Re: [Phono-L] Orthophonic Reproducer Gaskets question...

2010-03-23 Thread Jim K
Yes, I believe they are neoprene, and they are .02 thick. Id have to go 
back and look at the price guide to see what they cost. Considering what was 
left of the old gaskets, and putting in the new ones, and doing the bearing 
job on it, it sounds great. It's amazing the amount of sound generated from 
that little Orthophonic! Not quite a Credenza, but very respectable for what 
it is. I was going to sell the 4-20, but not anymore :) I still like my 
Credenza too. It's fun to tell new visitors there isn't an electric 
amplifier in there, most of the time they look at me like I wasn't telling 
the truth.


Jim

- Original Message - 
From: Ron L'Herault lhera...@bu.edu

To: 'Antique Phonograph List' phono-l@oldcrank.org
Sent: Monday, March 22, 2010 3:24 PM
Subject: Re: [Phono-L] Orthophonic Reproducer Gaskets question...



And neoprene?  Very thin?

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] 
On

Behalf Of Jim K
Sent: Monday, March 22, 2010 2:42 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Orthophonic Reproducer Gaskets question...

I just got some from Ron Sitko to rebuild the reproducer on my 4-20 and 
they


are nice, and very reasonable as well.

Jim

- Original Message - 
From: Steven Medved steve_nor...@msn.com

To: Phono-l phono-l@oldcrank.org
Sent: Monday, March 22, 2010 10:34 AM
Subject: Re: [Phono-L] Orthophonic Reproducer Gaskets question...




Hello Al,

The original looks like paper coated with shellac to me.  I have spoken 
to



people who rebuild them and they tell me you get better sound from
neoprene.  I would assume Ron Sitko is selling them.

Steve


From: clockworkh...@aol.com
Date: Mon, 22 Mar 2010 05:26:27 -0400
To: phono-l@oldcrank.org
Subject: Re: [Phono-L] Orthophonic Reproducer Gaskets question...

Does anyone on this learned list know what material was used as gaskets
on
the Victor Orthophonic reproducer?  I have been asked to make a punch 
and

die to cut them out but if someone is already making them I don't intend
on
reinventing the wheel.

Thanks and best wishes to all on the list,

Al



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[Phono-L] Columbia Englewood Musicalphone

2010-03-23 Thread harvey kravitz
I have an Englewood Musicalphone made by Columbia. It uses a horn similar to a 
Busybee Grand. I need some information on the horn and elbow. The outside of 
the horn is blue with a sunburst on the inside, from what I was told. I'd like 
to know what the color scheme of the inside sunburst pattern is. The elbow fits 
into the small end of the horn like what you would see on a cylinder horn, and 
then into the Analyzing reproducer. The elbow is similar to a front mount AY or 
AR. Any information, pictures or a sale of the horn or elbow will be greatly 
appreciated.
Harvey Kravitz



  
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Re: [Phono-L] Orthophonic Reproducer Gaskets question...

2010-03-23 Thread Ron L'Herault
I know what you mean about the little Orthos.  I like the sound of my
Granada, and it does not even have the folded horn!  (I am looking for a new
home for the Granada though, in case anyone desires it. The Granada lives in
North Attleborough, MA)

Ron

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Jim K
Sent: Tuesday, March 23, 2010 2:22 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Orthophonic Reproducer Gaskets question...

Yes, I believe they are neoprene, and they are .02 thick. Id have to go 
back and look at the price guide to see what they cost. Considering what was

left of the old gaskets, and putting in the new ones, and doing the bearing 
job on it, it sounds great. It's amazing the amount of sound generated from 
that little Orthophonic! Not quite a Credenza, but very respectable for what

it is. I was going to sell the 4-20, but not anymore :) I still like my 
Credenza too. It's fun to tell new visitors there isn't an electric 
amplifier in there, most of the time they look at me like I wasn't telling 
the truth.

Jim

- Original Message - 
From: Ron L'Herault lhera...@bu.edu
To: 'Antique Phonograph List' phono-l@oldcrank.org
Sent: Monday, March 22, 2010 3:24 PM
Subject: Re: [Phono-L] Orthophonic Reproducer Gaskets question...


 And neoprene?  Very thin?

