves to be published.
 
 I for one am happy to see this new work of Godfrey, I enjoy his
 flawless photographs, but is certainly healthy to see him posting also
 this other work, I hope he keeps posting more of this.
 
 As a viewer I do enjoy looking at this genre, I like this quote that I
 read somewhere: Street photography is photography for photographers
 because only knowing how difficult is to get results you learn to
 enjoy it. That's the best way I can put it.
 
 And finally, I'm not a street photographer, now I'm just merely in a
 phase were I'm trying to take some photographs in the street, I enjoy
 the process, the thrill and the adrenaline, and from time to time I
 nail some photos that I enjoy and even share. The rate of pictures
 taken versus keepers went down, but I find the process more enjoyable,
 and this has also given me the chance to admire some work that belongs
 to people that excels in that type of photography.
 
 I also welcome the photographs of posters that seem to loosen up a
 little bit more often, from the top of my head I can name Boris, Jack,
 Marnie, Paul and the king of them all Frank. Makes the PDML more
 enjoyable for me.
 
 Cheers,
 
 Fernando
 



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Re:

2007-05-08 Thread Cotty
On 8/5/07, Tom C, discombobulated, unleashed:

Almost every single photo shown here meets with praise.

That's because a lot of people here won't comment on pics that don't do
anything for them. Me included. Policy.

-- 


Cheers,
  Cotty


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||=|http://www.cottysnaps.com
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Re:

2007-05-08 Thread Cotty
On 8/5/07, Tom C, discombobulated, unleashed:

What?  Is Godfrey in a 3rd grade photography?  :-) Sorry to appear rude.

What is good about this picture?  I don't find anything appealing about it.  
I don't see that it took any more effort than haphazardly raising the camera 
to one's eye and pressing the shutter release, maybe not even looking 
through the viewfinder.

Not only  is the main subject not in clear focus, the secondary subject is 
not either, and both are cut off.  I'm not a believer that some sort of 
unspoken social commentary, makes a photograph a good photograph.

If this is the kind of image that constitutes an incredible photograph, then 
by God, every person that ever picked up a camera and pressed the shutter 
release a half dozen times is a good photographer, and we should all stop 
trying.

I think there's one thing you missed Tomas (sic) 

It's not just all of the above, but the decision as to how that frame
actually is presented as the finished piece. The actual frame chosen,
the composition decided upon, possibly post-production, the rendering -
how it was printed (in old fashioned speak). That's all a cognitive
process beyond just snapping the pic as you intimate.

To me, a photograph - any photograph - is more than just what was
recorded in front of the lens. To me, it's about what the viewer *feels*
when looking at the image. It's about the emotions that one recalls,
about one's own experiences, and how that relates to what the
photographer has presented.

We've all walked past a homeless lady with a dog at some point in our
lives, and we all react differently. What makes the shot more than just
a fuzzy grab to me is that the image presented by Godfrey conveys what I
feel when I walk past a scene like that - slightly blurry because I
steal a glance, only recalling the vital elements of the scene - the
head, the blanket, the dog. That's all i wanted to see, otherwise I
would have gone back and looked harder, looked longer. To me, Godfrey's
photograph has captured beautifully the essence of the scene he saw, and
turned it into something that I can relate to, and that's the whole
point of the exercise.

I would go so far as to compare Godfrey's pic to Robert Frank. I look
through The Americans and I see echoes of it, and vice versa. Of course,
Godfrey is exploring a style here, and Jimminy Cricket, it works for me.
Look at Juan Buhler's work and see something else, yet also that works
conveys emotions and feelings, and I see fabulous things there, I'm sure
a lot of folk on the list do.

Can I just end by going over your last para again:

If this is the kind of image that constitutes an incredible photograph, then 
by God, every person that ever picked up a camera and pressed the shutter 
release a half dozen times is a good photographer, and we should all stop 
trying.

I wouldn't describe it as incredible, but totally credible yes. I would
describe it as indicative of what I feel when in proximity to such a
scene, and as a standalone piece of work I think it excels beautifully.
As such, i wouldn't consider hanging up my cameras just yet. In fact,
it's a pic like this that inspires me to go out and try and convey a
scene that I know of - try and present something that I like to look at,
and maybe someone else will like it too.

