Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread Glen Berry
Yeah, in the other K-3 II thread, I had mentioned this myself. I suppose 
they could do something where each of the four sub-exposures gets 1/4 of 
the total flash power, with the flash firing a total of 4 times for each 
resolution-enhanced image. For TTL flash, that would probably require a 
special flash unit with special programming. I suppose a thyristor flash 
in manual mode, at a low enough power setting, could also keep up with 
the four sub-exposures. Since this feature is for stationary objects, 
and not for action, shooting flash in manual mode wouldn't be too much 
of a drawback for me personally.


On 4/23/2015 5:22 AM, Dario Bonazza wrote:
I'm also worried about the flash exposure, assuming the flash will 
only hit one exposure out of four.

This has to be investigated.

Dario



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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread Glen Berry
If I had the new K-3 II, I wouldn't miss the pop-up flash at all. I 
generally use either hot shoe flashes or monolights when I need flash. 
Speaking of hot shoes, this new internal GPS unit won't tie up your hot 
shoe like the older external model does. Using both GPS and a hot shoe 
flash at the same time should be easy now.


Those of you who never shoot outdoors in the wilderness probably don't 
need the GPS features so much. It should be a big benefit to those 
wanting to capture stars as point sources instead of trails though. The 
compass and logging features might also come in handy while hiking 
through remote areas. I'd definitely make use of the GPS unit for some 
of my shooting.



On 4/23/2015 2:51 AM, John Coyle wrote:

Just occasionally I've wished I had recorded the GPS location of a shot - once 
for sure in the White
Desert, east of Cairo. We were camping under the stars, at least an hour from 
the nearest town, and
it would be interesting to see exactly where we were.
I guess it's one of those features that's great to have when you really need 
it, but not much missed
otherwise.  Not sure about taking out the popup flash, I used mine today to 
throw some balancing
light into a contrasty scene.


John in Brisbane





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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread Glen Berry
Since we're only talking about a senor shift of one pixel, would a 
little subject movement necessarily ruin your shot? I'd think in many 
cases, the resulting quality wouldn't be that much different than 
shooting a normal image without the resolution enhancement turned on.


On 4/23/2015 4:31 AM, Larry Colen wrote:

On Thu, Apr 23, 2015 at 01:46:23AM -0400, John Francis wrote:

On Wed, Apr 22, 2015 at 12:46:59PM -0700, Larry Colen wrote:

What would be really nifty would be the option of getting all three or four
low resolution raw files in addition to the superresolution final file, on
the off chance the merge doesn't work, you'd still have unmerged files that
would be usable.

I don't see a lot of point to that.  The logic that combines the four original
images into a a single multi-channel image is pretty straigntforward; with the
exception of the green component, which is the sum (or average) of values from
two of the original images, each component value in the merged image is just a
copy of the value in one of the four input images (possibly offset by one pixel
horizontally and/or vertically).  I consider it extremely unlikely that errors
would occur in doing this combining (and suspect there may, in fact, be custom
hardware such as a one-scanline shift register to support doing this rapidly).

If there are things moving in the image enought to screw up the blend, but for 
some reason you just don't notice them.





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K-3 II is Officially Announced

2015-04-22 Thread Glen Berry
It's no longer just a leaked report or rumor. I got an email about this 
today, and you can find the official announcement on the Ricoh Imaging 
website:


http://us.ricoh-imaging.com/dslr/K-3_II

Pentax Forums has also written multiple articles about the new camera.

I've been interested in the sensor-shifting approach to resolution 
enhancement for quite awhile now. The way they've implemented it, the 
final image resolution stays at 24 megapixels, but the quality and 
accuracy of those 24 megapixels is noticeably enhanced. Sharpness is 
increased, color accuracy per-pixel is increased, and noise is 
noticeably reduced. The images are comparable in quality to other 
cameras that have a higher pixel count in their image sensors.


The new camera also has GPS and a compass built into the camera, with 
logging capability. Not only will the new camera do astrotracing with 
the internal GPS unit, but it might even help me avoid getting lost if I 
take it on a hike in the woods.  ;)


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Re: K-3 II is Officially Announced

2015-04-22 Thread Glen Berry
I believe that means the focal plane shutter opens once, and stays open, 
for all four of the pixel-shifted exposures. The lens diaphragm should 
likewise stop down appropriately, and stay constant during the four 
pixel-shifted exposures.


Since the same scene is being rapidly photographed four times to get the 
final enhanced image, and the focal plane shutter only opens once for 
this process, it makes me wonder if there will be any complications with 
flash synchronization. I'm wondering if the enhanced resolution feature 
will only work properly with constant light sources?



On 4/22/2015 11:16 PM, Darren Addy wrote:

From the specs... can someone speculate on this info under Shutter:
Electronically controlled vertical-run focal plane shutter
* Electronic shutter when using Pixel Shift Resolution

What is an electronic shutter if not the focal plane shutter?

On Wed, Apr 22, 2015 at 8:40 PM, Glen Berry g...@glenvision.com wrote:

It's no longer just a leaked report or rumor. I got an email about this
today, and you can find the official announcement on the Ricoh Imaging
website:

http://us.ricoh-imaging.com/dslr/K-3_II

Pentax Forums has also written multiple articles about the new camera.

I've been interested in the sensor-shifting approach to resolution
enhancement for quite awhile now. The way they've implemented it, the final
image resolution stays at 24 megapixels, but the quality and accuracy of
those 24 megapixels is noticeably enhanced. Sharpness is increased, color
accuracy per-pixel is increased, and noise is noticeably reduced. The images
are comparable in quality to other cameras that have a higher pixel count in
their image sensors.

The new camera also has GPS and a compass built into the camera, with
logging capability. Not only will the new camera do astrotracing with the
internal GPS unit, but it might even help me avoid getting lost if I take it
on a hike in the woods.  ;)

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Re: BH taking orders

2015-02-10 Thread Glen Berry

Yeah, but who wants a big hole in the middle of their 24x36 image? :)

On 2/5/2015 12:46 PM, Jack Davis wrote:

One can always crop 25.1X16.7 out of the center of a 24X36.

Jack




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Re: Thank you, Canon! You just made me love my K-30 even more! :)

2014-11-06 Thread Glen Berry
Someone should make a large battery grip / vertical release for the 
K-30, for those folks who need to be impressed with a huge, deceptively 
professional looking camera. Then, pair that with a fat lens and a huge 
lens hood. Some potential clients would actually be impressed by that.   :)


Correct me if I'm wrong, but I don't think there actually is a grip 
available for the K-30?


On 11/6/2014 5:44 PM, Richard Womer wrote:

The Canon's performance is crummy, but at least the thing is a heavy
monster that will impress the crowd!

I played with one in Berlin. My K-5 and DA 16-45 weighed far less than
the 7D body alone. The 7D owner had brought several lenses with her to
Berlin, but had left all but one in the room because they were too
heavy to carry around.

Rick
http://photo.net/photos/RickW


On Wed, Nov 5, 2014 at 7:25 PM, Glen Berry g...@glenvision.com wrote:

I want to thank Canon, for making me feel very good about my Pentax K-30
purchase!  :)

http://www.dxomark.com/Cameras/Compare/Side-by-side/Canon-EOS-7D-Mark-II-versus-Pentax-K-30___977_811

The Canon 7D Mark II is their new flagship crop-sensor camera, and its
sensor specs are horrid. Apart from the 20Mp vs 16Mp difference, the K-30
sensor is superior in all respects. The K-30 also beats or ties the 7D Mark
II in several of the other non-sensor specs as well.

Amazon lists a K-30 body for less than $400. The 7D Mk II body is selling
for $1800. That extra $1400 would buy some really cool glass, or three K-30
backup bodies, or some decent lighting.

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Thank you, Canon! You just made me love my K-30 even more! :)

2014-11-05 Thread Glen Berry
I want to thank Canon, for making me feel very good about my Pentax K-30 
purchase!  :)


http://www.dxomark.com/Cameras/Compare/Side-by-side/Canon-EOS-7D-Mark-II-versus-Pentax-K-30___977_811

The Canon 7D Mark II is their new flagship crop-sensor camera, and its 
sensor specs are horrid. Apart from the 20Mp vs 16Mp difference, the 
K-30 sensor is superior in all respects. The K-30 also beats or ties the 
7D Mark II in several of the other non-sensor specs as well.


Amazon lists a K-30 body for less than $400. The 7D Mk II body is 
selling for $1800. That extra $1400 would buy some really cool glass, or 
three K-30 backup bodies, or some decent lighting.


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Re: Is Anyone Happily Using ISO 25,600 for Anything?

2014-10-22 Thread Glen Berry
A friend of mine photographed me several years ago in a tunnel, using 
T-MAX P3200. I looked up the data sheet for the film, and it says it 
could be pushed to ISO 25,000. We're pretty sure he pushed the film to 
25,000 when he photographed me. I remember, he wanted to see what the 
limits of the film were like.


I think I'll go back to the same location and do a comparison. I'll 
shoot it on my K-30, set to 25,600 and let everyone know how the DSLR 
compares to the T-MAX P3200.


On 10/22/2014 9:41 AM, Mark C wrote:

Then there was TMax P3200 which tended to be a little grainy

But ISO 25,600 was beyond the pale...

Mark




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Re: Introducing the Pentax K-S1 Sweets Collection

2014-10-22 Thread Glen Berry
What bothers me more, is a camera company publishing an ad that shows 
someone with their finger dangling in front of the lens. You might think 
a camera company might set a better example than that.


That, and it doesn't even look like she was actually holding that 
particular camera when her photo was taken. It looks like someone 
photoshopped a K-S1 into her hands. It also looks like they got the size 
of the camera wrong. It's about the same width as her mouth! Is the K-S1 
REALLY that small?  :)


Oh, wait...  Maybe the bite-sized Pentax depiction was done on 
purpose, to subliminally fit with the edible sounding color schemes?  ;)



On 10/22/2014 7:32 PM, Bill wrote:

Please make it stop.
Lime Pie, Strawberry Cake and Blue Cream Soda are not colours.

Remember, some things, once seen cannot be unseen.
You have been warned.

http://is.gd/Y5qkjI

bill




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ISO 100 or 200 for Best Results?

2014-10-19 Thread Glen Berry
I'm in the habit of shooting at the lowest ISO possible, to get the best 
image quality. Lately, I was having second thoughts about shooting my 
K-30 at ISO 100. Since ISO 100 is an extended ISO, and ISO 200 seems 
to be the camera's base ISO, would there be any advantages in image 
quality when shooting at 200 ISO?


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Re: ISO 100 or 200 for Best Results?

2014-10-19 Thread Glen Berry

Thank you, for sharing that link. That answers everything.

On 10/19/2014 2:28 PM, Larry Colen wrote:


If you look at the dxo measurements:
http://www.dxomark.com/Cameras/Compare/Side-by-side/Pentax-K-30___811#tabs-2 



You'll see that ISO 100 outperforms ISO 200.  I have wondered about 
using higher ISOs for low dynamic range scenes to be able to measure 
smaller gradations in tonality, but have never tried any tests.









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Is Anyone Happily Using ISO 25,600 for Anything?

2014-10-19 Thread Glen Berry
I've tried using ISO 25,600 a few times, just to see what it was like. 
Naturally, I didn't expect the highest quality at this setting. I must 
say, it was nice to be able shoot images hand held in very low light. I 
was taking hand-held photos in dark alleys without any problem.


However, the lower image quality probably ruins things for most people. 
I was just wondering, if anyone had found an excellent use for ISO 
25,600 (or greater), and what type of photography you use it for? 
Surveillance work, perhaps? Avant-Garde art, perhaps?


In the days of film, I had seen some very grainy, BW Fine-Art imagery 
shot in this ISO range. I don't know if anyone is currently attempting 
anything like that with digital though.


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Re: Getting back to the FF DSLR

2014-09-22 Thread Glen Berry

Spock voiceSo, you believe it's logical. Fascinating... /Spock voice

I think having one finger control my shutter speed with the front wheel, 
and my thumb control the aperture using the rear wheel is AT LEAST as 
logical. Why burden both hands with controlling shutter and aperture, 
when just one will suffice?  ;)


I started shooting with film cameras, back in 1979. Naturally, I used 
aperture rings all the time then, and I didn't have any problems. 
However, I don't miss them at all on my new Pentax K-30. If the new FF 
Pentax provides a similar degree of backwards compatibility as my K-30, 
I think everything will be fine.


On 9/17/2014 11:37 PM, P.J. Alling wrote:
Having the aperture ring on the lens is logical. It divides up tasks 
more evenly between the operators two hands.  With the aperture 
control on the lens it helps the mind grasp what you're controlling.





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Re: Camera Choice

2014-08-12 Thread Glen Berry
I recently bought a K-30, and I love it! The prices on that model are 
low, but it's a terrific camera. I think it's the very best value for 
the money. It even has focus peaking, which the K-5 does not have. I 
would suggest shopping for bargains on Amazon, if you want a new K-30, 
or shop on KEH, if a used K-30 would suit you.


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Re: Updated K-30 Firmware, then Manual Mode Disappeared!

2014-03-31 Thread Glen Berry

Thanks, P.J.!

That was the problem. Nothing had actually malfunctioned.

However, I do think it's confusing for the camera to claim it's in TAv 
mode in that circumstance. Perhaps in a pure manual mode, one shouldn't 
be allowed to use Auto-ISO? There are plenty of other modes where you 
can use it. I think that would be more straightforward. If not that, 
then just don't switch the labeling for the mode from Manual to TAv. 
That's just a minor quibble though.


I'm glad that was just a case of user inexperience. I'm absolutely 
loving the K-30 so far!  :)



On 3/30/2014 1:59 PM, P.J. Alling wrote:

Is auto ISO set to On in manual mode on your K30?

On 3/30/2014 9:55 AM, Glen Berry wrote:
Last night I updated the firmware in my brand new K-30 to version 
1.06. (It originally had version 1.00.)


I thought the update went smoothly, but I later noticed I no longer 
had a manual mode on the camera! Instead, the camera was operating in 
TAv mode whenever I selected the M option on the mode dial. 
Fortunately, the K-30 has 2 user-defined modes. I programmed one of 
those to be my new manual mode. That will work for now, but this 
isn't reassuring behavior for a new camera that just arrived 2 days 
ago. I'll be contacting Pentax on Monday, to see what they have to say.


Has anyone else had anything like this happen to them?

Is there any sort of undocumented reset procedure for the K-30?


Thanks,
Glen







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Re: Updated K-30 Firmware, then Manual Mode Disappeared!

2014-03-31 Thread Glen Berry
Yes, once the Auto ISO is turned off, the screen on the rear shows the 
mode as manual once again.


I still think it's counterintuitive, and a bit of clumsy interface 
design,  for the dial on top to say M (for manual mode), while the 
screen on the back says something entirely different. I'm not going to 
worry about that tiny quirk though. I'm far too busy and happy enjoying 
my K-30!  :)



On 3/31/2014 6:03 PM, John Francis wrote:

Personally, I think the camera is doing exactly the right thing.
It's warning you that, although you've set the dial to M, it's
actually going to be working in TAv mode becase Auto ISO is on.

Presumably if you turn Auto ISO off it then shows the mode as M.




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Updated K-30 Firmware, then Manual Mode Disappeared!

2014-03-30 Thread Glen Berry
Last night I updated the firmware in my brand new K-30 to version 1.06. 
(It originally had version 1.00.)


I thought the update went smoothly, but I later noticed I no longer had 
a manual mode on the camera! Instead, the camera was operating in TAv 
mode whenever I selected the M option on the mode dial. Fortunately, 
the K-30 has 2 user-defined modes. I programmed one of those to be my 
new manual mode. That will work for now, but this isn't reassuring 
behavior for a new camera that just arrived 2 days ago. I'll be 
contacting Pentax on Monday, to see what they have to say.


Has anyone else had anything like this happen to them?

Is there any sort of undocumented reset procedure for the K-30?


Thanks,
Glen

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K-30 AF-Assist Lamp?

2014-03-29 Thread Glen Berry
I just got a new K-30 and I was wondering if there is any way to force 
the built-in AF Assist lamp to function when I want it to? Several 
times, while trying to take photos in very low light, the AF Assist lamp 
SHOULD have turned on, but it didn't. It almost seems to activate at 
random when I'm in a dim environment. Any suggestions?


Should I just duct tape an LED flashlight to my camera?  :)

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Re: K-30 AF-Assist Lamp?

2014-03-29 Thread Glen Berry
Thanks for that link. I'll be updating the firmware in my camera later 
tonight. Maybe I'll get lucky and that will improve things a bit.


I was kidding about taping a flashlight to my camera, but I am 
definitely considering engineering my own LED focus-assist light.


On 3/29/2014 12:39 PM, Ciprian Dorin Craciun wrote:
There is an interesting article about Pentax K-5 low-light focusing, 
especially section 4.1 which touches exactly this issue of AF lamp 
activation: http://www.falklumo.com/lumolabs/articles/k5focus

Should I just duct tape an LED flashlight to my camera?  :)

 But then how do you turn it off when taking the picture?  :)

 Seriously, I've done something similar last winter when I've
photographed the Christmas tree:  I've put the camera o a tripod (the
exposure was about 20 seconds long), focus activates only on the AF-L
button, and used a strong LED flashlight for auto-focusing.

 Hope it helps,
 Ciprian.




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Re: K-30 AF-Assist Lamp?

2014-03-29 Thread Glen Berry
It might not be totally at random, but it sure feels like it, when you 
press the shutter button half-way down about 30 times, all while pointed 
at the same subject in dim light, and the AF-assist lamp only comes on 2 
or 3 times. My lens would agonizingly hunt for extended periods of time 
and ultimately fail to find focus--except for those few times the 
AF-assist light came on. Whenever the light came on, focus was always 
prompt and accurate. If Pentax provided more user control over the 
light, or simply programmed it to come on whenever the AF fails, 
everything would be fine.


On 3/29/2014 4:24 PM, John wrote:


So, it's not entirely at random, but there doesn't seem to be any user
control other than to turn the function on/off.




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Re: Definition of pinup?

2014-03-06 Thread Glen Berry
Technically, I don't consider pin-up to be a genre, at least not a 
strict or narrow one. It's a reference to a printed image application. 
Namely, a mass-produced printed image that is typically pinned to a 
wall, without a frame, and often cheaply available. The calendars that 
auto mechanics hang in their garages are pin-up calendars. So are many 
posters of celebrities. A Playboy centerfold pulled from the magazine 
and pinned to a wall would be a pin-up. An 8x10 glossy photo 
thumbtacked to a wall could be a pin-up. They were originally called 
pin-ups, because you literally pinned them to the wall, not because of 
some very narrow definition of their subject content. Look it up in a 
few dictionaries, and you'll see I'm not alone on this point.


When the original classic pin-up images were being created, did they go 
to the trouble of only using vehicles that were at least 50-years old? 
No. They were totally free to use contemporary vehicles.


If the original classic pin-up images could use contemporary vehicles, 
why shouldn't you have that same freedom?


Was there any sort of official international treaty that decided the use 
of contemporary vehicles in pin-up images had to cease by a certain 
year? No. Feel free to use vehicles from any era you like, even 
futuristic vehicles.


I do realize term Pin-Up is commonly used these days as a genre, but I 
think its application is often a bit misguided. Some folks seem to think 
there are very narrow and strict guidelines as to what can be Pin-Up and 
what can't. I think that's poppycock. If it's a genre at all, I think 
it's a fairly broad one. I also think it needn't be frozen in time. I 
think there should be plenty of room in this world for modern looking 
Pin-Up images, and for Pin-Up images that push the envelope and take the 
category to new territories. Else, there will be very little true art in 
the genre, and everyone will be endlessly and slavishly copying everyone 
else.


Note: If you use the term in its classic sense, to refer to an image 
literally pinned to a wall, it's pin-up. If you use the term to refer 
to an art movement, then it's Pin-Up (capitalized).


I have very similar feelings about folks who consider pop music a term 
that refers to a particular genre of music, when it literally just means 
music that is popular — any music, any genre, as long as it's popular. 
We won't get into that can of worms now, though. :)


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Re: Definition of pinup?

2014-03-06 Thread Glen Berry
Yeah, I'd really like to know which international standards body made 
that decision!  lol


On 2/23/2014 5:09 PM, Larry Colen wrote:

Only pre-1962 American cars?  Really?





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Re: Definition of pinup?

2014-03-06 Thread Glen Berry

I agree, and I admire a man who gets right to the point!  :)

On 2/23/2014 6:06 PM, Steve Cottrell wrote:

I say do your own thing - set trends don't follow them. If it looks
right in your own eye, then it is right. Tell her to shove a pin up her arse.




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Re: K-100D vs K-30 -- Noise at high ISO?

2014-02-13 Thread Glen Berry
I'm impressed! I think that looks as good as my K100D, when it's set to 
ISO 800.


On 2/9/2014 3:45 AM, Larry Colen wrote:
With the K-5, I often shoot in excess of ISO 6400. This set of a 
burrowing owl was shot with the K-5 at ISO 10,000. I consider it much 
better than merely satisfactory.


http://www.fluidr.com/photos/ellarsee/sets/72157634684347823/



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Re: K-100D vs K-30 -- Noise at high ISO?

2014-02-13 Thread Glen Berry

Thanks everyone, for all the very helpful comments!

The more I research it, the more I believe buying a used K-30 is the 
camera that will give me the most value for my money. I've seen reviews 
that said the video mode had some limitations, but I'm not buying a DSLR 
for video. Any little video-mode quirks, like the lack of an external 
microphone jack, aren't very important to me.


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A Few K-30 Questions

2014-02-13 Thread Glen Berry
I was hoping someone could answer a few questions I have about the 
Pentax K-30. Some of these are a bit obscure, and aren't things you 
commonly find mentioned in most online reviews.


1) I know it has live view, but can that live view be displayed on an 
external monitor of some sort?


2) Is it possible to control the camera's aperture and shutter speed 
remotely?


3) Is it possible to shoot tethered at all?

4) It's not a deal breaker for me, if the K-30 can't do those first 3 
things, but it would be a huge bonus. If the K-30 can't do those things, 
is there a Pentax DSLR that can?


5) With my old Pentax DSLR, it's extremely difficult for me to achieve 
critical focus when using manual lenses. (It has no live view, and no 
focus peeking.) Since the K-30 has live view, with magnification and 
focus peeking, I would think accurately focusing an older manual lens 
would be very easy. Am I correct?


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Re: A Few K-30 Questions

2014-02-13 Thread Glen Berry

Thanks for the link. That might help a bit.

I noticed this odd warning near the beginning of the manual:

Depending on your individual factors or physical condition, the use of 
the camera may
cause itching, rashes or blisters. In case of any abnormality, stop 
using the camera

and get medical attention immediately.

I know that's just a CYA sort of statement, but they make it sound 
like the camera body is made from molded radioactive toxic waste or 
something!  lol


On 2/13/2014 2:17 PM, Stanley Halpin wrote:

K-30 manual available here (under Support section of US Ricoh site):

http://c758710.r10.cf2.rackcdn.com/files/support/manual/1340052607_Manual_K-30_EN.pdf

Might address your questions…

stan




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K-100D vs K-30 -- Noise at high ISO?

2014-02-08 Thread Glen Berry
This is going to be a difficult question to answer without showing 
comparison images, but can anyone give me some sort of idea how noisy a 
K-30 is, compared to the much older K-100D?


One of the things that bugs me the most about the older cameras like the 
K-100D, is the very noticeable noise at higher ISO's. With every step 
above ISO 200, I can notice additional noise in the image. I think ISO 
3200 is horrible.


I've read comments from folks who had much newer DSLR's of various 
brands, and some of those folks seem content with ISO 3200 on THEIR 
camera, and I think I've even read a few mentions of folks being 
satisfied with ISO 6400 for certain applications.


So, how good is the K-30 with regards to high ISO noise, and try to 
compare it to an older model like the K-100D if you can. I'm hoping the 
K-30 will let me shoot a few stops higher ISO without sacrificing 
quality. Would that likely be correct?



Thanks,
Glen

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Which Macro Lens?

2014-02-06 Thread Glen Berry
Please help me decide on a used Pentax macro lens. I've narrowed it down 
to these two used lenses:


50 F2.8 SMC MACRO D FA
100 F2.8 SMC D FA MACRO

What are the pros and cons of the 50mm vs the 100mm?

What applications would the 50mm be best for?

What applications would the 100mm be best for?

Does either of them have a reputation for being noticeably sharper than 
the other?


Would the 100mm exacerbate the already shallow depth of field inherent 
in macro photography, in other words, would the 50mm have greater depth 
of field at 1:1 magnification?



Thanks, for any suggestions!


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Re: OT: Cans?

2014-01-01 Thread Glen Berry
If you really want a metal coffee can, I believe WalMart's Great Value 
brand of coffee still comes in a metal can, unless they recently changed 
packaging. I have one of their 33.9 ounce (960g) metal cans sitting on 
my desk right now.


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Re: Pentax AF-500FTZ Flash on K100D

2013-12-11 Thread Glen Berry
I purchased the AF-500FTZ flash. In case anyone was wondering, here's 
what works with this flash on a Pentax K100D:



Manual mode: - Works at all power levels and zoom settings

Flash automatically zooms to match the 18-55mm lens: - Works

Flash zoom manual override: - Works

Focus assist light: - Works

Strobe (multiple burst) mode: - Works

Ready light in viewfinder: - Works

Automatically limits camera shutter speed to 1/180 max when the 
AF-500FTZ is turned on: - works


Optical slave mode: - Works, as long as the master flash doesn't use 
P-TTL or red eye reduction.


Second-curtain sync? - Yes and no. The delayed sync timing works, but 
the flash always fires at full power.


TTL mode: - No, because the K100D doesn't support it. The flash always 
fires at full power when set to TTL mode, and used on the Pentax K100D.


P-TTL mode: - No, because the AF-500FTZ doesn't support it.


