Re: GESO - Stack Focusing Dragonflies in the Field

2013-07-15 Thread Mark C

Hi Zos -

Thanks for looking and commenting. I'm just working as fast as possible. 
My experience with frozen bugs is that they lack the pertness of live 
subjects - wings are not in the best positions, heads are down, etc. The 
biggest problem I've been facing with these stacked shots  is the wind. 
This past weekend it was very hard to get even single exposures, and the 
possibility of stacking was out of the question. The shots in this post 
were taken on a somewhat breezy day - waiting for a still day... The 
flash is just set to fill - usually -2 on the flash unit itself and -1 
to -2 on the camera body. Still can't get it cycle fast enough to do a 
10 image burst. Maybe I should spring for high end batteries and stop 
using these Camelions I get at the thrift store!


Mark

On 7/10/2013 6:11 PM, Zos Xavius wrote:

These are really, really good. Are you freezing the insects or just
trying to work as fast as humanly possible? You know you can freeze
them temporarily right? My metz 54 flash when it was in working order
would throw out enough light for macro like this and recycle
instantly. Its not a ring light though, and that's probably what you
want. Honestly, if I was getting shutter speeds like that with 800, I
would just keep working with the natural light. These look amazing.

On Wed, Jul 10, 2013 at 4:09 PM,  kwal...@peoplepc.com wrote:

Simply terrific first attempts Mark!

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller


- Original Message - From: Mark C pdml-m...@charter.net
Subject: GESO - Stack Focusing Dragonflies in the Field



I'm trying to get my insect photos up to the next level, and it seems like
stack focusing is part of the process to do that. I worked on it yesterday
with mixed results - still have a lot of stacks to go through. But here are
the first:


http://www.markcassino.com/b2evolution/blog6.php/2013/07/06/stack-focusing-dragonflies-in-the-field

All taken with Pentax K-5 and A*200 f4. No flash since I needed to grab a
fast bunch of images to stack, and no way could the flash keep up.

All of these photos got flaws but maybe on a less windy day this will work
out. CC appreciated.

Mark



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Re: PESO - Avenue des Gobelins

2013-07-15 Thread Mark C
Nice feel to this one - like the mix of natural and artificial light. 
Where are the Goblins?  :-)


Mark

On 7/14/2013 11:47 AM, Rick Womer wrote:

A bit off the beaten path in Paris.

http://photo.net/photodb/photo?photo_id=17461347size=lg

Or, for a stark presentation but ad-free:


http://gallery.photo.net/photo/17461347-lg.jpg

Comments appreciated!

Rick




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Re: PESO - Bathurst Station

2013-07-15 Thread Mark C

If any image expresses life in these times, that's it

Mark

On 7/12/2013 11:38 PM, knarftheria...@gmail.com wrote:

Haven't done much street photography lately:

  http://knarfinthecity.blogspot.ca/2013/07/bathurst-station.html?m=1

Hope you enjoy. Comments welcome.

Cheers,
frank

  


For me, the camera is a sketch book, an instrument of intuition and 
spontaneity. -- Henri Cartier-Bresson



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Re: Peso - companion piece for Frank's Tossed :-)

2013-07-15 Thread Mark C

Passion discarded... Nice found shot.

On 7/14/2013 5:20 PM, Ann Sanfedele wrote:

Can't believe I actually found it. Sorry it isn't Pentax...
I shot it the first day I bought my little PS Canon and I
was testing it out.

http://annsan.smugmug.com/On-the-Road-or-On-Foot/Random-stuff/2607384_ZTHNRm/1/1264106228_67RVp6q/Medium 



ann




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Re: PESO - Mist

2013-07-15 Thread Mark C
Nice moody shot and great grain... You didn't go back to your LX for 
this, did you?


On 7/10/2013 8:39 AM, knarftheria...@gmail.com wrote:

Haven't had much sun lately so ya gotta go with what ya get:

  http://knarfinthecity.blogspot.ca/2013/07/mist.html?m=1

Hope you enjoy. Comments welcome.

Cheers,
frank

For me, the camera is a sketch book, an instrument of intuition and 
spontaneity. -- Henri Cartier-Bresson



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Re: PESO: 'Seney Sunrise'

2013-07-15 Thread Mark C

That is a striking photo, Ken. Color and light is just gorgeous.

Mark

On 7/11/2013 3:53 PM, kwal...@peoplepc.com wrote:
Taken in Seney National Wildlife Refuge in the Upper Peninsula of 
Michigan several summers ago.


Your thoughts appreciated.

http://photo.net/photodb/photo?photo_id=17459149

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller




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Re: Eyebrow clarity: handheld vs tripod (was Re: Any new flagship camera rumors?)

2013-07-16 Thread Mark C

On 7/16/2013 3:43 PM, Aahz Maruch wrote:
Let's make sure we're testing the same thing. What percent of frame 
should the person's head be? Any other requirements? 


Person? If you really want a challenge go for a gnat's eyebrows -

http://www.markcassino.com/b2evolution/media/blogs/calarti/2013/IMGP0279_v2_L.jpg

(Tripod *was* used...)

Mark


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Re: Tim Parkin weighs in on digital vs film (game is not over YET)

2013-07-16 Thread Mark C
I am an avid film user and especially a fan of MF but I have to say that 
something is just plain wrong with this test. Maybe the Zeiss 25mm lens 
is not so good on the digital body? I don't know but the degree of 
aliasing and color noise is just far beyond what one sees normally with 
a decent digital SLR. If I took that shot with my K5 and saw that much 
noise and aliasing, I wouldn't be thinking of going back to film, I'd be 
thinking of camera repair options.


I still think MF film beats digital (at least my K5) in a few 
specialized situations were there is a ton of detail - like scenes 
dominated by lots of trees or brush or foliage. Dense young woods, 
scrubby brushy wastes, tall grass fields, etc. The film can better 
resolve the detail and the high degree of visual content hides the 
film's inherently greater amount of noise (grain). But that is a 
specialized situation - in most situaitons, there just isn't that much 
detail and the digital sensor can handle it just fine and the benefits 
of lower noise make the digital image more pleasing. The majority of 
human environments have very little fine detail in them and digital is 
as good or better than film, IMO.


Mark



On 7/16/2013 12:50 PM, Darren Addy wrote:

I believe that Tim Parkin is a PDML subscriber, so maybe he can
illuminate this a bit more, but on Twitter yesterday he pointed to
some extreme crop comparisons between:
Nikon D800E with a Zeiss 25mm lens
and a Mamiya 7 (6x7) with a 50mm lens with Velvia 50 and Adox CMS 20.
The results might surprise you.

Here is the whole scene: http://static.timparkin.co.uk/static/tmp/fullframe.jpg
Here is the D800E (top) and the Velvia (bottom)
http://static.timparkin.co.uk/static/tmp/compared-with-clean-velvia.jpg

And here is the D800E (top) and the Adox CMS 20 (bottom)
http://static.timparkin.co.uk/static/tmp/compared-with-clean-cms20.jpg

I suppose that there could be some debate on the differences in the
lenses and I'm not sure if the film was scanned (or with what). But I
find it interesting that film can still exceed digital at exteme
crops/very large printing sizes and only by going to a 6x7 size over
what is considered the state of the art full frame sensor camera
available today. I think the film wins by a substantial margin.
(Keeping in mind that this is just not *any* film).

For most of us, this is academic, since we rarely need such extreme
crops or print at such sizes, but I find it interesting nonetheless.


--
Photography is a Bastard left by Science on the Doorstep of Art -
Peter Galassi




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Re: Any new flagship camera rumors?

2013-07-17 Thread Mark C


From: Rick Womer rwomer1...@yahoo.com


Notice the trend of so many to say what they have is 'good enough'?
Pentax loses. Notice the trend of so many to wait a year or more until
there's massive price cuts on the newest model Pentax camera? Pentax
loses. Notice the trend of so many to purchase used gear as opposed to
new? Pentax loses. Then there's those that put there money elsewhere
because they're not getting what they want from Pentax. Pentax loses.
There's nothing wrong with any of those actions and all are
justifiable. Still - Pentax loses.

IMO - every other camera manufacturer has to deal with those exact same 
issues, and to be honest I don't think that they are limiting factors. I 
just checked on ebay - there are over twice as many used Nikon and Canon 
lenses there then Pentax. I didn't check bodies but I assume there are a 
lot more used DSLR's of those brands simply because there has been a 
more active upgrade path. The more people upgrade the more used bodies 
there are for the bargain hunters. And Pentax (sadly) does not have to 
deal with the problem of Sigma, Tamron, and TOkina making lenses that 
compete with them - though I wish Sigma would kick out a few of their 
macro lenses in the K Mount.


A robust used market is the sign of a healthy brand, IMO. But a brand 
that tries to live off its used market is in trouble. Back in the 90's 
the buzzword with Pentax was that there was this huge vast reserve of 
used lenses and since there was great backwards compatibility with 
Pentax you could tap into those old lenses. It was a bargain hunter's 
brand.  It was a great argument at the time given that Canon and Nikon 
had respectively scrapped or significantly modified their lens mount  a 
few years earlier. And even though I supect that at this very moment 
some dim-witted blogger cum photo gear reviewer is repeating that line 
about Pentax, Pentax's legacy glass advantage has largely faded. Canon 
and Nikon have a couple decades of used gear compatible with their 
systems now, and their used market is better than Pentax's, and if you 
are a bargain hunter you would be better off trolling in their waters 
and not Pentax's.


I don't know how the Pentax brand will be resurrected but I keep hoping 
that Ricoh has a plan...


Mark

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Re: GESO - 3 with the K-5

2013-07-17 Thread Mark C

Looks liek the K-5 is suiting you fine! Nice shots all around.

Mark

On 7/15/2013 11:39 PM, Ann Sanfedele wrote:

all from my roof

Pushing the ISO envelope
K-5 with the 18-55 kit lens.

http://annsan.smugmug.com/On-the-Road-or-On-Foot/Learning-the-K-5/30564911_mcsJ8s 



ann




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Re: GESO: Loons, eagle, and other critters

2013-07-17 Thread Mark C
Nice collection of images! The loons and other waterfowl are great, but 
I really like the three damselflies hanging like thin blue flags on 
green reeds. Great!


