First experiments with IR adapted K-5

2013-08-12 Thread Bipin Gupta
Quote Larry sahib: I think we can conclude that IR is not suitable for
taking appetizing pictures of food.

Who says that? Bring him to me, I shall give him (5) of my best - thus
said my Padre in our Catholic Boarding School, waving his well oiled
malacca cane. Those were the days when the cane fell on your bottom
for any mischief.

So Larry, you have already demonstrated that BW is ok for food
photos. Provided of course your food photo customers salivate only on
seeing colorful food - food turns dark cooked anyway.

Now you have an exciting Project on hand with your IR K-5 - will keep
you busy till the next year experimenting and learning.
Hint: check how a Sony camcorder handles IR night shot both in BW and color.

Regards.
Bipin - photography is the only tool that will stop time itself

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Re: First experiments with IR adapted K-5

2013-08-11 Thread Derby Chang



Larry, the dance shots are great, your camera and no-light settings are 
perfect. The sushi shots, on the other hand, not so appertising


IR block filters are easy to come by, just ask your friendly Leica 
pusher. Not cheap, but easy. Ahem




On 11/08/2013 8:22 AM, Larry Colen wrote:

Cutting to the chase:
A friend and I went out for sushi before going dancing.  There are some
strong artistic limitations to IR photography, the set also includes
a couple randoms from the afternoon:
http://www.fluidr.com/photos/ellarsee/sets/72157635017858426/

This set was shot at Friday Night Blues.  The thing that got me into
IR in the first place was being able to use a flash without blinding
people, each shot is processed in both color and BW:
http://www.fluidr.com/photos/ellarsee/sets/72157635011398151/

I got my K-5 back from Pro Camera Repair yesterday.  They repaired the broken
sensor, and converted it to (full spectrum) IR for $350, which is about $100
less than CRIS wanted to just repair it.

Most of my photos in the afternoon/evening were just of random things, because
I had no idea how anything would turn out.  I snuck out of the office, and ran
down to San Jose camera. They had a 77mm, Hoya IR filter for $109, which is
about what BH charges.  Meanwhile Keeble and Schuchat wanted something like
$240 for a 77mm IR filter.  Neither one had a 49mm filter.

I haven't been able to find a good source on an IR block filter, to convert
the camera back to visible only.

Comments, suggestions, feedback and ideas for processing are appreciated on
these photos.  They are *very* experimental, it is almost like learning
photography all over again.  Some observations and notes:

1) In camera exposure metering is very unpredictable.  I suspect that the
metering also has IR filters over it, which weren't removed, so there is
a strong disconnect between what the metering sees and what the meter sees.

2) For autofocus:  If you are shooting in IR, use IR lights and live view, or
stop things down more.  Autofocus (on a full spectrum) is calibrated for
visible light, not IR.

3) If you get a full spectrum camera, budget a few hundred dollars for
IR block and visible block filters for both primes (49mm ish) and Zooms
(77mm ish).

4) The color adjustment in LR doesn't go far enough, in either temperature
or tint.  I will eventually experiment with two pass color correction, exporting
the file to DNG or TIFF, then running it through again.

5) Accept the fact that photos will look weird.  Don't fight it, go with it,
and figure out ways to make that weirdness work.

6) When things do correct to closer to natural lighting, they'll end up
kind of flat and pastel in shading.

7) For working with IR, you really want a camera that works well in Live View
mode.  You really want to see what the camera will be seeing.




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Re: First experiments with IR adapted K-5

2013-08-11 Thread David J Brooks
On Sat, Aug 10, 2013 at 6:22 PM, Larry Colen l...@red4est.com wrote:
  Some observations and notes:

 1) In camera exposure metering is very unpredictable.  I suspect that the
 metering also has IR filters over it, which weren't removed, so there is
 a strong disconnect between what the metering sees and what the meter sees.

 2) For autofocus:  If you are shooting in IR, use IR lights and live view, or
 stop things down more.  Autofocus (on a full spectrum) is calibrated for
 visible light, not IR.