HTH

best,

-- 


Cheers,
  Cotty


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Re: K10D and Sigma, again, sorry

2007-05-08 Thread Godfrey DiGiorgi
The AF360FGZ unit only has simple vertical movement for bounce.
The AF540FGZ unit has both swivel and vertical movements.

Check them out on the BH website: a much more succinct and  
informative delineation of features and specifications than on the  
Pentax site.

I would not buy a flash of this type without a swivel head.

Godfrey

On May 8, 2007, at 11:20 AM, David J Brooks wrote:

 Humm.

 I checked on Pentax Canada and Henrys cameras, and i cannot see
 anything that indicates the 360 does or does not swivel. It says it
 does bounce, but i like the 180 swivel feature my Nikon SB 80DX has,
 including the 90 degree bounce.

 Can those who have the 360 and or 540 confirm which one can do the  
 180 swivel.

 That will be my decision maker.


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Re: Re:

2007-05-08 Thread Tom C
Hi Fernando,

You're right.  I'm not a street photographer and do not aspire to be.  I 
have found some photography in the genre to be very appealing, however, 
including one of Godfrey's exhibited here a year or so ago.  It was of an 
older genteel lady, sitting up sleeping on a bench.  I thought it was 
exquisitely composed and made a very powerful statement.  I would go so far 
as to say that IT was a great photograph.

I simply believe this image is no where near as good.


Tom C.



From: Fernando Terrazzino [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Re:
Date: Tue, 8 May 2007 14:20:40 -0400

Hi Tom,

Let me start saying, that without getting into the story that came
with the image (which lifts the image into a different arena) and
speaking strictly about the photographic properties of the image, even
though I understand the appeal of the photograph and I like (I repeat,
I like) the way it's framed and the elements in the photograph, and
also I may add that to my eye is an example, albeit not a totally
clear one, of a photograph that tells a story (even without Godfrey's
explanation I wonder who this person is, if the dog belongs to her,
why is she holding her jacket in that way, etc) In my opinion it could
be better with a less tight framing, not because I want to see the
dog's legs (the way the dog is framed I actually like) but to include
maybe some person passing by, looking at her that might actually
connect the person with the viewer, etc.

Now, I think you are being unfare saying that this is an easy-to-take
image, to me that means that you never really tried this genre, which
is probably the total opposite to the  kind of photography that I see
from you, and that I greatly enjoy.

Here, you have a split second to decide how to frame a subject, mostly
instinctively, that's problably why if you see the contact sheets of
some of the masters of street photography you will see that they suck,
most of it is done in the editing process, were the eye of the
photographer-curator selects what deserves to be published.

I for one am happy to see this new work of Godfrey, I enjoy his
flawless photographs, but is certainly healthy to see him posting also
this other work, I hope he keeps posting more of this.

As a viewer I do enjoy looking at this genre, I like this quote that I
read somewhere: Street photography is photography for photographers
because only knowing how difficult is to get results you learn to
enjoy it. That's the best way I can put it.

And finally, I'm not a street photographer, now I'm just merely in a
phase were I'm trying to take some photographs in the street, I enjoy
the process, the thrill and the adrenaline, and from time to time I
nail some photos that I enjoy and even share. The rate of pictures
taken versus keepers went down, but I find the process more enjoyable,
and this has also given me the chance to admire some work that belongs
to people that excels in that type of photography.

I also welcome the photographs of posters that seem to loosen up a
little bit more often, from the top of my head I can name Boris, Jack,
Marnie, Paul and the king of them all Frank. Makes the PDML more
enjoyable for me.

Cheers,

Fernando




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Re: Re:

2007-05-08 Thread Gonz
I'm with you here Tom.  I looked at the link and thought blah,
flat-line.   But maybe other people see something that stirs some
emotion?  I just dont know.