Mark

On 7/16/2013 10:51 PM, Stan Halpin wrote:

Just added a couple more portraits to my gallery of shots from my ongoing 
vacation  -  had both a bald eagle and a loon come by for a sitting along with the usual 
families of ducks passing through.

http://photos.stanhalpin.com/p769975649

stan



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Re: K500/4.5

2013-07-17 Thread Mark C

On 7/17/2013 8:43 PM, Zos Xavius wrote:

ohjust looked at the sample pictures.maybe he has a dog or
can't focus. that doesn't look too hot. :/

On Wed, Jul 17, 2013 at 8:41 PM, Zos Xavius zosxav...@gmail.com wrote:

http://www.pentaxforums.com/forums/photographic-equipment-sale/231660-sale-super-multi-coated-pentax-500mm-f-4-5-k-mount.html

$750. Includes the original box even! If I had some cash laying around
this would be mine!
I used to have a screw mount 500 f4.5 SMC Takumar that a previous owner 
had modified by gluing a K-mount. It was great and inexpensive tool - 
the lens made colors pop so much that you could see the difference just 
looking through the finder. The lens had incredible resolution but bad 
chromatic aberration. I always wondered what it would be like on a DSLR.


Just for laughs - here are a few shots I took with that lens and my 
trusty Pz-1p - all on film, of course:


http://www.markcassino.com/newsite/portfolios/birds/pages/0204b35.htm
http://www.markcassino.com/newsite/portfolios/birds/pages/0204b36.htm
http://www.markcassino.com/newsite/portfolios/birds/pages/0204b45.htm
http://www.markcassino.com/newsite/portfolios/birds/pages/0204b50.htm
http://www.markcassino.com/newsite/portfolios/birds/pages/0204b52.htm
http://www.markcassino.com/newsite/portfolios/birds/pages/0204b11.htm
http://www.markcassino.com/newsite/portfolios/birds/pages/0204b01.htm
http://www.markcassino.com/newsite/portfolios/lighthouses/pages/0204l35.htm

It was a nice lens - the manual aperture and stop down metering 
presented some challenges and, as I said, I assume CA would be a major 
problem on a dslr. It was quite respectable on film, though.


Mark

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Re: PESO - 'Sharp-shinned Hawek

2013-07-17 Thread Mark C

Cool! Nice shot of the raptor.

Mark

On 7/17/2013 4:14 PM, kwal...@peoplepc.com wrote:

Caught this guy on my deck looking for lunch

http://photo.net/photodb/photo?photo_id=17465095

K20D 300mm FA 800 ISO

Comments appreciated.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller




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Re: peso Lorneville church

2013-07-17 Thread Mark C
Nice use of the IR effect but I especially like how you hid the church 
behind the trees - creates a mysterious feel.


Mark

On 7/15/2013 11:36 AM, David J Brooks wrote:

http://www.flickr.com/photos/djbrooks/9291433381/

IR version, part of my 4 seasons flolder

Dave

--
Documenting Life in Rural Ontario.
www.caughtinmotion.com
http://brooksinthecountry.blogspot.com/
York Region, Ontario, Canada




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Re: K500/4.5

2013-07-18 Thread Mark C
One of the nicest things about the 500 f4.5 was that it had a notch and 
peg style sight on it which made it very easy to frame up subjects.


On 7/17/2013 11:55 PM, Zos Xavius wrote:

Oh those are quite lovely. I find that CA can be pretty fixable. At
least purple fringing. Bad cyan fringing is hard to deal with though.
I thought it was a given that pretty much any old long telephoto is
going to exhibit fringing and that stopping down generally helps. Good
to know about the A400 5.6. I may have heard that already somewhere...

On Wed, Jul 17, 2013 at 10:20 PM, Paul Stenquist
pnstenqu...@comcast.net wrote:

Nice pics. But I think your concerns about CA on digital are valid. The A 
400/5.6 has problems.

Paul via phone

On Jul 17, 2013, at 10:07 PM, Mark C pdml-m...@charter.net wrote:


On 7/17/2013 8:43 PM, Zos Xavius wrote:

ohjust looked at the sample pictures.maybe he has a dog or
can't focus. that doesn't look too hot. :/

On Wed, Jul 17, 2013 at 8:41 PM, Zos Xavius zosxav...@gmail.com wrote:

http://www.pentaxforums.com/forums/photographic-equipment-sale/231660-sale-super-multi-coated-pentax-500mm-f-4-5-k-mount.html

$750. Includes the original box even! If I had some cash laying around
this would be mine!

I used to have a screw mount 500 f4.5 SMC Takumar that a previous owner had 
modified by gluing a K-mount. It was great and inexpensive tool - the lens made 
colors pop so much that you could see the difference just looking through the 
finder. The lens had incredible resolution but bad chromatic aberration. I 
always wondered what it would be like on a DSLR.

Just for laughs - here are a few shots I took with that lens and my trusty 
Pz-1p - all on film, of course:

http://www.markcassino.com/newsite/portfolios/birds/pages/0204b35.htm
http://www.markcassino.com/newsite/portfolios/birds/pages/0204b36.htm
http://www.markcassino.com/newsite/portfolios/birds/pages/0204b45.htm
http://www.markcassino.com/newsite/portfolios/birds/pages/0204b50.htm
http://www.markcassino.com/newsite/portfolios/birds/pages/0204b52.htm
http://www.markcassino.com/newsite/portfolios/birds/pages/0204b11.htm
http://www.markcassino.com/newsite/portfolios/birds/pages/0204b01.htm
http://www.markcassino.com/newsite/portfolios/lighthouses/pages/0204l35.htm

It was a nice lens - the manual aperture and stop down metering presented some 
challenges and, as I said, I assume CA would be a major problem on a dslr. It 
was quite respectable on film, though.

Mark

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Re: K500/4.5

2013-07-18 Thread Mark C

On 7/18/2013 8:13 AM, Zos Xavius wrote:

Like a gun?

Exactly!


On Thu, Jul 18, 2013 at 7:59 AM, Mark C pdml-m...@charter.net wrote:

One of the nicest things about the 500 f4.5 was that it had a notch and peg
style sight on it which made it very easy to frame up subjects.





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Re: K500/4.5

2013-07-18 Thread Mark C
Thanks, Bob. I should try to get over to the beach more often and do 
some lighthouse sunsets.  I used to go with a friend who liked to shoot 
20 -30 minute exposures on Velvia in the twilight, in part to get the 
weird effects from reciprocity failure... Something that can't be done 
on digital (AFAIK).


Mark

On 7/18/2013 11:08 AM, Bob Sullivan wrote:

Mark,
Those are very nice.  I could get lost going thru the lighthouses.
Fantastic collection.
Regards,  Bob S.





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Re: Boris PESO #32 - Communications

2013-07-18 Thread Mark C

Interesting - stimulates the imagination!

Mark

On 7/18/2013 12:14 AM, Boris Liberman wrote:

Hi!

Managed to capture this little funny scene...

http://pentax-ways.blogspot.co.il/2013/07/2013-32-communications.html

The lens is my currently favorite Voigtlander Nokton 40/1.4.

BH comments as usually are the ones I am after.

Boris




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Re: PESO ISO 10,000 bird

2013-07-18 Thread Mark C
Striking bird in an excellent pose, nicely captured. Great high ISO 
performance there.


Mark

On 7/18/2013 3:36 AM, Larry Colen wrote:

I was killing time waiting for my sister's plane to arrive, by taking photos
of planes landing at San Jose airport.  It was a bit after sunset and I was
walking along the fence and I saw this little guy sitting on the fence.
The photos are a bit rough, but for hand held, after sunset, at 500mm and
at ISO 10,000 they aren't too bad.

This is probably the clearest:
http://www.flickr.com/photos/ellarsee/9310682903/in/set-72157634684347823

If anyone wants to ID it for me, here's the whole set:
http://www.flickr.com/photos/ellarsee/sets/72157634684347823/

My first thought was that it was some sort of owl, but maybe a little falcon?




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Bulk Film Loading

2013-07-19 Thread Mark C
I've been shooting a bit of 35mm BW these days and finally broke down 
and bought a daylight loader for bulk rolls and some reloadable 
canisters. I'm sure someone here has done or does do the bulk film 
loading thing... Question that I'm wondering about - is there any 
problem with just putting the 100 foot roll into the loader and then 
filling canisters as needed, or is there a reason why you should load up 
the whole bulk roll in one session? Although I do shoot a fair amount of 
film it would take a month or two to use up the approximately 20 rolls 
I'd get out of a 100 foot roll.. Is it OK to just load up a few 
canisters as needed, which means the bulk roll would be stored in the 
loader, or should I load it all up at once?


TIA -

Mark

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Re: Bulk Film Loading

2013-07-19 Thread Mark C
Well, if you are interested in Tri-X try Arista Premium 400 from 
Freestyle Photographic. It is rumored to be rebadged Tri-X. I Picked up 
several rolls and have been experimenting - shooting a roll of Tri-X and 
the Arista Premium and developing one of each in the same tank. SO far, 
the results have been great - I see no difference at all between the two 
films. At $2.89 per 36 exposure roll it beats bulk Tri_X for price.


I love Tri-X but these days I'm really loving Kentmere and it seems to 
be quite a bit less expensive in bulk. Depends on how many exposures 
come out of a 100' roll though.


Mark

On 7/19/2013 8:04 PM, Zos Xavius wrote:

18-19 rolls according to one comment. Tri-X is $70 for 100ft in bulk.
You can buy 36 exposure rolls of Tri-X for $6. So, total savings is
somewhere around $40 over factory issued rolls. Interesting.

On Fri, Jul 19, 2013 at 7:46 PM, John Coyle jco...@iinet.net.au wrote:

As long as you keep the bulk roll balance in a cool place, no problems.  If in 
the fridge, don't
forget to let it warm up and lose any condensation before transferring to the 
canister.

HTH


John Coyle
Brisbane, Australia



-Original Message-
From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Mark C
Sent: Saturday, 20 July 2013 9:33 AM
To: Pentax-Discuss Mail List
Subject: Bulk Film Loading

I've been shooting a bit of 35mm BW these days and finally broke down and 
bought a daylight loader
for bulk rolls and some reloadable canisters. I'm sure someone here has done or 
does do the bulk
film loading thing... Question that I'm wondering about - is there any problem 
with just putting the
100 foot roll into the loader and then filling canisters as needed, or is there 
a reason why you
should load up the whole bulk roll in one session? Although I do shoot a fair 
amount of film it
would take a month or two to use up the approximately 20 rolls I'd get out of a 
100 foot roll.. Is
it OK to just load up a few canisters as needed, which means the bulk roll 
would be stored in the
loader, or should I load it all up at once?

TIA -

Mark

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Re: Bulk Film Loading

2013-07-19 Thread Mark C
Thanks - I will probably put it in a ziplock bag and leave it in my 
relatively cool basement. Maybe dole out 5 rolls at a time or something 
like that.


On 7/19/2013 7:46 PM, John Coyle wrote:

As long as you keep the bulk roll balance in a cool place, no problems.  If in 
the fridge, don't
forget to let it warm up and lose any condensation before transferring to the 
canister.