The guy i talked to at Pro said to send in the lens i would be using
the most so they could adjust the af to it. I am going to get the 720
filter installed so i dont have to use externals should i go ahead and
do my K10D
Dave

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Re: First experiments with IR adapted K-5

2013-08-11 Thread Bruce Walker
I have to agree with others that the sushi looks revolting. A couple
of the shots look like ones that have faded after 15 years in the sun
on a cardboard advert in a restaurant window.

To me the other shots look like you've documented a Ghoul's Night Out. :-)

On Sat, Aug 10, 2013 at 6:22 PM, Larry Colen l...@red4est.com wrote:
 Cutting to the chase:
 A friend and I went out for sushi before going dancing.  There are some
 strong artistic limitations to IR photography, the set also includes
 a couple randoms from the afternoon:
 http://www.fluidr.com/photos/ellarsee/sets/72157635017858426/

 This set was shot at Friday Night Blues.  The thing that got me into
 IR in the first place was being able to use a flash without blinding
 people, each shot is processed in both color and BW:
 http://www.fluidr.com/photos/ellarsee/sets/72157635011398151/

 I got my K-5 back from Pro Camera Repair yesterday.  They repaired the broken
 sensor, and converted it to (full spectrum) IR for $350, which is about $100
 less than CRIS wanted to just repair it.

 Most of my photos in the afternoon/evening were just of random things, because
 I had no idea how anything would turn out.  I snuck out of the office, and ran
 down to San Jose camera. They had a 77mm, Hoya IR filter for $109, which is
 about what BH charges.  Meanwhile Keeble and Schuchat wanted something like
 $240 for a 77mm IR filter.  Neither one had a 49mm filter.

 I haven't been able to find a good source on an IR block filter, to convert
 the camera back to visible only.

 Comments, suggestions, feedback and ideas for processing are appreciated on
 these photos.  They are *very* experimental, it is almost like learning
 photography all over again.  Some observations and notes:

 1) In camera exposure metering is very unpredictable.  I suspect that the
 metering also has IR filters over it, which weren't removed, so there is
 a strong disconnect between what the metering sees and what the meter sees.

 2) For autofocus:  If you are shooting in IR, use IR lights and live view, or
 stop things down more.  Autofocus (on a full spectrum) is calibrated for
 visible light, not IR.

 3) If you get a full spectrum camera, budget a few hundred dollars for
 IR block and visible block filters for both primes (49mm ish) and Zooms
 (77mm ish).

 4) The color adjustment in LR doesn't go far enough, in either temperature
 or tint.  I will eventually experiment with two pass color correction, 
 exporting
 the file to DNG or TIFF, then running it through again.

 5) Accept the fact that photos will look weird.  Don't fight it, go with it,
 and figure out ways to make that weirdness work.

 6) When things do correct to closer to natural lighting, they'll end up
 kind of flat and pastel in shading.

 7) For working with IR, you really want a camera that works well in Live View
 mode.  You really want to see what the camera will be seeing.

 --
 Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: First experiments with IR adapted K-5

2013-08-11 Thread Daniel J. Matyola
I'll never eat sushi again!

I like sashimi better in any event .  .  .  .
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sun, Aug 11, 2013 at 7:07 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 I have to agree with others that the sushi looks revolting. A couple
 of the shots look like ones that have faded after 15 years in the sun
 on a cardboard advert in a restaurant window.

 To me the other shots look like you've documented a Ghoul's Night Out. :-)

 On Sat, Aug 10, 2013 at 6:22 PM, Larry Colen l...@red4est.com wrote:
 Cutting to the chase:
 A friend and I went out for sushi before going dancing.  There are some
 strong artistic limitations to IR photography, the set also includes
 a couple randoms from the afternoon:
 http://www.fluidr.com/photos/ellarsee/sets/72157635017858426/

 This set was shot at Friday Night Blues.  The thing that got me into
 IR in the first place was being able to use a flash without blinding
 people, each shot is processed in both color and BW:
 http://www.fluidr.com/photos/ellarsee/sets/72157635011398151/

 I got my K-5 back from Pro Camera Repair yesterday.  They repaired the broken
 sensor, and converted it to (full spectrum) IR for $350, which is about $100
 less than CRIS wanted to just repair it.

