Several thoughts:
1) Might we be looking at the wrong profits when we see that a pop star
is making millions and wonder why more don't enter the market? For the
most part, it is the record campany (as you say) doing the hype for the
star, they really make the performer (this is a phenomena
At dinner last night, I posed a similar to question to a few of my
friends. I noted that MTV once held a contest to be the next MTV veejay,
and that the winner got his (or her?) requisite however-long stint -- but
the runner up actually got a full-time veejay job out of the deal. Would
--- Dan Lewis [EMAIL PROTECTED] wrote:
At dinner last night [T]hey get contracts
commensurate to this level.
I agree with you almost entirely. While a guaranteed
record contract for the winning 'Idol' surely has some
value, for example, it's probably not as much of a
boost as getting to
Howdy,
A big thanks for those who replied.
--- Christopher Auld [EMAIL PROTECTED] wrote:
Classic winner-take-all markets, no?
Um, I don't know. I live in a village of 1,500 people
with a library to match, and I couldn't find much on
the internet. There were references to Beta v. VHS,
from