HTH


John Coyle
Brisbane, Australia



-Original Message-
From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Mark C
Sent: Saturday, 20 July 2013 9:33 AM
To: Pentax-Discuss Mail List
Subject: Bulk Film Loading

I've been shooting a bit of 35mm BW these days and finally broke down and 
bought a daylight loader
for bulk rolls and some reloadable canisters. I'm sure someone here has done or 
does do the bulk
film loading thing... Question that I'm wondering about - is there any problem 
with just putting the
100 foot roll into the loader and then filling canisters as needed, or is there 
a reason why you
should load up the whole bulk roll in one session? Although I do shoot a fair 
amount of film it
would take a month or two to use up the approximately 20 rolls I'd get out of a 
100 foot roll.. Is
it OK to just load up a few canisters as needed, which means the bulk roll 
would be stored in the
loader, or should I load it all up at once?

TIA -

Mark

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Re: Bulk Film Loading

2013-07-19 Thread Mark C

Thanks, George - that is what I was hoping I could do.

Mark

On 7/19/2013 7:36 PM, George Sinos wrote:

Just load them as you need them.  It'll be fine.  gs
George Sinos

www.GeorgesPhotos.net
www.GeorgeSinos.com


On Fri, Jul 19, 2013 at 6:32 PM, Mark C pdml-m...@charter.net wrote:

I've been shooting a bit of 35mm BW these days and finally broke down and
bought a daylight loader for bulk rolls and some reloadable canisters. I'm
sure someone here has done or does do the bulk film loading thing...
Question that I'm wondering about - is there any problem with just putting
the 100 foot roll into the loader and then filling canisters as needed, or
is there a reason why you should load up the whole bulk roll in one session?
Although I do shoot a fair amount of film it would take a month or two to
use up the approximately 20 rolls I'd get out of a 100 foot roll.. Is it OK
to just load up a few canisters as needed, which means the bulk roll would
be stored in the loader, or should I load it all up at once?

TIA -

Mark

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Re: Bulk Film Loading

2013-07-19 Thread Mark C
Thanks for that advice - I was starting to get tempted to see if I could 
load up a canister with more than 36 exposures. But then - who needs to 
take more than 36 shots at any one time? :-)


Mark

On 7/19/2013 7:45 PM, Jeffery Smith wrote:

Resist any temptation to load more than 36 exposures. It will scratch the film 
unless you are using an ultra thin film such as HW Control Pan film. I had 
better luck with metal canisters with a snap on end than the plastic canisters with 
a screw on end.

Jeffery


On Jul 19, 2013, at 6:32 PM, Mark C pdml-m...@charter.net wrote:


I've been shooting a bit of 35mm BW these days and finally broke down and 
bought a daylight loader for bulk rolls and some reloadable canisters. I'm sure 
someone here has done or does do the bulk film loading thing... Question that I'm 
wondering about - is there any problem with just putting the 100 foot roll into the 
loader and then filling canisters as needed, or is there a reason why you should 
load up the whole bulk roll in one session? Although I do shoot a fair amount of 
film it would take a month or two to use up the approximately 20 rolls I'd get out 
of a 100 foot roll.. Is it OK to just load up a few canisters as needed, which 
means the bulk roll would be stored in the loader, or should I load it all up at 
once?

TIA -

Mark

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Re: Bulk Film Loading

2013-07-19 Thread Mark C
I had not thought about it but being able to customize the number of 
frames per roll would be nice to do - thanks for the advice about how to 
store the loaded loader as well.


On 7/19/2013 7:40 PM, Darren Addy wrote:

It has been a long time since I have done bulk loading. Bulk loaders
are so cheap right now, that one could have several with a different
kind of film in each (assuming one shoots more than one kind of film).

No need to bulk load the entire roll in one session. To do that you
would need a pretty big supply of reloadable canisters. Obviously, the
more exposures you put in one canister the fewer you need (and the
fewer frames lost to waste), but one of the advantages of bulk loading
is that you can make 12 exposure rolls (if you like). Less time with
film waiting in the camera for exposures to finish a roll (as often
happens with longer rolls).

Dust is your enemy. I'd suggest keeping the bulk loader in a gallon
zip-lock baggie with a packet of silica gel.

On Fri, Jul 19, 2013 at 6:32 PM, Mark C pdml-m...@charter.net wrote:

I've been shooting a bit of 35mm BW these days and finally broke down and
bought a daylight loader for bulk rolls and some reloadable canisters. I'm
sure someone here has done or does do the bulk film loading thing...
Question that I'm wondering about - is there any problem with just putting
the 100 foot roll into the loader and then filling canisters as needed, or
is there a reason why you should load up the whole bulk roll in one session?
Although I do shoot a fair amount of film it would take a month or two to
use up the approximately 20 rolls I'd get out of a 100 foot roll.. Is it OK
to just load up a few canisters as needed, which means the bulk roll would
be stored in the loader, or should I load it all up at once?

TIA -

Mark

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Re: Bulk Film Loading

2013-07-20 Thread Mark C
There are still 1 hour places prevalent here and one lab that does 120 
C41 and E6, but only once a week. The other lab that did it in house 
abruptly stopped when their machine broke and could not be repaired, and 
I expect that might be ultimate end of local 120 developing at this lab 
as well. Fortunately for the owner he has diversified into a field that 
should be immune to changing technologies - he's running a couple of 
successful pubs in addition to the film lab.


I do all the BW myself, usually in Rodinal or HC100. I still have 3+ 
liters of Agfa Rodinal to work through!


Mark

On 7/20/2013 1:18 AM, Alan C wrote:
I'm amazed to hear that so many are still shooting a lot of film. 
There are so few photo-labs left in SA now, in fact only in the big 
cities  nothing in the platteland. If I shoot a film, I have to use 
the postal service now - no more 1 hour service. I thought about 
developing my own negs again but the idea passed after a couple of 
beers. Yonks ago I used to buy long strips of 35mm BW film from a 
reporter friend of mine and manually load them into re-cycled 
cannisters in his darkroom. I wound it in to the limit - usually about 
50 exp. I thought the scratched negs were due to bad handling!


Alan C




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Re: Bulk Film Loading

2013-07-20 Thread Mark C

On 7/19/2013 11:37 PM, John wrote:


Half my refrigerator is taken up right now with bulk loaded 
cartridges, a bulk loader  bulk rolls of film. And I didn't pay a 
penny for any of it. Someone who made the decision to go completely 
digital  never shoot film again gave it to me.


HOw do you label the bulk loaded cartridges? I was thinking of just 
writing the film type and speed on the leader with a sharpie.


Mark

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Re: Bulk Film Loading

2013-07-20 Thread Mark C
Thanks, Ken - I was wondering if the reusable canister would get too 
messed up from adhesive residue, if tape or labels were used, but 
apparently not.


Mark



On 7/20/2013 2:14 PM, kwal...@peoplepc.com wrote:

HOw do you label the bulk loaded cartridges?


In film days I use to mark the ISO  number of exposures on a piece of 
masking tape a put it on the cassette.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - From: Mark C pdml-m...@charter.net
Subject: Re: Bulk Film Loading



On 7/19/2013 11:37 PM, John wrote:


Half my refrigerator is taken up right now with bulk loaded 
cartridges, a bulk loader  bulk rolls of film. And I didn't pay a 
penny for any of it. Someone who made the decision to go completely 
digital  never shoot film again gave it to me.


HOw do you label the bulk loaded cartridges? I was thinking of just 
writing the film type and speed on the leader with a sharpie.


Mark






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Re: Bulk Film Loading

2013-07-20 Thread Mark C

On 7/20/2013 5:25 PM, Jeffery Smith wrote:

Porters Camera or Freestyle used to sell permanent little adhesive labels for 35mm 
cassettes. I never needed them since I only loaded one type of BW film (Plus 
X).

Jeffery



I wish Plus-X was still around

Mark

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Re: Bulk Film Loading

2013-07-20 Thread Mark C

On 7/20/2013 11:18 AM, John Sessoms wrote:


I seem to have inherited the pack-rat gene as a dominant from both
parents ...


Then you are probably the right person to ask this question - can you 
re-use commercial film canisters?  I am somewhat embarrassed to admit 
this in a public forum but I just developed 2 rolls of Pro-Max 100.  
Just for the fun of it I tried popping the end of each canister off with 
just my fingers, no can opener. They came off easily and after the film 
was spooled I put the canister, center spool and ends back together. 
Both of them look perfectly serviceable. Did you ever try re-using the 
actual canister?  I don't think this would work with Kodak or Fuji 
canisters - the end caps on those seem to be held on tight and a can 
opener is needed to get them off - but who knows about other brands, 
like UltraFine and Adox etc...


If I can reuse the canisters, which normally sell for about $1 each, 
then the $1.75 per roll I paid for the Pro Max was not a terribly bad deal.


Mark

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Re: PESO - Michigan Green

2013-07-21 Thread Mark C
NIce shots, Paul - nice house too. I like the first one best. Is there a 
little HDR toning in these?


Mark

On 7/20/2013 10:37 PM, Paul Stenquist wrote:

May sell my house next sprint, so I wanted to get a xouple pixs wirh the lilies 
in bloom. Since it faces north, ball down magic hour is the only option.

http://photo.net/photodb/photo?photo_id=17468706size=lg
http://photo.net/photodb/photo?photo_id=17468710size=lg



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Re: ELLIE PANO

2013-07-21 Thread Mark C

Wow - fantastic. You really have the wildlife there!

Mark

On 7/21/2013 8:55 AM, Alan C wrote:
A herd heading back into the bush after drinking at the Letaba River. 
I counted 51 but at least 10 had already climbed the bank on the left 
so this is quite a big herd. There is a 2m croc on the bank at the 
lower left. I took the 3 shots in this pano about an hour before the 
zebras.


http://www.flickr.com/photos/wisselstroom/9335126988/lightbox/

K110D FA 100-300 @ 113mm  f5.6  1/3200sec  ISO 400

Alan C






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Re: Geso A gallery from the plow demo

2013-07-21 Thread Mark C

Lots of great photos there - you rally captured the event!

Mark

On 7/21/2013 10:09 AM, David J Brooks wrote:

http://www.caughtinmotion.com/2013-plow1/album/index.html

There are a lot of photos , around 270. Some of the participants like
to see their photos so i just include them all, for those with some
time on their hands, have a look.