 Most of my photos in the afternoon/evening were just of random things, 
 because
 I had no idea how anything would turn out.  I snuck out of the office, and 
 ran
 down to San Jose camera. They had a 77mm, Hoya IR filter for $109, which is
 about what BH charges.  Meanwhile Keeble and Schuchat wanted something like
 $240 for a 77mm IR filter.  Neither one had a 49mm filter.

 I haven't been able to find a good source on an IR block filter, to convert
 the camera back to visible only.

 Comments, suggestions, feedback and ideas for processing are appreciated on
 these photos.  They are *very* experimental, it is almost like learning
 photography all over again.  Some observations and notes:

 1) In camera exposure metering is very unpredictable.  I suspect that the
 metering also has IR filters over it, which weren't removed, so there is
 a strong disconnect between what the metering sees and what the meter sees.

 2) For autofocus:  If you are shooting in IR, use IR lights and live view, or
 stop things down more.  Autofocus (on a full spectrum) is calibrated for
 visible light, not IR.

 3) If you get a full spectrum camera, budget a few hundred dollars for
 IR block and visible block filters for both primes (49mm ish) and Zooms
 (77mm ish).

 4) The color adjustment in LR doesn't go far enough, in either temperature
 or tint.  I will eventually experiment with two pass color correction, 
 exporting
 the file to DNG or TIFF, then running it through again.

 5) Accept the fact that photos will look weird.  Don't fight it, go with it,
 and figure out ways to make that weirdness work.

 6) When things do correct to closer to natural lighting, they'll end up
 kind of flat and pastel in shading.

 7) For working with IR, you really want a camera that works well in Live View
 mode.  You really want to see what the camera will be seeing.

 --
 Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: First experiments with IR adapted K-5

2013-08-11 Thread Zos Xavius
Msashimi..

On Sun, Aug 11, 2013 at 7:11 PM, Daniel J. Matyola danmaty...@gmail.com wrote:
 I'll never eat sushi again!

 I like sashimi better in any event .  .  .  .
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola


 On Sun, Aug 11, 2013 at 7:07 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 I have to agree with others that the sushi looks revolting. A couple
 of the shots look like ones that have faded after 15 years in the sun
 on a cardboard advert in a restaurant window.

 To me the other shots look like you've documented a Ghoul's Night Out. :-)

 On Sat, Aug 10, 2013 at 6:22 PM, Larry Colen l...@red4est.com wrote:
 Cutting to the chase:
 A friend and I went out for sushi before going dancing.  There are some
 strong artistic limitations to IR photography, the set also includes
 a couple randoms from the afternoon:
 http://www.fluidr.com/photos/ellarsee/sets/72157635017858426/

 This set was shot at Friday Night Blues.  The thing that got me into
 IR in the first place was being able to use a flash without blinding
 people, each shot is processed in both color and BW:
 http://www.fluidr.com/photos/ellarsee/sets/72157635011398151/

 I got my K-5 back from Pro Camera Repair yesterday.  They repaired the 
 broken
 sensor, and converted it to (full spectrum) IR for $350, which is about $100
 less than CRIS wanted to just repair it.

 Most of my photos in the afternoon/evening were just of random things, 
 because
 I had no idea how anything would turn out.  I snuck out of the office, and 
 ran
 down to San Jose camera. They had a 77mm, Hoya IR filter for $109, which is
 about what BH charges.  Meanwhile Keeble and Schuchat wanted something like
 $240 for a 77mm IR filter.  Neither one had a 49mm filter.

 I haven't been able to find a good source on an IR block filter, to convert
 the camera back to visible only.

 Comments, suggestions, feedback and ideas for processing are appreciated on
 these photos.  They are *very* experimental, it is almost like learning
 photography all over again.  Some observations and notes:

 1) In camera exposure metering is very unpredictable.  I suspect that the
 metering also has IR filters over it, which weren't removed, so there is
 a strong disconnect between what the metering sees and what the meter sees.