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Pentax AF-500FTZ Flash on K100D

2013-12-05 Thread Glen Berry
I'm strongly considering purchasing a used Pentax AF-500FTZ, mainly for 
off-camera strobist style shooting. As I understand it, the unit has a 
built-in optical slave which should work fine for manual-mode, strobist 
style shooting.


I'd also like to us this flash in the hot shoe of my K100D, which only 
supports P-TTL mode. I know that I'll have to use the AF-500FTZ in 
manual mode to control the exposure. I'm fine with that.


Do any of these other AF-500FTZ features work with K100D:

Focus assist light?

Strobe (multiple burst) mode?

Second-curtain sync?

Ready light in viewfinder?


I appreciate any information you can share about this particular 
combination of gear.



Thanks,
Glen

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Re: Pentax GPS accessory

2011-02-10 Thread Glen Berry
This seems like it would be a good application for blue tooth 
technology. That is, if only Pentax cameras were built with blue tooth 
capability. You would then only have to have the GPS unit near the 
camera, not connected to it.



On 2/10/2011 2:13 PM, John Sessoms wrote:

From: eckinator

maybe it is just a data logger and only attaches to the hotshoe
physically - there are others like it so it could just be redabged OEM
who knows; I'll just wait and see =)

2011/2/10, John Sessoms jsessoms...@nc.rr.com:

 Pentax doesn't trigger the hot-shoe at shutter speeds above sync. How
 does this thing work if it's mounted there?


It's got to have some sort of output from the camera to tell it when a 
photo is taken so it knows when to log the coordinates. I'm curious 
how it gets that information since the hot-shoe it appears to mount on 
doesn't trigger all the time.



-
No virus found in this message.
Checked by AVG - www.avg.com
Version: 10.0.1204 / Virus Database: 1435/3433 - Release Date: 02/09/11




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Re: Which Macro Lens?

2011-02-10 Thread Glen Berry
I just realized that I have a lens-reversing adapter. I just mounted a 
Pentax 50mm f2.0 lens on my camera backwards, and it gave fairly 
impressive results. When shooting coins, a US quarter will almost 
totally span the narrow dimension of the frame. There is just a very 
tiny amount of space left on both sides of the coin.


Using this same adapter, along with a special adapter plate for my old 
Omega enlarger, I can mount my Pentax DSLR in place of my enlarger head. 
This will let me shoot high-magnification macro through my EL-Nikkor 
enlarging lens. With the camera mounted on the enlarger it's not 
terribly portable, but I can definitely make use of this here at home.


These are some things I can make good use of right now, until I get more 
elaborate macro gear.   :)


I want to think everyone for their macro lens suggestions. You've all 
been very helpful!



.

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Is Live View Also Sent Over The Video Output?

2011-02-10 Thread Glen Berry
I was wondering if any of the Pentax DSLRs actually transmit a Live 
View video feed through their video output connection?


The reason I'm asking, I'm trying to figure out if it's possible to 
place a Pentax DSLR in a remote location (on the end of a pole, for 
example) and view the Live View signal on a remote monitor. If so, you 
could trip the shutter remotely and use the camera in places where it's 
physically impractical to place your head behind the camera.


If this would work, which models of Pentax support this sort of remote 
live viewing?




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Comparing K100D with K-x?

2011-02-07 Thread Glen Berry
I've read the specs for both cameras, and the K-x really should be 
better than the K-100D, but I'd still like to ask the question. Do you 
think there is a BIG and obvious improvement in image quality, after 
upgrading from a K-100D to a K-x body?


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Sensor Cleaning

2011-02-07 Thread Glen Berry

Whats your favorite way to clean the sensor in your Pentax DSLR?

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Which Macro Lens?

2011-01-31 Thread Glen Berry
I'm considering spending some money on a new macro lens. I used to have 
an older Pentax 50mm f2.8 autofocus lens that was built like a tank, and 
took very sharp photos. I bought it used at a local shop for only about 
$100, which was a huge bargain! Unfortunately, that lens got stolen 
along with the camera it was mounted on at the time. God, how I wish the 
thieves had stolen my inexpensive kit lens instead!  :)


Anyway, I'm currently shooting with a K100D, and I'm trying to decide 
between getting one of these new macro lenses:


Pentax smc P-D FA 50mm f/2.8
Pentax SMCP-DA 35mm f/2.8

Are either of these lenses noticeably sharper than the other?

Which would you buy, especially if this were going to be your only macro 
lens?


Are there any other macro lenses I should consider?


thanks,
Glen

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Re: finding pictures or making pictures?

2011-01-31 Thread Glen Berry
Lately, most of my photos are loosely planned. I'll typically know the 
subject, theme, and location. I'll usually know some other details as 
well. However, I'll frequently have to improvise a bit, once it's time 
to start shooting. Sometimes circumstances will force me to revise my 
plans at the last moment. Other times, unforeseen opportunities will 
present themselves during shooting. Because of such uncertainties, I 
don't often try to plan my images in intricate detail.



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Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
No, Scott, thank you for posting this information--I very much  
appreciate it.  As I have no current plans to digitize, this is  
valuable information.  My wife and I have been using the Wal-Mart in  
Winchester for most of our processing.  The pro shops in toward DC  
charge about four times as much, and the difference is usually  
negligible (if present at all).  I give the rolls to my wife, she  
combines them with hers, and then she fills out the information at  
the W-M photo kiosk (she has better handwriting than I :)  As I have  
said here before, I have never even read the information at the kiosk  
regarding digital processing.

Anyway, in the years we have done this, our results with print  
processing have been very good.  I wish they would offer good BW  
print C-41 processing, though.  Those two rolls with the purplish  
tint disappointed me.  Perhaps print BW C-41 is just too strange an  
animal?  I have been thinking of leaving my color print processing to  
W-M, and trying AI mailers for my BW prints.  Overall, their prices  
are rather high (though not more than the pro shops), but since  
they charge only $1.50 a roll more for traditional print BW ($15.50  
vs. $17.00), I may opt for that.  I have heard that their work is  
excellent (Old Grumpy had endorsed them).  I welcome any further  
thoughts.

Regards,
Glen

On Oct 10, 2007, at 12:51 AM, Scott Loveless wrote:

 Since we've been tossing around the Wal-Mart name a bit, and since  
 I've
 been doing some scanning recently, this has been on my mind and I
 thought I'd share (with the other 2 of you who are still shooting  
 film).

 When I was working in Hagerstown, MD I brought my E-6 to a little
 independent shop called FirstLook Photo.  They had a 2 hour slide
 service than ran about $8.  Drop off before my shift, pick up during
 lunch.  It was wonderful and well worth the price.  The finished  
 product
 was mounted in plastic and filed in archival pages punched for 3-ring
 binders.  They also still did BW in house.  Not having the volume to
 process it every day, the store owner would do it himself once per  
 week.
   I think he just liked black and white processing and wasn't too
 terribly interested in making money from it.

 After moving north a bit, FirstLook became inconvenient.  So I started
 looking around for another E-6 processor.  I tried three different  
 small
 shops.  None of them did it on site, turn around was at least a week,
 and the end result was variable.  Prices ranged from $8 to $12 per  
 roll.
   So I decided to try Wal-Mart.  In case you don't know, Wal-Mart  
 sends
 everything that's not 1-hour C-41 to Fuji.  As I have had good luck  
 with
 Fuji's processing in the past, via mailers, I put a few rolls in
 Wal-Mart's send-out bin.  Success!  About a week, quality was
 consistent, and the price tag was $4.88.  Turns out, sometime  
 between a
 year ago and now, Fuji closed their E-6 facility and contracted with
 Dwayne's.  I like Dwayne's.  A lot.  They do good work.

 Bottom line, Wally World send out goes to Dwayne's.  36 exposure 35mm
 (E-6 and Kodachrome), 120 or 220 E-6 is $4.88 per roll, and it usually
 takes 7 to 10 days.  I'm a happy camper.

 FWIW - there are a couple of pro labs in the area, but I haven't  
 tried
 them.  They cater mostly to wedding photographers and don't seem to  
 have
 much interest in developing a roll or two for guys like me.  They're
 also considerably more expensive.  I suppose I'd use them if I was  
 being
 paid for it, but for the amateur crap I shoot, Wal-Mart is fine.

 Thanks for listening.

 -- 
 Scott Loveless
 http://www.twosixteen.com/fivetoedsloth/

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Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
I am considering buying a scanner (and a photo inkjet, too).  I do  
not like being pigeon-holed to the 8.5x11 size, or having to cut my  
prints in order to attain different sizes.  I mention 8.5x11 because  
this is clearly the most popular print paper size, and it is also the  
only one (at least in Epson's line) that comes in matte with  
borders.  I would prefer 5x7, and I dislike glossy prints.  I mention  
Epson because their R280 printer seems like a great value.

In any case, what do yo recommend for a scanner?  I believe someone  
mentioned something with 4990 in the model number (Epson perhaps?).   
Again, the scanner route is still questionable for me.  While it has  
its advantages--in terms of control of print quality, etc.--it, to  
me, seems like it is rather limiting, too.  Then there is the *total*  
start-up cost that few, with the exception of Rebekah, seem to  
acknowledge.  Yes, the printer is $99, but then ink for it is about  
$70, a scanner is probably $200-$300, and then there is that  
calibration software, and what else...?  I consider all of this in  
light of: 8.5x11 for everything, unless I am willing to start  
cutting...Hmm...

Thanks,
Glen

On Oct 10, 2007, at 9:47 AM, Scott Loveless wrote:

 Glen Tortorella wrote:

 Anyway, in the years we have done this, our results with print
 processing have been very good.  I wish they would offer good BW
 print C-41 processing, though.  Those two rolls with the purplish
 tint disappointed me.  Perhaps print BW C-41 is just too strange an
 animal?  I have been thinking of leaving my color print processing to
 W-M, and trying AI mailers for my BW prints.  Overall, their prices
 are rather high (though not more than the pro shops), but since
 they charge only $1.50 a roll more for traditional print BW ($15.50
 vs. $17.00), I may opt for that.  I have heard that their work is
 excellent (Old Grumpy had endorsed them).  I welcome any further
 thoughts.

 I've had inconsistent results with Wal-Mart's in house processing.
 Thus, everything goes into their send-out bin, even the C-41  
 stuff.  It
 seems that quality is variable by store and by staff.  Fuji is much  
 more
 consistent.  Basically, if you put your film in one of their 1-hour
 envelopes they're going to process it in the store.  As far as I can
 tell, anything that's not in a 1-hour envelope goes to Fuji and  
 takes a
 few days, at least.  Perhaps Bill can confirm this.

 C-41 BW is tricky and most mini-labs don't do it well.  Wal-Mart, as
 well as Target, Costco, Rite-Aid, etc., are probably going to print it
 on the same paper they print everything else on.  You're going to  
 have a
 color cast.  I used to send film to a mail order outfit called Clark
 Color (I believe they're affiliated with York Photo).  They would  
 print
 C-41 BW and traditional BW on traditional black and white paper.   
 They
 have since gone to a production inkjet system that really sucks.  Your
 best bet is to get a scanner and scan/print the stuff yourself.

 -- 
 Scott Loveless
 http://www.twosixteen.com/fivetoedsloth/

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Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
Thank you for the comment...

The Epson 4x6 paper is available only in glossy or semi-gloss.  It is  
also rather expensive at $9.00 for 40 sheets.  This amounts to nearly  
the same number of prints as a roll of film (36 vs. 40)--and that is  
just for paper, without ink and shipping on the paper (if one  
purchases it via mail order).  For $8.92 I can have two rolls of 24  
developed and printed (*in matte*) at Wal-Mart, or, for $15.50, I can  
have a professional lab (i.e. AI) develop and print a roll of 36.   
Again, I have yet to see the overwhelming cost savings or general  
astuteness of scanning and printing at home.

Glen

On Oct 10, 2007, at 11:28 AM, Steve Sharpe wrote:

 At 11:20 AM -0400 10/10/07, Glen Tortorella wrote:
 I am considering buying a scanner (and a photo inkjet, too).  I do
 not like being pigeon-holed to the 8.5x11 size, or having to cut my
 prints in order to attain different sizes.  I mention 8.5x11 because
 this is clearly the most popular print paper size, and it is also the
 only one (at least in Epson's line) that comes in matte with
 borders.  I would prefer 5x7, and I dislike glossy prints.  I mention
 Epson because their R280 printer seems like a great value.

 In any case, what do yo recommend for a scanner?  I believe someone
 mentioned something with 4990 in the model number (Epson perhaps?).
 Again, the scanner route is still questionable for me.  While it has
 its advantages--in terms of control of print quality, etc.--it, to
 me, seems like it is rather limiting, too.  Then there is the *total*
 start-up cost that few, with the exception of Rebekah, seem to
 acknowledge.  Yes, the printer is $99, but then ink for it is about
 $70, a scanner is probably $200-$300, and then there is that
 calibration software, and what else...?  I consider all of this in
 light of: 8.5x11 for everything, unless I am willing to start
 cutting...Hmm...

 I print 4X6 with my Epson SP825. That's premium glossy paper...I
 don't know if that size is available in other types. If I want bigger
 than 8X10 then I switch to roll paper, which allows 8X12, 8xwhatever.

 -- 
 Steve
 •

 [EMAIL PROTECTED]
 [EMAIL PROTECTED]


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Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
Thank you, Adam...

Will the Moab 5x7 paper you mention work with the R280?  I just want  
to make sure of this.

Though, I am somewhat disappointed, as Newegg is now out of stock on  
the R280.  I would prefer buying it from them.  I know the R280 is  
probably available (at a good price, too) at one of the popular New  
York camera stores (BH, Adorama, etc.), but I would rather not  
purchase it from these stores.

Glen

On Oct 10, 2007, at 1:04 PM, Adam Maas wrote:

 The 4490 is likely a better choice to start than the 4990, unless  
 you're already shooting Large Format. You'll also want to pick up  
 some 35mm ANR inserts from betterscanning.com, they massively  
 improve 35mm scans from flatbeds. You'll want 2 for the 4490. Note  
 Epson.com has refurbs right now for $99.

 The printer will come with a set of ink carts. So you won't be  
 buying ink right away. If you intend to do large amounts of  
 printing, a R2400 or up will quickly pay for itself in Ink (the  
 R2400's in costs are about 1/4 the cost of an R280's, due to the  
 cartridges holding a lot more ink than the low-end cartridges. Note  
 that a high-end printer like the Epson 4800 is even cheaper, at  
 about 1/3 of the cost of the R2400. The cost difference between  
 those two is about 250 8x10's).

 Your best bet if you like 5x7's is to print 2 to a page and cut  
 down. Most papers are available in 8.5x11 and larger only. A few  
 are available in 5x7, Moab papers in particular are available in  
 5x7 (Entrada bright is a superb matte art paper).

 -Adam




 Glen Tortorella wrote:
 I am considering buying a scanner (and a photo inkjet, too).  I do
 not like being pigeon-holed to the 8.5x11 size, or having to cut my
 prints in order to attain different sizes.  I mention 8.5x11 because
 this is clearly the most popular print paper size, and it is also the
 only one (at least in Epson's line) that comes in matte with
 borders.  I would prefer 5x7, and I dislike glossy prints.  I mention
 Epson because their R280 printer seems like a great value.

 In any case, what do yo recommend for a scanner?  I believe someone
 mentioned something with 4990 in the model number (Epson perhaps?).
 Again, the scanner route is still questionable for me.  While it has
 its advantages--in terms of control of print quality, etc.--it, to
 me, seems like it is rather limiting, too.  Then there is the *total*
 start-up cost that few, with the exception of Rebekah, seem to
 acknowledge.  Yes, the printer is $99, but then ink for it is about
 $70, a scanner is probably $200-$300, and then there is that
 calibration software, and what else...?  I consider all of this in
 light of: 8.5x11 for everything, unless I am willing to start
 cutting...Hmm...

 Thanks,
 Glen

 On Oct 10, 2007, at 9:47 AM, Scott Loveless wrote:

 Glen Tortorella wrote:
 Anyway, in the years we have done this, our results with print
 processing have been very good.  I wish they would offer good BW
 print C-41 processing, though.  Those two rolls with the purplish
 tint disappointed me.  Perhaps print BW C-41 is just too  
 strange an
 animal?  I have been thinking of leaving my color print  
 processing to
 W-M, and trying AI mailers for my BW prints.  Overall, their  
 prices
 are rather high (though not more than the pro shops), but since
 they charge only $1.50 a roll more for traditional print BW  
 ($15.50
 vs. $17.00), I may opt for that.  I have heard that their work is
 excellent (Old Grumpy had endorsed them).  I welcome any further
 thoughts.

 I've had inconsistent results with Wal-Mart's in house processing.
 Thus, everything goes into their send-out bin, even the C-41
 stuff.  It
 seems that quality is variable by store and by staff.  Fuji is much
 more
 consistent.  Basically, if you put your film in one of their 1-hour
 envelopes they're going to process it in the store.  As far as I can
 tell, anything that's not in a 1-hour envelope goes to Fuji and
 takes a
 few days, at least.  Perhaps Bill can confirm this.

 C-41 BW is tricky and most mini-labs don't do it well.  Wal- 
 Mart, as
 well as Target, Costco, Rite-Aid, etc., are probably going to  
 print it
 on the same paper they print everything else on.  You're going to
 have a
 color cast.  I used to send film to a mail order outfit called Clark
 Color (I believe they're affiliated with York Photo).  They would
 print
 C-41 BW and traditional BW on traditional black and white paper.
 They
 have since gone to a production inkjet system that really sucks.   
 Your
 best bet is to get a scanner and scan/print the stuff yourself.

 -- 
 Scott Loveless
 http://www.twosixteen.com/fivetoedsloth/

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Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
I see.  Would a semi-gloss paper be a better choice (and be similar  
to the semi-matte of minilabs)?

Glen

On Oct 10, 2007, at 2:04 PM, Adam Maas wrote:

 It will(although not ideally, it's intended for pigment printers),  
 but note it's a true Matte paper, not the semi-matte or pearl that  
 minilabs pass off as matte paper. Matte papers are not really ideal  
 for colour work unless you want a watercolour look to the print.  
 You may want to look at Moab?legion's other products as well, I  
 simply went with the paper I knew.

 -Adam


 Glen Tortorella wrote:
 Thank you, Adam...

 Will the Moab 5x7 paper you mention work with the R280?  I just want
 to make sure of this.

 Though, I am somewhat disappointed, as Newegg is now out of stock on
 the R280.  I would prefer buying it from them.  I know the R280 is
 probably available (at a good price, too) at one of the popular New
 York camera stores (BH, Adorama, etc.), but I would rather not
 purchase it from these stores.

 Glen

 On Oct 10, 2007, at 1:04 PM, Adam Maas wrote:

 The 4490 is likely a better choice to start than the 4990, unless
 you're already shooting Large Format. You'll also want to pick up
 some 35mm ANR inserts from betterscanning.com, they massively
 improve 35mm scans from flatbeds. You'll want 2 for the 4490. Note
 Epson.com has refurbs right now for $99.

 The printer will come with a set of ink carts. So you won't be
 buying ink right away. If you intend to do large amounts of
 printing, a R2400 or up will quickly pay for itself in Ink (the
 R2400's in costs are about 1/4 the cost of an R280's, due to the
 cartridges holding a lot more ink than the low-end cartridges. Note
 that a high-end printer like the Epson 4800 is even cheaper, at
 about 1/3 of the cost of the R2400. The cost difference between
 those two is about 250 8x10's).

 Your best bet if you like 5x7's is to print 2 to a page and cut
 down. Most papers are available in 8.5x11 and larger only. A few
 are available in 5x7, Moab papers in particular are available in
 5x7 (Entrada bright is a superb matte art paper).

 -Adam




 Glen Tortorella wrote:
 I am considering buying a scanner (and a photo inkjet, too).  I do
 not like being pigeon-holed to the 8.5x11 size, or having to cut my
 prints in order to attain different sizes.  I mention 8.5x11  
 because
 this is clearly the most popular print paper size, and it is  
 also the
 only one (at least in Epson's line) that comes in matte with
 borders.  I would prefer 5x7, and I dislike glossy prints.  I  
 mention
 Epson because their R280 printer seems like a great value.

 In any case, what do yo recommend for a scanner?  I believe someone
 mentioned something with 4990 in the model number (Epson perhaps?).
 Again, the scanner route is still questionable for me.  While it  
 has
 its advantages--in terms of control of print quality, etc.--it, to
 me, seems like it is rather limiting, too.  Then there is the  
 *total*
 start-up cost that few, with the exception of Rebekah, seem to
 acknowledge.  Yes, the printer is $99, but then ink for it is about
 $70, a scanner is probably $200-$300, and then there is that
 calibration software, and what else...?  I consider all of this in
 light of: 8.5x11 for everything, unless I am willing to start
 cutting...Hmm...

 Thanks,
 Glen

 On Oct 10, 2007, at 9:47 AM, Scott Loveless wrote:

 Glen Tortorella wrote:
 Anyway, in the years we have done this, our results with print
 processing have been very good.  I wish they would offer good BW
 print C-41 processing, though.  Those two rolls with the purplish
 tint disappointed me.  Perhaps print BW C-41 is just too
 strange an
 animal?  I have been thinking of leaving my color print
 processing to
 W-M, and trying AI mailers for my BW prints.  Overall, their
 prices
 are rather high (though not more than the pro shops), but since
 they charge only $1.50 a roll more for traditional print BW
 ($15.50
 vs. $17.00), I may opt for that.  I have heard that their work is
 excellent (Old Grumpy had endorsed them).  I welcome any  
 further
 thoughts.

 I've had inconsistent results with Wal-Mart's in house processing.
 Thus, everything goes into their send-out bin, even the C-41
 stuff.  It
 seems that quality is variable by store and by staff.  Fuji is  
 much
 more
 consistent.  Basically, if you put your film in one of their 1- 
 hour
 envelopes they're going to process it in the store.  As far as  
 I can
 tell, anything that's not in a 1-hour envelope goes to Fuji and
 takes a
 few days, at least.  Perhaps Bill can confirm this.

 C-41 BW is tricky and most mini-labs don't do it well.  Wal-
 Mart, as
 well as Target, Costco, Rite-Aid, etc., are probably going to
 print it
 on the same paper they print everything else on.  You're going to
 have a
 color cast.  I used to send film to a mail order outfit called  
 Clark
 Color (I believe they're affiliated with York Photo).  They would
 print
 C-41 BW and traditional BW on traditional

Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
I thank you for you comments, Scott.  Since you have made note of the  
subject, I will explain my position with regard to BH.

I am familiar with BH's reputation for customer service.  My  
avoidance of BH et. al. has nothing to do with prejudice stemming  
from a stereotypical opinion of large, New York-based businesses.  My  
avoidance of businesses such as BH is founded strictly upon my  
religious views.  I, as much as possible, will not support those whom  
I know to honor or reverence that which condemns or blasphemes Our  
Blessed Lord, Jesus Christ, His Blessed Mother, or His Saints.  The  
Talmud, in numerous locations, refers to Our Lord, and His Blessed  
Mother, in such a manner.  Thus, I make an effort to avoid supporting  
those who honor the Talmud.

I apply a like boycott to business that support ideologies or  
activities that I find morally objectionable.  For example, I, as  
much as possible, avoid companies or other establishments that fund  
Planned Parenthood or promote other attacks on life (including  
euthanasia, contraception, and unjust wars--which is why I am opposed  
to America's occupation of Iraq).  I have employed the words, as  
much as possible here so as to highlight the realities of any  
boycott.  That is, while I have done rather extensive research in  
these areas, I know that I do not possess an unlimited access to  
information.  Secondly, as Jean-Francois Orsini of the St. Antoninus  
Institute points out, a complete boycott is rather impossible.  One  
must realize that sources of blasphemy, irreligion, and immorality  
have lengthy tentacles.  For instance, Johnson  Johnson (a pro-abort  
firm) produces a dazzling array of name brand and generic products,  
some of which are necessary for everyday living, and some of which  
one may not even be able to determine are produced by Johnson   
Johnson.  Hence, I do that which is physically and logistically  
possible--what Orsini and others call a virtual boycott--and I  
leave the rest to Our Blessed Mother.

Glen

On Oct 10, 2007, at 1:59 PM, Scott Loveless wrote:

 Glen Tortorella wrote:
 Thank you, Adam...

 Will the Moab 5x7 paper you mention work with the R280?  I just want
 to make sure of this.

 Though, I am somewhat disappointed, as Newegg is now out of stock on
 the R280.  I would prefer buying it from them.  I know the R280 is
 probably available (at a good price, too) at one of the popular New
 York camera stores (BH, Adorama, etc.), but I would rather not
 purchase it from these stores.


 FWIW, BH is wonderful to do business with.  I've spent more than I
 should have with them over the last few years and have received  
 nothing
 but good service.  Every order has been correct, shipping has been
 within a day or two of placing the order, and the one time I had a
 question for them they replied very promptly with the information I
 requested.  You really can't go wrong with BH.  I've had the same  
 sort
 of service from Newegg, but I prefer to order anything photo related
 from the guys in New Yawk.  BH has the R280 in stock at the same  
 price
 as Newegg.


 -- 
 Scott Loveless
 http://www.twosixteen.com/fivetoedsloth/

 -- 
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 to UNSUBSCRIBE from the PDML, please visit the link directly above  
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Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
Is it at all difficult to select and print only those negatives that  
you find acceptable?

Glen

On Oct 10, 2007, at 2:31 PM, Steve Sharpe wrote:

 At 1:10 PM -0400 10/10/07, Glen Tortorella wrote:
 Thank you for the comment...

 The Epson 4x6 paper is available only in glossy or semi-gloss.  It is
 also rather expensive at $9.00 for 40 sheets.  This amounts to nearly
 the same number of prints as a roll of film (36 vs. 40)--and that is
 just for paper, without ink and shipping on the paper (if one
 purchases it via mail order).  For $8.92 I can have two rolls of 24
 developed and printed (*in matte*) at Wal-Mart, or, for $15.50, I can
 have a professional lab (i.e. AI) develop and print a roll of 36.
 Again, I have yet to see the overwhelming cost savings or general
 astuteness of scanning and printing at home.