Dave

--
Documenting Life in Rural Ontario.
www.caughtinmotion.com
http://brooksinthecountry.blogspot.com/
York Region, Ontario, Canada




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Re: 16-45 corner softness...(was re: 16-50 f2.8)

2013-07-25 Thread Mark C

On 7/25/2013 7:45 PM, Mark Roberts wrote:
More to the point, light fall-off in the corners (not vignetting, 
which is darkening caused by an obstruction) is rarely a problem. In 
Lightroom I *add* this effect frequently and only *very* rarely feel 
the need to correct for it. 


I once read a darkroom book where ther author said that it is the rare 
photo that does not benefit from having the corners burned in a bit. 
Sorta the same idea...


Mark


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Re: Another shot from Italy. Mountains this time

2013-07-25 Thread Mark C

Great lighting and the composition is classic. Most excellent!

On 7/24/2013 2:54 PM, Mark Roberts wrote:

Out of the city and into the mountains. No tricky HDR or stitched pano
stuff this time. Just a simple snapshot.
http://www.robertstech.com/temp/dolomite1.jpg
K-5 and DA*16-50/2.8
  



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Re: KEH has an A* 135mm f1.8

2013-07-25 Thread Mark C

On 7/22/2013 5:12 PM, P.J. Alling wrote:

If you have to ask you can't afford it.

On the other hand you might want to ask Mark Cassio, (I hope I got 
your name right Mark).  He had parts custom made to repair his A*200 
4.0 IIRC.


Close - Cassino, not Cassio... But what's one letter?

Yep - Eric determined that my A* 200 f4 was just plain worn out and we 
worked out a deal where he had the needed parts fabricated and 
successfully repaired the lens. Unfortunatley, the repair only lasted 
one season and a year later it was not stopping down correctly. I 
probably should have sent it to Eric to see if just needed adjustment, 
but a mint copy of the lens came up for sale so I shelled out a lot more 
to get a replacement A* 200. I probably broke the used market for that 
lens since everyone who wants to sell one these days is listing it at 
the overly inflated price that I paid. But for me, for a mint, never 
used A*200 it was an acceptable deal. I paid less than what a Nikon 
D7000, 200mm micro nikkor, flash and cables would have cost. I still 
have my old A* 200 macro - it seems to work fine manually stopped down 
and some day I hope to use it with the Q.


Mark



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Re: Semi-OT: silent lens upgrades

2013-07-26 Thread Mark C
My guess is that among camera bodies the Pentax LX would probably be a 
contender for King of Silent Upgrades.


On 7/25/2013 10:45 AM, Aahz Maruch wrote:

Roger Cicala of lensrentals.com talks about silent lens upgrades and
makes a few snarky comments about the blogosphere along the way:

http://www.lensrentals.com/blog/2013/07/silent-changes

(Figured this was only semi-OT given the recent discussion about lens
differences.)



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Re: OT: Why Digital is Dead for me in Street Photography

2013-07-26 Thread Mark C
Thanks for posting that. Personally, I agree with many of his points and 
appreciate him sharing his evolution into the analog world.


Personally. I like film because I like the process and results. I like 
digital for the same reasons. And hand shadows And most anything 
esle that I've decided to do more than once.


Mark




On 7/26/2013 12:43 PM, Darren Addy wrote:

Nobody is posting this morning and so I'm bored to tears. (Actually, I
am never bored. I find boredom to be the sign of a mind lacking brain
cells.)

So here is a well thought-out blog post that anyone who enjoys STREET
PHOTOGRAPHY will get a kick out of. And if you want to read some
arguments for why Film is Not Yet Dead (it just smells funny), you'll
also find 'em here. Enjoy!

http://erickimphotography.com/blog/2012/04/22/why-digital-is-dead-for-me-in-street-photography/



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OT - Plus -X Film Available

2013-07-27 Thread Mark C
A little while ago the topic of Plus-X film came up. I just stumbled 
into this:


http://www.ultrafineonline.com/kopl125bwfi3.html

At $6.98 per roll it is a bit too pricey for me (I have a dozen roll in 
the freezer already) but if anyone wants to get some it seems like they 
have it.


This place also sells a house film called Ultrafine Xtreme which is 
rumored to be re-branded Kentmere. I don't know if that is true or not 
but the films look exactly the same and my preliminary tests (I've only 
tried 2 rolls and only in Rodinal) have yeilded very consistent results 
between the two. The published times for the films are significantly 
different - but, for Rodinal 1:50 at least, the published time for the 
Ultrafine seems significantly too short.


Mark


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Bulk Film Loading - Success!

2013-07-27 Thread Mark C
Thanks for everyone who offered input on bulk film loading. My loader, 
25 empty cannisters and a roll of Kentmere 400 arrived last week. I was 
out of town for work Sun - Thursday but tried my hand at loading 
yesterday.  The only mistake I made is that I did not clean the felt 
light trap on the LLoyds loader before putting the roll in. I never even 
thought of it, as it was brand new and out of sealed plastic bag and box 
- but there was bit of grit on the felt and the first foot or two of 
film were scratched quite a bit, after that it seemed to work itself 
out. Otherwise, not problems and I loaded up 4 rolls and shot out one 
just to test. My scanning computer is in for repairs so  I set up a 
temporary system with a laptop and Canonscan FS 4000 - running blazingly 
fast through it's USB 1.1 interface (no SCSI port on the laptop.) It is 
slow but functional and the first scans are looking good.


Now to start loading up the freezer with 100' bulk rolls...

Mark

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Re: Another shot from Italy: Wildflowers

2013-07-28 Thread Mark C
Another excellent shot - makes me feel like I am standing there with the 
sun in my eyes, and loving it,


On 7/26/2013 6:13 PM, Mark Roberts wrote:

The wildflowers were amazing throughout the mountains during our trip.
This scene inspired me to say I'm gonna break all the rules and shoot
*into* the sun. (I'm such a rebel...) There was one little flare spot
that was easily touched up in Lightroom (except for the stitched pano,
all the shots I've shown from Italy have been Lightroom-processed-only
- no Photoshop necessary)

http://www.robertstech.com/temp/dolomite3.jpg
The Pentax DA 12-24 again.
  



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Re: Cheap extension tubes and reverse lense adaptors (and other photo accessories)

2013-07-28 Thread Mark C
Interesting site - for those of us who get into the occasional DIY 
project this could be a useful resources for the bits and bobs not 
easily (or cheaply) obtained elsewhere. The cheap IR remotes and spirit 
levels alone make it worth bookmarking. They appear to have the exact 
same LED ring light I bought a few months ago for $79 for about 1/3rd 
less as well...


Mark


On 7/27/2013 2:18 PM, Igor Roshchin wrote:


Hi All,


I suspect some people might know this source, but some - might not.
So, I hope it might be useful for somebody.
http://dx.com - sells a bunch of camera accessories, including
extension tubes and reverse lense mount adaptors.
They are not the best quality, but very affordable.
(Just in case: I remember seeing that some reviewers say that thread
on some of those was tight, but usable.)
They also have various lens caps and hoods, color balance caps/cards,
etc.

http://dx.com/c/cameras-photo-video-1599/lenses-accessories-1523?pageSize=200page=1

Couple of funny cameras:
1. 5MP camera for IR! - for only
$23.50:
http://dx.com/p/cm-8-cmos-5-0mp-high-definition-ir-night-vision-aluminum-alloy-casing-mini-digital-camera-black-224243
(It has an optical viewfinder, and now screen! - for the purists! :-) )

and
2.  $24 micro-sized camera:
http://dx.com/p/hd-720p-12mp-mini-camera-photograph-video-voice-record-motion-detection-webcam-131040

Disclaimer: you may waste lots of time browsing through this store...
:-)

HTH,

Igor






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Re: OT - Plus -X Film Available

2013-07-28 Thread Mark C
I think it is a matter a personal preference. At one time in the past I 
bought a couple of pro-packs of FP4 and worked my way through them, 
probably using D76 or and Rodinal, but I did not take a shine to it and 
went back to Plus-X. I found the FP4 to have less grain than Plus-X, but 
more than the T Grain films, and if grain concerned me I would use TMax 
or Delta 100. If I wanted the organic results of old style film, I 
preferred Plus-X or, in the right developer, Neopan SS. I bought another 
brick of FP4 earlier this year as I have been casting about for a good 
ISO-100 film, now that my stock of Neopan SS is used up. Again - I found 
the FP4 to be OK but just lacking the snap that I am looking for. I 
recognize those are subjective terms, but my decision is purely subject.


I still have not found a currently available  35mm ISO 100 film that I 
really love. I am going to give the Kentmere 100 a try. Arista EDU seems 
to be good and may be what I settle on. In 120 format I still have 
substantial stocks of APX-100 and Plus-X.


Mark

On 7/27/2013 7:48 PM, P.J. Alling wrote:
I know there is some disagreement about this, but in my experience 
Ilford FP-4 Plus is comparable to Kodak Plus X with a couple of 
exceptions.  The important one being that FP-4 seems to look sharper, 
oh yes, and it's also still manufactured. I used to buy FP-4 because 
it was less expensive. They're both old fashioned, well more or less, 
traditional films.


On 7/27/2013 12:39 PM, Mark C wrote:
A little while ago the topic of Plus-X film came up. I just stumbled 
into this:


http://www.ultrafineonline.com/kopl125bwfi3.html

At $6.98 per roll it is a bit too pricey for me (I have a dozen roll 
in the freezer already) but if anyone wants to get some it seems like 
they have it.


This place also sells a house film called Ultrafine Xtreme which is 
rumored to be re-branded Kentmere. I don't know if that is true or 
not but the films look exactly the same and my preliminary tests 
(I've only tried 2 rolls and only in Rodinal) have yeilded very 
consistent results between the two. The published times for the films 
are significantly different - but, for Rodinal 1:50 at least, the 
published time for the Ultrafine seems significantly too short.


Mark








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Re: PESO: PYJAMA PAIR

2013-07-28 Thread Mark C

Nice pair - excellent lighting and composition.

On 7/20/2013 8:44 AM, Alan C wrote:
Came across this handsome pair patiently waiting to cross the road 
near the Phalaborwa gate late on Sunday afternoon.


http://www.flickr.com/photos/wisselstroom/9327888794/

Alan C




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Re: PESO - Ceramic Pot on a Wall

2013-07-28 Thread Mark C

Very nice - a real wall hanger.

Mark

On 7/19/2013 8:35 AM, Brian Walters wrote:

G'day all

Apologies for the naff title - couldn't think of anything catchy.

This is from our USA trip - taken in Santa Fe, which has to be one of 
the most photogenic cities I've ever been in.  I really like the way 
many homes have decorations on their external walls.


This faded ceramic pot caught my eye:

http://dl.dropboxusercontent.com/u/1370864/PESO/slides/_IGP2142-K5-1-peso.html 



I also played around with it using Nik Silver Efex

http://dl.dropboxusercontent.com/u/1370864/PESO/slides/_IGP2142-K5-1bw--peso.html 




Comments/suggestions welcome, especially whether the colour or 
monochrome version is preferable.






