[pinhole-discussion] Help - need a 5 x 7 empty film/paper box

2002-01-14 Thread Uptown Gallery
This may seem silly, but I have a 1000 foot roll of 5 wide film, and
nothing to put sheets I cut off the roll into.

Locally, labs won't give up their boxes, or everything comes on a roll in a
black-lined bag...I got one of those and used it to ship some film in and
save the roll cannister in.

I haven't tried any schools yet...but remembered the list.

Is there anyone who uses so much paper they could spare a box or two? I'd be
happy to reimburse postage.

Or, if someone has dreamed up a way to lightproof a greeting card box or
whatver, a suggestion would be appreciated (and so obvious after the
enlightenment, too).

Thanks

Murray




Re: [pinhole-discussion] fingers of light

2002-01-14 Thread Richard Heather
Hi Jean-Louis,
I will quote from myself. This is something I just sent to Murray. We were
discussing his aerial film that he got on Ebay. He sent me some and I made an
exposure with a newly made film box 5x7 50mm pinhole camera:
http://www.???/discussion/upload/gallery2002.php?pic=rheathermurysfilm1.jpg

He asked about contrast and I tried to explain the difference between global
contrast (the total luminance difference from highlights to shadow) verses 
local
contrast ( the appearance of exetnded detail within the light and/or dark 
areas of
the print):

   High contrast is a double edged sword. We all like to see a brilliant 
image
with full tonal range, deep blacks with detail and
bright whites with detail. When you see a print like that you say high 
contrast as
compared to flat or muddy. However the
job of the film is to record all the available detail and allow a brilliant 
print.
High contrast in film often means little latitude for
over and under exposure. Some scenes have a tremendous range in luminance, 
bright
sky, dark foreground. For that you need
a film that tolerates heavy exposure. Expose for the shadow detail and curtail
development enough to use the highlights. In
darkroom printing you will then dodge and burn to get an even print with the
illusion of high local contrast but actually greatly
contracting the tonal range. This is easily done digitally by selective masking 
and
manipulating of tonal range but it is the main
magic and alchemy  of a darkroom printer. Don't get too obsessive about Zone
system details but try to see the big picture
that you want a usable negative not a perfect one. Most modern film has a 
tremendous
latitude to provide a usable image as
long as you don't underexpose.
Richard Heather

Jean-Louis Thiry wrote:

 I wish to thank every person who gave some attention to my dwarf picture, and
 their nice comment.
 I promise to put on line some photos and descriptions of my cameras on an html
 page on my site.

 some comments brought me to some considerations about sharpness in pinhole
 photography. In the lensphoto area, sharpness is essential, it is what gives 
 the
 price of a lens. You may have blur by the use of a soft focus filter or lens 
 to
 get an atmospheric image but even in this case your image has to be sharp
 whatever the contrast of the image is (lo key, hi key are two contrasts 
 possible
 of a lens image).
 Sharpness in pinhole photography is not the first aim, you wish to get closer 
 to
 YOUR eye's vision (the most precise description of what you see), which is not
 as sharp as a lensphoto, which can't cover all of a lanscape at a glance for
 exemple. Eye's vision is sharp only at one point : what you're looking at - 
 very
 small.
 What is more difficult to get in pinhole photography is contrast. A good
 exposure gives good contrast as a good film development gives good contrast 
 and
 you ahve only one contrast (no lo key or hi key). Am I wrong when I think that
 good contrast gives more sharpness to a photo? and that the atmospheric feel 
 of
 a pinhole photography is due to a lack of contrast as much as a bad relation
 between focal length and diameter of the hole? I think there is a border 
 between
 sharpness and contrast so thin that it is there that all the magic of pinhole
 works to help us to create those pictorialist images : painted by fingers of
 light.

 Jean-Louis (Montauban - France)

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 Galerie Béla Fleck
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RE: [pinhole-discussion] A NEW DEBATE

2002-01-14 Thread Chuck Flagg
I choose to work with pinhole because of the sheer simple ability to poke a
hole in foil, or a recycled pop can, put on a box or can put some paper or
film and capture an image.  It is all about the magic that happens in the
process.  I'm aware of the science involved and I have learned so much from
so many of you on the list.
*Pinholes seize the light!*
~Chuck Flagg~





Re: [pinhole-discussion] no incoming mail

2002-01-14 Thread Eric Baxter
on 1/14/02 3:11 PM, pinholeren...@netscape.net at pinholeren...@netscape.net
wrote:

 this is a test-have not recieved pinhole e-mails since dec.-are there troubles
 ?_
 Pinhole-Discussion mailing list
 Pinhole-Discussion@p at ???
 unsubscribe or change your account at
 http://www.???/discussion/
 
I tried to join a discussion recently on style v. content. I'm not sure if
it went through. I am getting all the e-mail and usually remain a passive
voice. I'll try to be more active and se if there are problems.