 Good points. For myself, I seldom want prints of everything on a roll
 - I'm not that good a photographer - so why pay for prints I don't
 want? I prefer specify develop only when I take the film in, then
 scan the film when I get it back, examine the images on the monitor
 and then only print the ones I like. That saves me money.

 -- 

 Steve Sharpe
 [EMAIL PROTECTED]
 •

 http://earth.delith.com/photo_gallery.html

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Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
I do not wish to engage in a protracted debate, as this subject has  
arisen only because someone had mentioned why he has chosen to  
patronize BH.  Likewise, I should not have to defend my decision not  
to patronize them.

However, in short, I note that Sacred Scripture does not corroborate  
your view.  You highlight a verse in St. Matthew's Gospel in  
isolation.  The matter of being aware of those who oppose Christ and  
His Church has nothing to do with making friends.  Christ came to  
reconcile the world to Himself, and to provide the Good News for  
those who were of goodwill, for those who were (and are) willing to  
listen.  Christ did not come to ingratiate Himself to the world, i.e.  
to its powers, publicans, and pretenders.  Rather, His Cross is  
precisely the opposite of that: it stands in overt contradiction to  
the world and its ways.  His entire public ministry, which spanned  
three years of His life (beginning at the Wedding Feast of Cana),  
contradicts the view that Christ was some sort of UN negotiator.

Further, His words and actions continually characterize His Divine  
Mission.  Since you have brought up St. Matthew's Gospel, let us  
search there for Our Lord's edifying words: Do not think that I am  
come to send peace upon earth: rather I came not to send peace, but  
the sword (Mt 10:34), He who is not with me, is against me: and he  
that gathereth not with me, scattereth (Mt 12:30), and Every plant  
which my heavenly Father hath not planted, shall be rooted up (Mt  
15:13).  These are not the words of a modern politician.  Even the  
Scribes and Pharisees knew that they were the words of no common man.

Those who contradict and blaspheme Jesus Christ clearly scattereth,  
and, as Our Lord directs, I will avoid having any complicity in their  
doctrines or deeds.

Glen

On Oct 10, 2007, at 4:36 PM, Tom C wrote:

 I guess the little problem I see with this reasoning is that not  
 even God himself takes that viewpoint, according to the Bible.

 “
 He causes His sun to rise on the evil and the good, and sends rain  
 on the righteous and the unrighteous” (Matt. 5:45).

 To alienate someone for their beliefs is not a way of making friends.

 Tom C.



 From: Glen Tortorella [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Wal-Mart and film processing (Long winded)
 Date: Wed, 10 Oct 2007 15:34:23 -0400

 I thank you for you comments, Scott.  Since you have made note of the
 subject, I will explain my position with regard to BH.

 I am familiar with BH's reputation for customer service.  My
 avoidance of BH et. al. has nothing to do with prejudice stemming
 from a stereotypical opinion of large, New York-based businesses.  My
 avoidance of businesses such as BH is founded strictly upon my
 religious views.  I, as much as possible, will not support those whom
 I know to honor or reverence that which condemns or blasphemes Our
 Blessed Lord, Jesus Christ, His Blessed Mother, or His Saints.  The
 Talmud, in numerous locations, refers to Our Lord, and His Blessed
 Mother, in such a manner.  Thus, I make an effort to avoid supporting
 those who honor the Talmud.

 I apply a like boycott to business that support ideologies or
 activities that I find morally objectionable.  For example, I, as
 much as possible, avoid companies or other establishments that fund
 Planned Parenthood or promote other attacks on life (including
 euthanasia, contraception, and unjust wars--which is why I am opposed
 to America's occupation of Iraq).  I have employed the words, as
 much as possible here so as to highlight the realities of any
 boycott.  That is, while I have done rather extensive research in
 these areas, I know that I do not possess an unlimited access to
 information.  Secondly, as Jean-Francois Orsini of the St. Antoninus
 Institute points out, a complete boycott is rather impossible.  One
 must realize that sources of blasphemy, irreligion, and immorality
 have lengthy tentacles.  For instance, Johnson  Johnson (a pro-abort
 firm) produces a dazzling array of name brand and generic products,
 some of which are necessary for everyday living, and some of which
 one may not even be able to determine are produced by Johnson 
 Johnson.  Hence, I do that which is physically and logistically
 possible--what Orsini and others call a virtual boycott--and I
 leave the rest to Our Blessed Mother.

 Glen

 On Oct 10, 2007, at 1:59 PM, Scott Loveless wrote:

  Glen Tortorella wrote:
  Thank you, Adam...
 
  Will the Moab 5x7 paper you mention work with the R280?  I just  
 want
  to make sure of this.
 
  Though, I am somewhat disappointed, as Newegg is now out of  
 stock on
  the R280.  I would prefer buying it from them.  I know the R280 is
  probably available (at a good price, too) at one of the popular  
 New
  York camera stores (BH, Adorama, etc.), but I would rather not
  purchase it from these stores

Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
More slander here, too, I see.

In regard to the substance of your comments, I note: you choose to  
buy the bill of goods sold to you by media knaves, politicians, and  
textbooks.  In America, and in many other nations, this is your your  
right.  I choose to investigate the facts for myself, and come to an  
informed conclusion about what you call war and persecution.  Did  
not someone once say that history is determined more by those who  
write it than anything else?

Glen

On Oct 10, 2007, at 5:07 PM, Bob Sullivan wrote:

 Glen,
 Your position is rather extreem.
 God protect me from people like you who know the 'right'.
 So much war and persecution can be blamed on this.
 Regards,  Bob S

 On 10/10/07, Glen Tortorella [EMAIL PROTECTED] wrote:
 I thank you for you comments, Scott.  Since you have made note of the
 subject, I will explain my position with regard to BH.

 I am familiar with BH's reputation for customer service.  My
 avoidance of BH et. al. has nothing to do with prejudice stemming
 from a stereotypical opinion of large, New York-based businesses.  My
 avoidance of businesses such as BH is founded strictly upon my
 religious views.  I, as much as possible, will not support those whom
 I know to honor or reverence that which condemns or blasphemes Our
 Blessed Lord, Jesus Christ, His Blessed Mother, or His Saints.  The
 Talmud, in numerous locations, refers to Our Lord, and His Blessed
 Mother, in such a manner.  Thus, I make an effort to avoid supporting
 those who honor the Talmud.

 I apply a like boycott to business that support ideologies or
 activities that I find morally objectionable.  For example, I, as
 much as possible, avoid companies or other establishments that fund
 Planned Parenthood or promote other attacks on life (including
 euthanasia, contraception, and unjust wars--which is why I am opposed
 to America's occupation of Iraq).  I have employed the words, as
 much as possible here so as to highlight the realities of any
 boycott.  That is, while I have done rather extensive research in
 these areas, I know that I do not possess an unlimited access to
 information.  Secondly, as Jean-Francois Orsini of the St. Antoninus
 Institute points out, a complete boycott is rather impossible.  One
 must realize that sources of blasphemy, irreligion, and immorality
 have lengthy tentacles.  For instance, Johnson  Johnson (a pro-abort
 firm) produces a dazzling array of name brand and generic products,
 some of which are necessary for everyday living, and some of which
 one may not even be able to determine are produced by Johnson 
 Johnson.  Hence, I do that which is physically and logistically
 possible--what Orsini and others call a virtual boycott--and I
 leave the rest to Our Blessed Mother.

 Glen

 On Oct 10, 2007, at 1:59 PM, Scott Loveless wrote:

 Glen Tortorella wrote:
 Thank you, Adam...

 Will the Moab 5x7 paper you mention work with the R280?  I just  
 want
 to make sure of this.

 Though, I am somewhat disappointed, as Newegg is now out of  
 stock on
 the R280.  I would prefer buying it from them.  I know the R280 is
 probably available (at a good price, too) at one of the popular New
 York camera stores (BH, Adorama, etc.), but I would rather not
 purchase it from these stores.


 FWIW, BH is wonderful to do business with.  I've spent more than I
 should have with them over the last few years and have received
 nothing
 but good service.  Every order has been correct, shipping has been
 within a day or two of placing the order, and the one time I had a
 question for them they replied very promptly with the information I
 requested.  You really can't go wrong with BH.  I've had the same
 sort
 of service from Newegg, but I prefer to order anything photo related
 from the guys in New Yawk.  BH has the R280 in stock at the same
 price
 as Newegg.


 --
 Scott Loveless
 http://www.twosixteen.com/fivetoedsloth/

 --
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 to UNSUBSCRIBE from the PDML, please visit the link directly above
 and follow the directions.


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Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
I am pigheaded?  I have used no such derogatory language.  All I  
did was respond to a post, and state my position.  I put forth no ad  
hominem attacks, but you clearly have.  What kind of country (and  
world) are we living in these days?

Glen

On Oct 10, 2007, at 5:14 PM, [EMAIL PROTECTED] wrote:

 This is probably the most inane, pigheaded post I've ever seen on  
 this forum.
 The people who run BH are some of the most honest businessmen I've  
 ever
 encountered. I don't subscribe fully to any god, but if there is  
 such an entity,
 I'm sure she frowns upon anyone who would discriminate against  
 another because
 of their beliefs. Such nonsense.
 Paul
  -- Original message --
 From: Glen Tortorella [EMAIL PROTECTED]
 I thank you for you comments, Scott.  Since you have made note of the
 subject, I will explain my position with regard to BH.

 I am familiar with BH's reputation for customer service.  My
 avoidance of BH et. al. has nothing to do with prejudice stemming
 from a stereotypical opinion of large, New York-based businesses.  My
 avoidance of businesses such as BH is founded strictly upon my
 religious views.  I, as much as possible, will not support those whom
 I know to honor or reverence that which condemns or blasphemes Our
 Blessed Lord, Jesus Christ, His Blessed Mother, or His Saints.  The
 Talmud, in numerous locations, refers to Our Lord, and His Blessed
 Mother, in such a manner.  Thus, I make an effort to avoid supporting
 those who honor the Talmud.

 I apply a like boycott to business that support ideologies or
 activities that I find morally objectionable.  For example, I, as
 much as possible, avoid companies or other establishments that fund
 Planned Parenthood or promote other attacks on life (including
 euthanasia, contraception, and unjust wars--which is why I am opposed
 to America's occupation of Iraq).  I have employed the words, as
 much as possible here so as to highlight the realities of any
 boycott.  That is, while I have done rather extensive research in
 these areas, I know that I do not possess an unlimited access to
 information.  Secondly, as Jean-Francois Orsini of the St. Antoninus
 Institute points out, a complete boycott is rather impossible.  One
 must realize that sources of blasphemy, irreligion, and immorality
 have lengthy tentacles.  For instance, Johnson  Johnson (a pro-abort
 firm) produces a dazzling array of name brand and generic products,
 some of which are necessary for everyday living, and some of which
 one may not even be able to determine are produced by Johnson 
 Johnson.  Hence, I do that which is physically and logistically
 possible--what Orsini and others call a virtual boycott--and I
 leave the rest to Our Blessed Mother.

 Glen

 On Oct 10, 2007, at 1:59 PM, Scott Loveless wrote:

 Glen Tortorella wrote:
 Thank you, Adam...

 Will the Moab 5x7 paper you mention work with the R280?  I just  
 want
 to make sure of this.

 Though, I am somewhat disappointed, as Newegg is now out of  
 stock on
 the R280.  I would prefer buying it from them.  I know the R280 is
 probably available (at a good price, too) at one of the popular New
 York camera stores (BH, Adorama, etc.), but I would rather not
 purchase it from these stores.


 FWIW, BH is wonderful to do business with.  I've spent more than I
 should have with them over the last few years and have received
 nothing
 but good service.  Every order has been correct, shipping has been
 within a day or two of placing the order, and the one time I had a
 question for them they replied very promptly with the information I
 requested.  You really can't go wrong with BH.  I've had the same
 sort
 of service from Newegg, but I prefer to order anything photo related
 from the guys in New Yawk.  BH has the R280 in stock at the same
 price
 as Newegg.


 -- 
 Scott Loveless
 http://www.twosixteen.com/fivetoedsloth/

 -- 
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
Where are you getting this?  I never said that BH, or anyone else,  
should be denied the means of subsistence.  Again, all I said is  
that I choose not to support them.  Like some who choose to take a  
stand for the environment, or for politician so and so, or for  
proposition x-y-z, I choose to take a stand for Christ.

I am well aware of Red China's doings, and, no, you will find very,  
very little in my house that has the Made in China designation.   
Again, I do what I could.  What do you do you?  What type of research  
have you undertaken?

Glen

On Oct 10, 2007, at 5:53 PM, Tom C wrote:

 I'm not going to carry on a public debate with you either, other to  
 point out that your stance clearly contradicts the spirit of being  
 Christian.

 Romans 5:8 - 'but God shows his love for us in that while we were  
 still sinners, Christ died for us.'

 Mark 12:31 - 'You shall love your neighbor as yourself.'

 Clearly the belief that someone should be denied the means of  
 subsistence based on their beliefs is unchristian.

 I'd point out that 'Our Beloved Wal-Mart' as well as just about  
 every retail establishment in this country is supporting a godless  
 Red China - yet you no doubt support their economy through your  
 purchases.

 Tom C.

 From: Glen Tortorella [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Wal-Mart and film processing (Long winded)
 Date: Wed, 10 Oct 2007 17:40:48 -0400

 I do not wish to engage in a protracted debate, as this subject has
 arisen only because someone had mentioned why he has chosen to
 patronize BH.  Likewise, I should not have to defend my decision not
 to patronize them.

 However, in short, I note that Sacred Scripture does not corroborate
 your view.  You highlight a verse in St. Matthew's Gospel in
 isolation.  The matter of being aware of those who oppose Christ and
 His Church has nothing to do with making friends.  Christ came to
 reconcile the world to Himself, and to provide the Good News for
 those who were of goodwill, for those who were (and are) willing to
 listen.  Christ did not come to ingratiate Himself to the world, i.e.
 to its powers, publicans, and pretenders.  Rather, His Cross is
 precisely the opposite of that: it stands in overt contradiction to
 the world and its ways.  His entire public ministry, which spanned
 three years of His life (beginning at the Wedding Feast of Cana),
 contradicts the view that Christ was some sort of UN negotiator.

 Further, His words and actions continually characterize His Divine
 Mission.  Since you have brought up St. Matthew's Gospel, let us
 search there for Our Lord's edifying words: Do not think that I am
 come to send peace upon earth: rather I came not to send peace, but
 the sword (Mt 10:34), He who is not with me, is against me: and he
 that gathereth not with me, scattereth (Mt 12:30), and Every plant
 which my heavenly Father hath not planted, shall be rooted up (Mt
 15:13).  These are not the words of a modern politician.  Even the
 Scribes and Pharisees knew that they were the words of no common man.

 Those who contradict and blaspheme Jesus Christ clearly scattereth,
 and, as Our Lord directs, I will avoid having any complicity in their
 doctrines or deeds.

 Glen

 On Oct 10, 2007, at 4:36 PM, Tom C wrote:

  I guess the little problem I see with this reasoning is that not
  even God himself takes that viewpoint, according to the Bible.
 
  “
  He causes His sun to rise on the evil and the good, and sends rain
  on the righteous and the unrighteous” (Matt. 5:45).
 
  To alienate someone for their beliefs is not a way of making  
 friends.
 
  Tom C.
 
 
 
  From: Glen Tortorella [EMAIL PROTECTED]
  Reply-To: Pentax-Discuss Mail List pdml@pdml.net
  To: Pentax-Discuss Mail List pdml@pdml.net
  Subject: Re: Wal-Mart and film processing (Long winded)
  Date: Wed, 10 Oct 2007 15:34:23 -0400
 
  I thank you for you comments, Scott.  Since you have made note  
 of the
  subject, I will explain my position with regard to BH.
 
  I am familiar with BH's reputation for customer service.  My
  avoidance of BH et. al. has nothing to do with prejudice stemming
  from a stereotypical opinion of large, New York-based  
 businesses.  My
  avoidance of businesses such as BH is founded strictly upon my
  religious views.  I, as much as possible, will not support  
 those whom
  I know to honor or reverence that which condemns or blasphemes Our
  Blessed Lord, Jesus Christ, His Blessed Mother, or His Saints.   
 The
  Talmud, in numerous locations, refers to Our Lord, and His Blessed
  Mother, in such a manner.  Thus, I make an effort to avoid  
 supporting
  those who honor the Talmud.
 
  I apply a like boycott to business that support ideologies or
  activities that I find morally objectionable.  For example, I, as
  much as possible, avoid companies or other establishments that  
 fund
  Planned Parenthood or promote other

Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
Reading what has been written already, I knew this smear would come.   
Can any of you who have responded thus address the matter with reason  
and discernment?

Glen

On Oct 10, 2007, at 6:05 PM, Bob W wrote:

 Awesome! Keep it coming! It's like being on a long flight with Mel
 Gibson. Could you not write your next emails in Aramaic for us?

 --
  Bob


 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
 Behalf Of Glen Tortorella
 Sent: 10 October 2007 22:41
 To: Pentax-Discuss Mail List
 Subject: Re: Wal-Mart and film processing (Long winded)

 I do not wish to engage in a protracted debate, as this subject has

 arisen only because someone had mentioned why he has chosen to
 patronize BH.  Likewise, I should not have to defend my
 decision not
 to patronize them.

 However, in short, I note that Sacred Scripture does not corroborate

 your view.  You highlight a verse in St. Matthew's Gospel in
 isolation.  The matter of being aware of those who oppose Christ and

 His Church has nothing to do with making friends.  Christ came to

 reconcile the world to Himself, and to provide the Good News for
 those who were of goodwill, for those who were (and are) willing to

 listen.  Christ did not come to ingratiate Himself to the
 world, i.e.
 to its powers, publicans, and pretenders.  Rather, His Cross is
 precisely the opposite of that: it stands in overt contradiction to

 the world and its ways.  His entire public ministry, which spanned
 three years of His life (beginning at the Wedding Feast of Cana),
 contradicts the view that Christ was some sort of UN negotiator.

 Further, His words and actions continually characterize His Divine
 Mission.  Since you have brought up St. Matthew's Gospel, let us
 search there for Our Lord's edifying words: Do not think that I am

 come to send peace upon earth: rather I came not to send peace, but

 the sword (Mt 10:34), He who is not with me, is against me: and he

 that gathereth not with me, scattereth (Mt 12:30), and Every plant

 which my heavenly Father hath not planted, shall be rooted up (Mt
 15:13).  These are not the words of a modern politician.  Even the
 Scribes and Pharisees knew that they were the words of no common
 man.

 Those who contradict and blaspheme Jesus Christ clearly scattereth,

 and, as Our Lord directs, I will avoid having any complicity
 in their
 doctrines or deeds.

 Glen

 On Oct 10, 2007, at 4:36 PM, Tom C wrote:

 I guess the little problem I see with this reasoning is that not
 even God himself takes that viewpoint, according to the Bible.

 
 He causes His sun to rise on the evil and the good, and sends rain

 on the righteous and the unrighteous (Matt. 5:45).

 To alienate someone for their beliefs is not a way of
 making friends.

 Tom C.



 From: Glen Tortorella [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Wal-Mart and film processing (Long winded)
 Date: Wed, 10 Oct 2007 15:34:23 -0400

 I thank you for you comments, Scott.  Since you have made
 note of the
 subject, I will explain my position with regard to BH.

 I am familiar with BH's reputation for customer service.  My
 avoidance of BH et. al. has nothing to do with prejudice
 stemming
 from a stereotypical opinion of large, New York-based
 businesses.  My
 avoidance of businesses such as BH is founded strictly upon my
 religious views.  I, as much as possible, will not support
 those whom
 I know to honor or reverence that which condemns or blasphemes
 Our
 Blessed Lord, Jesus Christ, His Blessed Mother, or His Saints.
 The
 Talmud, in numerous locations, refers to Our Lord, and His
 Blessed
 Mother, in such a manner.  Thus, I make an effort to avoid
 supporting
 those who honor the Talmud.

 I apply a like boycott to business that support ideologies or
 activities that I find morally objectionable.  For example, I, as
 much as possible, avoid companies or other establishments that
 fund
 Planned Parenthood or promote other attacks on life (including
 euthanasia, contraception, and unjust wars--which is why I
 am opposed
 to America's occupation of Iraq).  I have employed the words, as
 much as possible here so as to highlight the realities of any
 boycott.  That is, while I have done rather extensive research in
 these areas, I know that I do not possess an unlimited access to
 information.  Secondly, as Jean-Francois Orsini of the St.
 Antoninus
 Institute points out, a complete boycott is rather impossible.
 One
 must realize that sources of blasphemy, irreligion, and
 immorality
 have lengthy tentacles.  For instance, Johnson  Johnson
 (a pro-abort
 firm) produces a dazzling array of name brand and generic
 products,
 some of which are necessary for everyday living, and some of
 which
 one may not even be able to determine are produced by Johnson 
 Johnson.  Hence, I do that which is physically and logistically
 possible--what Orsini and others call

Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
Where are you getting this?  When did I say that you are  
blaspheming?  You are the one that censured my post, and asked for  
protection from people like me.  What kind of meaning is present  
here, Bob S.?  Who are people like [me]?  Hmm...sounds like a  
bigoted remark.

Glen

On Oct 10, 2007, at 6:18 PM, Bob Sullivan wrote:

 Glen,
 Nobody is slandering anybody here or blaspheming.  See my post again.
 It is a simple comment and a wish for recognition of my rights to hold
 a different opinion than yours without holy war.
 Regards,  Bob S.

 On 10/10/07, Glen Tortorella [EMAIL PROTECTED] wrote:
 More slander here, too, I see.

 In regard to the substance of your comments, I note: you choose to
 buy the bill of goods sold to you by media knaves, politicians, and
 textbooks.  In America, and in many other nations, this is your your
 right.  I choose to investigate the facts for myself, and come to an
 informed conclusion about what you call war and persecution.  Did
 not someone once say that history is determined more by those who
 write it than anything else?

 Glen

 On Oct 10, 2007, at 5:07 PM, Bob Sullivan wrote:

 Glen,
 Your position is rather extreem.
 God protect me from people like you who know the 'right'.
 So much war and persecution can be blamed on this.
 Regards,  Bob S

 On 10/10/07, Glen Tortorella [EMAIL PROTECTED] wrote:
 I thank you for you comments, Scott.  Since you have made note  
 of the
 subject, I will explain my position with regard to BH.

 I am familiar with BH's reputation for customer service.  My
 avoidance of BH et. al. has nothing to do with prejudice stemming
 from a stereotypical opinion of large, New York-based  
 businesses.  My
 avoidance of businesses such as BH is founded strictly upon my
 religious views.  I, as much as possible, will not support those  
 whom
 I know to honor or reverence that which condemns or blasphemes Our
 Blessed Lord, Jesus Christ, His Blessed Mother, or His Saints.  The
 Talmud, in numerous locations, refers to Our Lord, and His Blessed
 Mother, in such a manner.  Thus, I make an effort to avoid  
 supporting
 those who honor the Talmud.

 I apply a like boycott to business that support ideologies or
 activities that I find morally objectionable.  For example, I, as
 much as possible, avoid companies or other establishments that fund
 Planned Parenthood or promote other attacks on life (including
 euthanasia, contraception, and unjust wars--which is why I am  
 opposed
 to America's occupation of Iraq).  I have employed the words, as
 much as possible here so as to highlight the realities of any
 boycott.  That is, while I have done rather extensive research in
 these areas, I know that I do not possess an unlimited access to
 information.  Secondly, as Jean-Francois Orsini of the St.  
 Antoninus
 Institute points out, a complete boycott is rather impossible.  One
 must realize that sources of blasphemy, irreligion, and immorality
 have lengthy tentacles.  For instance, Johnson  Johnson (a pro- 
 abort
 firm) produces a dazzling array of name brand and generic products,
 some of which are necessary for everyday living, and some of which
 one may not even be able to determine are produced by Johnson 
 Johnson.  Hence, I do that which is physically and logistically
 possible--what Orsini and others call a virtual boycott--and I
 leave the rest to Our Blessed Mother.

 Glen

 On Oct 10, 2007, at 1:59 PM, Scott Loveless wrote:

 Glen Tortorella wrote:
 Thank you, Adam...

 Will the Moab 5x7 paper you mention work with the R280?  I just
 want
 to make sure of this.

 Though, I am somewhat disappointed, as Newegg is now out of
 stock on
 the R280.  I would prefer buying it from them.  I know the  
 R280 is
 probably available (at a good price, too) at one of the  
 popular New
 York camera stores (BH, Adorama, etc.), but I would rather not
 purchase it from these stores.


 FWIW, BH is wonderful to do business with.  I've spent more  
 than I
 should have with them over the last few years and have received
 nothing
 but good service.  Every order has been correct, shipping has been
 within a day or two of placing the order, and the one time I had a
 question for them they replied very promptly with the  
 information I
 requested.  You really can't go wrong with BH.  I've had the same
 sort
 of service from Newegg, but I prefer to order anything photo  
 related
 from the guys in New Yawk.  BH has the R280 in stock at the same
 price
 as Newegg.


 --
 Scott Loveless
 http://www.twosixteen.com/fivetoedsloth/

 --
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 to UNSUBSCRIBE from the PDML, please visit the link directly above
 and follow the directions.


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 to UNSUBSCRIBE from the PDML, please visit the link directly above
 and follow the directions.


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 PDML

Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
I apologize for the typos.  This post should read:

Where are you getting this?  I never said that BH, or anyone else,  
should be denied the means of subsistence.  Again, all I said is  
that I choose not to support them.  Like some who choose to take a  
stand for the environment, or for politician so and so, or for  
proposition x-y-z, I choose to take a stand for Christ.

I am well aware of Red China's doings, and, no, you will find very,  
very little in my house that has the Made in China designation.   
Again, I do what I could.  What do you do?  What type of research  
have you undertaken?