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Enablement - Sima 100mm f2.0 Macro! And T-Mount Question

2013-08-01 Thread Mark C
I'm always questing for the best macro gear, and this Sima 100 f2 lens 
just might be it!


http://www.markcassino.com/b2evolution/index.php/2013/08/01/sima-100-f2-macro-lens?blog=9

Or not... That's the SIma on K-5...a few minutes walking around the yard 
this evening.


I've been watching for one of these for a while on eBay and picked up 
this one for just over $40. It came with a bunch of photographic odds 
and ends of which there are about a dozen decent quality filters  (Red, 
Yellow, CPL, ND4, etc etc) so I feel like I got a pretty good deal.


This is a T-Mount lens and came with a Canon mount. I ordered a T2 to K 
mount adapter which arrived today but does not fit the lens. As I 
fiddled with it I dimly recalled having some sort of T mount adapter on 
hand, and remarkably found it. It fits but the mounting screws for it 
are missing. I have it taped to the lens.


The T Mount that works is simply marked Adapter for K/M. Any idea what 
the proper designation of this kind of T Mount would be? I looked on BH 
and eBay, but only see the T-2 mounts. The black electrical tape I used 
works pretty well, but I'd like to get a properly mounted adapter.


Mark

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Re: Enablement - Sima 100mm f2.0 Macro! And T-Mount Question

2013-08-02 Thread Mark C


On 8/2/2013 1:57 AM, Bill wrote:


I had a Sima years ago when I was still shooting Nikon. I absolutely 
adored the thing for nudes. It was wonderful, even the most 
pornographic image was rendered as fine art with the Sima.



Interesting.. I wonder if Bob Gucione had one of these...

Mark

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Re: Enablement - Sima 100mm f2.0 Macro! And T-Mount Question

2013-08-03 Thread Mark C
One of the things about the Sima is that it does not seem to have a 
sweet spot that retains sharpness. But it still is an interesting lens 
and one that I expect to have some fun with.To my eye, some of the shots 
remind me of images I would see in the late 60's early 70's. There is 
something organic about distortions that arise in the optics vs those 
added digitally later and they have a different feel to them.


Mark

On 8/3/2013 9:42 AM, Darren Addy wrote:

Seriously, as most of you probably already know, soft focus does have
its place. The brides would love a series that I would do (back in my
wedding photography days) that was close-ups of the BG looking into
each other's eyes (shot by doorway or window light with no flash, and
from the perspective of over the shoulder of one and then the other).
Back then we would use a UV filter that had clear nail polish dabbed
around the outside, leaving the very center portion clear. The effect
could vary depending upon the aperture and how much light you had
spilling on the front of the filter.

Soft focus is also good for vain older women's portraiture.

On Fri, Aug 2, 2013 at 10:07 PM, Mark C pdml-m...@charter.net wrote:

On 8/2/2013 1:57 AM, Bill wrote:


I had a Sima years ago when I was still shooting Nikon. I absolutely
adored the thing for nudes. It was wonderful, even the most pornographic
image was rendered as fine art with the Sima.


Interesting.. I wonder if Bob Gucione had one of these...

Mark


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Re: OT -- DiMage Scanner with Windows XP

2013-08-11 Thread Mark C
Its been a while but I used a Canon Canonscan FS4000 on an XP box 
running through a SCSI port. The Adaptec AHA940AU card in the XP machine 
displays a dialog box when the machine boots - before XP loads. You see 
the BIOS and then Adaptec message (with the right key strokes you can go 
in and configure it) and then XP loads. You probably checked this 
already but if the SCSI card shows up as functioning properly in device 
manager then I would expect the scanner to work. I still have the SCSI 
card in my XP box and see that start up message every time I boot up.


The power supply on my XP box blew a while back, and while it was out of 
commission I ran the Canoscan via its USB 1.1 interface off my laptop, 
running 32 bit vista. It was slow but the output was fine. However, it 
would not work with Vuescan or the Canon software until I installed the 
device drivers. I initially tried running the scanner, via the USB 1.1 
interface, on a 64 bit WIndows 7 machine, but could not get it to work.


I used a Minolta Diamage scanner as one of my first dedicated film 
scanners and loved it Don't remember the exact model number. . The DMAX 
for slides was not so hot and it had problems with shadows on slide 
film, but it nailed the color balance of slide and C-41 film better than 
any other scanner I have ever used, and I've used a lot of them.


Mark

On 8/11/2013 5:26 PM, P.J. Alling wrote:
Well it's kind of OT but not really.  A friend of mine is trying to 
get his DiMage (I believe it's a Scan Multi), working with WinXP. It 
was last used with a Windows 98 box, and has been in storage for the 
last few years.  I tried to diagnose his problems on the phone, but 
that didn't work out as well as I would have liked.


He's using an Adaptec SCSI card that according to the manufacture's 
site has native XP Drivers embedded in the OS. However the Minolta 
supplied software didn't recognize the scanner and neither did the OS.


I suggested that he download Hamrick VueScan, which caused a 
bluescreen when first started, and after rebooting it didn't see the 
scanner either.  I'm kind of at a loss, has anyone else here used an 
older SCSI scanner with XP successfully?  If so what steps did you take?





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Re: Experimenting with focus stacking (truck, dragonfly, and beach content)

2013-08-13 Thread Mark C
Nice shots - the blueberries look great and I love the dragonfly on the 
coneflower. Interesting use of stack focus for the truck cab, landscapes 
and beach scenes. I had not thought of using it for landscapes but that 
would be interesting - no more stopping down for DOF, no more  
diffraction compromised images! Come fall, I may actually use up all 
that Porta 160 120 film I have in the freezer...


I was at the other end of the great lakes last week - spent a few days 
in Chicago, one just hanging around the lakefront. Not the same as those 
nice empty Lake Superior beaches. Shot 14 rolls of Tri-X, just starting 
to look at the results now, a week later.


Mark

On 8/12/2013 10:34 AM, Stan Halpin wrote:

Last month Mark C. shared his first experiments with focus stacking, using 
dragonflies as his subjects:
http://www.markcassino.com/b2evolution/blog6.php/2013/07/06/stack-focusing-dragonflies-in-the-field

So I was in a photo workshop this last week, the instructor kept encouraging us to try 
focus stacking. I tend to be skeptical of manipulation techniques (e.g., HDR) 
but given Mark's results, I did shoot several series of images with focus stacking in 
mind. On arriving back home I purchased/downloaded Helicon Focus to process the images 
and see what I had captured. When I get time I will work on my other insect shots and 
re-do these two - at first glance they seem to have potential. Below is a link to the 
first quick attempts. Being a contrarian, I did not restrict myself to macros of insects 
for the experiments, and I think that the truck cab interior is the best of the bunch. 
With the beach shots, the variation in wave pattern from shot to shot caused some funny 
looking patterns when the images were merged, so I did not use all of the images I had in 
those series.

Note that the original RAW images were dumped into Helicon as they came out 
of the camera - no color balancing, sharpening, etc. (There is a Lightroom plug-in that 
makes this process quite simple.) The images shown here are as they emerged from Helicon 
- I have not yet done any additional work on color-balance, etc. with the merged images. 
All of these shot on a tripod, all with natural light.

http://photos.stanhalpin.com/p684646393

Comments welcome.

stan



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Re: My paean to the Dream Cruise

2013-08-17 Thread Mark C

Great article, Paul -  awesome photos and video as well! Great job!

Mark

On 8/15/2013 5:02 PM, Paul Stenquist wrote:

Been working on this story off and on all summer. It's now live on the Times 
website and will run in Sunday's paper:

http://www.nytimes.com/2013/08/18/automobiles/on-woodward-forever-young.html

Did three different photo shoots for this one and multiple interviews. I even 
tried to shoot a video with my K-5, the DA 12-24, an LED lamp and a shotgun 
microphone. There's a link to it in graph three of the article.

Paul



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Re: 2 PANOS

2013-08-18 Thread Mark C

Quite stunning - remarkable wildlife you have there.

Mark

On 8/12/2013 11:01 AM, Alan C wrote:
A couple of Panos from last weekend in Kruger. Right click to chose a 
larger size  then pan L  R.


Olifants Camp is situated high on a ridge on the E bank of the 
Olifants river. From here you can see for miles. There used to be a 
pay telescope at the point from which I took these 5 stitched photos 
but it was vandalised  removed. This is a favourite spot for 
tourists, especially those sporting big white lenses. My humble K110D 
was the rose among the thorns. The Pano is roughly 180deg, looking W.


http://www.flickr.com/photos/wisselstroom/9490052257/lightbox/

Buffaloes live in matriarchal herds comprising several hundred 
individuals. The mature bulls graze alone or in small groups to build 
up strength for periodical sex orgies. This herd of about 300 was 
basking in the mid-day sun south of Satara camp.


http://www.flickr.com/photos/wisselstroom/9492846800/lightbox/


Alan C




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Re: On the ground

2013-08-18 Thread Mark C
Ouch - good save of your gear, though! Funny how reflexes can be 
re-routed form saving yourself to saving a camera. I hope you are healed 
up soon.


Mark

On 8/17/2013 9:12 PM, Paul Stenquist wrote:

Stepped in a hole and lost my footing while shooting the dream cruise for the 
Times. Skinned knee and elbow along with a sprained wrist. But held my camera 
aloft. Slight damage to the hood of my 60-250/4, but that's it. Finished the 
shoot. Plenty of good pics and one newsworthy one. I'm happy but sore.

Paul via phone



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Re: PESO - Latin Scholar Needed

2013-08-18 Thread Mark C
Those symbols stand for the signs of the Zodiac in astrology - no idea 
what the sign means. Nice capture.


Mark

On 8/18/2013 8:58 AM, Rick Womer wrote:

...and maybe a Greek scholar too, if that's the alphabet below the Latin.

The micro-PDML group came upon this in Greenwich last month.  It was embedded 
in a wall, about 8 feet up.  It looks vaguely like a sundial, but the street is 
narrow enough that I doubt the sun shines there.

http://photo.net/photodb/photo?photo_id=17500455


Translations and explanations appreciated!

Rick




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Re: PESO - Storm over the Great Sand Dunes

2013-08-18 Thread Mark C

Amazing light, especially in the first one.

Mark

On 8/17/2013 8:51 AM, Brian Walters wrote:
Back in May we visited the Great Sand Dunes National Park near 
Alamosa, Colorado.  Not long after we left, a storm arrived from the 
south which we were able to observe from a lookout a few miles from 
the Park.