 Ron L

 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] 
 On
 Behalf Of Jim K
 Sent: Monday, March 22, 2010 2:42 PM
 To: Antique Phonograph List
 Subject: Re: [Phono-L] Orthophonic Reproducer Gaskets question...

 I just got some from Ron Sitko to rebuild the reproducer on my 4-20 and 
 they

 are nice, and very reasonable as well.

 Jim

 - Original Message - 
 From: Steven Medved steve_nor...@msn.com
 To: Phono-l phono-l@oldcrank.org
 Sent: Monday, March 22, 2010 10:34 AM
 Subject: Re: [Phono-L] Orthophonic Reproducer Gaskets question...



 Hello Al,

 The original looks like paper coated with shellac to me.  I have spoken 
 to

 people who rebuild them and they tell me you get better sound from
 neoprene.  I would assume Ron Sitko is selling them.

 Steve

 From: clockworkh...@aol.com
 Date: Mon, 22 Mar 2010 05:26:27 -0400
 To: phono-l@oldcrank.org
 Subject: Re: [Phono-L] Orthophonic Reproducer Gaskets question...

 Does anyone on this learned list know what material was used as gaskets
 on
 the Victor Orthophonic reproducer?  I have been asked to make a punch 
 and
 die to cut them out but if someone is already making them I don't intend
 on
 reinventing the wheel.

 Thanks and best wishes to all on the list,

 Al



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Re: [Phono-L] Columbia Englewood Musicalphone

2010-03-23 Thread jskoch
Hi I have a Musicalphone. If you can get on the talking machine forum go to 
page no 28. Go to number 30 and click on it. My machine is there. It's the way 
I got it from charley hunnel. Hope that helps.




 harvey kravitz harveykrav...@yahoo.com wrote: 
 I have an Englewood Musicalphone made by Columbia. It uses a horn similar to 
 a Busybee Grand. I need some information on the horn and elbow. The outside 
 of the horn is blue with a sunburst on the inside, from what I was told. I'd 
 like to know what the color scheme of the inside sunburst pattern is. The 
 elbow fits into the small end of the horn like what you would see on a 
 cylinder horn, and then into the Analyzing reproducer. The elbow is similar 
 to a front mount AY or AR. Any information, pictures or a sale of the horn or 
 elbow will be greatly appreciated.
 Harvey Kravitz
 
 
 
   
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[Phono-L] O/T: Capehart 414N-1

2010-03-23 Thread Greg Bogantz
I realize that electronic phonos are a bit off-topic for this forum, but for 
those of you who can really appreciate a fine Capehart, here's a rare find: A 
414N-1 with the VERY hard to find 41E-2 flipover changer:

eBay Item #150426006960

This is the last version of the 41E changer that has the interchangeable 
tonearms and plays both 78 and 33rpm microgroove records, circa 1949. I'm 
posting this here to try to rescue this unit from the grimy clutches of the 
Western Weenies who are going to buy this console ONLY to rip out the Western 
Electric speaker from it so that they can mount it under glass and drool over 
it. Note that there is already a bidder question posted about wanting to see 
the speaker. Then they'll sell off the N-1 power amp with the 2A3 output 
triodes to some golden ear tube yahoos. Then they'll simply junk the rest of 
the console or turn it into a liquor cabinet. That would be a particular shame 
since this is appears to be a really nice and complete original example of a 
fine, RARE Capehart. Trust me: the 41E-2 machines are RARE! Let's see one of 
our Phono-L members give this complete unit the home it deserves. This model is 
particularly easy to enjoy while you're not playing records as it has t
 he modern FM radio band which means you can actually listen to good radio 
programs on it. In glorious monophonic sound, of course. I don't have a problem 
with collectors mounting things under glass to admire, but to destroy a 
perfectly good, working piece of fine equipment just to preserve one part of it 
really grinds my gears. I'd bid on it, but I don't have room for it.

Greg Bogantz
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Re: [Phono-L] O/T: Capehart 414N-1

2010-03-23 Thread Douglas Houston
I'm with you all the way, Greg. I'll possibly bid on this thing, but I'll
most certainly get sniped out to outer space, and lose it. There are just
too many points of profit here for the hogs that look for them. Lately, I
have bid on a couple og things that might be nice, but was sniped far
beyond the bidding level. 

I've found that Craigslist is far and beyond the abominable eBay. 

My Capehart is similar, but different cabinet, P-P 6L6, and 78 only
changer. I'm trying to get a DVD for you, but this stupid computer won't
copy it. 