On 5/8/07, Tom C [EMAIL PROTECTED] wrote:
 Hi Fernando,

 You're right.  I'm not a street photographer and do not aspire to be.  I
 have found some photography in the genre to be very appealing, however,
 including one of Godfrey's exhibited here a year or so ago.  It was of an
 older genteel lady, sitting up sleeping on a bench.  I thought it was
 exquisitely composed and made a very powerful statement.  I would go so far
 as to say that IT was a great photograph.

 I simply believe this image is no where near as good.


 Tom C.



 From: Fernando Terrazzino [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Re:
 Date: Tue, 8 May 2007 14:20:40 -0400
 
 Hi Tom,
 
 Let me start saying, that without getting into the story that came
 with the image (which lifts the image into a different arena) and
 speaking strictly about the photographic properties of the image, even
 though I understand the appeal of the photograph and I like (I repeat,
 I like) the way it's framed and the elements in the photograph, and
 also I may add that to my eye is an example, albeit not a totally
 clear one, of a photograph that tells a story (even without Godfrey's
 explanation I wonder who this person is, if the dog belongs to her,
 why is she holding her jacket in that way, etc) In my opinion it could
 be better with a less tight framing, not because I want to see the
 dog's legs (the way the dog is framed I actually like) but to include
 maybe some person passing by, looking at her that might actually
 connect the person with the viewer, etc.
 
 Now, I think you are being unfare saying that this is an easy-to-take
 image, to me that means that you never really tried this genre, which
 is probably the total opposite to the  kind of photography that I see
 from you, and that I greatly enjoy.
 
 Here, you have a split second to decide how to frame a subject, mostly
 instinctively, that's problably why if you see the contact sheets of
 some of the masters of street photography you will see that they suck,
 most of it is done in the editing process, were the eye of the
 photographer-curator selects what deserves to be published.
 
 I for one am happy to see this new work of Godfrey, I enjoy his
 flawless photographs, but is certainly healthy to see him posting also
 this other work, I hope he keeps posting more of this.
 
 As a viewer I do enjoy looking at this genre, I like this quote that I
 read somewhere: Street photography is photography for photographers
 because only knowing how difficult is to get results you learn to
 enjoy it. That's the best way I can put it.
 
 And finally, I'm not a street photographer, now I'm just merely in a
 phase were I'm trying to take some photographs in the street, I enjoy
 the process, the thrill and the adrenaline, and from time to time I
 nail some photos that I enjoy and even share. The rate of pictures
 taken versus keepers went down, but I find the process more enjoyable,
 and this has also given me the chance to admire some work that belongs
 to people that excels in that type of photography.
 
 I also welcome the photographs of posters that seem to loosen up a
 little bit more often, from the top of my head I can name Boris, Jack,
 Marnie, Paul and the king of them all Frank. Makes the PDML more
 enjoyable for me.
 
 Cheers,
 
 Fernando
 



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Re: PESO - It's a boy!

2007-05-08 Thread Russell Kerstetter
congratulation Brendan!

On 5/7/07, Brendan MacRae [EMAIL PROTECTED] wrote:
 Say hello to Finn Christopher MacRae. Born on Cinco de
 Mayo @ 15:57PST.

 http://www.primelensphoto.com/finn.jpg

 7lbs 6.4 oz, 21 inches long. My wife really had no
 pain meds. This wasn't her choice, there just wasn't
 time. Her doctor almost didn't make it to the delivery
 room...made for an interesting labor...it's long
 story.

 In any event, both mom and baby are doing well.

 -Brendan





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Re:

2007-05-08 Thread Tom C

On 8/5/07, Tom C, discombobulated, unleashed:

 Almost every single photo shown here meets with praise.

That's because a lot of people here won't comment on pics that don't do
anything for them. Me included. Policy.

Cheers,
   Cotty


That's my general policy also.  It seems a disparity exists as to how the 
policy is applied. :-)

Tom C.



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Re: PESO - Prancing Horses

2007-05-08 Thread frank theriault
On 5/8/07, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:

 Focusing errors are never the photographer's fault. ]'-)

Not with the crutch of AF...

;-)

cheers,
frank

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Re: OT: rootbeer?