 2) For autofocus:  If you are shooting in IR, use IR lights and live view, 
 or
 stop things down more.  Autofocus (on a full spectrum) is calibrated for
 visible light, not IR.

 3) If you get a full spectrum camera, budget a few hundred dollars for
 IR block and visible block filters for both primes (49mm ish) and Zooms
 (77mm ish).

 4) The color adjustment in LR doesn't go far enough, in either temperature
 or tint.  I will eventually experiment with two pass color correction, 
 exporting
 the file to DNG or TIFF, then running it through again.

 5) Accept the fact that photos will look weird.  Don't fight it, go with it,
 and figure out ways to make that weirdness work.

 6) When things do correct to closer to natural lighting, they'll end up
 kind of flat and pastel in shading.

 7) For working with IR, you really want a camera that works well in Live 
 View
 mode.  You really want to see what the camera will be seeing.

 --
 Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: First experiments with IR adapted K-5

2013-08-11 Thread Larry Colen
On Sun, Aug 11, 2013 at 07:11:05PM -0400, Daniel J. Matyola wrote:
 I'll never eat sushi again!

Those pictures were chosen to show both the strengths and weaknesses
of IR and full spectrum photography.  I think we can conclude that 
IR is not suitable for taking appetizing pictures of food.

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First experiments with IR adapted K-5

2013-08-10 Thread Larry Colen
Cutting to the chase:
A friend and I went out for sushi before going dancing.  There are some
strong artistic limitations to IR photography, the set also includes
a couple randoms from the afternoon:
http://www.fluidr.com/photos/ellarsee/sets/72157635017858426/

This set was shot at Friday Night Blues.  The thing that got me into 
IR in the first place was being able to use a flash without blinding 
people, each shot is processed in both color and BW:
http://www.fluidr.com/photos/ellarsee/sets/72157635011398151/

I got my K-5 back from Pro Camera Repair yesterday.  They repaired the broken
sensor, and converted it to (full spectrum) IR for $350, which is about $100 
less than CRIS wanted to just repair it.

Most of my photos in the afternoon/evening were just of random things, because
I had no idea how anything would turn out.  I snuck out of the office, and ran
down to San Jose camera. They had a 77mm, Hoya IR filter for $109, which is 
about what BH charges.  Meanwhile Keeble and Schuchat wanted something like 
$240 for a 77mm IR filter.  Neither one had a 49mm filter.

I haven't been able to find a good source on an IR block filter, to convert
the camera back to visible only.

Comments, suggestions, feedback and ideas for processing are appreciated on
these photos.  They are *very* experimental, it is almost like learning 
photography all over again.  Some observations and notes:

1) In camera exposure metering is very unpredictable.  I suspect that the 
metering also has IR filters over it, which weren't removed, so there is
a strong disconnect between what the metering sees and what the meter sees.

2) For autofocus:  If you are shooting in IR, use IR lights and live view, or
stop things down more.  Autofocus (on a full spectrum) is calibrated for 
visible light, not IR.

3) If you get a full spectrum camera, budget a few hundred dollars for 
IR block and visible block filters for both primes (49mm ish) and Zooms
(77mm ish).

4) The color adjustment in LR doesn't go far enough, in either temperature
or tint.  I will eventually experiment with two pass color correction, exporting
the file to DNG or TIFF, then running it through again.

5) Accept the fact that photos will look weird.  Don't fight it, go with it, 
and figure out ways to make that weirdness work.

6) When things do correct to closer to natural lighting, they'll end up 
kind of flat and pastel in shading.  

7) For working with IR, you really want a camera that works well in Live View
mode.  You really want to see what the camera will be seeing.  

-- 
Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: First experiments with IR adapted K-5

2013-08-10 Thread Matthew Hunt
On Sat, Aug 10, 2013 at 6:22 PM, Larry Colen l...@red4est.com wrote:

 4) The color adjustment in LR doesn't go far enough, in either temperature
 or tint.  I will eventually experiment with two pass color correction, 
 exporting
 the file to DNG or TIFF, then running it through again.