Glen

On Oct 10, 2007, at 5:53 PM, Tom C wrote:

 I'm not going to carry on a public debate with you either, other to  
 point out that your stance clearly contradicts the spirit of being  
 Christian.

 Romans 5:8 - 'but God shows his love for us in that while we were  
 still sinners, Christ died for us.'

 Mark 12:31 - 'You shall love your neighbor as yourself.'

 Clearly the belief that someone should be denied the means of  
 subsistence based on their beliefs is unchristian.

 I'd point out that 'Our Beloved Wal-Mart' as well as just about  
 every retail establishment in this country is supporting a godless  
 Red China - yet you no doubt support their economy through your  
 purchases.

 Tom C.

 From: Glen Tortorella [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Wal-Mart and film processing (Long winded)
 Date: Wed, 10 Oct 2007 17:40:48 -0400

 I do not wish to engage in a protracted debate, as this subject has
 arisen only because someone had mentioned why he has chosen to
 patronize BH.  Likewise, I should not have to defend my decision not
 to patronize them.

 However, in short, I note that Sacred Scripture does not corroborate
 your view.  You highlight a verse in St. Matthew's Gospel in
 isolation.  The matter of being aware of those who oppose Christ and
 His Church has nothing to do with making friends.  Christ came to
 reconcile the world to Himself, and to provide the Good News for
 those who were of goodwill, for those who were (and are) willing to
 listen.  Christ did not come to ingratiate Himself to the world, i.e.
 to its powers, publicans, and pretenders.  Rather, His Cross is
 precisely the opposite of that: it stands in overt contradiction to
 the world and its ways.  His entire public ministry, which spanned
 three years of His life (beginning at the Wedding Feast of Cana),
 contradicts the view that Christ was some sort of UN negotiator.

 Further, His words and actions continually characterize His Divine
 Mission.  Since you have brought up St. Matthew's Gospel, let us
 search there for Our Lord's edifying words: Do not think that I am
 come to send peace upon earth: rather I came not to send peace, but
 the sword (Mt 10:34), He who is not with me, is against me: and he
 that gathereth not with me, scattereth (Mt 12:30), and Every plant
 which my heavenly Father hath not planted, shall be rooted up (Mt
 15:13).  These are not the words of a modern politician.  Even the
 Scribes and Pharisees knew that they were the words of no common man.

 Those who contradict and blaspheme Jesus Christ clearly scattereth,
 and, as Our Lord directs, I will avoid having any complicity in their
 doctrines or deeds.

 Glen

 On Oct 10, 2007, at 4:36 PM, Tom C wrote:

  I guess the little problem I see with this reasoning is that not
  even God himself takes that viewpoint, according to the Bible.
 
  “
  He causes His sun to rise on the evil and the good, and sends rain
  on the righteous and the unrighteous” (Matt. 5:45).
 
  To alienate someone for their beliefs is not a way of making  
 friends.
 
  Tom C.
 
 
 
  From: Glen Tortorella [EMAIL PROTECTED]
  Reply-To: Pentax-Discuss Mail List pdml@pdml.net
  To: Pentax-Discuss Mail List pdml@pdml.net
  Subject: Re: Wal-Mart and film processing (Long winded)
  Date: Wed, 10 Oct 2007 15:34:23 -0400
 
  I thank you for you comments, Scott.  Since you have made note  
 of the
  subject, I will explain my position with regard to BH.
 
  I am familiar with BH's reputation for customer service.  My
  avoidance of BH et. al. has nothing to do with prejudice stemming
  from a stereotypical opinion of large, New York-based  
 businesses.  My
  avoidance of businesses such as BH is founded strictly upon my
  religious views.  I, as much as possible, will not support  
 those whom
  I know to honor or reverence that which condemns or blasphemes Our
  Blessed Lord, Jesus Christ, His Blessed Mother, or His Saints.   
 The
  Talmud, in numerous locations, refers to Our Lord, and His Blessed
  Mother, in such a manner.  Thus, I make an effort to avoid  
 supporting
  those who honor the Talmud.
 
  I apply a like boycott to business that support ideologies or
  activities that I find morally objectionable.  For example, I, as
  much as possible, avoid companies or other establishments

Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
I see you employ the reductio ad absurdum here.

Glen

On Oct 10, 2007, at 6:09 PM, Tom C wrote:

 Since you won't allow such persons to even make 10-20% profit on a  
 sale so they can make payroll or buy groceries, I wonder...

 Would you help one change a flat tire?
 What if they were on the way to a synagogue?
 If there house were on fire, would you warn them?



 Tom C.

 From: Glen Tortorella [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Wal-Mart and film processing (Long winded)
 Date: Wed, 10 Oct 2007 17:40:48 -0400

 I do not wish to engage in a protracted debate, as this subject has
 arisen only because someone had mentioned why he has chosen to
 patronize BH.  Likewise, I should not have to defend my decision not
 to patronize them.

 However, in short, I note that Sacred Scripture does not corroborate
 your view.  You highlight a verse in St. Matthew's Gospel in
 isolation.  The matter of being aware of those who oppose Christ and
 His Church has nothing to do with making friends.  Christ came to
 reconcile the world to Himself, and to provide the Good News for
 those who were of goodwill, for those who were (and are) willing to
 listen.  Christ did not come to ingratiate Himself to the world, i.e.
 to its powers, publicans, and pretenders.  Rather, His Cross is
 precisely the opposite of that: it stands in overt contradiction to
 the world and its ways.  His entire public ministry, which spanned
 three years of His life (beginning at the Wedding Feast of Cana),
 contradicts the view that Christ was some sort of UN negotiator.

 Further, His words and actions continually characterize His Divine
 Mission.  Since you have brought up St. Matthew's Gospel, let us
 search there for Our Lord's edifying words: Do not think that I am
 come to send peace upon earth: rather I came not to send peace, but
 the sword (Mt 10:34), He who is not with me, is against me: and he
 that gathereth not with me, scattereth (Mt 12:30), and Every plant
 which my heavenly Father hath not planted, shall be rooted up (Mt
 15:13).  These are not the words of a modern politician.  Even the
 Scribes and Pharisees knew that they were the words of no common man.

 Those who contradict and blaspheme Jesus Christ clearly scattereth,
 and, as Our Lord directs, I will avoid having any complicity in their
 doctrines or deeds.

 Glen

 On Oct 10, 2007, at 4:36 PM, Tom C wrote:

  I guess the little problem I see with this reasoning is that not
  even God himself takes that viewpoint, according to the Bible.
 
  “
  He causes His sun to rise on the evil and the good, and sends rain
  on the righteous and the unrighteous” (Matt. 5:45).
 
  To alienate someone for their beliefs is not a way of making  
 friends.
 
  Tom C.
 
 
 
  From: Glen Tortorella [EMAIL PROTECTED]
  Reply-To: Pentax-Discuss Mail List pdml@pdml.net
  To: Pentax-Discuss Mail List pdml@pdml.net
  Subject: Re: Wal-Mart and film processing (Long winded)
  Date: Wed, 10 Oct 2007 15:34:23 -0400
 
  I thank you for you comments, Scott.  Since you have made note  
 of the
  subject, I will explain my position with regard to BH.
 
  I am familiar with BH's reputation for customer service.  My
  avoidance of BH et. al. has nothing to do with prejudice stemming
  from a stereotypical opinion of large, New York-based  
 businesses.  My
  avoidance of businesses such as BH is founded strictly upon my
  religious views.  I, as much as possible, will not support  
 those whom
  I know to honor or reverence that which condemns or blasphemes Our
  Blessed Lord, Jesus Christ, His Blessed Mother, or His Saints.   
 The
  Talmud, in numerous locations, refers to Our Lord, and His Blessed
  Mother, in such a manner.  Thus, I make an effort to avoid  
 supporting
  those who honor the Talmud.
 
  I apply a like boycott to business that support ideologies or
  activities that I find morally objectionable.  For example, I, as
  much as possible, avoid companies or other establishments that  
 fund
  Planned Parenthood or promote other attacks on life (including
  euthanasia, contraception, and unjust wars--which is why I am  
 opposed
  to America's occupation of Iraq).  I have employed the words, as
  much as possible here so as to highlight the realities of any
  boycott.  That is, while I have done rather extensive research in
  these areas, I know that I do not possess an unlimited access to
  information.  Secondly, as Jean-Francois Orsini of the St.  
 Antoninus
  Institute points out, a complete boycott is rather impossible.   
 One
  must realize that sources of blasphemy, irreligion, and immorality
  have lengthy tentacles.  For instance, Johnson  Johnson (a pro- 
 abort
  firm) produces a dazzling array of name brand and generic  
 products,
  some of which are necessary for everyday living, and some of which
  one may not even be able to determine are produced by Johnson 
  Johnson.  Hence, I do

Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
Since this discussion has clearly degenerated, I second Rebekah's and  
Tom's appeals to abandon this discussion.  Even though some of you  
hurled some rather harsh, untrue, and uncalled-for remarks in my  
direction, I hold no ill sentiments toward you.

Glen

On Oct 10, 2007, at 6:52 PM, Bob W wrote:

 Religion is not a matter of reason. Religious people often use the
 tactic you've used below, which Daniel Dennett has described as
 playing tennis with the net down for one player. On one side the
 religious appeal to faith, which is by definition irrational. Yet when
 the irreligious mock them, they demand 'reason and discernment'! Har!
 I wish you a harvest of turds, my bigoted chum!

 --
  Bob


 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
 Behalf Of Glen Tortorella
 Sent: 10 October 2007 23:41
 To: Pentax-Discuss Mail List
 Subject: Re: Wal-Mart and film processing (Long winded)

 Reading what has been written already, I knew this smear
 would come.
 Can any of you who have responded thus address the matter
 with reason
 and discernment?

 Glen

 On Oct 10, 2007, at 6:05 PM, Bob W wrote:

 Awesome! Keep it coming! It's like being on a long flight with Mel
 Gibson. Could you not write your next emails in Aramaic for us?

 --
  Bob


 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
 Behalf Of Glen Tortorella
 Sent: 10 October 2007 22:41
 To: Pentax-Discuss Mail List
 Subject: Re: Wal-Mart and film processing (Long winded)

 I do not wish to engage in a protracted debate, as this subject
 has

 arisen only because someone had mentioned why he has chosen to
 patronize BH.  Likewise, I should not have to defend my
 decision not
 to patronize them.

 However, in short, I note that Sacred Scripture does not
 corroborate

 your view.  You highlight a verse in St. Matthew's Gospel in
 isolation.  The matter of being aware of those who oppose
 Christ and

 His Church has nothing to do with making friends.  Christ came
 to

 reconcile the world to Himself, and to provide the Good News for
 those who were of goodwill, for those who were (and are) willing
 to

 listen.  Christ did not come to ingratiate Himself to the
 world, i.e.
 to its powers, publicans, and pretenders.  Rather, His Cross is
 precisely the opposite of that: it stands in overt contradiction
 to

 the world and its ways.  His entire public ministry, which
 spanned
 three years of His life (beginning at the Wedding Feast of Cana),
 contradicts the view that Christ was some sort of UN negotiator.

 Further, His words and actions continually characterize His
 Divine
 Mission.  Since you have brought up St. Matthew's Gospel, let us
 search there for Our Lord's edifying words: Do not think that I
 am

 come to send peace upon earth: rather I came not to send peace,
 but

 the sword (Mt 10:34), He who is not with me, is against
 me: and he

 that gathereth not with me, scattereth (Mt 12:30), and
 Every plant

 which my heavenly Father hath not planted, shall be rooted up
 (Mt
 15:13).  These are not the words of a modern politician.  Even
 the
 Scribes and Pharisees knew that they were the words of no common
 man.

 Those who contradict and blaspheme Jesus Christ clearly
 scattereth,

 and, as Our Lord directs, I will avoid having any complicity
 in their
 doctrines or deeds.

 Glen

 On Oct 10, 2007, at 4:36 PM, Tom C wrote:

 I guess the little problem I see with this reasoning is that not
 even God himself takes that viewpoint, according to the Bible.

 
 He causes His sun to rise on the evil and the good, and sends
 rain

 on the righteous and the unrighteous (Matt. 5:45).

 To alienate someone for their beliefs is not a way of
 making friends.

 Tom C.



 From: Glen Tortorella [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Wal-Mart and film processing (Long winded)
 Date: Wed, 10 Oct 2007 15:34:23 -0400

 I thank you for you comments, Scott.  Since you have made
 note of the
 subject, I will explain my position with regard to BH.

 I am familiar with BH's reputation for customer service.  My
 avoidance of BH et. al. has nothing to do with prejudice
 stemming
 from a stereotypical opinion of large, New York-based
 businesses.  My
 avoidance of businesses such as BH is founded strictly upon my
 religious views.  I, as much as possible, will not support
 those whom
 I know to honor or reverence that which condemns or blasphemes
 Our
 Blessed Lord, Jesus Christ, His Blessed Mother, or His Saints.
 The
 Talmud, in numerous locations, refers to Our Lord, and His
 Blessed
 Mother, in such a manner.  Thus, I make an effort to avoid
 supporting
 those who honor the Talmud.

 I apply a like boycott to business that support ideologies or
 activities that I find morally objectionable.  For example, I,
 as
 much as possible, avoid companies or other establishments that
 fund
 Planned Parenthood or promote other

Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
I have already expressed my waning interest in continuing this  
discussion, as no one has shown any knowledge of, or familiarity  
with, the matter in question.  These will be my final remarks on the  
matter.  Perhaps they will help to clarify the issue.

Suppose that someone wrote a book that declares that one's father was  
a liar and a sorcerer, and that he got what he deserved when he was  
violently murdered, and, finally, that he is presently burning in  
Hell in hot excrement.  Further, let us say that this same book  
declares that one's mother was a whore.  Do you think one would feel  
motivated to purchase something from someone who believes and upholds  
the teachings of this book?

Read the Talmud.

Glen

On Oct 10, 2007, at 9:13 PM, David Savage wrote:

 On 10/11/07, Glen Tortorella [EMAIL PROTECTED] wrote:
 Those who contradict and blaspheme Jesus Christ clearly scattereth,
 and, as Our Lord directs, I will avoid having any complicity in their
 doctrines or deeds.

 Your digging yourself into a bigger  bigger hole and reinforcing my
 opinions of religion mate.

 Do us all a favour, pull you bottom lip up over your head and swallow.

 Cheers,

 Dave

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Re: Wal-Mart and film processing (Long winded)

2007-10-10 Thread Glen Tortorella
In my last post, I forgot to add this link:

http://www.revisionisthistory.org/talmudtruth.html

This should also help.

Glen

On Oct 10, 2007, at 9:13 PM, David Savage wrote:

 On 10/11/07, Glen Tortorella [EMAIL PROTECTED] wrote:
 Those who contradict and blaspheme Jesus Christ clearly scattereth,
 and, as Our Lord directs, I will avoid having any complicity in their
 doctrines or deeds.

 Your digging yourself into a bigger  bigger hole and reinforcing my
 opinions of religion mate.

 Do us all a favour, pull you bottom lip up over your head and swallow.

 Cheers,

 Dave

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Maximum capacity of SD card for the K-100D ?

2007-10-09 Thread Glen Berry
I just updated my K-100D firmware to version 1.02

Does anyone know, what is the largest capacity of SD card supported by 
this firmware?

I currently have a 2 gig card, and I'd be interested in getting 
something larger.

thanks,
Glen

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Re: Maximum capacity of SD card for the K-100D ?

2007-10-09 Thread Glen Berry
Hi Scott,

My firmware was only 1.00 before I did the upgrade. That particular 
revision didn't support 4 gig cards. I was hoping the newer firmware 
revision would support 4 gig and larger, but I didn't notice any 
definite confirmation of this on the Pentax web site.

thanks,
Glen

Scott Loveless wrote:
 Glen Berry wrote:
   
 I just updated my K-100D firmware to version 1.02

 Does anyone know, what is the largest capacity of SD card supported by 
 this firmware?

 I currently have a 2 gig card, and I'd be interested in getting 
 something larger.

 thanks,
 Glen

 
 The K100D has supported SDHC cards since 1.01.  SDHC capacity ranges 
 from 4GB to 32GB.  4 and 8GB cards shouldn't be too hard to find.
   


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Re: Fall Foliage Search

2007-10-08 Thread Glen Tortorella
This sounds great.  The eastern slope of the Sierra is wonderful.  I  
did some hiking there in 1996 (around Big Pine).  Too bad there is no  
sign of fall here (northern Virginia).  Summer just refuses to die.   
It has been in the 90s here.  When will the cooler weather finally  
arrive?...(I guess it is rather plain that I have northern blood).

Glen

On Oct 8, 2007, at 9:49 AM, Jack Davis wrote:

 We (wife and I) are off for a few days in search of fall.
 Going to do Highway 395 again, primarily in the Bishop Canyon area on
 the eastern slope of California's Sierra.

 Later,

 Jack



 __ 
 __
 Moody friends. Drama queens. Your life? Nope! - their life, your  
 story. Play Sims Stories at Yahoo! Games.
 http://sims.yahoo.com/

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Re: my photos on website

2007-10-08 Thread Glen Tortorella
Good point--I agree.

Glen

On Oct 8, 2007, at 9:36 AM, Bob Sullivan wrote:

 Link to Gary's Classic Cars doesn't belong there...   Regards,  Bob S.

 On 10/8/07, Ted Beilby [EMAIL PROTECTED] wrote:
 It has been many years since I did this type of work. My boss  
 wanted to have
 me do the photos for the web site he was getting up. Was a nice  
 change from
 building cabinets. Made a little bit of money in addition to my  
 regular
 salary. Comment on photos would be appreciated as well as comments  
 on the
 site. All taken with K10D and 16-45 DA. Site comments would be  
 passed on to
 my boss.  Ted

 http://www.easthall.com/hr2/index.html


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Re: my photos on website

2007-10-08 Thread Glen Tortorella
Nice shots, Ted.  I have yet to master interior lighting.  I need a  
good (bounce capable) flash.

Glen

On Oct 8, 2007, at 9:19 AM, Ted Beilby wrote:

 It has been many years since I did this type of work. My boss  
 wanted to have
 me do the photos for the web site he was getting up. Was a nice  
 change from
 building cabinets. Made a little bit of money in addition to my  
 regular
 salary. Comment on photos would be appreciated as well as comments  
 on the
 site. All taken with K10D and 16-45 DA. Site comments would be  
 passed on to
 my boss.  Ted

 http://www.easthall.com/hr2/index.html


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Re: Mlford Pond and Church

2007-10-05 Thread Glen Tortorella
Nice shot, P.J.  Judging by your comments, you would seem to be a  
railfan.  Are you a NYNHH fan?

Glen

On Oct 5, 2007, at 12:19 AM, P. J. Alling wrote:

 I had to be in the center of Milford a much bigger shore town, but as
 self consciously quaint as Stony Creek is still mostly un-self
 consciously quaint. On the other hand Milford has been a relatively  
 easy
 commute from New York since the New York, New Haven and Hartford
 Railroad has been in existence.

 http://www.mindspring.com/~happydogsoftware/PESO%20--% 
 20mlfordpondandchurch.html

 Equipment Pentax *ist-Ds/smc Pentax FA 20-35mm f4.0 AL

 As usual comments are welcome but may be totally ignored.

 -- 
 Remember, it’s pillage then burn.


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Re: Disappointing Results

2007-10-04 Thread Glen Tortorella
Thank you, P.J.  After learning more about this, I would have to  
agree with you.  It seems like the only lab that would  get it right  
is AI.  While their mailers are a bit expensive, it seems they  
provide the proper services.  What do you think?  Also, if I chose  
their 4x6 with borders, what effect do the borders have upon sizing?   
I think the borders look nice, but are they inadvisable for the  
smallish 4x6 size?

Glen

On Oct 3, 2007, at 10:20 PM, P. J. Alling wrote:

 BW printed on Color paper is generally a bad idea. That's what you  
 got
 from Wal-Mart. To get the best results, you need to print it one real
 silver based BW paper or scan them and print them yourself. Or you  
 need
 to find a lab that really knows what they're doing to get decent  
 results
 on Color Print paper.

 Glen Tortorella wrote:
 I forgot to ask: is all C-41 processing the same?  I ask because on
 my C-41 BW I had processed at Wal-Mart, some of the whites have a
 bit of a purplish tone.  My instinct tells me that this is a result
 of inadequate light in these particular photos...or is C-41 for BW
 at Wal-Mart just a bad idea?

 Thanks,
 Glen

 On Oct 3, 2007, at 11:10 AM, Adam Maas wrote:


 Try each, settle on whichever produces the better results for you
 (I'd forgotten the N80 was 1/2 stops only). The flash system in the
 N80 is essentially identical to the F100 (as is the metering) apart
 from the F100's selectable exposure stop increments.

 -Adam


 Glen Tortorella wrote:

 Thank you, Adam, for your detailed commentary.  Also, I thank
 everyone else who has responded--even the fellow who said I should
 have bought a Pentax (Dave, I think) :-)

 Adam: I tried dialing-in the -0.7 FEC value you suggest.  It seems
 the N80 will take only 1/2 increments (-0.5, -1.0, etc.).  I do not
 see any other way to set it.  Is there something I am missing?   
 Also,
 if I am correct about this, would -0.5 be sufficient, or would I be
 wasting my time?...or is this just another reason to look into an
 F100 (as you have suggested)?

 Glen

 On Oct 3, 2007, at 9:47 AM, Adam Maas wrote:


 Glen Tortorella wrote:

 Hi all,

 Since I have a new, more advanced body, the N80, I tried taking
 some shots I would have avoided in the past.  The results were
 awful--
 not one good shot on the entire role, a miserable 0-for-24 (Kodak
 Gold 200).

 In the past, I would avoid two types of shots: 1) indoor shots
 and 2)
 outdoor high sun shots in the fair weather months (i.e. during
 the
 hours of about 10:00-4:00).  In doing so, I have assured myself
 decent, but not necessarily perfect, results.  Since the N80  
 has a
 better metering system (10-segment) and a pop-up flash that is
 supposed to be pretty good, I figured: let me see what it can  
 do.
 As I have said, the results were dreadful.  Here are the main
 issues.

 1) Every indoor flash shot showed at least moderate spotlight/ 
 wash-
 out effect of the subject (people).

 Dial in -0.7 stops of Flash exposure compensation when shooting
 people with Nikon flashes (including the popup). Leave this
 permanently dialed in.


 2) On the outdoor high sun shots, the camera turned a seemingly
 minor shadows (through the viewfinder) on the subject's face  
 into a
 black blobs that covered almost all of the subject's face.

 Add flash, leave the -0.7 stops of FEC dialed in.


 3) When taking indoor shots with the flash, I would meter (10-
 segment) something like 1/30 or 1/45 or perhaps 1/60 at, say, f2.
 With the flash powered up, I do not think it ever metered
 differently.  For example, 1/30 at f/2 was still 1/30 at f/2
 with the
 flash enabled.  Is this correct, or is there something wrong
 with my
 camera?

 That is correct, the N80 will attempt to balance the exposure  
 if it
 can get the shutter between 1/125 and 1/30 or so, with a slight
 bias towards the flash illumination (hence the FEC I  
 recommend). If
 you want a pure flash exposure, shoot in manual.



 4) The one decent shot in the whole role--an indoor shot using  
 only
 available light...go figure?--was spoiled by some sort of small
 speck
 on the subject's face.  I usually keep my filter free of dust,  
 etc.
 Could this speck have appeared as a result of the cheap
 processing I
 used (Wal-Mart C-41)?

 Probably. Check your negs.


 I know that using a fill flash may have alleviated the problem
 expressed in issue number 2, but, since I have had my subjects
 turn a
 bit ghastly by using the flash, I am hesitant to use it  
 indoors or
 outdoors.  I would appreciate any advice or commentary (or  
 even pep
 talk), as I am pretty down about this.  What good is a more
 advanced camera if I cannot even come remotely close to
 satisfactory results on the more difficult shots (i.e. indoor,
 high
 sun, etc.)?

 Thanks,
 Glen



 Fill flash is your friend, but remember direct flash always  
 looks a
 bit ghastly. A (cheap) SB-24 and an SC-17 or SC-28 cord will get
 the flash off-camera with full TTL, and is a much better

Disappointing Results

2007-10-03 Thread Glen Tortorella
Hi all,

Since I have a new, more advanced body, the N80, I tried taking  
some shots I would have avoided in the past.  The results were awful-- 
not one good shot on the entire role, a miserable 0-for-24 (Kodak  
Gold 200).

In the past, I would avoid two types of shots: 1) indoor shots and 2)  
outdoor high sun shots in the fair weather months (i.e. during the  
hours of about 10:00-4:00).  In doing so, I have assured myself  
decent, but not necessarily perfect, results.  Since the N80 has a  
better metering system (10-segment) and a pop-up flash that is  
supposed to be pretty good, I figured: let me see what it can do.   
As I have said, the results were dreadful.  Here are the main issues.

1) Every indoor flash shot showed at least moderate spotlight/wash- 
out effect of the subject (people).
2) On the outdoor high sun shots, the camera turned a seemingly  
minor shadows (through the viewfinder) on the subject's face into a  
black blobs that covered almost all of the subject's face.
3) When taking indoor shots with the flash, I would meter (10- 
segment) something like 1/30 or 1/45 or perhaps 1/60 at, say, f2.   
With the flash powered up, I do not think it ever metered  
differently.  For example, 1/30 at f/2 was still 1/30 at f/2 with the  
flash enabled.  Is this correct, or is there something wrong with my  
camera?
4) The one decent shot in the whole role--an indoor shot using only  
available light...go figure?--was spoiled by some sort of small speck  
on the subject's face.  I usually keep my filter free of dust, etc.   
Could this speck have appeared as a result of the cheap processing I  
used (Wal-Mart C-41)?

I know that using a fill flash may have alleviated the problem  
expressed in issue number 2, but, since I have had my subjects turn a  
bit ghastly by using the flash, I am hesitant to use it indoors or  
outdoors.  I would appreciate any advice or commentary (or even pep  
talk), as I am pretty down about this.  What good is a more  
advanced camera if I cannot even come remotely close to  
satisfactory results on the more difficult shots (i.e. indoor, high  
sun, etc.)?