2007-05-08 Thread Adam Maas
[EMAIL PROTECTED] wrote:

In a message dated 5/8/2007 6:54:00 A.M. Pacific  Daylight Time, 
[EMAIL PROTECTED] writes:
Everything not prohibited is  mandatory! The only reason drugs were 
made illegal in the US is because  good old J Edgar Hoover blackmailed 
them into making them illegal so he  would not have to disband the FBI 
when prohibition was ended. Orwell had no  imagination.


==
Think that's it? I've often wondered by  whom and when some drugs were made 
illegal. Since many like the cocaine in coke,  opium in laudanum, etc. were 
legal for a long, long time.

Marnie aka Doe  
  


The banning of Marijuana is at least indirectly related to racism (it 
was seen as a 'Negro Vice' in the first half of the 20th century).

Some are still legal from prescription sources (cocaine is used 
occasionally for medicine, Morphine is actually made from opium).

-Adam


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RE:

2007-05-08 Thread Bob W
 
  Almost every single photo shown here meets with praise.
 
 That's because a lot of people here won't comment on pics 
 that don't do
 anything for them. Me included. Policy.
 
 Cheers,
Cotty
 
 
 That's my general policy also.  It seems a disparity exists 
 as to how the 
 policy is applied. :-)
 
 Tom C.

By stating that you only comment on pictures you like, you appear to
be saying that if you don't comment, you don't like the picture - so
you are apparently commenting implicitly! Of course, this is a
fallacy, but one that many people would commit. 

In my case I comment on some photos that I like, and sometimes I don't
comment on photos that I like. Sometimes I even comment on photos I
don't like, if I think my comments can be useful. Absence of a comment
from me should never be taken to mean that I don't like the shot.

Furthermore, I may say Nice picture, Henri!, with no further
explanation, but I would never say Shit shot, Chim! without some
additional reasons why.

Bob


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Re: PESO - Heavy Weather 2

2007-05-08 Thread Tim Øsleby
Yeah. I've heared about books ;-)

I have one about Elements, Elements in a snap. Total crap, written by a 
computer geek. A lot details, but nothing giving me a general understanding. 
A lot of how's, but no why's.

Tim Typo
Mostly Harmless

- Original Message - 
From: Godfrey DiGiorgi [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Tuesday, May 08, 2007 6:50 PM
Subject: Re: PESO - Heavy Weather 2


I like the idea in this photo a lot. What I would like to see is a
bit more separation between the foreground bird and its surroundings.
You might be able to do that with a little bit of careful image
processing work.

Godfrey

On May 7, 2007, at 11:38 AM, Tim Øsleby wrote:

 I've already displayed the first one. I think I have material for
 four of
 five in a Birds in Heavy Weather serie.
 The idea of making a serie of them is partly inspired by Marnie's
 projects.
 http://foto.no/cgi-bin/bildegalleri/vis_bilde.cgi?id=308716
 I like the composition in this one. Not fancy, but effecient.

 Thumb up, or thumb down folks?
 When asking, I'm thinking of this photo and about the serie idea.


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Re: Re:

2007-05-08 Thread Tom C
Hello Gonz,

This is a long held belief, and I'm sure some will differ.

When we see a disadvantaged person, any one not totally calloused will feel 
a degree of empathy for that individual and their plight.  That's a natural 
emotion and a good one.  I've seen so many photos displayed here of like 
subject matter that receive much praise, when I see nothing about the photo 
itself, that makes it exceptional.  It makes me believe that, some at least, 
are not differentiating between their attachment to the subject matter and 
the actual merits of the image.
The same can be said for photos of cats, dogs, children, and sunsets. It's 
one of the things I constantly comat when reviewing my own photography, 
trying to tell the difference between  a truly good image and one that I 
simply have an attachment to.

I've also seen photos get a big positive reaction because a story is 
presented along with the image, and it tends to tug on the heart strings, or 
give meaning.  Well maybe that's part of being human or is an element of 
photojournalism, and we're all human.  Nevertheless, it does to some degree, 
de-emphasize the image itself.

I'm not telling others what to think, of course.  Sometime I think we may 
tend, myself included, not to really look.


Tom C.