The light on the dunes was stunning as the sun illuminated them below 
the storm clouds.  Between the three of us (my two sons and me) we 
must have taken well over 100 shots but I don't think any of us 
captured the scene as we remembered it.


These are the two best that I came up with:

https://dl.dropboxusercontent.com/u/1370864/PESO/slides/_IGP2410-K5-1-peso.html 



https://dl.dropboxusercontent.com/u/1370864/PESO/slides/_IGP2576-K5-1peso.html 



Comments appreciated, especially as to which is preferred (if any).






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GESO - Chicago Scenes

2013-08-19 Thread Mark C
My wife and I spent a few days in Chicago earlier this month. I've been 
in a film mood this summer and stuck to Tri-X and Arista Primium 400 
(similar to Tri-X).


Best snaps of the trip -

http://www.markcassino.com/b2evolution/index.php/chicago-scenes

Mz-S, FA 20-35, FA 28-105 (power zoom model) and FA 80-320. The small 
bag still had zoom for the Q and 4 of it's lenses as well! Though they 
were little used. Film exposed at box speed (400) or pushed 2 stops to 1600.


Comments welcomed.



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Re: PESO skin in IR, rope in UV

2013-08-19 Thread Mark C
Interesting study. Have you tried swapping the red and blue channels? 
Skins tones would be more natural but maybe not the effect you want.


Mark

On 8/11/2013 6:09 PM, Larry Colen wrote:

http://www.flickr.com/photos/ellarsee/9489462930/

I was hoping that nylon rope and webbing would not reflect IR, and would
just appear black, so that fluorescent rope in IR and black light would only
show the fluorescent colors, rather than the colors mixed with the IR
baseline.  That didnt' quite work,  but the technique does show a
bit of promise:
http://www.flickr.com/photos/ellarsee/9489462930/




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Re: GESO - Chicago Scenes

2013-08-20 Thread Mark C

Thanks, Paul! Chicago is fertile ground for photography.

Mark

On 8/19/2013 8:16 PM, Paul Stenquist wrote:

Love these great pics of my hometown.

Paul via phone

On Aug 19, 2013, at 8:10 PM, Mark C pdml-m...@charter.net wrote:


My wife and I spent a few days in Chicago earlier this month. I've been in a 
film mood this summer and stuck to Tri-X and Arista Primium 400 (similar to 
Tri-X).

Best snaps of the trip -

http://www.markcassino.com/b2evolution/index.php/chicago-scenes

Mz-S, FA 20-35, FA 28-105 (power zoom model) and FA 80-320. The small bag still 
had zoom for the Q and 4 of it's lenses as well! Though they were little used. 
Film exposed at box speed (400) or pushed 2 stops to 1600.

Comments welcomed.



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Re: GESO - Chicago Scenes

2013-08-20 Thread Mark C
Thanks, Godfrey! I appreciate that coming from another frequent analog 
photographer.


Mark


On 8/19/2013 8:29 PM, Godfrey DiGiorgi wrote:

Lots of good photos, Mark!

Godfrey


On Aug 19, 2013, at 5:10 PM, Mark C pdml-m...@charter.net wrote:


My wife and I spent a few days in Chicago earlier this month. I've been in a 
film mood this summer and stuck to Tri-X and Arista Primium 400 (similar to 
Tri-X).

Best snaps of the trip -

http://www.markcassino.com/b2evolution/index.php/chicago-scenes

Mz-S, FA 20-35, FA 28-105 (power zoom model) and FA 80-320. The small bag still 
had zoom for the Q and 4 of it's lenses as well! Though they were little used. 
Film exposed at box speed (400) or pushed 2 stops to 1600.

Comments welcomed.



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Re: GESO - Chicago Scenes

2013-08-20 Thread Mark C
Thanks, Bruce. Dreamland has me stumped - based on the surrounding 
photos I pretty much know exactly where and when I took that image, but 
have no recollection of it at all.


Mark

On 8/19/2013 9:23 PM, Bruce Walker wrote:

A terrific gallery, Mark. All winners, but I especially enjoyed the
night shots, and of those extra love for Spirits Three and Dreamland.
They all have a very retro flavour.

On Mon, Aug 19, 2013 at 8:10 PM, Mark C pdml-m...@charter.net wrote:

My wife and I spent a few days in Chicago earlier this month. I've been in a
film mood this summer and stuck to Tri-X and Arista Primium 400 (similar to
Tri-X).

Best snaps of the trip -

http://www.markcassino.com/b2evolution/index.php/chicago-scenes

Mz-S, FA 20-35, FA 28-105 (power zoom model) and FA 80-320. The small bag
still had zoom for the Q and 4 of it's lenses as well! Though they were
little used. Film exposed at box speed (400) or pushed 2 stops to 1600.

Comments welcomed.



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Re: PESO skin in IR, rope in UV

2013-08-20 Thread Mark C
Don't know for Lightroom... In PS you go to Image - Adjustments - 
Channel Mixer and set the Red channel to 100% blue and the blue channel 
to 100% red.


Mark


On 8/19/2013 9:08 PM, Larry Colen wrote:

On Mon, Aug 19, 2013 at 08:23:42PM -0400, Mark C wrote:

Interesting study. Have you tried swapping the red and blue
channels? Skins tones would be more natural but maybe not the effect
you want.

No I haven't.  How would I do that in Lightroom?

Unfortunately, they have us back to working 7 days a week until the
project ships, and this has a seriously adverse effect on the time
I have to experiment with my cameras.




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Re: Dream Cruise Pics

2013-08-21 Thread Mark C

Great article and great photos, Paul. The lead photo is awesome!

Mark

on 8/20/2013 10:10 AM, Paul Stenquist wrote:

No shot of my skinned knee, bloody elbow and broken lens hood:

http://wheels.blogs.nytimes.com/2013/08/20/the-2013-woodward-dream-cruise-a-perfect-day-for-cruising/



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Re: PESO - Waterfall, Jonathan Run

2013-08-21 Thread Mark C

Worth the effort - fabulous shot!

Mark

On 8/18/2013 11:50 AM, Matthew Hunt wrote:

Went for a hike with my wife in Ohiopyle State Park yesterday and
photographed this waterfall:

http://abattoir5.com/picture.php?/356

It was a bit tricky to get down to the waterfall from the trail, and
back up, and I'm feeling the effort today.




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Re: GESO - Chicago Scenes

2013-08-22 Thread Mark C

Thanks, Frank! And thanks to everyone else who took a look.

Mark

On 8/20/2013 11:07 PM, knarf wrote:

A stunning gallery, Mark!

Not much else to say. Just beautiful.

Cheers,
frank

Mark C pdml-m...@charter.net wrote:

Thanks, Paul! Chicago is fertile ground for photography.

Mark

On 8/19/2013 8:16 PM, Paul Stenquist wrote:

Love these great pics of my hometown.

Paul via phone

On Aug 19, 2013, at 8:10 PM, Mark C pdml-m...@charter.net wrote:


My wife and I spent a few days in Chicago earlier this month. I've

been in a film mood this summer and stuck to Tri-X and Arista Primium
400 (similar to Tri-X).

Best snaps of the trip -

http://www.markcassino.com/b2evolution/index.php/chicago-scenes

Mz-S, FA 20-35, FA 28-105 (power zoom model) and FA 80-320. The

small bag still had zoom for the Q and 4 of it's lenses as well! Though
they were little used. Film exposed at box speed (400) or pushed 2
stops to 1600.

Comments welcomed.



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and follow the directions.

“Analysis kills spontaneity.” -- Henri-Frederic Amiel






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Re: BW Film Development app

2013-08-22 Thread Mark C
The massive developer chart is available as an app for iphone android 
and nokia. I just write down the info I need. On a sticky note - that's 
higher tech than plain paper...


Idea for a really cool film development app - enter the film brand and 
speed; developer type, concentration and temp; desired contrast level 
and then tape the phone to the tank and hit the start button. The phone 
would sense your agitation technique and sound a beep when the film is 
done Might take a lot of testing to accomplish.


Mark

On 8/21/2013 8:34 PM, Stan Halpin wrote:

Mark C's recent Chicago gallery, mostly produced with Tri-X, and his 
discussions about the brew he used to develop said film, reminded me of a 
comment I have been meaning to make.

For the iOS, and possibly other mobile OS systems? there is an app called 
Massive Dev Chart Timer. It looks like a compilation of many sources of 
recommendations for what brew to use for how long with what agitation for 
whatever type of film. And IIRC a built in timer to time the agitations and 
total time. And IIRC a way to change entries to your own preferred way of doing 
things. And a way to make notes on e.g. your experience using HC-110 with 
Tri-X. If nothing else, it seems like a good start point for someone just 
coming to film development or who has been away for so long that they don't 
recall the parameters of a given film/brew combination.

stan



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Re: Boris PESO 2013 #36 - Anat

2013-08-24 Thread Mark C

Lovely, Boris - simply lovely.

On 8/23/2013 2:23 PM, Boris Liberman wrote:

Full frame or not, but SMCP A 50/1.2 is mighty fine lens...

http://pentax-ways.blogspot.co.il/2013/08/2013-36-anat.html

Thanks.






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Re: Another Blurb book...

2013-08-24 Thread Mark C

Congrats on complying the project!

So - is this a book that would benefit someone not in your class?

Mark

On 8/24/2013 3:36 PM, Mark Roberts wrote:

I've finished my Photoshop course textbook. Just in the nick of time,
really. Uploaded last night. Did my copyright registration this
morning. Made the book available for purchase this afternoon. (Oh
yeah, took a year and a half to write it...)

http://www.blurb.com/b/4545115-a-semester-of-photoshop

  



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Re: PESO: Dark Morph Swallowtail

2013-08-24 Thread Mark C
Nice set of photos and great work on the identifications! You are lucky 
to be getting such beautiful subjects!


Mark

On 8/23/2013 12:24 AM, Daniel J. Matyola wrote:

I continue chasing butterflies.

First I posted a PESO of a male Eastern Tiger Swallowtail, Papilio
glaucus:   http://photo.net/photodb/photo?photo_id=17493755

I then did a PESO showing the yellow morph female Eastern Tiger
Swallowtail:  http://photo.net/photodb/photo?photo_id=17504449
The principal difference is the band of bright blue spots at the base
of the female's wings.

There is another variety of Papilio glaucus, however;  the dark morph
of the female, which is almost completely black, but still has the
band of blue dots.  Here is one from my butterfly bush:

http://photo.net/photodb/photo?photo_id=17493747size=md

Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola




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Re: PESO - Subtlety

2013-08-24 Thread Mark C

That is just stunning, Doug. Beautiful.