Thanks,
Glen 
   

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Disappointing Results

2007-10-03 Thread Glen Tortorella
Here is a correctly stated issue #2:

2) On the outdoor high sun shots, the camera turned seemingly minor  
shadows (through the viewfinder) on the subject's face into black  
blobs that covered almost all of the subject's face.

I sometimes have a tendency toward the typo ;-)

Glen


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Re: Disappointing Results

2007-10-03 Thread Glen Tortorella
Thank you, William.  You are right: difficult lighting is just plain  
difficult.

The speck on the subject's face is definitely white.  Also, I looked  
at the negative.  There seems to be a speck on the neg.  It is  
difficult to tell for sure, though.

Glen

On Oct 3, 2007, at 9:45 AM, William Robb wrote:


 - Original Message -
 From: Glen Tortorella
 Subject: Disappointing Results


 Hi all,

 Since I have a new, more advanced body, the N80, I tried taking
 some shots I would have avoided in the past.  The results were  
 awful--
 not one good shot on the entire role, a miserable 0-for-24 (Kodak
 Gold 200).

 In the past, I would avoid two types of shots: 1) indoor shots and 2)
 outdoor high sun shots in the fair weather months (i.e. during the
 hours of about 10:00-4:00).  In doing so, I have assured myself
 decent, but not necessarily perfect, results.  Since the N80 has a
 better metering system (10-segment) and a pop-up flash that is
 supposed to be pretty good, I figured: let me see what it can do.
 As I have said, the results were dreadful.  Here are the main issues.

 1) Every indoor flash shot showed at least moderate spotlight/wash-
 out effect of the subject (people).
 2) On the outdoor high sun shots, the camera turned a seemingly
 minor shadows (through the viewfinder) on the subject's face into a
 black blobs that covered almost all of the subject's face.
 3) When taking indoor shots with the flash, I would meter (10-
 segment) something like 1/30 or 1/45 or perhaps 1/60 at, say, f2.
 With the flash powered up, I do not think it ever metered
 differently.  For example, 1/30 at f/2 was still 1/30 at f/2 with the
 flash enabled.  Is this correct, or is there something wrong with my
 camera?
 4) The one decent shot in the whole role--an indoor shot using only
 available light...go figure?--was spoiled by some sort of small speck
 on the subject's face.  I usually keep my filter free of dust, etc.
 Could this speck have appeared as a result of the cheap processing I
 used (Wal-Mart C-41)?

 I know that using a fill flash may have alleviated the problem
 expressed in issue number 2, but, since I have had my subjects turn a
 bit ghastly by using the flash, I am hesitant to use it indoors or
 outdoors.  I would appreciate any advice or commentary (or even pep
 talk), as I am pretty down about this.  What good is a more
 advanced camera if I cannot even come remotely close to
 satisfactory results on the more difficult shots (i.e. indoor, high
 sun, etc.)?

 You seem to have discovered one of the rules of photography that I  
 like the
 best, which is that good equipment can't compensate for bad  
 photography.
 Difficult lighting situations are difficult because of their  
 nature, not
 because of less than savvy cameras.
 Was the spot on the subject's face white or black?
 If it's white, it's dust on the film at the time of printing, which  
 isn't a
 big deal, if it's black, then it's dust on the film at the moment of
 exposure.

 William Robb


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Re: Disappointing Results

2007-10-03 Thread Glen Tortorella
Thank you, Adam, for your detailed commentary.  Also, I thank  
everyone else who has responded--even the fellow who said I should  
have bought a Pentax (Dave, I think) :-)

Adam: I tried dialing-in the -0.7 FEC value you suggest.  It seems  
the N80 will take only 1/2 increments (-0.5, -1.0, etc.).  I do not  
see any other way to set it.  Is there something I am missing?  Also,  
if I am correct about this, would -0.5 be sufficient, or would I be  
wasting my time?...or is this just another reason to look into an  
F100 (as you have suggested)?

Glen

On Oct 3, 2007, at 9:47 AM, Adam Maas wrote:

 Glen Tortorella wrote:
 Hi all,

 Since I have a new, more advanced body, the N80, I tried taking
 some shots I would have avoided in the past.  The results were  
 awful--
 not one good shot on the entire role, a miserable 0-for-24 (Kodak
 Gold 200).

 In the past, I would avoid two types of shots: 1) indoor shots and 2)
 outdoor high sun shots in the fair weather months (i.e. during the
 hours of about 10:00-4:00).  In doing so, I have assured myself
 decent, but not necessarily perfect, results.  Since the N80 has a
 better metering system (10-segment) and a pop-up flash that is
 supposed to be pretty good, I figured: let me see what it can do.
 As I have said, the results were dreadful.  Here are the main issues.

 1) Every indoor flash shot showed at least moderate spotlight/wash-
 out effect of the subject (people).

 Dial in -0.7 stops of Flash exposure compensation when shooting  
 people with Nikon flashes (including the popup). Leave this  
 permanently dialed in.

 2) On the outdoor high sun shots, the camera turned a seemingly
 minor shadows (through the viewfinder) on the subject's face into a
 black blobs that covered almost all of the subject's face.

 Add flash, leave the -0.7 stops of FEC dialed in.

 3) When taking indoor shots with the flash, I would meter (10-
 segment) something like 1/30 or 1/45 or perhaps 1/60 at, say, f2.
 With the flash powered up, I do not think it ever metered
 differently.  For example, 1/30 at f/2 was still 1/30 at f/2 with the
 flash enabled.  Is this correct, or is there something wrong with my
 camera?

 That is correct, the N80 will attempt to balance the exposure if it  
 can get the shutter between 1/125 and 1/30 or so, with a slight  
 bias towards the flash illumination (hence the FEC I recommend). If  
 you want a pure flash exposure, shoot in manual.


 4) The one decent shot in the whole role--an indoor shot using only
 available light...go figure?--was spoiled by some sort of small speck
 on the subject's face.  I usually keep my filter free of dust, etc.
 Could this speck have appeared as a result of the cheap processing I
 used (Wal-Mart C-41)?

 Probably. Check your negs.


 I know that using a fill flash may have alleviated the problem
 expressed in issue number 2, but, since I have had my subjects turn a
 bit ghastly by using the flash, I am hesitant to use it indoors or
 outdoors.  I would appreciate any advice or commentary (or even pep
 talk), as I am pretty down about this.  What good is a more
 advanced camera if I cannot even come remotely close to
 satisfactory results on the more difficult shots (i.e. indoor, high
 sun, etc.)?

 Thanks,
 Glen



 Fill flash is your friend, but remember direct flash always looks a  
 bit ghastly. A (cheap) SB-24 and an SC-17 or SC-28 cord will get  
 the flash off-camera with full TTL, and is a much better option.

 -Adam


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Re: Disappointing Results

2007-10-03 Thread Glen Tortorella
I forgot to ask: is all C-41 processing the same?  I ask because on  
my C-41 BW I had processed at Wal-Mart, some of the whites have a  
bit of a purplish tone.  My instinct tells me that this is a result  
of inadequate light in these particular photos...or is C-41 for BW  
at Wal-Mart just a bad idea?

Thanks,
Glen

On Oct 3, 2007, at 11:10 AM, Adam Maas wrote:

 Try each, settle on whichever produces the better results for you  
 (I'd forgotten the N80 was 1/2 stops only). The flash system in the  
 N80 is essentially identical to the F100 (as is the metering) apart  
 from the F100's selectable exposure stop increments.

 -Adam


 Glen Tortorella wrote:
 Thank you, Adam, for your detailed commentary.  Also, I thank
 everyone else who has responded--even the fellow who said I should
 have bought a Pentax (Dave, I think) :-)

 Adam: I tried dialing-in the -0.7 FEC value you suggest.  It seems
 the N80 will take only 1/2 increments (-0.5, -1.0, etc.).  I do not
 see any other way to set it.  Is there something I am missing?  Also,
 if I am correct about this, would -0.5 be sufficient, or would I be
 wasting my time?...or is this just another reason to look into an
 F100 (as you have suggested)?

 Glen

 On Oct 3, 2007, at 9:47 AM, Adam Maas wrote:

 Glen Tortorella wrote:
 Hi all,

 Since I have a new, more advanced body, the N80, I tried taking
 some shots I would have avoided in the past.  The results were
 awful--
 not one good shot on the entire role, a miserable 0-for-24 (Kodak
 Gold 200).

 In the past, I would avoid two types of shots: 1) indoor shots  
 and 2)
 outdoor high sun shots in the fair weather months (i.e. during  
 the
 hours of about 10:00-4:00).  In doing so, I have assured myself
 decent, but not necessarily perfect, results.  Since the N80 has a
 better metering system (10-segment) and a pop-up flash that is
 supposed to be pretty good, I figured: let me see what it can do.
 As I have said, the results were dreadful.  Here are the main  
 issues.

 1) Every indoor flash shot showed at least moderate spotlight/wash-
 out effect of the subject (people).
 Dial in -0.7 stops of Flash exposure compensation when shooting
 people with Nikon flashes (including the popup). Leave this
 permanently dialed in.

 2) On the outdoor high sun shots, the camera turned a seemingly
 minor shadows (through the viewfinder) on the subject's face into a
 black blobs that covered almost all of the subject's face.
 Add flash, leave the -0.7 stops of FEC dialed in.

 3) When taking indoor shots with the flash, I would meter (10-
 segment) something like 1/30 or 1/45 or perhaps 1/60 at, say, f2.
 With the flash powered up, I do not think it ever metered
 differently.  For example, 1/30 at f/2 was still 1/30 at f/2  
 with the
 flash enabled.  Is this correct, or is there something wrong  
 with my
 camera?
 That is correct, the N80 will attempt to balance the exposure if it
 can get the shutter between 1/125 and 1/30 or so, with a slight
 bias towards the flash illumination (hence the FEC I recommend). If
 you want a pure flash exposure, shoot in manual.


 4) The one decent shot in the whole role--an indoor shot using only
 available light...go figure?--was spoiled by some sort of small  
 speck
 on the subject's face.  I usually keep my filter free of dust, etc.
 Could this speck have appeared as a result of the cheap  
 processing I
 used (Wal-Mart C-41)?
 Probably. Check your negs.

 I know that using a fill flash may have alleviated the problem
 expressed in issue number 2, but, since I have had my subjects  
 turn a
 bit ghastly by using the flash, I am hesitant to use it indoors or
 outdoors.  I would appreciate any advice or commentary (or even pep
 talk), as I am pretty down about this.  What good is a more
 advanced camera if I cannot even come remotely close to
 satisfactory results on the more difficult shots (i.e. indoor,  
 high
 sun, etc.)?

 Thanks,
 Glen


 Fill flash is your friend, but remember direct flash always looks a
 bit ghastly. A (cheap) SB-24 and an SC-17 or SC-28 cord will get
 the flash off-camera with full TTL, and is a much better option.

 -Adam


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Re: Disappointing Results

2007-10-03 Thread Glen Tortorella
Thanks, Scott.  I have some Fuji Neopan Acros 100 on hand.  What do  
you recommend in traditional BW 400?

Glen

On Oct 3, 2007, at 12:26 PM, Scott Loveless wrote:

 Glen Tortorella wrote:
 I forgot to ask: is all C-41 processing the same?  I ask because on
 my C-41 BW I had processed at Wal-Mart, some of the whites have a
 bit of a purplish tone.  My instinct tells me that this is a result
 of inadequate light in these particular photos...or is C-41 for BW
 at Wal-Mart just a bad idea?

 Thanks,
 Glen

 They print those on the same color paper they print everything else  
 on.
   A green, yellow or purple tint is common.  Good luck finding a  
 printer
 these days who can work around that.

 I used to bring my C-41 black and white to a Target store in the St.
 Louis area.  The girl behind the counter actually knew what she was
 doing and would set my film aside until she had an opportunity to
 calibrate something on their mini-lab.  The prints I got there were  
 the
 best I've seen from C-41 BW.  Even the local pro labs didn't do as
 well, and they charged a lot more money.  When she quit I stopped  
 using
 the stuff and went to traditional BW film.

 -- 
 Scott Loveless
 http://www.twosixteen.com/fivetoedsloth/

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Re: Disappointing Results

2007-10-03 Thread Glen Tortorella
True...and I suppose this holds true for those prints that are sent  
offsite for processing, as mine were of the two-day variety.

Glen

On Oct 3, 2007, at 1:11 PM, Adam Maas wrote:

 C-41 processing, given fresh chemicals and a clean machine, is  
 standardized. Colour Printing requires colour corrections on a per- 
 emulsion basis. Most 1-hour labs can't be bothered to print correctly.

 -Adam


 Glen Tortorella wrote:
 I forgot to ask: is all C-41 processing the same?  I ask because on
 my C-41 BW I had processed at Wal-Mart, some of the whites have a
 bit of a purplish tone.  My instinct tells me that this is a result
 of inadequate light in these particular photos...or is C-41 for BW
 at Wal-Mart just a bad idea?

 Thanks,
 Glen

 On Oct 3, 2007, at 11:10 AM, Adam Maas wrote:

 Try each, settle on whichever produces the better results for you
 (I'd forgotten the N80 was 1/2 stops only). The flash system in the
 N80 is essentially identical to the F100 (as is the metering) apart
 from the F100's selectable exposure stop increments.

 -Adam


 Glen Tortorella wrote:
 Thank you, Adam, for your detailed commentary.  Also, I thank
 everyone else who has responded--even the fellow who said I should
 have bought a Pentax (Dave, I think) :-)

 Adam: I tried dialing-in the -0.7 FEC value you suggest.  It seems
 the N80 will take only 1/2 increments (-0.5, -1.0, etc.).  I do not
 see any other way to set it.  Is there something I am missing?   
 Also,
 if I am correct about this, would -0.5 be sufficient, or would I be
 wasting my time?...or is this just another reason to look into an
 F100 (as you have suggested)?

 Glen

 On Oct 3, 2007, at 9:47 AM, Adam Maas wrote:

 Glen Tortorella wrote:
 Hi all,

 Since I have a new, more advanced body, the N80, I tried taking
 some shots I would have avoided in the past.  The results were
 awful--
 not one good shot on the entire role, a miserable 0-for-24 (Kodak
 Gold 200).

 In the past, I would avoid two types of shots: 1) indoor shots
 and 2)
 outdoor high sun shots in the fair weather months (i.e. during
 the
 hours of about 10:00-4:00).  In doing so, I have assured myself
 decent, but not necessarily perfect, results.  Since the N80  
 has a
 better metering system (10-segment) and a pop-up flash that is
 supposed to be pretty good, I figured: let me see what it can  
 do.
 As I have said, the results were dreadful.  Here are the main
 issues.

 1) Every indoor flash shot showed at least moderate spotlight/ 
 wash-
 out effect of the subject (people).
 Dial in -0.7 stops of Flash exposure compensation when shooting
 people with Nikon flashes (including the popup). Leave this
 permanently dialed in.

 2) On the outdoor high sun shots, the camera turned a seemingly
 minor shadows (through the viewfinder) on the subject's face  
 into a
 black blobs that covered almost all of the subject's face.
 Add flash, leave the -0.7 stops of FEC dialed in.

 3) When taking indoor shots with the flash, I would meter (10-
 segment) something like 1/30 or 1/45 or perhaps 1/60 at, say, f2.
 With the flash powered up, I do not think it ever metered
 differently.  For example, 1/30 at f/2 was still 1/30 at f/2
 with the
 flash enabled.  Is this correct, or is there something wrong
 with my
 camera?
 That is correct, the N80 will attempt to balance the exposure  
 if it
 can get the shutter between 1/125 and 1/30 or so, with a slight
 bias towards the flash illumination (hence the FEC I  
 recommend). If
 you want a pure flash exposure, shoot in manual.


 4) The one decent shot in the whole role--an indoor shot using  
 only
 available light...go figure?--was spoiled by some sort of small
 speck
 on the subject's face.  I usually keep my filter free of dust,  
 etc.
 Could this speck have appeared as a result of the cheap
 processing I
 used (Wal-Mart C-41)?
 Probably. Check your negs.

 I know that using a fill flash may have alleviated the problem
 expressed in issue number 2, but, since I have had my subjects
 turn a
 bit ghastly by using the flash, I am hesitant to use it  
 indoors or
 outdoors.  I would appreciate any advice or commentary (or  
 even pep
 talk), as I am pretty down about this.  What good is a more
 advanced camera if I cannot even come remotely close to
 satisfactory results on the more difficult shots (i.e. indoor,
 high
 sun, etc.)?

 Thanks,
 Glen


 Fill flash is your friend, but remember direct flash always  
 looks a
 bit ghastly. A (cheap) SB-24 and an SC-17 or SC-28 cord will get
 the flash off-camera with full TTL, and is a much better option.

 -Adam


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Re: Funny observation Saturday

2007-09-30 Thread Glen Tortorella
Yes, I know what you mean.  I recently purchased an OEM hood for one  
of my lenses.  I have been inclined to use just a filter, and so I  
have already forgotten to use the hood on several outdoor shots.   
When I go out, I must think hood, think hood. :-)

Glen

On Sep 30, 2007, at 6:27 AM, David J Brooks wrote:

 Took the 6x7 and 200 f 4 to the Markham fair yesterday. Lovely sunny
 day, but not the harsh summer type sun.

 I wanted to get some BW shots of the old farm equipment used to
 demonstrate how things were done a 100 years ago or so.

 I found myself focusing, then holding down the shutter while i
 composed, took the shot then immediately looked at the back of the
 camera.:-)

 Funny how our minds get into a system eh.,

 Dave

 -- 
 Equine Photography
 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 Ontario Canada

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Re: Fuji or Kodak?

2007-09-30 Thread Glen Tortorella
Thank you for your kind words.  I hope the picture of my little red  
head is satisfactory.  She gave a nice little smile.

I tend to have a fairly steady hand.  When I shoot, I try to  
concentrate on cradling the body properly and exhaling when I release  
the shutter.  Also, I think my hand is a bit steadier with the Nikon  
N80, as it is a much heavier, studier body than the ZX-M.  It has a  
noticeably lower center of gravity, and a better grip, too--I feel  
like some sort of pseudo-pro now :-)  I am not one who thinks  
photography is all in the lens.  Certainly the lens is crucial, but  
so is the body.  You ask: Do you have a fast lens?...my Pentax A is  
a 50/2 and my Nikon is an F 50/1.8 D...pretty fast...

Yes, the Fuji 800 is nice.  I have the 400 in my camera right now.  I  
will pass along some comments one I have a roll or two developed.

Glen

On Sep 30, 2007, at 10:36 AM, Rebekah wrote:

 Yes, Fuji is very good, particularly in dim lighting (this was my
 experience with the 800 speed variety).  Wow, you shoot down to 1/4
 with the 400 speed...no blur?  I loaded a roll of the 400 in my
 camera today.  I just took a picture of my one year-old getting a
 bath, and I I thought I was pushing it ay 1/45...


 Sure, sometimes I get blur, but usually I get pretty sharp pictures
 even when I'm taking slow pictures, as long as the subject isn't
 moving ;) and if I do get it a bit blurry most of the time it's in a
 picture where I don't mind.  My camera only takes pictures down to 1s,
 but I usually don't go that slow.  Here's a picture taken at ½s that
 isn't too bad.

 http://picasaweb.google.com/rg2pdml/PESO/photo?authkey=W1C- 
 i05p28o#5116002907034854178

 For me, it's hard not to shift my hands when I press the shutter
 button.  It probably goes back to that you should use a tripod
 argument.  I used to use 800 speed kodak exclusively but I guess I was
 never quite satisfied with the sharpness so I ended up trying to take
 my pictures slower.  I haven't tried 800 Fuji of any type, but your
 approval of it makes me curious.  Do you have a steady hand?  Or do
 you have a fast lens? I hope your bath picture comes out well :)

 rg2


 On 9/29/07, Glen Tortorella [EMAIL PROTECTED] wrote:
 Yes, Fuji is very good, particularly in dim lighting (this was my
 experience with the 800 speed variety).  Wow, you shoot down to 1/4
 with the 400 speed...no blur?  I loaded a roll of the 400 in my
 camera today.  I just took a picture of my one year-old getting a
 bath, and I I thought I was pushing it ay 1/45...

 Thanks,
 Glen

 On Sep 29, 2007, at 7:44 PM, Rebekah wrote:

 BTW Glen -

 I usually take my pictures with available light and use 400 speed  
 fuji
 or kodak gold, and I really feel like the Fuji outperforms the Kodak
 in low light situations.  Its contrast and grain hold up even  
 when I'm
 taking dim indoor pictures at 1/30 or even 1/4s.  I like Kodak much
 better in outdoor light but I have to say I'm always disappointed by
 it when the light isn't perfect.

 rg2

 On 9/29/07, Derby Chang [EMAIL PROTECTED] wrote:
 Bill Owens wrote:
 When I could get it, I shot Agfa 200.  Otherwise I shot Fuji
 Superia 200,
 though I think Kodak Gold 200 is also excellent.  I liked Agfa
 because it
 seemed to render neutral colors more naturally.

 Bill




 Has anyone seen the resurrected Agfafilm in the flesh? Doesn't
 look like
 they are resurrecting Portrait or Ultra though :(

 http://www.lupus-imaging-media.com/content/blogcategory/16/31/
 lang,en/

 D

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Re: N80 Viewfinder, etc. (Adam?)

2007-09-29 Thread Glen Tortorella
Both of us got good deals, as KEH has your camera, the F100, in LN-  
condition right now for $499 (without the MB-15), and the N80 for  
$215, also in LN- condition and also sans battery pack.  I very much  
appreciate this forum's feedback on KEH.  All who have praised them  
here were absolutely right about their conservative grading standards  
and their level of service.  I traded some older gear, and was very  
happy with my quote and what I received in trade.  I will continue to  
be a KEH customer.

Glen

On Sep 28, 2007, at 11:07 PM, Adam Maas wrote:

 My (used) F100 came in essentially the same condition, although the
 warning card had been removed (And placed in the box). And I was  
 the 3rd
 owner. But it was in KEH LN shape when I got it (And I payed LN prices
 for it, $450CDN with LN grip, in box)

 -Adam


 Glen Tortorella wrote:
 Yes, it appears to be NOS.  It came with everything--from warranty
 card to plastic wrappings...even the little warning card (in
 reference to the screen) that is placed inside the door.  I am glad
 to have found an N80 in such pristine shape.

 Glen

 On Sep 28, 2007, at 9:54 PM, Adam Maas wrote:

 Somebody was dumping NOS then, MSRP on the N80 alone was twice that
 (the
 F100 was a $1200+ body new). The only Nikon film cameras  
 available new
 now are the F6 and (cosina-built) FM10, and the latter is only  
 new as
 Nikon knows the day after they discontinue it the Bessaflex F  
 will be
 announced.

 -Adam


 Glen Tortorella wrote:
 True, but I purchased a brand new N80 and MB-16 for the price I
 indicated--with box, manual, etc.--and the price also included
 shipping.  Whenever I could, I tend to prefer buying new.

 Glen

 On Sep 28, 2007, at 3:44 PM, Adam Maas wrote:

 Glen,

 An extra $90 would have gotten you into the F100 from KEH ($265 in
 BGN condition) ;-)

 Note the F100 uses AA's even without the grip (Unlike th N80, the
 AA's and slightly better handling are the sole reasons to get an
 MB-16. The F100's MB-15 grip increases FPS to 5 from 4.5 and  
 offers
 a rear control dial, shutter release and AF-On button, it takes 6
 AA's or a dedicated rechargable pack vs the 4 AA's that the body's
 AA carrier takes).

 -Adam

 Glen Tortorella wrote:
 Thank you for the detailed commentary, Adam.

 Wow, the N80 feels like flimsy plastic compared to the F100.
 Since
 I have gotten the N80, I have been thinking that it makes my ZX-M
 feel like flimsy plastic--a scant 320 grams vs. 515 for the  
 N80.  I
 am sure that the F100 is quite a nice body, and, if I had the
 funds,
 I might try one.  Considering the deal I got on the N80 ($175 for
 body and MB-16 pack...which seems unimaginable to me in view  
 of the
 N80's functionality, etc.), though, it makes it seem almost
 senseless
 to think about the F100...but I am the type that would think  
 about
 it, anyway :-)

 Glen

 On Sep 28, 2007, at 3:03 PM, Adam Maas wrote:

 It's quite noticably larger, especially with the vertical grip
 (It's actually a bit larger than an F5 with the grip attached).
 The
 F100 is notably heavier, much more solid feeling (it makes  
 the N80
 feel like flimsy plastic).

 The F100's dimensions are: 155 x 113 x 66mm and it weighs 785g.
 The
 F80/N80's dimensions are:141.5 x 98.5 x 71mm and it weighs 515g.
 That's a fairly significant difference. Note the F80 is plastic
 over metal frame, while the F100 is a full metal body with
 rubberized grips.

 The viewfinder is also significant, with the F80 having 92%
 coverage at .71-.75x magnification (depending on diopter  
 settings)
 with an early-generation LCD overlay (which dims the finder,
 especially when the camera is off). The F100's finder has 96%
 coverage at .76x without the LCD overlay (Note Nikon has  
 seriously
 improved the LCD overlays, with the newest generation costing
 almost no brightness when the camera is turned on, the F80  
 was the
 first camera to use this technology and it did not have the same
 performance).

 You'd really need to use the F100 to appreciate it. It's not a
 small camera, but it is simply one of the best handling AF  
 cameras
 ever. And it delivers incredible performance in a small package
 (To
 get similar performance from most other cameras would require a
 large battery grip)

 -Adam


 Glen Tortorella wrote:
 I was not aware of the fact that the F100 body is larger than
 the N80
 body.  I am glad, then, that I opted for the N80.  How much
 larger is
 the F100, as I have not completely ruled out that body (in  
 terms
 of a
 possible future purchase)?   Does it feel significantly larger?