From: Gonz [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Re:
Date: Tue, 8 May 2007 14:10:01 -0500

I'm with you here Tom.  I looked at the link and thought blah,
flat-line.   But maybe other people see something that stirs some
emotion?  I just dont know.



On 5/8/07, Tom C [EMAIL PROTECTED] wrote:
  Hi Fernando,
 
  You're right.  I'm not a street photographer and do not aspire to be.  I
  have found some photography in the genre to be very appealing, however,
  including one of Godfrey's exhibited here a year or so ago.  It was of 
an
  older genteel lady, sitting up sleeping on a bench.  I thought it was
  exquisitely composed and made a very powerful statement.  I would go so 
far
  as to say that IT was a great photograph.
 
  I simply believe this image is no where near as good.
 
 
  Tom C.
 
 
 
  From: Fernando Terrazzino [EMAIL PROTECTED]
  Reply-To: Pentax-Discuss Mail List pdml@pdml.net
  To: Pentax-Discuss Mail List pdml@pdml.net
  Subject: Re: Re:
  Date: Tue, 8 May 2007 14:20:40 -0400
  
  Hi Tom,
  
  Let me start saying, that without getting into the story that came
  with the image (which lifts the image into a different arena) and
  speaking strictly about the photographic properties of the image, even
  though I understand the appeal of the photograph and I like (I repeat,
  I like) the way it's framed and the elements in the photograph, and
  also I may add that to my eye is an example, albeit not a totally
  clear one, of a photograph that tells a story (even without Godfrey's
  explanation I wonder who this person is, if the dog belongs to her,
  why is she holding her jacket in that way, etc) In my opinion it could
  be better with a less tight framing, not because I want to see the
  dog's legs (the way the dog is framed I actually like) but to include
  maybe some person passing by, looking at her that might actually
  connect the person with the viewer, etc.
  
  Now, I think you are being unfare saying that this is an easy-to-take
  image, to me that means that you never really tried this genre, which
  is probably the total opposite to the  kind of photography that I see
  from you, and that I greatly enjoy.
  
  Here, you have a split second to decide how to frame a subject, mostly
  instinctively, that's problably why if you see the contact sheets of
  some of the masters of street photography you will see that they suck,
  most of it is done in the editing process, were the eye of the
  photographer-curator selects what deserves to be published.
  
  I for one am happy to see this new work of Godfrey, I enjoy his
  flawless photographs, but is certainly healthy to see him posting also
  this other work, I hope he keeps posting more of this.
  
  As a viewer I do enjoy looking at this genre, I like this quote that I
  read somewhere: Street photography is photography for photographers
  because only knowing how difficult is to get results you learn to
  enjoy it. That's the best way I can put it.
  
  And finally, I'm not a street photographer, now I'm just merely in a
  phase were I'm trying to take some photographs in the street, I enjoy
  the process, the thrill and the adrenaline, and from time to time I
  nail some photos that I enjoy and even share. The rate of pictures
  taken versus keepers went down, but I find the process more enjoyable,
  and this has also given me the chance to admire some work that belongs
  to people that excels in that type of photography.
  
  I also welcome the photographs of posters that seem to loosen up a
  little bit more often, from the top of my head I can name Boris, Jack,
  Marnie, Paul and the king of 

Re: OT: rootbeer?

2007-05-08 Thread Scott Loveless
Adam Maas wrote:
 [EMAIL PROTECTED] wrote:

   
 In a message dated 5/8/2007 6:54:00 A.M. Pacific  Daylight Time, 
 [EMAIL PROTECTED] writes:
 Everything not prohibited is  mandatory! The only reason drugs were 
 made illegal in the US is because  good old J Edgar Hoover blackmailed 
 them into making them illegal so he  would not have to disband the FBI 
 when prohibition was ended. Orwell had no  imagination.


 ==
 Think that's it? I've often wondered by  whom and when some drugs were made 
 illegal. Since many like the cocaine in coke,  opium in laudanum, etc. were 
 legal for a long, long time.

 Marnie aka Doe  
  

 

 The banning of Marijuana is at least indirectly related to racism (it 
 was seen as a 'Negro Vice' in the first half of the 20th century).