Mark

On 8/22/2013 2:24 PM, Doug Brewer wrote:

https://plus.google.com/115347824062413314605/posts/3SvUDez6XNA

Another photo of Anna.




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Red Dragons 2013 - A couple more stack focused shots

2013-08-25 Thread Mark C
A few snaps of red dragonflies for this summer - they seem to be scarce 
this year:


http://www.markcassino.com/b2evolution/index.php/red-dragons-2013

The first two shots are stack focused. The next two are just single 
exposures.


CC always appreciated - leaving Monday morning for a work related tip 
and will be off line for a few days


Mark

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Re: Red Dragons 2013 - A couple more stack focused shots

2013-08-26 Thread Mark C

On 8/25/2013 10:30 PM, J.C. O'Connell wrote:
great shots, whats the technical info? i.e. lens, camera, fstop, ISO, 
shutterspeed, etc



Thanks - taken with a K-5, A* 200 macro, ISO 400 - 800 f 8-11 1/250 - 
1/500th, depending on the specific series. The file names give an idea 
of the amount of stacking - 7 images for one and 16 for the other. Of 
course, two are straight shots.


Mark

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Re: PESO 2013 - 087 - GDG

2013-08-27 Thread Mark C
Ah... simplicity... That's a great shot - wonderful lines, design and 
tonality, and it just feels really comfortable. Happy birthday!


Mark

On 8/26/2013 3:27 PM, Godfrey DiGiorgi wrote:

Espresso on my birthday morning. Ah, nice!

   http://www.flickr.com/photos/gdgphoto/9602594016/lightbox

Thanks for looking!

G
--
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Re: New weatherproof flash units HD Limited lenses

2013-08-28 Thread Mark C

On 8/27/2013 6:40 PM, Bruce Walker wrote:

The LED add-on to the flash is a brilliant move, and way more useful
than the WR waterproofing. I understand the motivation to cement WR as
a brand-wide thing, but it's unlikely to be of very much practical use
to anyone. Brightly lit raindrops or snowflakes anyone?


Sounds good to me! :-)

Mark

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Re: PESO - Damselfly

2013-08-29 Thread Mark C
NIce shot, Frank. I like how the damsel is illuminated - looks luminous. 
I've always been a fan of  the 18-55's close focusing ability.


Mark

On 8/28/2013 10:08 PM, knarf wrote:

This is so damned frustrating. Down by the Lake a couple of weeks ago. Light 
perfect. Damselfly on a big backlit dewey leaf.

No macro on me.

He sat still for about a minute.  I got several shots with the 18-55 kit zoom. 
This was the best of them:

http://knarfdummyblog.blogspot.ca/2013/08/damsel-fly.html?m=1

But I would have liked it much sharper. If only...

Anyway, hope you enjoy. Comments always welcome.

Cheers,
frank




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Re: GESO - 12 hours

2013-08-31 Thread Mark C
Nice collection, Derby. My favorites are #5 (oddly enough) and #18 - 
great lighting in that one.


Mark

On 8/25/2013 8:22 AM, Derby Chang wrote:


Had some time to take the OM-D for a good workout. Normally I wouldn't 
go for a full 12 hours, but the city had a bunch of things happening 
over the day. Definitely my next piece of photo gear - better walking 
shoes


http://members.iinet.net.au/~derbyc/13/08/12hrs/index.html




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PESO - Deep... Dark...

2013-09-02 Thread Mark C

Taken on a bright summer day... Non-Pentax Content.

http://www.markcassino.com/b2evolution/index.php/deep-dark-woods

Holga, APX 400, Rodinal.

CC Welcome.

Markl



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PESO - Herkey Jerkey

2013-09-02 Thread Mark C
I don't usually PESO updates to my Visitations blog, but I really like 
this abstraction:


http://www.markcassino.com/b2evolution/index.php/2013/09/02/herkey-jerkey?blog=8

*ist film camera, Tamron 90mm f2.8 macro, Pro Max 100 film, HC110.

CC welcome

Mark



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Re: PESO - Gossamer

2013-09-02 Thread Mark C

Nice shot, Frank - well lit with a nice clean background.

Mark

On 9/2/2013 6:26 PM, knarf wrote:

My attempt at doing a Bruce Dayton:

http://knarfdummyblog.blogspot.ca/2013/08/gossamer.html?m=1

Haven't heard from him in years. Anyone in touch?

Anyway I don't think I did him justice. Let's call it an homage...

Hope you enjoy. Comments welcome.

Cheers,
frank
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Re: PESO - Herkey Jerkey

2013-09-02 Thread Mark C

Thanks, Marco. Glad you liked the shots!

Pro Max is currently being sold by Lauder Photographic on eBay and their 
own website. It is described as having ... high clarity, wide exposure 
latitude, and good physical characteristics, can meet various 
requirements such as high-temperature and high-humidity. It features 
processed functions of resisting adhesion and scratch, and widely used 
in portrait, adv, landscape,journey and art photography etc. The use of 
a new type of silver halide grain emulsion, ensure excellent sharpness 
and fine grain even at enlargement.


If you plug that description into google it will pull up many pages 
promoting Lucky SHD, so I assume that Pro Max 100 is Lucky SHD 100 (or 
else that is quite a coincidence.)


I bought it simply because it was cheap, but I have since found better 
sources and could probably come close to matching the price for 
pre-packaged rolls and many bulk films are cheaper. I was surprised to 
see that the price of Pro Max has increased in the last few months.


This film has a weak anti halation layer which can make it interesting - 
though it usually is more of a disadvantage than not. Other than that, 
the quality is generally OK - I've seen no emulsion defects in the ~40 
rolls I've shot, the grain structure is good enough to allow for using 
Rodinal (though I have settled on HC110) and overall results are consistent.


Mark

On 9/2/2013 7:50 PM, Marco Alpert wrote:

Both this and Deep... Dark... are quite wonderful. But what is this film you 
speak of?

-Marco

On Sep 2, 2013, at 4:15 PM, Mark C wrote:


I don't usually PESO updates to my Visitations blog, but I really like this 
abstraction:

http://www.markcassino.com/b2evolution/index.php/2013/09/02/herkey-jerkey?blog=8

*ist film camera, Tamron 90mm f2.8 macro, Pro Max 100 film, HC110.

CC welcome

Mark



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Re: A couple from the Mass. campout

2013-09-02 Thread Mark C
Beautiful atmosphere (literally and figuratively) and mood here.  The 
signpost in the foreground would be my only nit - a few steps forward or 
a little cropping and it would be taken care of.


Mark

On 9/2/2013 7:34 PM, Collin Brendemuehl wrote:

http://www.flickr.com/photos/55001392@N08/9656968429/in/set-7215763534935714
7

More later.





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Re: GESO - Bardfest

2013-09-02 Thread Mark C
Very nice set - I like the BW rendering. Contrast is crisp and 
distinctive but also very well balanced.


Mark

On 9/1/2013 5:21 PM, Steve Cottrell wrote:

Went to Alma's best friend's 60th yesterday, was asked to shoot candids,
which I did. Pushed a selection of 36 onto them, thought you might like
to see. All shot on the Fuji X10, all shot jpeg in camera, mostly B+W
but switched to colour for a few. Rather shoot B+W in camera than dither
later. Anywau, easy to skip through on Posthaven, just use your right
arrow key.

http://cottycam.posthaven.com/lynsis-60th-bardfest

Cheers




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Re: PESO - OT - Trailer Park Country

2013-09-02 Thread Mark C
You manage to capture some ncredible slices of life - this one is at the 
the top of the list. Great!


Mark

On 9/1/2013 8:36 PM, knarf wrote:

Taken with my old phone cam at a local fair last month. This was a sister act 
from nearby Burlington or Oakville (can't remember their name just now). Not 
only were they terrific but they were self-contained. Pulled up in their little 
trailer, unrolled a rug, pulled out patio chairs, speakers, amps, a generator, 
instuments and gave a great concert:


http://knarfdummyblog.blogspot.ca/2013/09/trailer-park-country_1.html?m=1

Genuinely nice young ladies, too; we had a lovely chat with them after the show.

Fifteen minutes to put it all away and they were gone.

Hope you enjoy.  Comments always welcome.

Will try to remember their name and report back later.

Cheers,
frank
“Analysis kills spontaneity.” -- Henri-Frederic Amiel






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Re: PESO: Hood Ornament

2013-09-02 Thread Mark C

Nice shot of an interesting artifact.

Mark

On 8/30/2013 11:56 PM, Daniel J. Matyola wrote:

http://photo.net/photodb/photo?photo_id=17508290
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola




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Re: weddings I hate to shoot weddings

2013-09-02 Thread Mark C
I'm a little late coming to this Ann, but I think you have a lot of good 
photos there. 16,18 and 33 stand out for me. I think you caught a lot of 
good emotion, despite some of the technical flaws (e.g. the noisy 
images). I only did 3 weddings nad never did get a good shot of bride 
and groom doing the hokey pokey or chicken dance...


Mark





On 8/28/2013 11:28 AM, Ann Sanfedele wrote:


Pretty much a disaster - terrible light on the terrace

Fortunately there were a lot of people shooting - I'm glad I got my K5
paid for, but I would rather have not done the posed pics -

This is a small Geso - I feel ok about most of them - meaning
not too embarrassing.

I had put 75 up to start and it was just too awful.

http://annsan.smugmug.com/Assignments/Paul-and-Linda-Get-Hitched/31453928_TSxSrg#!i=2724712337k=x4jSmRR 



yes it is password protected - password is avrin

not my cup of tea - am I being too negative?

ann




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Re: PESO - Herkey Jerkey

2013-09-03 Thread Mark C

Thanks!

I'm not 100% sure what it is - I *think* it is the edge of a tupperware 
type food storage container with the camera obviously in motion. I took 
several shots in the kitchen one evening and deliberately jerked the 
camera around to induce motion blur.


I keep the *ist loaded and sitting around and snap anything that grabs 
my eye and wait till to have 4 rolls before developing the film, so it 
can be a while before I see the results... lots of time I can't figure 
out what the original subject was.


Mark


On 9/2/2013 11:50 PM, Bob Sullivan wrote:

Mark,
As Ken said, wonderful but what is it.
Regards,  Bob S.

On Mon, Sep 2, 2013 at 9:43 PM, Kenneth Waller kwal...@peoplepc.com wrote:

A wonderful abstraction Mark.

So what is it?


-Original Message-

From: Mark C pdml-m...@charter.net
Subject: PESO - Herkey Jerkey

I don't usually PESO updates to my Visitations blog, but I really like
this abstraction:

http://www.markcassino.com/b2evolution/index.php/2013/09/02/herkey-jerkey?blog=8

*ist film camera, Tamron 90mm f2.8 macro, Pro Max 100 film, HC110.