 Glen

 On Sep 28, 2007, at 1:27 PM, Adam Maas wrote:

 Glen,

 I dislike the N80 finder, however I've been spoiled by the
 excellent finders in Nikon's higher-end bodies (as well as
 the LX
 and MX). The N80 finder will compare well to the very similar
 finders in Pentax's consumer bodies. I also find the body  
 to be
 too
 small, but I'm used to the larger F100, F2, F3 and my  
 Mamiya 645
 kit.

 And yes

Re: N80 Viewfinder, etc. (Adam?)

2007-09-29 Thread Glen Tortorella
I read somewhere that the F100, under certain conditions, will lapse  
into self-timer mode.  Is this true?  Have you experienced this?

Thanks again,
Glen

On Sep 28, 2007, at 11:07 PM, Adam Maas wrote:

 My (used) F100 came in essentially the same condition, although the
 warning card had been removed (And placed in the box). And I was  
 the 3rd
 owner. But it was in KEH LN shape when I got it (And I payed LN prices
 for it, $450CDN with LN grip, in box)

 -Adam


 Glen Tortorella wrote:
 Yes, it appears to be NOS.  It came with everything--from warranty
 card to plastic wrappings...even the little warning card (in
 reference to the screen) that is placed inside the door.  I am glad
 to have found an N80 in such pristine shape.

 Glen

 On Sep 28, 2007, at 9:54 PM, Adam Maas wrote:

 Somebody was dumping NOS then, MSRP on the N80 alone was twice that
 (the
 F100 was a $1200+ body new). The only Nikon film cameras  
 available new
 now are the F6 and (cosina-built) FM10, and the latter is only  
 new as
 Nikon knows the day after they discontinue it the Bessaflex F  
 will be
 announced.

 -Adam


 Glen Tortorella wrote:
 True, but I purchased a brand new N80 and MB-16 for the price I
 indicated--with box, manual, etc.--and the price also included
 shipping.  Whenever I could, I tend to prefer buying new.

 Glen

 On Sep 28, 2007, at 3:44 PM, Adam Maas wrote:

 Glen,

 An extra $90 would have gotten you into the F100 from KEH ($265 in
 BGN condition) ;-)

 Note the F100 uses AA's even without the grip (Unlike th N80, the
 AA's and slightly better handling are the sole reasons to get an
 MB-16. The F100's MB-15 grip increases FPS to 5 from 4.5 and  
 offers
 a rear control dial, shutter release and AF-On button, it takes 6
 AA's or a dedicated rechargable pack vs the 4 AA's that the body's
 AA carrier takes).

 -Adam

 Glen Tortorella wrote:
 Thank you for the detailed commentary, Adam.

 Wow, the N80 feels like flimsy plastic compared to the F100.
 Since
 I have gotten the N80, I have been thinking that it makes my ZX-M
 feel like flimsy plastic--a scant 320 grams vs. 515 for the  
 N80.  I
 am sure that the F100 is quite a nice body, and, if I had the
 funds,
 I might try one.  Considering the deal I got on the N80 ($175 for
 body and MB-16 pack...which seems unimaginable to me in view  
 of the
 N80's functionality, etc.), though, it makes it seem almost
 senseless
 to think about the F100...but I am the type that would think  
 about
 it, anyway :-)

 Glen

 On Sep 28, 2007, at 3:03 PM, Adam Maas wrote:

 It's quite noticably larger, especially with the vertical grip
 (It's actually a bit larger than an F5 with the grip attached).
 The
 F100 is notably heavier, much more solid feeling (it makes  
 the N80
 feel like flimsy plastic).

 The F100's dimensions are: 155 x 113 x 66mm and it weighs 785g.
 The
 F80/N80's dimensions are:141.5 x 98.5 x 71mm and it weighs 515g.
 That's a fairly significant difference. Note the F80 is plastic
 over metal frame, while the F100 is a full metal body with
 rubberized grips.

 The viewfinder is also significant, with the F80 having 92%
 coverage at .71-.75x magnification (depending on diopter  
 settings)
 with an early-generation LCD overlay (which dims the finder,
 especially when the camera is off). The F100's finder has 96%
 coverage at .76x without the LCD overlay (Note Nikon has  
 seriously
 improved the LCD overlays, with the newest generation costing
 almost no brightness when the camera is turned on, the F80  
 was the
 first camera to use this technology and it did not have the same
 performance).

 You'd really need to use the F100 to appreciate it. It's not a
 small camera, but it is simply one of the best handling AF  
 cameras
 ever. And it delivers incredible performance in a small package
 (To
 get similar performance from most other cameras would require a
 large battery grip)

 -Adam


 Glen Tortorella wrote:
 I was not aware of the fact that the F100 body is larger than
 the N80
 body.  I am glad, then, that I opted for the N80.  How much
 larger is
 the F100, as I have not completely ruled out that body (in  
 terms
 of a
 possible future purchase)?   Does it feel significantly larger?

 Glen

 On Sep 28, 2007, at 1:27 PM, Adam Maas wrote:

 Glen,

 I dislike the N80 finder, however I've been spoiled by the
 excellent finders in Nikon's higher-end bodies (as well as
 the LX
 and MX). The N80 finder will compare well to the very similar
 finders in Pentax's consumer bodies. I also find the body  
 to be
 too
 small, but I'm used to the larger F100, F2, F3 and my  
 Mamiya 645
 kit.

 And yes, Digitals tend to be a bit thicker, they need the  
 extra
 thickness for the LCD, main circuit board and sensor.

 -Adam


 Glen Tortorella wrote:
 Adam: I do not know if you were able to read a post I wrote a
 couple
 of days ago regarding my N80 body purchase, but, anyway, I
 received
 the body and am quite impressed.  I thought the smallish
 viewfinder

Re: Fuji or Kodak?

2007-09-29 Thread Glen Tortorella
Yes, Fuji is very good, particularly in dim lighting (this was my  
experience with the 800 speed variety).  Wow, you shoot down to 1/4  
with the 400 speed...no blur?  I loaded a roll of the 400 in my  
camera today.  I just took a picture of my one year-old getting a  
bath, and I I thought I was pushing it ay 1/45...

Thanks,
Glen

On Sep 29, 2007, at 7:44 PM, Rebekah wrote:

 BTW Glen -

 I usually take my pictures with available light and use 400 speed fuji
 or kodak gold, and I really feel like the Fuji outperforms the Kodak
 in low light situations.  Its contrast and grain hold up even when I'm
 taking dim indoor pictures at 1/30 or even 1/4s.  I like Kodak much
 better in outdoor light but I have to say I'm always disappointed by
 it when the light isn't perfect.

 rg2

 On 9/29/07, Derby Chang [EMAIL PROTECTED] wrote:
 Bill Owens wrote:
 When I could get it, I shot Agfa 200.  Otherwise I shot Fuji  
 Superia 200,
 though I think Kodak Gold 200 is also excellent.  I liked Agfa  
 because it
 seemed to render neutral colors more naturally.

 Bill




 Has anyone seen the resurrected Agfafilm in the flesh? Doesn't  
 look like
 they are resurrecting Portrait or Ultra though :(

 http://www.lupus-imaging-media.com/content/blogcategory/16/31/ 
 lang,en/

 D

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N80 Viewfinder, etc. (Adam?)

2007-09-28 Thread Glen Tortorella
Adam: I do not know if you were able to read a post I wrote a couple  
of days ago regarding my N80 body purchase, but, anyway, I received  
the body and am quite impressed.  I thought the smallish viewfinder  
magnification (supposedly .75x) might be a hinderance, but I find  
that, so far, the viewfinder is not all that bad.  In fact, it seems  
as if may be even a tad better than my ZX-M's finder, which is  
supposedly 0.77x.

The N80 is loaded with functionality, and I find that, with the MB-16  
pack attached, it has good balance and a comfortable feel in my  
hand.  I had the D40 and K100D in my hand yesterday, and I thought  
both bodies were a bit thick for my hand.  The K100D's body is a bit  
thinner, and thus it felt a little better, but the N80 is just about  
perfect for my somewhat small hand.  Perhaps this is how all digital  
bodies tend to be (a bit thick)?  When comparing the feel of the ZX-M  
and N80 to the digital bodies I have mentioned, it is similar to  
holding a baseball as opposed to a softball.

Glen


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Re: N80 Viewfinder, etc. (Adam?)

2007-09-28 Thread Glen Tortorella
Yes, Godfrey, more stuff ;-)  They also seemed even a bit heavier  
than some of the film SLRs I have held.  How does your K10D feel?  I  
do not know the size of your hand, but how does the thickness feel to  
you?

Thanks,
Glen

On Sep 28, 2007, at 12:10 PM, Godfrey DiGiorgi wrote:

 Yes, most DSLR bodies tend to be a bit thicker than 35mm film SLRs.
 They have more stuff in them...

 stuff ... That's a technical term. ;-)

 Godfrey



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Re: N80 Viewfinder, etc. (Adam?)

2007-09-28 Thread Glen Tortorella
I was not aware of the fact that the F100 body is larger than the N80  
body.  I am glad, then, that I opted for the N80.  How much larger is  
the F100, as I have not completely ruled out that body (in terms of a  
possible future purchase)?   Does it feel significantly larger?

Glen

On Sep 28, 2007, at 1:27 PM, Adam Maas wrote:

 Glen,

 I dislike the N80 finder, however I've been spoiled by the  
 excellent finders in Nikon's higher-end bodies (as well as the LX  
 and MX). The N80 finder will compare well to the very similar  
 finders in Pentax's consumer bodies. I also find the body to be too  
 small, but I'm used to the larger F100, F2, F3 and my Mamiya 645 kit.

 And yes, Digitals tend to be a bit thicker, they need the extra  
 thickness for the LCD, main circuit board and sensor.

 -Adam


 Glen Tortorella wrote:
 Adam: I do not know if you were able to read a post I wrote a couple
 of days ago regarding my N80 body purchase, but, anyway, I received
 the body and am quite impressed.  I thought the smallish viewfinder
 magnification (supposedly .75x) might be a hinderance, but I find
 that, so far, the viewfinder is not all that bad.  In fact, it seems
 as if may be even a tad better than my ZX-M's finder, which is
 supposedly 0.77x.

 The N80 is loaded with functionality, and I find that, with the MB-16
 pack attached, it has good balance and a comfortable feel in my
 hand.  I had the D40 and K100D in my hand yesterday, and I thought
 both bodies were a bit thick for my hand.  The K100D's body is a bit
 thinner, and thus it felt a little better, but the N80 is just about
 perfect for my somewhat small hand.  Perhaps this is how all digital
 bodies tend to be (a bit thick)?  When comparing the feel of the ZX-M
 and N80 to the digital bodies I have mentioned, it is similar to
 holding a baseball as opposed to a softball.

 Glen





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Re: N80 Viewfinder, etc. (Adam?)

2007-09-28 Thread Glen Tortorella
Thank you for the detailed commentary, Adam.

Wow, the N80 feels like flimsy plastic compared to the F100. Since  
I have gotten the N80, I have been thinking that it makes my ZX-M  
feel like flimsy plastic--a scant 320 grams vs. 515 for the N80.  I  
am sure that the F100 is quite a nice body, and, if I had the funds,  
I might try one.  Considering the deal I got on the N80 ($175 for  
body and MB-16 pack...which seems unimaginable to me in view of the  
N80's functionality, etc.), though, it makes it seem almost senseless  
to think about the F100...but I am the type that would think about  
it, anyway :-)

Glen

On Sep 28, 2007, at 3:03 PM, Adam Maas wrote:

 It's quite noticably larger, especially with the vertical grip  
 (It's actually a bit larger than an F5 with the grip attached). The  
 F100 is notably heavier, much more solid feeling (it makes the N80  
 feel like flimsy plastic).

 The F100's dimensions are: 155 x 113 x 66mm and it weighs 785g. The  
 F80/N80's dimensions are:141.5 x 98.5 x 71mm and it weighs 515g.  
 That's a fairly significant difference. Note the F80 is plastic  
 over metal frame, while the F100 is a full metal body with  
 rubberized grips.

 The viewfinder is also significant, with the F80 having 92%  
 coverage at .71-.75x magnification (depending on diopter settings)  
 with an early-generation LCD overlay (which dims the finder,  
 especially when the camera is off). The F100's finder has 96%  
 coverage at .76x without the LCD overlay (Note Nikon has seriously  
 improved the LCD overlays, with the newest generation costing  
 almost no brightness when the camera is turned on, the F80 was the  
 first camera to use this technology and it did not have the same  
 performance).

 You'd really need to use the F100 to appreciate it. It's not a  
 small camera, but it is simply one of the best handling AF cameras  
 ever. And it delivers incredible performance in a small package (To  
 get similar performance from most other cameras would require a  
 large battery grip)

 -Adam


 Glen Tortorella wrote:
 I was not aware of the fact that the F100 body is larger than the N80
 body.  I am glad, then, that I opted for the N80.  How much larger is
 the F100, as I have not completely ruled out that body (in terms of a
 possible future purchase)?   Does it feel significantly larger?

 Glen

 On Sep 28, 2007, at 1:27 PM, Adam Maas wrote:

 Glen,

 I dislike the N80 finder, however I've been spoiled by the
 excellent finders in Nikon's higher-end bodies (as well as the LX
 and MX). The N80 finder will compare well to the very similar
 finders in Pentax's consumer bodies. I also find the body to be too
 small, but I'm used to the larger F100, F2, F3 and my Mamiya 645  
 kit.

 And yes, Digitals tend to be a bit thicker, they need the extra
 thickness for the LCD, main circuit board and sensor.

 -Adam


 Glen Tortorella wrote:
 Adam: I do not know if you were able to read a post I wrote a  
 couple
 of days ago regarding my N80 body purchase, but, anyway, I received
 the body and am quite impressed.  I thought the smallish viewfinder
 magnification (supposedly .75x) might be a hinderance, but I find
 that, so far, the viewfinder is not all that bad.  In fact, it  
 seems
 as if may be even a tad better than my ZX-M's finder, which is
 supposedly 0.77x.

 The N80 is loaded with functionality, and I find that, with the  
 MB-16
 pack attached, it has good balance and a comfortable feel in my
 hand.  I had the D40 and K100D in my hand yesterday, and I thought
 both bodies were a bit thick for my hand.  The K100D's body is a  
 bit
 thinner, and thus it felt a little better, but the N80 is just  
 about
 perfect for my somewhat small hand.  Perhaps this is how all  
 digital
 bodies tend to be (a bit thick)?  When comparing the feel of the  
 ZX-M
 and N80 to the digital bodies I have mentioned, it is similar to
 holding a baseball as opposed to a softball.

 Glen




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Fuji or Kodak?

2007-09-28 Thread Glen Tortorella
Hi all,

Among the less expensive, non-pro print films, which do you prefer,  
Fuji or Kodak?  I have found the Fuji 800 to be pretty good, and am  
wondering what others might think of this film, and the 100-400  
speeds offered by both brands.

Glen



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Re: N80 Viewfinder, etc. (Adam?)

2007-09-28 Thread Glen Tortorella
True, but I purchased a brand new N80 and MB-16 for the price I  
indicated--with box, manual, etc.--and the price also included  
shipping.  Whenever I could, I tend to prefer buying new.

Glen

On Sep 28, 2007, at 3:44 PM, Adam Maas wrote:

 Glen,

 An extra $90 would have gotten you into the F100 from KEH ($265 in  
 BGN condition) ;-)

 Note the F100 uses AA's even without the grip (Unlike th N80, the  
 AA's and slightly better handling are the sole reasons to get an  
 MB-16. The F100's MB-15 grip increases FPS to 5 from 4.5 and offers  
 a rear control dial, shutter release and AF-On button, it takes 6  
 AA's or a dedicated rechargable pack vs the 4 AA's that the body's  
 AA carrier takes).

 -Adam

 Glen Tortorella wrote:
 Thank you for the detailed commentary, Adam.

 Wow, the N80 feels like flimsy plastic compared to the F100. Since
 I have gotten the N80, I have been thinking that it makes my ZX-M
 feel like flimsy plastic--a scant 320 grams vs. 515 for the N80.  I
 am sure that the F100 is quite a nice body, and, if I had the funds,
 I might try one.  Considering the deal I got on the N80 ($175 for
 body and MB-16 pack...which seems unimaginable to me in view of the
 N80's functionality, etc.), though, it makes it seem almost senseless
 to think about the F100...but I am the type that would think about
 it, anyway :-)

 Glen

 On Sep 28, 2007, at 3:03 PM, Adam Maas wrote:

 It's quite noticably larger, especially with the vertical grip
 (It's actually a bit larger than an F5 with the grip attached). The
 F100 is notably heavier, much more solid feeling (it makes the N80
 feel like flimsy plastic).

 The F100's dimensions are: 155 x 113 x 66mm and it weighs 785g. The
 F80/N80's dimensions are:141.5 x 98.5 x 71mm and it weighs 515g.
 That's a fairly significant difference. Note the F80 is plastic
 over metal frame, while the F100 is a full metal body with
 rubberized grips.

 The viewfinder is also significant, with the F80 having 92%
 coverage at .71-.75x magnification (depending on diopter settings)
 with an early-generation LCD overlay (which dims the finder,
 especially when the camera is off). The F100's finder has 96%
 coverage at .76x without the LCD overlay (Note Nikon has seriously
 improved the LCD overlays, with the newest generation costing
 almost no brightness when the camera is turned on, the F80 was the
 first camera to use this technology and it did not have the same
 performance).

 You'd really need to use the F100 to appreciate it. It's not a
 small camera, but it is simply one of the best handling AF cameras
 ever. And it delivers incredible performance in a small package (To
 get similar performance from most other cameras would require a
 large battery grip)

 -Adam


 Glen Tortorella wrote:
 I was not aware of the fact that the F100 body is larger than  
 the N80
 body.  I am glad, then, that I opted for the N80.  How much  
 larger is
 the F100, as I have not completely ruled out that body (in terms  
 of a
 possible future purchase)?   Does it feel significantly larger?

 Glen

 On Sep 28, 2007, at 1:27 PM, Adam Maas wrote:

 Glen,

 I dislike the N80 finder, however I've been spoiled by the
 excellent finders in Nikon's higher-end bodies (as well as the LX
 and MX). The N80 finder will compare well to the very similar
 finders in Pentax's consumer bodies. I also find the body to be  
 too
 small, but I'm used to the larger F100, F2, F3 and my Mamiya 645
 kit.

 And yes, Digitals tend to be a bit thicker, they need the extra
 thickness for the LCD, main circuit board and sensor.

 -Adam


 Glen Tortorella wrote:
 Adam: I do not know if you were able to read a post I wrote a
 couple
 of days ago regarding my N80 body purchase, but, anyway, I  
 received
 the body and am quite impressed.  I thought the smallish  
 viewfinder
 magnification (supposedly .75x) might be a hinderance, but I find
 that, so far, the viewfinder is not all that bad.  In fact, it
 seems
 as if may be even a tad better than my ZX-M's finder, which is
 supposedly 0.77x.

 The N80 is loaded with functionality, and I find that, with the
 MB-16
 pack attached, it has good balance and a comfortable feel in my
 hand.  I had the D40 and K100D in my hand yesterday, and I  
 thought
 both bodies were a bit thick for my hand.  The K100D's body is a
 bit
 thinner, and thus it felt a little better, but the N80 is just
 about
 perfect for my somewhat small hand.  Perhaps this is how all
 digital
 bodies tend to be (a bit thick)?  When comparing the feel of the
 ZX-M
 and N80 to the digital bodies I have mentioned, it is similar to
 holding a baseball as opposed to a softball.

 Glen



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Re: N80 Viewfinder, etc. (Adam?)

2007-09-28 Thread Glen Tortorella
Yes, it appears to be NOS.  It came with everything--from warranty  
card to plastic wrappings...even the little warning card (in  
reference to the screen) that is placed inside the door.  I am glad  
to have found an N80 in such pristine shape.

Glen

On Sep 28, 2007, at 9:54 PM, Adam Maas wrote:

 Somebody was dumping NOS then, MSRP on the N80 alone was twice that  
 (the
 F100 was a $1200+ body new). The only Nikon film cameras available new
 now are the F6 and (cosina-built) FM10, and the latter is only new as
 Nikon knows the day after they discontinue it the Bessaflex F will be
 announced.

 -Adam


 Glen Tortorella wrote:
 True, but I purchased a brand new N80 and MB-16 for the price I
 indicated--with box, manual, etc.--and the price also included
 shipping.  Whenever I could, I tend to prefer buying new.

 Glen

 On Sep 28, 2007, at 3:44 PM, Adam Maas wrote:

 Glen,

 An extra $90 would have gotten you into the F100 from KEH ($265 in
 BGN condition) ;-)

 Note the F100 uses AA's even without the grip (Unlike th N80, the
 AA's and slightly better handling are the sole reasons to get an
 MB-16. The F100's MB-15 grip increases FPS to 5 from 4.5 and offers
 a rear control dial, shutter release and AF-On button, it takes 6
 AA's or a dedicated rechargable pack vs the 4 AA's that the body's
 AA carrier takes).

 -Adam

 Glen Tortorella wrote:
 Thank you for the detailed commentary, Adam.

 Wow, the N80 feels like flimsy plastic compared to the F100.  
 Since
 I have gotten the N80, I have been thinking that it makes my ZX-M
 feel like flimsy plastic--a scant 320 grams vs. 515 for the N80.  I
 am sure that the F100 is quite a nice body, and, if I had the  
 funds,
 I might try one.  Considering the deal I got on the N80 ($175 for
 body and MB-16 pack...which seems unimaginable to me in view of the
 N80's functionality, etc.), though, it makes it seem almost  
 senseless
 to think about the F100...but I am the type that would think about
 it, anyway :-)

 Glen

 On Sep 28, 2007, at 3:03 PM, Adam Maas wrote:

 It's quite noticably larger, especially with the vertical grip
 (It's actually a bit larger than an F5 with the grip attached).  
 The
 F100 is notably heavier, much more solid feeling (it makes the N80
 feel like flimsy plastic).

 The F100's dimensions are: 155 x 113 x 66mm and it weighs 785g.  
 The
 F80/N80's dimensions are:141.5 x 98.5 x 71mm and it weighs 515g.
 That's a fairly significant difference. Note the F80 is plastic
 over metal frame, while the F100 is a full metal body with
 rubberized grips.

 The viewfinder is also significant, with the F80 having 92%
 coverage at .71-.75x magnification (depending on diopter settings)
 with an early-generation LCD overlay (which dims the finder,
 especially when the camera is off). The F100's finder has 96%
 coverage at .76x without the LCD overlay (Note Nikon has seriously
 improved the LCD overlays, with the newest generation costing
 almost no brightness when the camera is turned on, the F80 was the
 first camera to use this technology and it did not have the same
 performance).

 You'd really need to use the F100 to appreciate it. It's not a
 small camera, but it is simply one of the best handling AF cameras
 ever. And it delivers incredible performance in a small package  
 (To
 get similar performance from most other cameras would require a
 large battery grip)

 -Adam


 Glen Tortorella wrote:
 I was not aware of the fact that the F100 body is larger than
 the N80
 body.  I am glad, then, that I opted for the N80.  How much
 larger is
 the F100, as I have not completely ruled out that body (in terms
 of a
 possible future purchase)?   Does it feel significantly larger?

 Glen

 On Sep 28, 2007, at 1:27 PM, Adam Maas wrote:

 Glen,

 I dislike the N80 finder, however I've been spoiled by the
 excellent finders in Nikon's higher-end bodies (as well as  
 the LX
 and MX). The N80 finder will compare well to the very similar
 finders in Pentax's consumer bodies. I also find the body to be
 too
 small, but I'm used to the larger F100, F2, F3 and my Mamiya 645
 kit.

 And yes, Digitals tend to be a bit thicker, they need the extra
 thickness for the LCD, main circuit board and sensor.

 -Adam


 Glen Tortorella wrote:
 Adam: I do not know if you were able to read a post I wrote a
 couple
 of days ago regarding my N80 body purchase, but, anyway, I
 received
 the body and am quite impressed.  I thought the smallish
 viewfinder
 magnification (supposedly .75x) might be a hinderance, but I  
 find
 that, so far, the viewfinder is not all that bad.  In fact, it
 seems
 as if may be even a tad better than my ZX-M's finder, which is
 supposedly 0.77x.

 The N80 is loaded with functionality, and I find that, with the
 MB-16
 pack attached, it has good balance and a comfortable feel in my
 hand.  I had the D40 and K100D in my hand yesterday, and I
 thought
 both bodies were a bit thick for my hand.  The K100D's body  
 is a
 bit
 thinner, and thus it felt

Re: Fuji or Kodak?

2007-09-28 Thread Glen Tortorella
I agree, Adam.  That Fuji Superia 800 is one fine 800 speed film.  I  
just bought a five-pack of the Superia 400, and I expect it be nice,  
too.

Glen

On Sep 28, 2007, at 9:55 PM, Adam Maas wrote:

 In non-pro form, Fuji is where it's at. The only Kodak print films's
 I'll shoot are the Portra's and 100/400UC, all of which are 'Pro'  
 films.

 Glen Tortorella wrote:
 Hi all,

 Among the less expensive, non-pro print films, which do you prefer,
 Fuji or Kodak?  I have found the Fuji 800 to be pretty good, and am
 wondering what others might think of this film, and the 100-400
 speeds offered by both brands.

 Glen





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Re: Digital SLR Guide News - Best Budget DSLR

2007-09-26 Thread Glen Tortorella
Thank you, Adam.  I have a relatively recent iMac (running 10 point  
something), but the printer I own was given to me, and it is an older  
one (an inkjet) with mediocre poor print quality and expensive  
cartridges ($30 at Wal-Mart).  Thus, if I take your advice and go the  
scanner route, I would have to buy a scanner and printer.  What would  
about $200 or so (for each) buy?  I gather the new inkjets are a good  
deal better than those made five or ten years ago?  The older inkjets  
I have seen make digital photos look like a study in Seuratian  
pointilism and blue-is-green-black-is-purple color variance.