I have a Capehart 2A3 amp laying among my shrunken skulls.  


 [Original Message]
 From: Greg Bogantz gbogan...@charter.net
 To: phono-l@oldcrank.org
 Date: 3/23/2010 5:46:56 PM
 Subject: [Phono-L] O/T:  Capehart 414N-1

 I realize that electronic phonos are a bit off-topic for this forum, but
for those of you who can really appreciate a fine Capehart, here's a rare
find: A 414N-1 with the VERY hard to find 41E-2 flipover changer:

 eBay Item #150426006960

 This is the last version of the 41E changer that has the interchangeable
tonearms and plays both 78 and 33rpm microgroove records, circa 1949. I'm
posting this here to try to rescue this unit from the grimy clutches of the
Western Weenies who are going to buy this console ONLY to rip out the
Western Electric speaker from it so that they can mount it under glass and
drool over it. Note that there is already a bidder question posted about
wanting to see the speaker. Then they'll sell off the N-1 power amp with
the 2A3 output triodes to some golden ear tube yahoos. Then they'll simply
junk the rest of the console or turn it into a liquor cabinet. That would
be a particular shame since this is appears to be a really nice and
complete original example of a fine, RARE Capehart. Trust me: the 41E-2
machines are RARE! Let's see one of our Phono-L members give this complete
unit the home it deserves. This model is particularly easy to enjoy while
you're not playing records as it has t
  he modern FM radio band which means you can actually listen to good
radio programs on it. In glorious monophonic sound, of course. I don't have
a problem with collectors mounting things under glass to admire, but to
destroy a perfectly good, working piece of fine equipment just to preserve
one part of it really grinds my gears. I'd bid on it, but I don't have room
for it.

 Greg Bogantz
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Re: [Phono-L] O/T: Capehart 414N-1

2010-03-23 Thread Abe Feder
Greg, I have noted that you and several members like the Capehart units . I
have seen a few of them here in Arizona from time to time.-I know nothing
about them. There is one for sale now on Craigslist a model # B-1002-F.
Owner says that it has been in his family for 60 years. He has original
instruction manual as well as bill of sale and is asking $750.00. Any
comments about it or price?
Thx Abe Feder

On Tue, Mar 23, 2010 at 2:46 PM, Greg Bogantz gbogan...@charter.net wrote:

 I realize that electronic phonos are a bit off-topic for this forum, but
 for those of you who can really appreciate a fine Capehart, here's a rare
 find: A 414N-1 with the VERY hard to find 41E-2 flipover changer:

 eBay Item #150426006960

 This is the last version of the 41E changer that has the interchangeable
 tonearms and plays both 78 and 33rpm microgroove records, circa 1949. I'm
 posting this here to try to rescue this unit from the grimy clutches of the
 Western Weenies who are going to buy this console ONLY to rip out the
 Western Electric speaker from it so that they can mount it under glass and
 drool over it. Note that there is already a bidder question posted about
 wanting to see the speaker. Then they'll sell off the N-1 power amp with the
 2A3 output triodes to some golden ear tube yahoos. Then they'll simply junk
 the rest of the console or turn it into a liquor cabinet. That would be a
 particular shame since this is appears to be a really nice and complete
 original example of a fine, RARE Capehart. Trust me: the 41E-2 machines are
 RARE! Let's see one of our Phono-L members give this complete unit the home
 it deserves. This model is particularly easy to enjoy while you're not
 playing records as it has t
  he modern FM radio band which means you can actually listen to good radio
 programs on it. In glorious monophonic sound, of course. I don't have a
 problem with collectors mounting things under glass to admire, but to
 destroy a perfectly good, working piece of fine equipment just to preserve
 one part of it really grinds my gears. I'd bid on it, but I don't have room
 for it.

 Greg Bogantz
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Re: [Phono-L] O/T: Capehart 414N-1

2010-03-23 Thread Greg Bogantz
   Abe, the Capehart radio/phonos made from the mid 1930s to about 1950 
were among the very finest, most exclusive models available in the USA. 
With very few exceptions such as the D-22 and the QU-8 which actually used a 
Capehart 16E changer and the postwar Berkshire series, ALL of which are very 
rare, RCA had nothing to compare.  Aside from a very few other specialty 
makers such as E.H. Scott and McMurdo Silver, there were were no 
radio/phonos available in the USA that compared with the Capeharts.  That's 
why these Capeharts are held in such high regard by collectors today.