I have no personal experience, but I have read of people creating
custom camera profiles to deal with the inadequate color temperature
range. See, for example:

http://www.luminescentphoto.com/blog/2013/07/15/setting-white-balance-on-infrared-images-with-lightroom-with-video/

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Re: First experiments with IR adapted K-5

2013-08-10 Thread John

On 8/10/2013 6:22 PM, Larry Colen wrote:

Cutting to the chase:
A friend and I went out for sushi before going dancing.  There are some
strong artistic limitations to IR photography, the set also includes
a couple randoms from the afternoon:
http://www.fluidr.com/photos/ellarsee/sets/72157635017858426/



Still looks like bait.

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Re: First experiments with IR adapted K-5

2013-08-10 Thread Larry Colen
Excellent!  Thanks!

On Sat, Aug 10, 2013 at 06:32:01PM -0400, Matthew Hunt wrote:
 On Sat, Aug 10, 2013 at 6:22 PM, Larry Colen l...@red4est.com wrote:
 
  4) The color adjustment in LR doesn't go far enough, in either temperature
  or tint.  I will eventually experiment with two pass color correction, 
  exporting
  the file to DNG or TIFF, then running it through again.
 
 I have no personal experience, but I have read of people creating
 custom camera profiles to deal with the inadequate color temperature
 range. See, for example:
 
 http://www.luminescentphoto.com/blog/2013/07/15/setting-white-balance-on-infrared-images-with-lightroom-with-video/
 
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Re: First experiments with IR adapted K-5

2013-08-10 Thread Zos Xavius
are these all with a filter? I thought greens went pink in IR yet the
lettuce is clearly still green. very odd. Its not what I would expect
at all. I'm so used to seeing extremely processed IR pictures.

On Sat, Aug 10, 2013 at 7:21 PM, Larry Colen l...@red4est.com wrote:
 Excellent!  Thanks!

 On Sat, Aug 10, 2013 at 06:32:01PM -0400, Matthew Hunt wrote:
 On Sat, Aug 10, 2013 at 6:22 PM, Larry Colen l...@red4est.com wrote:

  4) The color adjustment in LR doesn't go far enough, in either temperature
  or tint.  I will eventually experiment with two pass color correction, 
  exporting
  the file to DNG or TIFF, then running it through again.

 I have no personal experience, but I have read of people creating
 custom camera profiles to deal with the inadequate color temperature
 range. See, for example:

 http://www.luminescentphoto.com/blog/2013/07/15/setting-white-balance-on-infrared-images-with-lightroom-with-video/

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Re: First experiments with IR adapted K-5

2013-08-10 Thread David Parsons
With an IR filter in front of the lens, and a normal IR cut filter on
the sensor, yes foliage turns pink (some reds get through 720nm
filters).  Everything has a red and pink color to it.

When you remove the IR cut filter from the sensor, it is seeing IR and
visible at the same time, so colors are all kinds of shifted.

It all depends on how much IR reflectivity different materials have.

On Sat, Aug 10, 2013 at 8:41 PM, Zos Xavius zosxav...@gmail.com wrote:
 are these all with a filter? I thought greens went pink in IR yet the
 lettuce is clearly still green. very odd. Its not what I would expect
 at all. I'm so used to seeing extremely processed IR pictures.

 On Sat, Aug 10, 2013 at 7:21 PM, Larry Colen l...@red4est.com wrote:
 Excellent!  Thanks!

 On Sat, Aug 10, 2013 at 06:32:01PM -0400, Matthew Hunt wrote:
 On Sat, Aug 10, 2013 at 6:22 PM, Larry Colen l...@red4est.com wrote:

  4) The color adjustment in LR doesn't go far enough, in either temperature
  or tint.  I will eventually experiment with two pass color correction, 
  exporting
  the file to DNG or TIFF, then running it through again.