Glen

On Sep 25, 2007, at 9:59 PM, Adam Maas wrote:

 Get a scanner, and you can do the same with your film stuff. All my  
 film
 work (and I'm only shooting film now) is scanned and printed with an
 inkjet. It works pretty well for me.

 -Adam


 Glen Tortorella wrote:
 Good commentary, Godfrey.  Have you read Rebekah's remarks?  I tend
 to think that this is just another financial black hole.  On the
 surface, I think: great! I can just get a good deal on a DSLR, buy a
 rreasonably-priced printer, hook it up to my IMac, and make as many
 prints as I wish, but then there are those hidden costs...ink,
 paper, software, and who knows what else...

 Perhaps this is why I have tried to remain ignorant of the DSLR  
 world.

 Thanks,
 Glen

 On Sep 25, 2007, at 9:16 PM, Godfrey DiGiorgi wrote:

 Glen Tortorella wrote:
 While I have been resistant to digital for quite some time, I find
 this article interesting.  The idea of getting a good budget DSLR
 has crossed my mind, but I know so little about working within the
 DSLR format that I cannot get motivated to buy one.  I tend to like
 prints.  Thus, I ask the supremely elementary question: how does  
 one
 turn the zeros and ones stored in the DSLR's memory into prints?
 Would a computer and/or scanner be necessary (I do not have a
 scanner, but I do have an iMac), or can a camera shop or photo lab
 supply the means to do this if one does not have a scanner?
 You're asking these questions as if you knew nothing at all, which I
 suspect isn't quite true.

 - No scanner is used when you're using a digital camera. Scanners  
 are
 used to capture film and print images into digital images. A digital
 camera produces digital images.

 - You print a digital camera's photos the same way you print  
 anything
 else: to a printer connected to either camera or computer, to an
 online print service having moved the image files from camera to
 computer, or by using a printer kiosk at a local store.

 - If you have an iMac, you connect the camera to the computer with
 its supplied cable. By default, iPhoto (supplied on every Apple
 system by default) will start up and download all the photographs so
 you can sort, show, and print them, to either a connected printer  
 via
 a print service on the internet.

 And, finally, how does the K100D compare to the Nikon...the D40 or
 D50, I gather?
 A matter of opinion. They all work well at the level of questions  
 you
 are posing. If you already have Pentax lenses, it makes sense to buy
 a Pentax DSLR: it will save you money. If you don't have Pentax
 lenses, pick whichever one feels best in your hands and enjoy it ...
 they all work better than the majority of owners can exploit.

 Godfrey

 -- 
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net




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Re: Digital SLR Guide News - Best Budget DSLR

2007-09-26 Thread Glen Tortorella
Has my lack of knowledge in regard to digital photography offended  
you?  With regard to my post, I was just being direct and honest.  I  
had done a bit of research, but had found differing opinions among  
the various sources, and, more importantly, the technology advances  
so rapidly these days that Wikipedia articles (and the like) are  
often out-of-date shortly after being posted.  Yes, I have seen photo  
kiosks, but have never used one.

Glen

On Sep 26, 2007, at 9:58 AM, Tom C wrote:

 From: Godfrey DiGiorgi [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Digital SLR Guide News - Best Budget DSLR
 Date: Tue, 25 Sep 2007 18:16:04 -0700

 Glen Tortorella wrote:
 While I have been resistant to digital for quite some time, I find
 this article interesting.  The idea of getting a good budget DSLR
 has crossed my mind, but I know so little about working within the
 DSLR format that I cannot get motivated to buy one.  I tend to like
 prints.  Thus, I ask the supremely elementary question: how does one
 turn the zeros and ones stored in the DSLR's memory into prints?
 Would a computer and/or scanner be necessary (I do not have a
 scanner, but I do have an iMac), or can a camera shop or photo lab
 supply the means to do this if one does not have a scanner?

 You're asking these questions as if you knew nothing at all, which I
 suspect isn't quite true.


 Doesn't anyone try to research things for themselves anymore?   
 Wikipedia?
 Been near a minilab or walked past a photo kiosk lately? :-)

 Tom C.



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 PDML@pdml.net
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Re: Digital SLR Guide News - Best Budget DSLR

2007-09-26 Thread Glen Tortorella
Thank you, Adam.  How do you feel about the all-in-one printers?  The  
Canon PIXMA MP810 and Epson RX680 look pretty nice, but I am no expert.

Glen

On Sep 26, 2007, at 10:20 AM, Adam Maas wrote:

 For printer's you can't do better than the Epson R2x0 series. The  
 higher-priced R3x0's are the same printers with more features  
 (LCD's, DVD trays) but identical print quality. I've got the R320  
 myself and the print quality is superb on good paper (I use Epson  
 Premium Luster). Ink is always expensive until you get into the pro  
 models (Where the tanks are expensive, but hold 10-100x as much ink).

 For scanners, I'd look at the Epson 4490 with a pair of  
 Betterscanning.com 35mm ANR inserts, or a used Minolta Scan Dual  
 III or IV and a copy of Vuescan (The minolta software doesn't work  
 on 10.4, it will work on 10.3)

 -Adam


 Glen Tortorella wrote:
 Thank you, Adam.  I have a relatively recent iMac (running 10 point
 something), but the printer I own was given to me, and it is an older
 one (an inkjet) with mediocre poor print quality and expensive
 cartridges ($30 at Wal-Mart).  Thus, if I take your advice and go the
 scanner route, I would have to buy a scanner and printer.  What would
 about $200 or so (for each) buy?  I gather the new inkjets are a good
 deal better than those made five or ten years ago?  The older inkjets
 I have seen make digital photos look like a study in Seuratian
 pointilism and blue-is-green-black-is-purple color variance.

 Glen

 On Sep 25, 2007, at 9:59 PM, Adam Maas wrote:

 Get a scanner, and you can do the same with your film stuff. All my
 film
 work (and I'm only shooting film now) is scanned and printed with an
 inkjet. It works pretty well for me.

 -Adam


 Glen Tortorella wrote:
 Good commentary, Godfrey.  Have you read Rebekah's remarks?  I tend
 to think that this is just another financial black hole.  On the
 surface, I think: great! I can just get a good deal on a DSLR,  
 buy a
 rreasonably-priced printer, hook it up to my IMac, and make as many
 prints as I wish, but then there are those hidden costs...ink,
 paper, software, and who knows what else...

 Perhaps this is why I have tried to remain ignorant of the DSLR
 world.

 Thanks,
 Glen

 On Sep 25, 2007, at 9:16 PM, Godfrey DiGiorgi wrote:

 Glen Tortorella wrote:
 While I have been resistant to digital for quite some time, I  
 find
 this article interesting.  The idea of getting a good budget  
 DSLR
 has crossed my mind, but I know so little about working within  
 the
 DSLR format that I cannot get motivated to buy one.  I tend to  
 like
 prints.  Thus, I ask the supremely elementary question: how does
 one
 turn the zeros and ones stored in the DSLR's memory into prints?
 Would a computer and/or scanner be necessary (I do not have a
 scanner, but I do have an iMac), or can a camera shop or photo  
 lab
 supply the means to do this if one does not have a scanner?
 You're asking these questions as if you knew nothing at all,  
 which I
 suspect isn't quite true.

 - No scanner is used when you're using a digital camera. Scanners
 are
 used to capture film and print images into digital images. A  
 digital
 camera produces digital images.

 - You print a digital camera's photos the same way you print
 anything
 else: to a printer connected to either camera or computer, to an
 online print service having moved the image files from camera to
 computer, or by using a printer kiosk at a local store.

 - If you have an iMac, you connect the camera to the computer with
 its supplied cable. By default, iPhoto (supplied on every Apple
 system by default) will start up and download all the  
 photographs so
 you can sort, show, and print them, to either a connected printer
 via
 a print service on the internet.

 And, finally, how does the K100D compare to the Nikon...the  
 D40 or
 D50, I gather?
 A matter of opinion. They all work well at the level of questions
 you
 are posing. If you already have Pentax lenses, it makes sense  
 to buy
 a Pentax DSLR: it will save you money. If you don't have Pentax
 lenses, pick whichever one feels best in your hands and enjoy  
 it ...
 they all work better than the majority of owners can exploit.

 Godfrey

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 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net


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Re: Digital SLR Guide News - Best Budget DSLR

2007-09-26 Thread Glen Tortorella
Thank you, Tom.  I was looking for brief answers to my questions, and  
that is why I made the post to this mailing list.  I realize,  
however, that more detailed information and analysis is obtainable.

Glen

On Sep 26, 2007, at 12:02 PM, Tom C wrote:

 No.  I'm not offended, but a little surprised.  Asking a question  
 like 'how
 does one convert the 1's and 0's to a printed image' is sort of  
 like asking
 'what chemical reactions enable film to be processed and printed'?

 Sure the question is an honest question.  But there are reams of  
 books,
 other printed information, and online that all explain the process  
 (both
 digital and film).  To ask the question here seems to imply (at  
 least to me)
 that the other avenues to gathering knowledge haven't been  
 explored. Even a
 basic Intoduction to Photography book that was released in the last  
 five
 years would have a chapter, probably telling you as much or more  
 than you
 would want to know.  The process has not changed much in 5 years.   
 Assuming
 you want a non-technical answer it would be 'the same way you  
 printed images
 from film, just take the media to your photo processor'.

 I guess my point is, that the information is already available out  
 there for
 you, in a far more concise, accurate, and complete form, than the  
 answers
 you might receive from asking a mailing list.

 For instance:

 http://www.shortcourses.com/guide/

 and more to the point possibly...

 http://www.shortcourses.com/display/

 Tom C.


 From: Glen Tortorella [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Digital SLR Guide News - Best Budget DSLR
 Date: Wed, 26 Sep 2007 11:41:09 -0400

 Has my lack of knowledge in regard to digital photography offended
 you?  With regard to my post, I was just being direct and honest.  I
 had done a bit of research, but had found differing opinions among
 the various sources, and, more importantly, the technology advances
 so rapidly these days that Wikipedia articles (and the like) are
 often out-of-date shortly after being posted.  Yes, I have seen photo
 kiosks, but have never used one.

 Glen

 On Sep 26, 2007, at 9:58 AM, Tom C wrote:

 From: Godfrey DiGiorgi [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Digital SLR Guide News - Best Budget DSLR
 Date: Tue, 25 Sep 2007 18:16:04 -0700

 Glen Tortorella wrote:
 While I have been resistant to digital for quite some time, I find
 this article interesting.  The idea of getting a good budget  
 DSLR
 has crossed my mind, but I know so little about working within the
 DSLR format that I cannot get motivated to buy one.  I tend to  
 like
 prints.  Thus, I ask the supremely elementary question: how  
 does one
 turn the zeros and ones stored in the DSLR's memory into prints?
 Would a computer and/or scanner be necessary (I do not have a
 scanner, but I do have an iMac), or can a camera shop or photo lab
 supply the means to do this if one does not have a scanner?

 You're asking these questions as if you knew nothing at all,  
 which I
 suspect isn't quite true.


 Doesn't anyone try to research things for themselves anymore?
 Wikipedia?
 Been near a minilab or walked past a photo kiosk lately? :-)

 Tom C.



 --
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 to UNSUBSCRIBE from the PDML, please visit the link directly above
 and follow the directions.


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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 to UNSUBSCRIBE from the PDML, please visit the link directly above  
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Re: Digital SLR Guide News - Best Budget DSLR

2007-09-26 Thread Glen Tortorella
Hmm...that was my concern: decent neg/slide scans.  I guess it is  
better to go with separate units, a printer and dedicated scanner.

Thanks,
Glen

On Sep 26, 2007, at 12:32 PM, Adam Maas wrote:

 Good printers, at least the Epson 6-ink ones (they use the same  
 print engine as the R2/300's). The scanners in them are really only  
 suitable for documents and prints, I wouldn't even bother trying to  
 get decent neg/slide scans out of them.

 -Adam


 Glen Tortorella wrote:
 Thank you, Adam.  How do you feel about the all-in-one printers?  The
 Canon PIXMA MP810 and Epson RX680 look pretty nice, but I am no  
 expert.

 Glen

 On Sep 26, 2007, at 10:20 AM, Adam Maas wrote:

 For printer's you can't do better than the Epson R2x0 series. The
 higher-priced R3x0's are the same printers with more features
 (LCD's, DVD trays) but identical print quality. I've got the R320
 myself and the print quality is superb on good paper (I use Epson
 Premium Luster). Ink is always expensive until you get into the pro
 models (Where the tanks are expensive, but hold 10-100x as much  
 ink).

 For scanners, I'd look at the Epson 4490 with a pair of
 Betterscanning.com 35mm ANR inserts, or a used Minolta Scan Dual
 III or IV and a copy of Vuescan (The minolta software doesn't work
 on 10.4, it will work on 10.3)

 -Adam


 Glen Tortorella wrote:
 Thank you, Adam.  I have a relatively recent iMac (running 10 point
 something), but the printer I own was given to me, and it is an  
 older
 one (an inkjet) with mediocre poor print quality and expensive
 cartridges ($30 at Wal-Mart).  Thus, if I take your advice and  
 go the
 scanner route, I would have to buy a scanner and printer.  What  
 would
 about $200 or so (for each) buy?  I gather the new inkjets are a  
 good
 deal better than those made five or ten years ago?  The older  
 inkjets
 I have seen make digital photos look like a study in Seuratian
 pointilism and blue-is-green-black-is-purple color variance.

 Glen

 On Sep 25, 2007, at 9:59 PM, Adam Maas wrote:

 Get a scanner, and you can do the same with your film stuff.  
 All my
 film
 work (and I'm only shooting film now) is scanned and printed  
 with an
 inkjet. It works pretty well for me.

 -Adam


 Glen Tortorella wrote:
 Good commentary, Godfrey.  Have you read Rebekah's remarks?  I  
 tend
 to think that this is just another financial black hole.  On the
 surface, I think: great! I can just get a good deal on a DSLR,
 buy a
 rreasonably-priced printer, hook it up to my IMac, and make as  
 many
 prints as I wish, but then there are those hidden costs...ink,
 paper, software, and who knows what else...

 Perhaps this is why I have tried to remain ignorant of the DSLR
 world.

 Thanks,
 Glen

 On Sep 25, 2007, at 9:16 PM, Godfrey DiGiorgi wrote:

 Glen Tortorella wrote:
 While I have been resistant to digital for quite some time, I
 find
 this article interesting.  The idea of getting a good budget
 DSLR
 has crossed my mind, but I know so little about working within
 the
 DSLR format that I cannot get motivated to buy one.  I tend to
 like
 prints.  Thus, I ask the supremely elementary question: how  
 does
 one
 turn the zeros and ones stored in the DSLR's memory into  
 prints?
 Would a computer and/or scanner be necessary (I do not have a
 scanner, but I do have an iMac), or can a camera shop or photo
 lab
 supply the means to do this if one does not have a scanner?
 You're asking these questions as if you knew nothing at all,
 which I
 suspect isn't quite true.

 - No scanner is used when you're using a digital camera.  
 Scanners
 are
 used to capture film and print images into digital images. A
 digital
 camera produces digital images.

 - You print a digital camera's photos the same way you print
 anything
 else: to a printer connected to either camera or computer, to an
 online print service having moved the image files from camera to
 computer, or by using a printer kiosk at a local store.

 - If you have an iMac, you connect the camera to the computer  
 with
 its supplied cable. By default, iPhoto (supplied on every Apple
 system by default) will start up and download all the
 photographs so
 you can sort, show, and print them, to either a connected  
 printer
 via
 a print service on the internet.

 And, finally, how does the K100D compare to the Nikon...the
 D40 or
 D50, I gather?
 A matter of opinion. They all work well at the level of  
 questions
 you
 are posing. If you already have Pentax lenses, it makes sense
 to buy
 a Pentax DSLR: it will save you money. If you don't have Pentax
 lenses, pick whichever one feels best in your hands and enjoy
 it ...
 they all work better than the majority of owners can exploit.

 Godfrey

 -- 
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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Re: Digital SLR Guide News - Best Budget DSLR

2007-09-26 Thread Glen Tortorella
Thanks, Adam.  I did some research on the Epson R3x0 series.  The  
R380 looks nice (at about $100).  I looked up the Epson Luster paper  
you have mentioned.  It seems like nice paper, but appears to be  
offered only in one size, 8.5x11.  I tend to like the standard  
framing sizes, especially 5x7 and 8x10, and, thus, here is another  
elementary question: how can I obtain these sizes using this paper?   
Perhaps some type of cutting would be involved?  Also, since this  
paper is rather expensive, it seems rather wasteful to downsize the  
print size.

Thanks,
Glen

On Sep 26, 2007, at 12:32 PM, Adam Maas wrote:

 Good printers, at least the Epson 6-ink ones (they use the same  
 print engine as the R2/300's). The scanners in them are really only  
 suitable for documents and prints, I wouldn't even bother trying to  
 get decent neg/slide scans out of them.

 -Adam


 Glen Tortorella wrote:
 Thank you, Adam.  How do you feel about the all-in-one printers?  The
 Canon PIXMA MP810 and Epson RX680 look pretty nice, but I am no  
 expert.

 Glen

 On Sep 26, 2007, at 10:20 AM, Adam Maas wrote:

 For printer's you can't do better than the Epson R2x0 series. The
 higher-priced R3x0's are the same printers with more features
 (LCD's, DVD trays) but identical print quality. I've got the R320
 myself and the print quality is superb on good paper (I use Epson
 Premium Luster). Ink is always expensive until you get into the pro
 models (Where the tanks are expensive, but hold 10-100x as much  
 ink).

 For scanners, I'd look at the Epson 4490 with a pair of
 Betterscanning.com 35mm ANR inserts, or a used Minolta Scan Dual
 III or IV and a copy of Vuescan (The minolta software doesn't work
 on 10.4, it will work on 10.3)

 -Adam


 Glen Tortorella wrote:
 Thank you, Adam.  I have a relatively recent iMac (running 10 point
 something), but the printer I own was given to me, and it is an  
 older
 one (an inkjet) with mediocre poor print quality and expensive
 cartridges ($30 at Wal-Mart).  Thus, if I take your advice and  
 go the
 scanner route, I would have to buy a scanner and printer.  What  
 would
 about $200 or so (for each) buy?  I gather the new inkjets are a  
 good
 deal better than those made five or ten years ago?  The older  
 inkjets
 I have seen make digital photos look like a study in Seuratian
 pointilism and blue-is-green-black-is-purple color variance.

 Glen

 On Sep 25, 2007, at 9:59 PM, Adam Maas wrote:

 Get a scanner, and you can do the same with your film stuff.  
 All my
 film
 work (and I'm only shooting film now) is scanned and printed  
 with an
 inkjet. It works pretty well for me.

 -Adam


 Glen Tortorella wrote:
 Good commentary, Godfrey.  Have you read Rebekah's remarks?  I  
 tend
 to think that this is just another financial black hole.  On the
 surface, I think: great! I can just get a good deal on a DSLR,
 buy a
 rreasonably-priced printer, hook it up to my IMac, and make as  
 many
 prints as I wish, but then there are those hidden costs...ink,
 paper, software, and who knows what else...

 Perhaps this is why I have tried to remain ignorant of the DSLR
 world.

 Thanks,
 Glen

 On Sep 25, 2007, at 9:16 PM, Godfrey DiGiorgi wrote:

 Glen Tortorella wrote:
 While I have been resistant to digital for quite some time, I
 find
 this article interesting.  The idea of getting a good budget
 DSLR
 has crossed my mind, but I know so little about working within
 the
 DSLR format that I cannot get motivated to buy one.  I tend to
 like
 prints.  Thus, I ask the supremely elementary question: how  
 does
 one
 turn the zeros and ones stored in the DSLR's memory into  
 prints?
 Would a computer and/or scanner be necessary (I do not have a
 scanner, but I do have an iMac), or can a camera shop or photo
 lab
 supply the means to do this if one does not have a scanner?
 You're asking these questions as if you knew nothing at all,
 which I
 suspect isn't quite true.

 - No scanner is used when you're using a digital camera.  
 Scanners
 are
 used to capture film and print images into digital images. A
 digital
 camera produces digital images.

 - You print a digital camera's photos the same way you print
 anything
 else: to a printer connected to either camera or computer, to an
 online print service having moved the image files from camera to
 computer, or by using a printer kiosk at a local store.

 - If you have an iMac, you connect the camera to the computer  
 with
 its supplied cable. By default, iPhoto (supplied on every Apple
 system by default) will start up and download all the
 photographs so
 you can sort, show, and print them, to either a connected  
 printer
 via
 a print service on the internet.

 And, finally, how does the K100D compare to the Nikon...the
 D40 or
 D50, I gather?
 A matter of opinion. They all work well at the level of  
 questions
 you
 are posing. If you already have Pentax lenses, it makes sense
 to buy
 a Pentax DSLR: it will save you money. If you don't

Re: Digital SLR Guide News - Best Budget DSLR

2007-09-26 Thread Glen Tortorella
Adam--sorry for the late reply on this, but I have read (in more than  
one place) that the D40 will not accept the F-series D Nikkor  
lenses.  What do you think of this?  I ask because I have an F 50/1.8  
D...which is a rather nice lens.  Also, would the D40x perhaps accept  
a D lens?

Thanks,
Glen

On Sep 25, 2007, at 9:21 PM, Adam Maas wrote:

 The D40 is the newer model, it replaced the D50. However the D50 is
 technically a slightly higher-end camera (It has a better AF unit  
 and a
 couple extra controls) but the D40 gained a lot from being a newer  
 model
 (Notably the better viewfinder, much larger buffer, better IQ,  
 ISO3200,
 better high ISO performance). The D40 is also notably as being the  
 first
 consumer SLR since the FE and FM that can mount pre-AI lenses.

 Unless you've got a stock of older screwdriver-drive AF lenses or a
 stack of EN-EL3 batteries, the D40's probably the better buy.

 -Adam


 Glen Tortorella wrote:
 This is valuable feedback, Adam.  I am a bit confused with regard to
 the hierarchy of the D40 and D50.  Which is the newer model (or were
 they released at the same time)?  Also, which is higher up in the
 line?  I have been under the impression that the D50 is the higher
 model.

 Thanks,
 Glen

 On Sep 25, 2007, at 8:21 PM, Adam Maas wrote:

 Depends on what you want. The K100D handles better than either, has
 ISO3200 (which the D50 lacks), has in-body IS, AF's with all  
 pentax AF
 lenses (D40 lacks this), a half-decent viewfinder (D40 matches,  
 D50 is
 outclassed) and has better AF than either. The D50 has FAR better
 battery life and the D40 is notably smaller. The D50 also has a
 slightly
 larger buffer, while the D40's is triple that of the K100D. Also the
 Nikons have much smaller RAW files (~5.5MB vs 10MB) due to the  
 use of
 compression, the Nikons also offer much higher flash sync (1/500  
 with
 dedicated flashes, 1/4000 with non-dedicated). Oh, and the D40 is  
 far
 smaller than either the D50 or the k100D.

 -Adam
 Who's owned both the K100D and the D50. Liked the K100D better  
 for the
 most part, missed the D50's larger buffer though.


 P. J. Alling wrote:
 Oh yes the question how does the K100D compare to the D40 or D50?
 Favorably.

 Glen Tortorella wrote:
 What a timely post, Larry!

 While I have been resistant to digital for quite some time, I find
 this article interesting.  The idea of getting a good budget  
 DSLR
 has crossed my mind, but I know so little about working within the
 DSLR format that I cannot get motivated to buy one.  I tend to  
 like
 prints.  Thus, I ask the supremely elementary question: how  
 does one
 turn the zeros and ones stored in the DSLR's memory into prints?
 Would a computer and/or scanner be necessary (I do not have a
 scanner, but I do have an iMac), or can a camera shop or photo lab
 supply the means to do this if one does not have a scanner?  And,
 finally, how does the K100D compare to the Nikon...the D40 or  
 D50, I
 gather?

 I welcome any and all advice or commentary :-)

 Thanks,
 Glen


 On Sep 25, 2007, at 6:33 PM, Larry Levy wrote:


 Chris Roberts, in his Digital SLR Guide News has selected the  
 K100D
 as best
 begommer budget DSLR


 Question: What's the best beginner budget SLR?

 Answer
 You've been longing to improve the quality of the photos you
 take and
 capture moments that just aren't possible with a compact point- 
 and-
 shoot,
 but you find the price of digital SLR cameras extreme.
 I'm not surprised - back in the heyday of the film SLR, it often
 seemed
 silly to spend $300 on a camera when you could get a simple  
 compact
 camera
 for less than $100. Now that the minimum price for a digital  
 SLR is
 right
 around $500, it makes them pretty expensive investments.

 I firmly believe that the additional cost is justified when you
 take into
 account the fact that digital SLRs are able to capture a wider
 variety of
 shots than compact cameras. It's why the SLR has been the  
 choice of
 professional photographers for years.

 Why tell you this? It will put my answer to the question above  
 into
 some
 perspective.


 Right now, I think that the best digital SLR camera for a  
 beginner
 on a
 budget is the Pentax K100D. Recently replaced by the K100D
 Super, the
 original K100D has benefitted from a price drop that makes it
 significantly
 more affordable.

 The Pentax K100D is the least expensive camera you can buy that
 also
 includes built-in image stabilization. This feature oscillates  
 the
 camera's
 sensor to counteract the effect of camera motion on your photos.
 While you
 can't really see camera motion when you're using fast shutter
 speeds with
 plenty of light, dim lighting and slow shutter speeds can lead  
 to a
 lot of
 blurry shots.

 Since the image stabilization is built into the camera itself, it
 works with
 every Pentax lens that's compatible with the K100D.


 In addition to image stabilization, the 6 megapixel sensor offers
 plenty for
 anyone who

Re: Digital SLR Guide News - Best Budget DSLR

2007-09-26 Thread Glen Tortorella
Thank you for the clarification.  Would I be going against the  
grain in focusing my AF 50/1.8 D via the manual method?  I have  
heard that autofocus lenses are optimized to be focused automatically  
and that they do not perform well as manual focus lenses.  Also,  
could MF'ing an AF lens possibly harm the lens?

