In message [EMAIL PROTECTED], John Walsh
[EMAIL PROTECTED] writes
Bernard Hill writes:
Surely a performer wants to know what the writer meant? And lack of
repeat starts means there is no information as to how the tune was
to be played, eg whether the whole tune repeated or just to the
In message [EMAIL PROTECTED], Jack Campin
[EMAIL PROTECTED] writes
Surely a performer wants to know what the writer meant? And lack of
repeat starts means there is no information as to how the tune was
to be played, eg whether the whole tune repeated or just to the
previous double or repeat
Bernard Hill writes:
Surely a performer wants to know what the writer meant? And lack of
repeat starts means there is no information as to how the tune was
to be played, eg whether the whole tune repeated or just to the
previous double or repeat bar.
imo notation which is incorrect should
In message [EMAIL PROTECTED], Wil Macaulay
[EMAIL PROTECTED] writes
The problem is, that although it's just bad abc is literally true,
there are many cases where
large bodies of tunes (order of a hundred in a single file) are written
in this way. It comes down
to why and how the tunes were
Bernard Hill wrote:
In message [EMAIL PROTECTED], Wil Macaulay
[EMAIL PROTECTED] writes
The problem is, that although "it's just bad abc" is literally true,
there are many cases where
large bodies of tunes (order of a hundred in a single file) are written
in this way. It
In message [EMAIL PROTECTED], Wil Macaulay
[EMAIL PROTECTED] writes
Actually as a performer and software author who has an interest in old
manuscripts, I want to
see how the tune was notated, and then I'll make up my own mind want I
mean when I play the
tune. Lack of repeat starts means the
Surely a performer wants to know what the writer meant? And lack of
repeat starts means there is no information as to how the tune was
to be played, eg whether the whole tune repeated or just to the
previous double or repeat bar.
imo notation which is incorrect should be flagged by software
The problem is, that although it's just bad abc is literally true,
there are many cases where
large bodies of tunes (order of a hundred in a single file) are written
in this way. It comes down
to why and how the tunes were notated: sometimes you want to use 'bad'
notation
because that's the
On Thu, 10 Jul 2003, Wil Macaulay wrote:
If you want to notate a thousand tunes (cf O'Neill's
or Henrik's collections) you probably aren't going to
spend the time carefully adjusting note spacings on
each one,
We're dealing here not with detailed note spacings, but
with essential structural