 Some are still legal from prescription sources (cocaine is used 
 occasionally for medicine, Morphine is actually made from opium).

 -Adam


   
I read somewhere (can't remember where right now) that drug laws in the 
US actually got their start in California as a ban on either opium or 
opium dens.  The laws were designed to target Chinese immigrants.

-- 
Scott Loveless
www.twosixteen.com


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RE: Summer is icumin in

2007-05-08 Thread Bob W
Thanks Cotty - good reply. I'm hoping to photograph some of the wacky
goings-on in Dorset around Midsummer, so there should be plenty of
ambient light, but I want to be sure I get the gnarled faces of the
peasantry as well as the burning torches.

--
 Bob
 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Cotty
 Sent: 07 May 2007 21:23
 To: pentax list
 Subject: Re: Summer is icumin in
 
 On 7/5/07, Bob W, discombobulated, unleashed:
 
 Or, more plainly put, what's best for photographing torchlit
 processions? Flash, or no flash? 
 
 Depends on how much ambient light. We get long twilights, so 
 flash will
 be good if there's plenty of ambient light. Less so the 
 darker it gets.
 One problem: flash is daylight colour temperature, and torches and
 evening skies are much warmer. This is a good example of the 
 colour  mismatch:
 
 http://www.cottysnaps.com/snaps/spare4.html
 
 But this can be corrected for by using a gold diffuser, or at 
 the photo
 editing stage.
 
 -- 
 
 
 Cheers,
   Cotty
 
 
 ___/\__
 ||   (O)   | People, Places, Pastiche
 ||=|http://www.cottysnaps.com
 _
 
 
 
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RE:

2007-05-08 Thread Tom C
Point taken.  I did give reasons for my reaction.

Yes, most of the time a non-reaction from myself means I did not feel 
compelled for one reason or another.

Tom C.


From: Bob W [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: 'Pentax-Discuss Mail List' pdml@pdml.net
Subject: RE: Date: Tue, 8 May 2007 20:35:22 +0100

  
   Almost every single photo shown here meets with praise.
  
  That's because a lot of people here won't comment on pics
  that don't do
  anything for them. Me included. Policy.
  
  Cheers,
 Cotty
  
 
  That's my general policy also.  It seems a disparity exists
  as to how the
  policy is applied. :-)
 
  Tom C.

By stating that you only comment on pictures you like, you appear to
be saying that if you don't comment, you don't like the picture - so
you are apparently commenting implicitly! Of course, this is a
fallacy, but one that many people would commit.

In my case I comment on some photos that I like, and sometimes I don't
comment on photos that I like. Sometimes I even comment on photos I
don't like, if I think my comments can be useful. Absence of a comment
from me should never be taken to mean that I don't like the shot.

Furthermore, I may say Nice picture, Henri!, with no further
explanation, but I would never say Shit shot, Chim! without some
additional reasons why.

Bob


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Re:

2007-05-08 Thread frank theriault
On 5/8/07, Bob W [EMAIL PROTECTED] wrote:
.

 By stating that you only comment on pictures you like, you appear to
 be saying that if you don't comment, you don't like the picture - so
 you are apparently commenting implicitly! Of course, this is a
 fallacy, but one that many people would commit.

 In my case I comment on some photos that I like, and sometimes I don't
 comment on photos that I like. Sometimes I even comment on photos I
 don't like, if I think my comments can be useful. Absence of a comment
 from me should never be taken to mean that I don't like the shot.

 Furthermore, I may say Nice picture, Henri!, with no further
 explanation, but I would never say Shit shot, Chim! without some
 additional reasons why.


Yes.

I mostly comment positively.  If I don't comment, it may be that I
didn't have time to look at the photo, it may be that I didn't like
it.

Despite what was stated earlier by Tom, I do criticize from time to
time, but I try to make it constructive criticism if possible, and I
try to put it into an overall positive framework.

cheers,
frank

ps:  Henri probably doesn't care if you like his pic;  likewise, Chim
probably isn't insulted that you don't like his.  I'm guessing they
were fairly secure in their photographic skills...

;-)




-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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