   There were two common series made during these years, the 100 and the 
400 series (model number were in these ranges).  The 100 series was the 
cheaper one with smaller amplifiers and less elaborate cabinetry.  The 400 
series looked similar to the 100 series, but they usually (not always) had 
more and/or larger amplifiers and more expensive speakers and more elaborate 
cabinets.  There was also a much rarer 300 series which were tall-boy 
cabinets with the components stacked vertically, and the EXTREMELY RARE 500 
series which were the SUPER deluxe models available usually by special, 
customized order only.  All these series used the exclusive Capehart 
flipover record changers.  The early (prewar) record changers were the 16E 
models (several variations), and the postwar changers were the 41E models 
which are easily identifiable by their chromed, tubular tonearms.  All these 
changers played only 78rpm until the 41E-2 model which came out about late 
1948.  This model had interchangeable TONEARMS (not just headshells) that 
provided for either 78rpm or for microgroove 33rpm playback.  The 41E-2 was 
made for only a short time (probably less than 2 years) before Capehart 
discontinued the flipover changers completely and went to cheaper drop-type 
changers, most of which were furnished by VM (Voice of Music).  These later 
Capeharts (starting around 1950) used a different numbering system and were 
cheapened considerably from the early 100 and 400 series.  These later 
Capeharts are not very collectible and do not bring high prices from 
collectors.  The B-1002-F model that you have mentioned in Arizona is an 
example of one of these later, post 1950 models.  It would probably bring 
around $200 in nice condition.


Greg Bogantz



- Original Message - 
From: Abe Feder abefed...@gmail.com

To: Antique Phonograph List phono-l@oldcrank.org
Sent: Tuesday, March 23, 2010 7:27 PM
Subject: Re: [Phono-L] O/T: Capehart 414N-1


Greg, I have noted that you and several members like the Capehart units . 
I

have seen a few of them here in Arizona from time to time.-I know nothing
about them. There is one for sale now on Craigslist a model # B-1002-F.
Owner says that it has been in his family for 60 years. He has original
instruction manual as well as bill of sale and is asking $750.00. Any
comments about it or price?
Thx Abe Feder

On Tue, Mar 23, 2010 at 2:46 PM, Greg Bogantz gbogan...@charter.net 
wrote:



I realize that electronic phonos are a bit off-topic for this forum, but
for those of you who can really appreciate a fine Capehart, here's a rare
find: A 414N-1 with the VERY hard to find 41E-2 flipover changer:

eBay Item #150426006960

This is the last version of the 41E changer that has the interchangeable
tonearms and plays both 78 and 33rpm microgroove records, circa 1949. I'm
posting this here to try to rescue this unit from the grimy clutches of 
the

Western Weenies who are going to buy this console ONLY to rip out the
Western Electric speaker from it so that they can mount it under glass 
and

drool over it. Note that there is already a bidder question posted about
wanting to see the speaker. Then they'll sell off the N-1 power amp with 
the
2A3 output triodes to some golden ear tube yahoos. Then they'll simply 
junk

the rest of the console or turn it into a liquor cabinet. That would be a
particular shame since this is appears to be a really nice and complete
original example of a fine, RARE Capehart. Trust me: the 41E-2 machines 
are
RARE! Let's see one of our Phono-L members give this complete unit the 
home

it deserves. This model is particularly easy to enjoy while you're not
playing records as it has t
 he modern FM radio band which means you can actually listen to good 
radio

programs on it. In glorious monophonic sound, of course. I don't have a
problem with collectors mounting things under glass to admire, but to
destroy a perfectly good, working piece of fine equipment just to 
preserve
one part of it really grinds my gears. I'd bid on it, but I don't have 
room

for it.