CC welcome

Mark



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Re: PESO - Deep... Dark...

2013-09-03 Thread Mark C

Thanks, Frank!

On 9/2/2013 11:09 PM, knarf wrote:

Wow!

Cheers,
frank

Mark C pdml-m...@charter.net wrote:

Taken on a bright summer day... Non-Pentax Content.

http://www.markcassino.com/b2evolution/index.php/deep-dark-woods

Holga, APX 400, Rodinal.

CC Welcome.

Markl

“Analysis kills spontaneity.” -- Henri-Frederic Amiel






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Re: PESO - Deep... Dark...

2013-09-03 Thread Mark C

On 9/2/2013 8:19 PM, Bruce Walker wrote:

I do like that. Well chosen tint.


Thanks! Regarding the tint - whenever I use Nikon Scan it o randomly 
resets itself to its default settings. About halfway through scanning 
the rolls I shot that day it flipped back to its default setting of C-41 
color film. In this case it worked out well - I usually wind up 
re-scanning. I switched to Vuescan for 35mm work but haven't figured out 
if it can auto-detect 6x6 or 6x7 exposures on the LS-8000.


Mark



On Mon, Sep 2, 2013 at 7:12 PM, Mark C pdml-m...@charter.net wrote:

Taken on a bright summer day... Non-Pentax Content.

http://www.markcassino.com/b2evolution/index.php/deep-dark-woods

Holga, APX 400, Rodinal.

CC Welcome.

Markl



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Re: PESO - Herkey Jerkey

2013-09-03 Thread Mark C
Thanks for looking... as for film well, um, it's kinda hard to 
describe (but it works!)



On 9/3/2013 1:42 PM, Steve Cottrell wrote:

On 2/9/13, Mark C, discombobulated, unleashed:

http://www.markcassino.com/b2evolution/index.php/2013/09/02/herkey-
jerkey?blog=8

Oooh! Made me look!



*ist film camera, Tamron 90mm f2.8 macro, Pro Max 100 film, HC110.

What the hell is film???!!






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Re: PESO - Herkey Jerkey

2013-09-03 Thread Mark C

On 9/3/2013 11:02 AM, Rick Womer wrote:

Must make the keywords in Lightroom tough to enter...


Whoa - keywords? Like a card catalog system?




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Re: PESO - Herkey Jerkey

2013-09-04 Thread Mark C
I think it is the edge of a food storage container... probably only 
about 1 inch of it showing in the frame here. Camera motion applied, of 
course...


Mark

On 9/3/2013 9:46 PM, Ann Sanfedele wrote:

Ok -what is it???

ann

On 9/3/2013 20:38, Mark C wrote:

Thanks for looking... as for film well, um, it's kinda hard to
describe (but it works!)


On 9/3/2013 1:42 PM, Steve Cottrell wrote:

On 2/9/13, Mark C, discombobulated, unleashed:

http://www.markcassino.com/b2evolution/index.php/2013/09/02/herkey-
jerkey?blog=8

Oooh! Made me look!



*ist film camera, Tamron 90mm f2.8 macro, Pro Max 100 film, HC110.

What the hell is film???!!











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Re: PESO: Hideout

2013-09-04 Thread Mark C

Fabulous shot, Walt - that is really stunning!

Mark

On 9/3/2013 1:09 PM, Walt wrote:
Spotted this little guy hanging out in the crook of one of the 
hummingbird feeder stands a little while ago. At first, I thought it 
was just a piece of gum someone had stuffed in there, but decided to 
take a closer look and was delighted to discover that I was wrong.


http://www.flickriver.com/photos/walt_gilbert/9663303049/#large
K-5, F 50/1.7, ISO 400, 1/800 sec, f/2.8

Comments are, as always, gladly accepted.

Thanks!

-- Walt




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Re: PESO: Mushroom on Wood

2013-09-04 Thread Mark C

Not what I expected - excellent shot.

Mark

On 9/3/2013 12:14 AM, Daniel J. Matyola wrote:

http://photo.net/photodb/photo?photo_id=17516903
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola




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Re: PESO fourth grader

2013-09-04 Thread Mark C
Fine image, Paul - the stuff of memories. And she has fine taste in 
T-Shirts as well!


Mark

On 9/4/2013 4:23 PM, Paul Stenquist wrote:

http://photo.net/photodb/photo?photo_id=17518583




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Re: Kodak film?

2013-09-05 Thread Mark C

On 9/4/2013 10:56 PM, John wrote:

In Kodak's emergence from bankruptcy and the new Kodak Alaris supporting
Kodak labs with chemistry  paper, what happens to Kodak film?

I don't know... If you go to kodak.com and click into the site you will 
see that two of their three main goals are disrupting product goods 
packaging and disrupting functional printing  WTF? I guess the 
word disrupting means something different now than it did when I got 
sent to the principals office for doing it.


Mark

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Re: Just joined the list

2013-09-06 Thread Mark C

Welcome back, Bruce!

Mark Cassino

On 9/5/2013 5:28 PM, Bruce wrote:

Hello,

I thought I would introduce myself.  Several years ago I was an active member 
of this list.  I have stayed active shooting Pentax while I have been gone.  A 
little nudge from Rick Womer got me thinking about the list again so I decided 
to join and see what is happening.

It will take me a bit to get back up to speed and to see who might still be 
around from when I was on the list.  Thanks for allowing me to come back to the 
list.

--
Bruce Dayton

Sent from my iPad



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OT - Skunk!!!

2013-09-06 Thread Mark C
A few hours ago I suddenly smelled... skunk. For a second I thought it 
was just odd but then ... oh crap! Ran outside and as soon as I opened 
the door a very stinky cat charged in. I feel bad for the poor guy - it 
looks like he took it directly in the right eye, which just now has 
finally opened up. I rinsed off his eye  gave him a shower and three 
washings with a hydrogen peroxide, baking soda, and detergent mixture. 
He's confined to my office for  a while (or the yard) - I can say that 
the odor removing solution, which seemed to work, has either worn off or 
new stuff is coming to the surface.


Oh yeah - and the front steps (where it all happened) smell great.

I had just started developing a roll of film when I smelled the skunk... 
it was going to be a 45 minute semi-stand process but turned into a 90 
minute full stand... The results are not all bad but a bit overcooked.


Mark

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Re: Kodak film?

2013-09-06 Thread Mark C
Thanks for clarifying that, Tom. I think they should have been more to 
the point and simply declared that it was merely a flesh wound. Maybe a 
little come back you yellow bastards! I'll bite your legs off! Much 
more too the point.


http://www.youtube.com/watch?v=zKhEw7nD9C4

Mark


On 9/6/2013 8:57 AM, Tom C wrote:

Your point is... ? What's the basic difference in meaning between
disrupt, disrupting, and disruptive? They all mean the same thing to
me, except for how they fit into a sentence grammatically.

They may all mean the same thing to you, but they don't to the rest of the 
world.

B

 From wikipedia:

A disruptive innovation is an innovation that helps create a new
market and value network, and eventually goes on to disrupt an
existing market and value network (over a few years or decades),
displacing an earlier technology. The term is used in business and
technology literature to describe innovations that improve a product
or service in ways that the market does not expect, typically first by
designing for a different set of consumers in a new market and later
by lowering prices in the existing market.

In contrast to disruptive innovation, a sustaining innovation does not
create new markets or value networks but rather only evolves existing
ones with better value, allowing the firms within to compete against
each other's sustaining improvements. Sustaining innovations may be
either discontinuous[1] (i.e. transformational or revolutionary)
or continuous (i.e. evolutionary).

The term disruptive technology has been widely used as a synonym of
disruptive innovation...

That's basically what I believed they were conveying, but I'd argue
it's not the first thought that comes to mind.

I guess since they had a huge chance of disruptive innovation with the
advent of digital imaging and blew it, they're going to try again.

Tom C.




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Re: OT - Skunk!!!

2013-09-07 Thread Mark C

On 9/7/2013 10:58 AM, Darren Addy wrote:

A tomato juice bath is the old school remedy. (For the skunk, not
the overcooked film).
The peroxide / baking soda and Dawn actually wound up working well - by 
this morning the smell on the cat was gone. There was a lingering odor 
in the kitchen where he ran in and I rather stupidly applied a mixture 
of chlorine bleach and vinegar. I did not realize that this was 
virtually as dangerous as ammonia and bleach! But it cleared up the odor...


Mark

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Re: OT - Skunk!!!

2013-09-07 Thread Mark C

On 9/7/2013 11:38 AM, Bob Sullivan wrote:

They're gentile creatures, but you don't really want to threaten them.
Hope the poor cat learned not to mess with them.


I hope he learned his lesson as well. We'll see - this is sort of a 
feline IQ test in a way... I usually smell the skunk outside for a few 
hours at night - it actually is out there right now. Thankfully the cat 
is inside.


Mark

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Re: OT - Skunk!!!

2013-09-07 Thread Mark C


On 9/7/2013 10:40 PM, Christine Nielsen wrote:

Ugh.  My condolences.  Our dog has had the same bad luck, a few
times... the hydrogen peroxide/baking soda/detergent mixture does the
trick for us... though I think you are supposed to let it sit for
several minutes before rinsing.  Bathing a cat has its own challenges,
I imagine... good luck if you have to go for round 2
Actually, giving the cat a bath wasn't so bad. I did get a lot of fur on 
my tongue :-) (Couldn't resist)



.

When I was a kid, I remember one steamy summer night the dog got out 
found a skunk.  In her alarm at being sprayed, she ran around the
house several times, and the odor poured in through all the open
windows.  There was no escape from the stench!
Earlier this summer my sister in law was walking her dog, which startled 
a skunk. The skunk missed the dog and hit her. She said it took about 5 
showers and lots of shampoo to do the job...


Mark


:)
-c

On Sat, Sep 7, 2013 at 12:45 AM, Mark C pdml-m...@charter.net wrote:

A few hours ago I suddenly smelled... skunk. For a second I thought it was
just odd but then ... oh crap! Ran outside and as soon as I opened the door
a very stinky cat charged in. I feel bad for the poor guy - it looks like he
took it directly in the right eye, which just now has finally opened up. I
rinsed off his eye  gave him a shower and three washings with a hydrogen
peroxide, baking soda, and detergent mixture. He's confined to my office for
a while (or the yard) - I can say that the odor removing solution, which
seemed to work, has either worn off or new stuff is coming to the surface.

Oh yeah - and the front steps (where it all happened) smell great.

I had just started developing a roll of film when I smelled the skunk... it
was going to be a 45 minute semi-stand process but turned into a 90 minute
full stand... The results are not all bad but a bit overcooked.

Mark

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