 I have no personal experience, but I have read of people creating
 custom camera profiles to deal with the inadequate color temperature
 range. See, for example:

 http://www.luminescentphoto.com/blog/2013/07/15/setting-white-balance-on-infrared-images-with-lightroom-with-video/

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http://alohaphotog.blogspot.com/

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Re: First experiments with IR adapted K-5

2013-08-10 Thread Zos Xavius
so the ultra pink IR shots are taken with the hot filter still in
place? I know this is possible, but that exposures are greatly
lengthened to the order of minutes sometimes as the cut filter only
lets small amounts of IR wavelengths pass. I was under the assumption
that shooting with a naked sensor and an IR only filter would have the
same results, but with normal exposure times. That's actually why I
asked if the filter was in place in all of these pictures. Clearly
more spectrum is coming through if you ask me. I never thought that
mixing the two would look so drastic and almost flat. Interesting.

On Sat, Aug 10, 2013 at 8:46 PM, David Parsons parsons.da...@gmail.com wrote:
 With an IR filter in front of the lens, and a normal IR cut filter on
 the sensor, yes foliage turns pink (some reds get through 720nm
 filters).  Everything has a red and pink color to it.

 When you remove the IR cut filter from the sensor, it is seeing IR and
 visible at the same time, so colors are all kinds of shifted.

 It all depends on how much IR reflectivity different materials have.

 On Sat, Aug 10, 2013 at 8:41 PM, Zos Xavius zosxav...@gmail.com wrote:
 are these all with a filter? I thought greens went pink in IR yet the
 lettuce is clearly still green. very odd. Its not what I would expect
 at all. I'm so used to seeing extremely processed IR pictures.

 On Sat, Aug 10, 2013 at 7:21 PM, Larry Colen l...@red4est.com wrote:
 Excellent!  Thanks!

 On Sat, Aug 10, 2013 at 06:32:01PM -0400, Matthew Hunt wrote:
 On Sat, Aug 10, 2013 at 6:22 PM, Larry Colen l...@red4est.com wrote:

  4) The color adjustment in LR doesn't go far enough, in either 
  temperature
  or tint.  I will eventually experiment with two pass color correction, 
  exporting
  the file to DNG or TIFF, then running it through again.

 I have no personal experience, but I have read of people creating
 custom camera profiles to deal with the inadequate color temperature
 range. See, for example:

 http://www.luminescentphoto.com/blog/2013/07/15/setting-white-balance-on-infrared-images-with-lightroom-with-video/

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Re: First experiments with IR adapted K-5

2013-08-10 Thread Zos Xavius
OhI see that flash was used I think. That makes a lot more sense.
The work in BW mostly, but look odd. Almost unreal. I kind of like
it.

On Sat, Aug 10, 2013 at 9:08 PM, Zos Xavius zosxav...@gmail.com wrote:
 so the ultra pink IR shots are taken with the hot filter still in
 place? I know this is possible, but that exposures are greatly
 lengthened to the order of minutes sometimes as the cut filter only
 lets small amounts of IR wavelengths pass. I was under the assumption
 that shooting with a naked sensor and an IR only filter would have the
 same results, but with normal exposure times. That's actually why I
 asked if the filter was in place in all of these pictures. Clearly
 more spectrum is coming through if you ask me. I never thought that
 mixing the two would look so drastic and almost flat. Interesting.

 On Sat, Aug 10, 2013 at 8:46 PM, David Parsons parsons.da...@gmail.com 
 wrote:
 With an IR filter in front of the lens, and a normal IR cut filter on
 the sensor, yes foliage turns pink (some reds get through 720nm
 filters).  Everything has a red and pink color to it.

 When you remove the IR cut filter from the sensor, it is seeing IR and
 visible at the same time, so colors are all kinds of shifted.

 It all depends on how much IR reflectivity different materials have.

 On Sat, Aug 10, 2013 at 8:41 PM, Zos Xavius zosxav...@gmail.com wrote:
 are these all with a filter? I thought greens went pink in IR yet the
 lettuce is clearly still green. very odd. Its not what I would expect
 at all. I'm so used to seeing extremely processed IR pictures.