Greg Bogantz
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Re: [Phono-L] Columbia Englewood Musicalphone

2010-03-23 Thread harvey kravitz
Allen,
I guess I wasn't clear. From what I can see in the picture of the Englewood 
Musicalphone in the first compendium book, the horn looks like a cylinder horn. 
The special elbow fits on the small end of the horn. Then it fits into the 
Analyzing reproducer. it looks similar to the elbow that fits on an AY or BY. 
If you have any pictures of this elbow and the sunburst pattern of the horn, it 
will be greatly appreciated.
Harvey Kravitz






From: allena...@aol.com allena...@aol.com
To: phono-l@oldcrank.org
Sent: Tue, March 23, 2010 4:29:01 PM
Subject: Re: [Phono-L] Columbia Englewood Musicalphone


In a message dated 3/23/2010 3:01:10 P.M. Eastern Daylight Time,  
harveykrav...@yahoo.com writes:

Any  information, pictures or a sale of the horn or elbow will be greatly  
appreciatedI have an Englewood Musicalphone made by  Columbia




What is the evidence that this machine was made/sold BY Columbia?

According to The Trademarks of Recorded Sound, the 'Musicalphone' term was  
trademarked by the Englewood Co of Illinois (Consolidated Factories). They 
may  have also used the phrase: 'Silver Tongued.'

Allen
_www.phonobooks.com_ (http://www.phonobooks.com) 

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Re: [Phono-L] O/T: Capehart 414N-1

2010-03-23 Thread William Buchanan
After reading the messages below I had to see what this looked like.
I must admit that I have never seen this model before.
Once I opened the item number I was in love!!
Anybody that would do harm to this unit is crazy.
It is a shame that people would do this to such piece, but we have all seen it 
happened.
It would be a shame to loose such a piece for some body with more money than 
brains.
I hope who ever buys this does not rip it apart.

I have been very unlucky with bidding on electric phonographs in the past I now 
have 4 different phonographs that all were supposed to be in working order but 
once I opened the boxes I found out that I had been taken.
There are too many people on ebay that will rip you off and they know that it 
cost too much to return the items so they can say what ever they want.
I would love to have a working phonograph from the 1940's but I only have ebay 
as  a way to look for this stuff and after 4 times of being ripped off I won't 
do it again.

In case you are wondering why I only use ebay, it  is because I am a disabled 
vet and I am mostly confined to a bed and a wheel chair. I am not able to get 
out much to even hunt down leads or go to estate sales.

I do have two table top Victor and one Edison Floor model, but I would one day 
love to find a wooden table top phonograph with radio.
It is possible that one of the four units I have purchased may be able to be 
repair but I am not able to do that type of work because of the injuries.

Does anybody live in Lehigh Acres Florida that works on these?

Thanks and lets hope that the Cape Hart finds the nice home that it deserves.

Bill



--- On Tue, 3/23/10, Douglas Houston cdh...@earthlink.net wrote:

From: Douglas Houston cdh...@earthlink.net
Subject: Re: [Phono-L] O/T:  Capehart 414N-1
To: Antique Phonograph List phono-l@oldcrank.org
Date: Tuesday, March 23, 2010, 6:20 PM

I'm with you all the way, Greg. I'll possibly bid on this thing, but I'll
most certainly get sniped out to outer space, and lose it. There are just
too many points of profit here for the hogs that look for them. Lately, I
have bid on a couple og things that might be nice, but was sniped far
beyond the bidding level. 

I've found that Craigslist is far and beyond the abominable eBay. 

My Capehart is similar, but different cabinet, P-P 6L6, and 78 only
changer. I'm trying to get a DVD for you, but this stupid computer won't
copy it. 

I have a Capehart 2A3 amp laying among my shrunken skulls.  


 [Original Message]
 From: Greg Bogantz gbogan...@charter.net
 To: phono-l@oldcrank.org
 Date: 3/23/2010 5:46:56 PM
 Subject: [Phono-L] O/T:  Capehart 414N-1

 I realize that electronic phonos are a bit off-topic for this forum, but
for those of you who can really appreciate a fine Capehart, here's a rare
find: A 414N-1 with the VERY hard to find 41E-2 flipover changer:

 eBay Item #150426006960

 This is the last version of the 41E changer that has the interchangeable
tonearms and plays both 78 and 33rpm microgroove records, circa 1949. I'm
posting this here to try to rescue this unit from the grimy clutches of the
Western Weenies who are going to buy this console ONLY to rip out the
Western Electric speaker from it so that they can mount it under glass and
drool over it. Note that there is already a bidder question posted about
wanting to see the speaker. Then they'll sell off the N-1 power amp with
the 2A3 output triodes to some golden ear tube yahoos. Then they'll simply
junk the rest of the console or turn it into a liquor cabinet. That would
be a particular shame since this is appears to be a really nice and
complete original example of a fine, RARE Capehart. Trust me: the 41E-2
machines are RARE! Let's see one of our Phono-L members give this complete
unit the home it deserves. This model is particularly easy to enjoy while
you're not playing records as it has t
  he modern FM radio band which means you can actually listen to good
radio programs on it. In glorious monophonic sound, of course. I don't have
a problem with collectors mounting things under glass to admire, but to
destroy a perfectly good, working piece of fine equipment just to preserve
one part of it really grinds my gears. I'd bid on it, but I don't have room
for it.