Thanks for checking in,

Eric Baxter




[pinhole-discussion] no incoming mail

2002-01-14 Thread PinholeRenner
this is a test-have not recieved pinhole e-mails since dec.-are there troubles 
?_
Pinhole-Discussion mailing list
Pinhole-Discussion@p at ???
unsubscribe or change your account at
http://www.???/discussion/

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Re: [pinhole-discussion] A NEW DEBATE

2002-01-14 Thread Lisa Reddig
I am so happy that we are talking about the WHY of pinhole.  I have been
keeping an eye on this list for a while, and alot of the technical talk is
not for me (don't get me wrong, some of it is really helpful if it pertains
to what I am working on).

My major Why's fall in to the following 3 topics.  Of course there are other
reasons but these are the basics.

1) My favorite part of pinhole is it's untechnical side.  It's amazing how
little it takes to make a photograph.  Just a hole poked in aluminum foil
taped to a box with some film fitted inside.  That's it.  The hole doesn't
have to be the right size for the optimum focal length, the exposure time
can be anywhere within a wide range.  Just cardboard and tape hiding the
film from leaks.  It's like magic.  And it can all be done at home.  From
box to film to print.

2) Making the pinhole image is all about light to me.  It's so direct, the
light going in the hole on to the film.  It's easier to visualize than with
a regular camera.  Before I take my pictures I always consider what the
light source will be, natural or flash, and what that will be doing in the
photograph, what it will mean in the context of that photograph.

3) My other consideration in making a pinhole picture is how the camera and
film size relates to the subject.  I always have one camera for one project.
Usually I make the camera from some cool box I have, then I find a subject
that utelizes something unique about that camera.  I make my first exposures
not really knowing what I am going to get.  Then I see the results of the
first batch and see what I like and work from there.  I have no idea from
the start what I am going to end up with.  I have no preconseved notions, I
take what I get along the way and work with it.


lisa




Re: [pinhole-discussion] A NEW DEBATE

2002-01-14 Thread Kosinski Family
alexis writes:  My background is that of a painter but I am also a science
graduate so I suppose I fall between two camps.

art  science are inseparable these days, two sides of the same coin...
even if you're purely an artist you depend on science for the materials you
use

in science, the real missing link is creativity, especially visualization...
working with pinhole cameras promotes an integrated mind

initially i moved into art  design because technology was boring, and now i
am trying to make pinhole photography easy for everyone by developing 'soft
technology' that is inexpensive and practical... it's important to me
because hi tech companies  computers have reduced the learning of darkroom
techniques in younger generations, and that learning is carried over to
other aspects of living in positive ways

jim k
www.paintcancamera.com





[pinhole-discussion] 2002 Swap

2002-01-14 Thread Andy Schmitt
a. I just want to say how amazed, pleased and in aw I am from all the swap
cards I've received.
b. I want to say THANK YOU to everyone for making this a memorable holiday
season.
c. I want to apologies for the lateness of my contribution...due to several
problems I have not yet finished printing them. I WILL finish  mail
them...promise..

regards
  Andy Schmitt

 AAndy LLC
  Computer Systems Created
 Perplexed Users UnPerplexed
Dragons Slain,Ideas Generated
  Photographs Taken
http://www.aandy.org
Photography Head, Peters Valley Craft Center




RE: [pinhole-discussion] Purchasing Bespoke Pinholes in the UK

2002-01-14 Thread Andy Schmitt
WOW thanks
andy

-Original Message-
From: pinhole-discussion-admin@p at ???
[mailto:pinhole-discussion-admin@p at ???]On Behalf Of Ingo Guenther
Sent: Friday, January 11, 2002 3:53 PM
To: pinhole-discussion@p at ???
Subject: Re: [pinhole-discussion] Purchasing Bespoke Pinholes in the UK


hi andy,
I hope they do just that and have much fun with the mysterious pictures from
the grids. I have now the adress from Barry and will send the card(one of
the card´s I have made for the swap 2002) on saturday.
ingo
- Original Message -
From: Andy Schmitt aschm...@warwick.net
To: pinhole-discussion@p at ???
Sent: Friday, January 11, 2002 12:13 AM
Subject: RE: [pinhole-discussion] Purchasing Bespoke Pinholes in the UK


 Under the stampnow that's what I call creative thinking
 Hope they don't x-ray the mail.. 8o)
 looking forward to seeing some pictures too..andy

 -Original Message-
 From: pinhole-discussion-admin@p at ???
 [mailto:pinhole-discussion-admin@p at ???]On Behalf Of Ingo Guenther
 Sent: Thursday, January 10, 2002 2:20 PM
 To: pinhole-discussion@p at ???
 Subject: Re: [pinhole-discussion] Purchasing Bespoke Pinholes in the UK


 Hi Barry,
 I will send you two small pinholes(3,05mm, it´s a Grid for a Electronic
 Microscope from very thin Copper) with a hole 0,2 mm, if you want. The
price
 is one of your first pictures from the new build camera. You can mail your
 adress at ingoguent...@web.de and I will send a postcard with the Grids
 under the Stamp.
 happy pinholin
 and vergiv me my bad english
 regards
 ingo


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