Thanks,
Glen

On Sep 26, 2007, at 4:21 PM, Adam Maas wrote:

 Actually the D40(and D40X) will mount any Nikon F mount lens which  
 doesn't require Mirror lockup to mount. It's the only Nikon DSLR  
 which can mount pre-AI lenses. The D40 doesn't meter with non-CPU  
 lenses or AF with non-AF-S lenses (Sigma HSM lenses also AF on the  
 D40).

 So your 50mm f1.8 AF-D will mount and meter (including the 3D  
 ambient and flash metering). All you lose is AF. There is only one  
 Nikon prime under 200mm which will AF on the D40, and that's the  
 (overly expensive) 105mm VR Micro.

 -Adam


 Glen Tortorella wrote:
 Adam--sorry for the late reply on this, but I have read (in more than
 one place) that the D40 will not accept the F-series D Nikkor
 lenses.  What do you think of this?  I ask because I have an F 50/1.8
 D...which is a rather nice lens.  Also, would the D40x perhaps accept
 a D lens?

 Thanks,
 Glen

 On Sep 25, 2007, at 9:21 PM, Adam Maas wrote:

 The D40 is the newer model, it replaced the D50. However the D50 is
 technically a slightly higher-end camera (It has a better AF unit
 and a
 couple extra controls) but the D40 gained a lot from being a newer
 model
 (Notably the better viewfinder, much larger buffer, better IQ,
 ISO3200,
 better high ISO performance). The D40 is also notably as being the
 first
 consumer SLR since the FE and FM that can mount pre-AI lenses.

 Unless you've got a stock of older screwdriver-drive AF lenses or a
 stack of EN-EL3 batteries, the D40's probably the better buy.

 -Adam


 Glen Tortorella wrote:
 This is valuable feedback, Adam.  I am a bit confused with  
 regard to
 the hierarchy of the D40 and D50.  Which is the newer model (or  
 were
 they released at the same time)?  Also, which is higher up in the
 line?  I have been under the impression that the D50 is the higher
 model.

 Thanks,
 Glen

 On Sep 25, 2007, at 8:21 PM, Adam Maas wrote:

 Depends on what you want. The K100D handles better than either,  
 has
 ISO3200 (which the D50 lacks), has in-body IS, AF's with all
 pentax AF
 lenses (D40 lacks this), a half-decent viewfinder (D40 matches,
 D50 is
 outclassed) and has better AF than either. The D50 has FAR better
 battery life and the D40 is notably smaller. The D50 also has a
 slightly
 larger buffer, while the D40's is triple that of the K100D.  
 Also the
 Nikons have much smaller RAW files (~5.5MB vs 10MB) due to the
 use of
 compression, the Nikons also offer much higher flash sync (1/500
 with
 dedicated flashes, 1/4000 with non-dedicated). Oh, and the D40 is
 far
 smaller than either the D50 or the k100D.

 -Adam
 Who's owned both the K100D and the D50. Liked the K100D better
 for the
 most part, missed the D50's larger buffer though.


 P. J. Alling wrote:
 Oh yes the question how does the K100D compare to the D40 or D50?
 Favorably.

 Glen Tortorella wrote:
 What a timely post, Larry!

 While I have been resistant to digital for quite some time, I  
 find
 this article interesting.  The idea of getting a good budget
 DSLR
 has crossed my mind, but I know so little about working  
 within the
 DSLR format that I cannot get motivated to buy one.  I tend to
 like
 prints.  Thus, I ask the supremely elementary question: how
 does one
 turn the zeros and ones stored in the DSLR's memory into prints?
 Would a computer and/or scanner be necessary (I do not have a
 scanner, but I do have an iMac), or can a camera shop or  
 photo lab
 supply the means to do this if one does not have a scanner?   
 And,
 finally, how does the K100D compare to the Nikon...the D40 or
 D50, I
 gather?

 I welcome any and all advice or commentary :-)

 Thanks,
 Glen


 On Sep 25, 2007, at 6:33 PM, Larry Levy wrote:


 Chris Roberts, in his Digital SLR Guide News has selected the
 K100D
 as best
 begommer budget DSLR


 Question: What's the best beginner budget SLR?

 Answer
 You've been longing to improve the quality of the photos you
 take and
 capture moments that just aren't possible with a compact point-
 and-
 shoot,
 but you find the price of digital SLR cameras extreme.
 I'm not surprised - back in the heyday of the film SLR, it  
 often
 seemed
 silly to spend $300 on a camera when you could get a simple
 compact
 camera
 for less than $100. Now that the minimum price for a digital
 SLR is
 right
 around $500, it makes them pretty expensive investments.

 I firmly believe that the additional cost is justified when you
 take into
 account the fact that digital SLRs are able to capture a wider
 variety of
 shots than compact cameras. It's why the SLR has been the
 choice of
 professional photographers for years.

 Why tell you this? It will put my

Re: Digital SLR Guide News - Best Budget DSLR

2007-09-25 Thread Glen Tortorella
What a timely post, Larry!

While I have been resistant to digital for quite some time, I find  
this article interesting.  The idea of getting a good budget DSLR  
has crossed my mind, but I know so little about working within the  
DSLR format that I cannot get motivated to buy one.  I tend to like  
prints.  Thus, I ask the supremely elementary question: how does one  
turn the zeros and ones stored in the DSLR's memory into prints?   
Would a computer and/or scanner be necessary (I do not have a  
scanner, but I do have an iMac), or can a camera shop or photo lab  
supply the means to do this if one does not have a scanner?  And,  
finally, how does the K100D compare to the Nikon...the D40 or D50, I  
gather?

I welcome any and all advice or commentary :-)

Thanks,
Glen


On Sep 25, 2007, at 6:33 PM, Larry Levy wrote:

 Chris Roberts, in his Digital SLR Guide News has selected the K100D  
 as best
 begommer budget DSLR


 Question: What's the best beginner budget SLR?

 Answer
 You've been longing to improve the quality of the photos you take and
 capture moments that just aren't possible with a compact point-and- 
 shoot,
 but you find the price of digital SLR cameras extreme.
 I'm not surprised - back in the heyday of the film SLR, it often  
 seemed
 silly to spend $300 on a camera when you could get a simple compact  
 camera
 for less than $100. Now that the minimum price for a digital SLR is  
 right
 around $500, it makes them pretty expensive investments.

 I firmly believe that the additional cost is justified when you  
 take into
 account the fact that digital SLRs are able to capture a wider  
 variety of
 shots than compact cameras. It's why the SLR has been the choice of
 professional photographers for years.

 Why tell you this? It will put my answer to the question above into  
 some
 perspective.


 Right now, I think that the best digital SLR camera for a beginner  
 on a
 budget is the Pentax K100D. Recently replaced by the K100D Super, the
 original K100D has benefitted from a price drop that makes it  
 significantly
 more affordable.

 The Pentax K100D is the least expensive camera you can buy that also
 includes built-in image stabilization. This feature oscillates the  
 camera's
 sensor to counteract the effect of camera motion on your photos.  
 While you
 can't really see camera motion when you're using fast shutter  
 speeds with
 plenty of light, dim lighting and slow shutter speeds can lead to a  
 lot of
 blurry shots.

 Since the image stabilization is built into the camera itself, it  
 works with
 every Pentax lens that's compatible with the K100D.


 In addition to image stabilization, the 6 megapixel sensor offers  
 plenty for
 anyone who doesn't want to print at sizes larger than 11x14 inches.  
 The
 compact frame can be made even more so if you can get your hands on  
 one of
 the specialized Pentax pancake lenses. These lenses don't stick  
 out far
 from the camera, making the K100D a portable option for those who  
 like to
 travel.

 Finally, the K100D runs on regular old AA batteries, which works  
 well if
 you're one of those types who always forgets to re-charge batteries  
 before a
 photo outing (many other cameras use special Lithium Ion rechargeable
 batteries that take about 2-3 hours to reach a full charge).

 You can pick up a K100D for less than $500 with a lens, and for  
 less than
 $400 without a lens.

 This second option works well if you already have some Pentax  
 lenses from a
 film SLR camera, or know of a local camera swap where you can pick  
 up some
 used Pentax lenses without paying full price.



 Larry in Dallas


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 PDML Pentax-Discuss Mail List
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Re: Digital SLR Guide News - Best Budget DSLR

2007-09-25 Thread Glen Tortorella
Thanks, P.J.  Would my A 50/2 work with the Pentax digital bodies-- 
i.e. the K100D?

Glen

On Sep 25, 2007, at 7:23 PM, P. J. Alling wrote:

 Oh yes the question how does the K100D compare to the D40 or D50?
 Favorably.

 Glen Tortorella wrote:
 What a timely post, Larry!

 While I have been resistant to digital for quite some time, I find
 this article interesting.  The idea of getting a good budget DSLR
 has crossed my mind, but I know so little about working within the
 DSLR format that I cannot get motivated to buy one.  I tend to like
 prints.  Thus, I ask the supremely elementary question: how does one
 turn the zeros and ones stored in the DSLR's memory into prints?
 Would a computer and/or scanner be necessary (I do not have a
 scanner, but I do have an iMac), or can a camera shop or photo lab
 supply the means to do this if one does not have a scanner?  And,
 finally, how does the K100D compare to the Nikon...the D40 or D50, I
 gather?

 I welcome any and all advice or commentary :-)

 Thanks,
 Glen


 On Sep 25, 2007, at 6:33 PM, Larry Levy wrote:


 Chris Roberts, in his Digital SLR Guide News has selected the K100D
 as best
 begommer budget DSLR


 Question: What's the best beginner budget SLR?

 Answer
 You've been longing to improve the quality of the photos you take  
 and
 capture moments that just aren't possible with a compact point-and-
 shoot,
 but you find the price of digital SLR cameras extreme.
 I'm not surprised - back in the heyday of the film SLR, it often
 seemed
 silly to spend $300 on a camera when you could get a simple compact
 camera
 for less than $100. Now that the minimum price for a digital SLR is
 right
 around $500, it makes them pretty expensive investments.

 I firmly believe that the additional cost is justified when you
 take into
 account the fact that digital SLRs are able to capture a wider
 variety of
 shots than compact cameras. It's why the SLR has been the choice of
 professional photographers for years.

 Why tell you this? It will put my answer to the question above into
 some
 perspective.


 Right now, I think that the best digital SLR camera for a beginner
 on a
 budget is the Pentax K100D. Recently replaced by the K100D Super,  
 the
 original K100D has benefitted from a price drop that makes it
 significantly
 more affordable.

 The Pentax K100D is the least expensive camera you can buy that also
 includes built-in image stabilization. This feature oscillates the
 camera's
 sensor to counteract the effect of camera motion on your photos.
 While you
 can't really see camera motion when you're using fast shutter
 speeds with
 plenty of light, dim lighting and slow shutter speeds can lead to a
 lot of
 blurry shots.

 Since the image stabilization is built into the camera itself, it
 works with
 every Pentax lens that's compatible with the K100D.


 In addition to image stabilization, the 6 megapixel sensor offers
 plenty for
 anyone who doesn't want to print at sizes larger than 11x14 inches.
 The
 compact frame can be made even more so if you can get your hands on
 one of
 the specialized Pentax pancake lenses. These lenses don't stick
 out far
 from the camera, making the K100D a portable option for those who
 like to
 travel.

 Finally, the K100D runs on regular old AA batteries, which works
 well if
 you're one of those types who always forgets to re-charge batteries
 before a
 photo outing (many other cameras use special Lithium Ion  
 rechargeable
 batteries that take about 2-3 hours to reach a full charge).

 You can pick up a K100D for less than $500 with a lens, and for
 less than
 $400 without a lens.

 This second option works well if you already have some Pentax
 lenses from a
 film SLR camera, or know of a local camera swap where you can pick
 up some
 used Pentax lenses without paying full price.



 Larry in Dallas


 -- 
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
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Re: Digital SLR Guide News - Best Budget DSLR

2007-09-25 Thread Glen Tortorella
Thanks, Doug, for the detailed response.  I like options (1) and  
(1a); however, I do not discern any difference between these two  
options.  It seems like in either case I would just buy a printer.   
Is there any other difference?  Also, is there a cable that runs  
between the printer and camera body?

Thanks again,
Glen

On Sep 25, 2007, at 7:22 PM, Doug Franklin wrote:

 Glen Tortorella wrote:

 prints.  Thus, I ask the supremely elementary question: how does one
 turn the zeros and ones stored in the DSLR's memory into prints?

 Several options:

 1) A laser or inkjet printer that you own and you do your own  
 printing.
  Doesn't necessarily require additional software beyond what comes  
 with
 your operating system, but could benefit in some cases.  Like Windows.

 1a) Dedicated inkjet printers for the home.  Plug in your memory  
 card,
 use the menus on the printer to tell it how many of which ones, load
 paper, wait for prints to come out.

 2) Take your memory card to Walmart or local photo shop or one of the
 other seventy bazillion places that have a digital printing kiosk.
 Plug in the memory card, tell it how many of which photos, and shortly
 they pop out.

 3) Any of a variety of Internet photo printing services (Google is  
 your
 friend ... I can't remember the names of any of them at the moment).
 Upload your photo file to their web site, give them money and a  
 mailing
 address, wait for the mailman.

 Cheapest would be (2) or (3).  Most control with best chance of a  
 best
 possible print would be (1).

 Would a computer and/or scanner be necessary (I do not have a
 scanner, but I do have an iMac), or can a camera shop or photo lab
 supply the means to do this if one does not have a scanner?

 Options (1a) and (2) don't require you have a computer but (1) and (3)
 do.  (3) also requires a high-speed Internet connection; you'll go  
 crazy
 waiting for your photos to upload over a dial-up line.

 Scanner is unnecessary in all scenarios, unless you have film you want
 to digitize.  That's a whole 'nother discussion, though.

 Your iMac should be fine, I'd think, though I know virtually nothing
 about any of the Macs.

 -- 
 Thanks,
 DougF (KG4LMZ)

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Re: Digital SLR Guide News - Best Budget DSLR

2007-09-25 Thread Glen Tortorella
Wow, Rebekah, you have hit the nail on the head here.  Once this  
discussion got going, I started thinking the same thing: enablement  
city!  I fear of the $$$...

Glen

On Sep 25, 2007, at 9:03 PM, Rebekah wrote:

 oh sure, and then your manual lenses became 'outdated' too ;)

 rg2

 On 9/25/07, P. J. Alling [EMAIL PROTECTED] wrote:
 I had a film scanner and Photo Printer long before I had a digital
 camera. The DSLR was a minor expense. (I did have to upgrade my  
 computer
 system eventually, but hey it was outdated anyway)...

 Rebekah wrote:
 Thus, I ask the supremely elementary question: how does one
 turn the zeros and ones stored in the DSLR's memory into prints?


 just think of it this way: you're going to end up enabling yourself
 with a printer.  Then you're going to need to buy special paper,
 special ink, and a special program to calibrate your monitor, as  
 well
 as a photoshop program.  Or, you can get them printed at a nearby
 store or online like doug said, but I have trouble believing anyone
 here does that or plans to for long.  So, unless you're happy with
 looking at your pictures on your computer screen, it seems like the
 price to purchase a digital camera goes way beyond the initial price
 tag and will induce a possible enabling frenzy.  Enable away  
 dude!  ;)


 rg2





 On 9/25/07, Adam Maas [EMAIL PROTECTED] wrote:

 Depends on what you want. The K100D handles better than either, has
 ISO3200 (which the D50 lacks), has in-body IS, AF's with all  
 pentax AF
 lenses (D40 lacks this), a half-decent viewfinder (D40 matches,  
 D50 is
 outclassed) and has better AF than either. The D50 has FAR better
 battery life and the D40 is notably smaller. The D50 also has a  
 slightly
 larger buffer, while the D40's is triple that of the K100D. Also  
 the
 Nikons have much smaller RAW files (~5.5MB vs 10MB) due to the  
 use of
 compression, the Nikons also offer much higher flash sync (1/500  
 with
 dedicated flashes, 1/4000 with non-dedicated). Oh, and the D40  
 is far
 smaller than either the D50 or the k100D.

 -Adam
 Who's owned both the K100D and the D50. Liked the K100D better  
 for the
 most part, missed the D50's larger buffer though.


 P. J. Alling wrote:

 Oh yes the question how does the K100D compare to the D40 or D50?
 Favorably.

 Glen Tortorella wrote:

 What a timely post, Larry!

 While I have been resistant to digital for quite some time, I  
 find
 this article interesting.  The idea of getting a good budget  
 DSLR
 has crossed my mind, but I know so little about working within  
 the
 DSLR format that I cannot get motivated to buy one.  I tend to  
 like
 prints.  Thus, I ask the supremely elementary question: how  
 does one
 turn the zeros and ones stored in the DSLR's memory into prints?
 Would a computer and/or scanner be necessary (I do not have a
 scanner, but I do have an iMac), or can a camera shop or photo  
 lab
 supply the means to do this if one does not have a scanner?  And,
 finally, how does the K100D compare to the Nikon...the D40 or  
 D50, I
 gather?

 I welcome any and all advice or commentary :-)

 Thanks,
 Glen


 On Sep 25, 2007, at 6:33 PM, Larry Levy wrote:



 Chris Roberts, in his Digital SLR Guide News has selected the  
 K100D
 as best
 begommer budget DSLR


 Question: What's the best beginner budget SLR?

 Answer
 You've been longing to improve the quality of the photos you  
 take and
 capture moments that just aren't possible with a compact  
 point-and-
 shoot,
 but you find the price of digital SLR cameras extreme.
 I'm not surprised - back in the heyday of the film SLR, it often
 seemed
 silly to spend $300 on a camera when you could get a simple  
 compact
 camera
 for less than $100. Now that the minimum price for a digital  
 SLR is
 right
 around $500, it makes them pretty expensive investments.

 I firmly believe that the additional cost is justified when you
 take into
 account the fact that digital SLRs are able to capture a wider
 variety of
 shots than compact cameras. It's why the SLR has been the  
 choice of
 professional photographers for years.

 Why tell you this? It will put my answer to the question  
 above into
 some
 perspective.


 Right now, I think that the best digital SLR camera for a  
 beginner
 on a
 budget is the Pentax K100D. Recently replaced by the K100D  
 Super, the
 original K100D has benefitted from a price drop that makes it
 significantly
 more affordable.

 The Pentax K100D is the least expensive camera you can buy  
 that also
 includes built-in image stabilization. This feature  
 oscillates the
 camera's
 sensor to counteract the effect of camera motion on your photos.
 While you
 can't really see camera motion when you're using fast shutter
 speeds with
 plenty of light, dim lighting and slow shutter speeds can  
 lead to a
 lot of
 blurry shots.

 Since the image stabilization is built into the camera  
 itself, it
 works with
 every Pentax lens that's compatible with the K100D

Re: Digital SLR Guide News - Best Budget DSLR

2007-09-25 Thread Glen Tortorella
This is valuable feedback, Adam.  I am a bit confused with regard to  
the hierarchy of the D40 and D50.  Which is the newer model (or were  
they released at the same time)?  Also, which is higher up in the  
line?  I have been under the impression that the D50 is the higher  
model.

Thanks,
Glen

On Sep 25, 2007, at 8:21 PM, Adam Maas wrote:

 Depends on what you want. The K100D handles better than either, has
 ISO3200 (which the D50 lacks), has in-body IS, AF's with all pentax AF
 lenses (D40 lacks this), a half-decent viewfinder (D40 matches, D50 is
 outclassed) and has better AF than either. The D50 has FAR better
 battery life and the D40 is notably smaller. The D50 also has a  
 slightly
 larger buffer, while the D40's is triple that of the K100D. Also the
 Nikons have much smaller RAW files (~5.5MB vs 10MB) due to the use of
 compression, the Nikons also offer much higher flash sync (1/500 with
 dedicated flashes, 1/4000 with non-dedicated). Oh, and the D40 is far
 smaller than either the D50 or the k100D.

 -Adam
 Who's owned both the K100D and the D50. Liked the K100D better for the
 most part, missed the D50's larger buffer though.


 P. J. Alling wrote:
 Oh yes the question how does the K100D compare to the D40 or D50?
 Favorably.

 Glen Tortorella wrote:
 What a timely post, Larry!

 While I have been resistant to digital for quite some time, I find
 this article interesting.  The idea of getting a good budget DSLR
 has crossed my mind, but I know so little about working within the
 DSLR format that I cannot get motivated to buy one.  I tend to like
 prints.  Thus, I ask the supremely elementary question: how does one
 turn the zeros and ones stored in the DSLR's memory into prints?
 Would a computer and/or scanner be necessary (I do not have a
 scanner, but I do have an iMac), or can a camera shop or photo lab
 supply the means to do this if one does not have a scanner?  And,
 finally, how does the K100D compare to the Nikon...the D40 or D50, I
 gather?

 I welcome any and all advice or commentary :-)

 Thanks,
 Glen


 On Sep 25, 2007, at 6:33 PM, Larry Levy wrote:


 Chris Roberts, in his Digital SLR Guide News has selected the K100D
 as best
 begommer budget DSLR


 Question: What's the best beginner budget SLR?

 Answer
 You've been longing to improve the quality of the photos you  
 take and
 capture moments that just aren't possible with a compact point-and-
 shoot,
 but you find the price of digital SLR cameras extreme.
 I'm not surprised - back in the heyday of the film SLR, it often
 seemed
 silly to spend $300 on a camera when you could get a simple compact
 camera
 for less than $100. Now that the minimum price for a digital SLR is
 right
 around $500, it makes them pretty expensive investments.

 I firmly believe that the additional cost is justified when you
 take into
 account the fact that digital SLRs are able to capture a wider
 variety of
 shots than compact cameras. It's why the SLR has been the choice of
 professional photographers for years.

 Why tell you this? It will put my answer to the question above into
 some
 perspective.


 Right now, I think that the best digital SLR camera for a beginner
 on a
 budget is the Pentax K100D. Recently replaced by the K100D  
 Super, the
 original K100D has benefitted from a price drop that makes it
 significantly
 more affordable.

 The Pentax K100D is the least expensive camera you can buy that  
 also
 includes built-in image stabilization. This feature oscillates the
 camera's
 sensor to counteract the effect of camera motion on your photos.
 While you
 can't really see camera motion when you're using fast shutter
 speeds with
 plenty of light, dim lighting and slow shutter speeds can lead to a
 lot of
 blurry shots.

 Since the image stabilization is built into the camera itself, it
 works with
 every Pentax lens that's compatible with the K100D.


 In addition to image stabilization, the 6 megapixel sensor offers
 plenty for
 anyone who doesn't want to print at sizes larger than 11x14 inches.
 The
 compact frame can be made even more so if you can get your hands on
 one of
 the specialized Pentax pancake lenses. These lenses don't stick
 out far
 from the camera, making the K100D a portable option for those who
 like to
 travel.

 Finally, the K100D runs on regular old AA batteries, which works
 well if
 you're one of those types who always forgets to re-charge batteries
 before a
 photo outing (many other cameras use special Lithium Ion  
 rechargeable
 batteries that take about 2-3 hours to reach a full charge).

 You can pick up a K100D for less than $500 with a lens, and for
 less than
 $400 without a lens.

 This second option works well if you already have some Pentax
 lenses from a
 film SLR camera, or know of a local camera swap where you can pick
 up some
 used Pentax lenses without paying full price.



 Larry in Dallas


 -- 
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo

Re: Digital SLR Guide News - Best Budget DSLR

2007-09-25 Thread Glen Tortorella
Good commentary, Godfrey.  Have you read Rebekah's remarks?  I tend  
to think that this is just another financial black hole.  On the  
surface, I think: great! I can just get a good deal on a DSLR, buy a  
rreasonably-priced printer, hook it up to my IMac, and make as many  
prints as I wish, but then there are those hidden costs...ink,  
paper, software, and who knows what else...

Perhaps this is why I have tried to remain ignorant of the DSLR world.

Thanks,
Glen

On Sep 25, 2007, at 9:16 PM, Godfrey DiGiorgi wrote:

 Glen Tortorella wrote:
 While I have been resistant to digital for quite some time, I find
 this article interesting.  The idea of getting a good budget DSLR
 has crossed my mind, but I know so little about working within the
 DSLR format that I cannot get motivated to buy one.  I tend to like
 prints.  Thus, I ask the supremely elementary question: how does one
 turn the zeros and ones stored in the DSLR's memory into prints?
 Would a computer and/or scanner be necessary (I do not have a
 scanner, but I do have an iMac), or can a camera shop or photo lab
 supply the means to do this if one does not have a scanner?

 You're asking these questions as if you knew nothing at all, which I
 suspect isn't quite true.

 - No scanner is used when you're using a digital camera. Scanners are
 used to capture film and print images into digital images. A digital
 camera produces digital images.

 - You print a digital camera's photos the same way you print anything
 else: to a printer connected to either camera or computer, to an
 online print service having moved the image files from camera to
 computer, or by using a printer kiosk at a local store.

 - If you have an iMac, you connect the camera to the computer with
 its supplied cable. By default, iPhoto (supplied on every Apple
 system by default) will start up and download all the photographs so
 you can sort, show, and print them, to either a connected printer via
 a print service on the internet.

 And, finally, how does the K100D compare to the Nikon...the D40 or
 D50, I gather?

 A matter of opinion. They all work well at the level of questions you
 are posing. If you already have Pentax lenses, it makes sense to buy
 a Pentax DSLR: it will save you money. If you don't have Pentax
 lenses, pick whichever one feels best in your hands and enjoy it ...
 they all work better than the majority of owners can exploit.

 Godfrey

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Good Under-$100 Flash?

2007-09-23 Thread Glen Tortorella
Hi all,

I am thinking of getting a flash for my ZX-M.  It would be for  
general indoor use and perhaps for some fill use.  The Pentax AF280T  
looks like a good choice.  Any other recommendations?

Thanks,
Glen

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