 Greg Bogantz
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Re: [Phono-L] Columbia Englewood Musicalphone

2010-03-23 Thread AllenAmet
In a message dated 3/23/2010 8:43:34 P.M. Eastern Daylight Time,  
harveykrav...@yahoo.com writes:

If you  have any pictures of this elbow and the sunburst pattern of the 
horn, it will  be greatly appreciated.
---


Hi Harvey,
 
  No photos unfortunately, just the research on the name. They  (Englewood) 
said it was first placed on sale in July of 1904. No  mention of Columbia 
in the trademark application.
 
Allen
 
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Re: [Phono-L] Columbia Englewood Musicalphone

2010-03-23 Thread harvey kravitz
Hi Allen,
Englewood was made by Columbia. BTW, do you have a picture of a Columbia AY or 
AR elbow?
Harvey Kravitz





From: allena...@aol.com allena...@aol.com
To: phono-l@oldcrank.org
Sent: Tue, March 23, 2010 4:51:46 PM
Subject: Re: [Phono-L] Columbia Englewood Musicalphone

In a message dated 3/23/2010 8:43:34 P.M. Eastern Daylight Time,  
harveykrav...@yahoo.com writes:

If you  have any pictures of this elbow and the sunburst pattern of the 
horn, it will  be greatly appreciated.
---


Hi Harvey,

  No photos unfortunately, just the research on the name. They  (Englewood) 
said it was first placed on sale in July of 1904. No  mention of Columbia 
in the trademark application.

Allen

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Re: [Phono-L] Columbia Englewood Musicalphone

2010-03-23 Thread AllenAmet
 
In a message dated 3/23/2010 9:06:02 P.M. Eastern Daylight Time,  
harveykrav...@yahoo.com writes:

BTW, do  you have a picture of a Columbia AY or AR elbow?


--
Hi
 
 No photos unfortunately. Did Columbia make this model  (Musicalphone) for 
Columbia? If so, what is the evidence?
 
allen
 
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Re: [Phono-L] Orthophonic Reproducer Gaskets question...

2010-03-23 Thread mark french

I've rebuilt a couple of the suitcase soundboxes, but I removed the 
sound-deadening cover and cloth.  Then I added some spare bearing covers and 
screwed them on (since the covered version doesn't have them.)  I have a 
Credenza and a 10-50 and only had these really nice 5Bs that I got cheap, so I 
just made them look a lot closer to 5As.  Plus without the cover they are about 
14 grams lighter.  I do have a real #5 too, for when I have company over  : )

As for the gaskets, I've used some that came in the rebuild kits I've bought 
that seem like they are made out of hard paper of some kind, maybe waxed.  But 
I've also made some myself out of some mylar material.  They all sealed fine as 
long as the back is tightened well.  I like to put a light smear of 3-in-1 oil 
on the gaskets too just to help with the sealing, and also helps to keep the 
gaskets from sticking if I need to take it apart again.  Perhaps wax or other 
material might be better for that.  
  
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Re: [Phono-L] Coin machine or jukebox needles?

2010-03-23 Thread mark french

There was no shaping of the end of the wire on 
Victor Tungstones.  I just confirmed that by looking at a couple of NOS 
Tungstones that I have.  The wire was sheared to essentially a flat end 
shape.

That documentation on the net that shows Victor drawings of how the needles were
made shows some kind of burnishing thing rubbing on the end of the tip,
at an angle, after it has been mounted in the shank.  Perhaps this was just done
to remove any sharp burrs that were left after the cut, and not to grind in
a perfect end on the wire.  Makes sense since every record groove is a little
different, and the end is going to get ground down immediately anyway.  
But as noted, any fresh tungsten needle should be played on a junk record 
first. 
  
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