 On Sat, Aug 10, 2013 at 7:21 PM, Larry Colen l...@red4est.com wrote:
 Excellent!  Thanks!

 On Sat, Aug 10, 2013 at 06:32:01PM -0400, Matthew Hunt wrote:
 On Sat, Aug 10, 2013 at 6:22 PM, Larry Colen l...@red4est.com wrote:

  4) The color adjustment in LR doesn't go far enough, in either 
  temperature
  or tint.  I will eventually experiment with two pass color correction, 
  exporting
  the file to DNG or TIFF, then running it through again.

 I have no personal experience, but I have read of people creating
 custom camera profiles to deal with the inadequate color temperature
 range. See, for example:

 http://www.luminescentphoto.com/blog/2013/07/15/setting-white-balance-on-infrared-images-with-lightroom-with-video/

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 follow the directions.

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 http://alohaphotog.blogspot.com/

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Re: First experiments with IR adapted K-5

2013-08-10 Thread Larry Colen
On Sat, Aug 10, 2013 at 09:08:31PM -0400, Zos Xavius wrote:
 so the ultra pink IR shots are taken with the hot filter still in
 place? I know this is possible, but that exposures are greatly

The ultra pink shots are taken with an IR only filter in front of the 
sensor or the light source.  I suspect that the green elements in a
bayerfilter are a notch filter, and don't let the IR through, 
while the red and blue are band block filters and let IR through.



 lengthened to the order of minutes sometimes as the cut filter only
 lets small amounts of IR wavelengths pass. I was under the assumption
 that shooting with a naked sensor and an IR only filter would have the
 same results, but with normal exposure times. That's actually why I
 asked if the filter was in place in all of these pictures. Clearly
 more spectrum is coming through if you ask me. I never thought that
 mixing the two would look so drastic and almost flat. Interesting.


 
 On Sat, Aug 10, 2013 at 8:46 PM, David Parsons parsons.da...@gmail.com 
 wrote:
  With an IR filter in front of the lens, and a normal IR cut filter on
  the sensor, yes foliage turns pink (some reds get through 720nm
  filters).  Everything has a red and pink color to it.
 
  When you remove the IR cut filter from the sensor, it is seeing IR and
  visible at the same time, so colors are all kinds of shifted.
 
  It all depends on how much IR reflectivity different materials have.
 
  On Sat, Aug 10, 2013 at 8:41 PM, Zos Xavius zosxav...@gmail.com wrote:
  are these all with a filter? I thought greens went pink in IR yet the
  lettuce is clearly still green. very odd. Its not what I would expect
  at all. I'm so used to seeing extremely processed IR pictures.
 
  On Sat, Aug 10, 2013 at 7:21 PM, Larry Colen l...@red4est.com wrote:
  Excellent!  Thanks!
 
  On Sat, Aug 10, 2013 at 06:32:01PM -0400, Matthew Hunt wrote:
  On Sat, Aug 10, 2013 at 6:22 PM, Larry Colen l...@red4est.com wrote:
 
   4) The color adjustment in LR doesn't go far enough, in either 
   temperature
   or tint.  I will eventually experiment with two pass color correction, 
   exporting
   the file to DNG or TIFF, then running it through again.
 
  I have no personal experience, but I have read of people creating
  custom camera profiles to deal with the inadequate color temperature
  range. See, for example:
 
  http://www.luminescentphoto.com/blog/2013/07/15/setting-white-balance-on-infrared-images-with-lightroom-with-video/
 
  --
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  to UNSUBSCRIBE from the PDML, please visit the link directly above and 
  follow the directions.
 
  --
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  http://red4est.com/lrc
 
 
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Re: First experiments with IR adapted K-5

2013-08-10 Thread Zos Xavius
Larry, have you thought about UV? It should be sensitive to that as
well now. I kind of like UV photography. Thanks for sharing these. I
look forward to more of your adventures with IR. I think that my older
k-7 is going to be fixed that way eventually.

On Sat, Aug 10, 2013 at 9:11 PM, Larry Colen l...@red4est.com wrote:
 On Sat, Aug 10, 2013 at 09:08:31PM -0400, Zos Xavius wrote:
 so the ultra pink IR shots are taken with the hot filter still in
 place? I know this is possible, but that exposures are greatly

 The ultra pink shots are taken with an IR only filter in front of the
 sensor or the light source.  I suspect that the green elements in a
 bayerfilter are a notch filter, and don't let the IR through,
 while the red and blue are band block filters and let IR through.



 lengthened to the order of minutes sometimes as the cut filter only
 lets small amounts of IR wavelengths pass. I was under the assumption
 that shooting with a naked sensor and an IR only filter would have the
 same results, but with normal exposure times. That's actually why I
 asked if the filter was in place in all of these pictures. Clearly
 more spectrum is coming through if you ask me. I never thought that
 mixing the two would look so drastic and almost flat. Interesting.



 On Sat, Aug 10, 2013 at 8:46 PM, David Parsons parsons.da...@gmail.com 
 wrote:
  With an IR filter in front of the lens, and a normal IR cut filter on
  the sensor, yes foliage turns pink (some reds get through 720nm
  filters).  Everything has a red and pink color to it.
 
  When you remove the IR cut filter from the sensor, it is seeing IR and
  visible at the same time, so colors are all kinds of shifted.
 
  It all depends on how much IR reflectivity different materials have.
 
  On Sat, Aug 10, 2013 at 8:41 PM, Zos Xavius zosxav...@gmail.com wrote:
  are these all with a filter? I thought greens went pink in IR yet the
  lettuce is clearly still green. very odd. Its not what I would expect
  at all. I'm so used to seeing extremely processed IR pictures.
 
  On Sat, Aug 10, 2013 at 7:21 PM, Larry Colen l...@red4est.com wrote:
  Excellent!  Thanks!
 
  On Sat, Aug 10, 2013 at 06:32:01PM -0400, Matthew Hunt wrote:
  On Sat, Aug 10, 2013 at 6:22 PM, Larry Colen l...@red4est.com wrote:
 
   4) The color adjustment in LR doesn't go far enough, in either 
   temperature
   or tint.  I will eventually experiment with two pass color 
   correction, exporting
   the file to DNG or TIFF, then running it through again.
 
  I have no personal experience, but I have read of people creating
  custom camera profiles to deal with the inadequate color temperature
  range. See, for example:
 
  http://www.luminescentphoto.com/blog/2013/07/15/setting-white-balance-on-infrared-images-with-lightroom-with-video/
 
  --
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  follow the directions.
 
  --
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  http://red4est.com/lrc
 
 
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Re: First experiments with IR adapted K-5

2013-08-10 Thread steve harley

on 2013-08-10 16:22 Larry Colen wrote

Cutting to the chase:
A friend and I went out for sushi before going dancing.  There are some
strong artistic limitations to IR photography, the set also includes
a couple randoms from the afternoon:
http://www.fluidr.com/photos/ellarsee/sets/72157635017858426/


not appetizing! but the violas were pretty cool



This set was shot at Friday Night Blues.  The thing that got me into
IR in the first place was being able to use a flash without blinding
people, each shot is processed in both color and BW:
http://www.fluidr.com/photos/ellarsee/sets/72157635011398151/


color ones are sort of instagrammish; bw interesting, eerie (weird pupils on 
the portrait)




I haven't been able to find a good source on an IR block filter, to convert
the camera back to visible only.


2filter.com lists some IRND filters (IR-blocking neutral density), so the 
0.3-stop one might be a start; i have bought from 2filter.com and i admire 
their retro website


also a search on ir cut filter, then using the handy facets, found these 77mm 
options at BH (mostly UV+IR filters)


http://www.bhphotovideo.com/c/search?atclk=Circular+Sizes_77mmsts=maci=15293N=4294205295+4294955264Ntt=ir+cut+filters

(the heliopan will cost more than your conversion)

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