: Saturday, October 23, 2010 3:30 AM
Subject: [BAROQUE-LUTE] Re: Galant definition
Are you speaking of Affekt? Mattheson goes into great detail about the
moods associated with each key, but I don't believe that this is really
more a part of the baroque aesthetic and not typical of the gallant style
-lute@cs.dartmouth.edu; G. Crona kalei...@gmail.com
Sent: Saturday, October 23, 2010 3:30 AM
Subject: [BAROQUE-LUTE] Re: Galant definition
Are you speaking of Affekt? Mattheson goes into great detail about the
moods associated with each key, but I don't believe that this is really
more a part
www.christopherwilke.com
--- On Sat, 10/23/10, G. Crona kalei...@gmail.com wrote:
From: G. Crona kalei...@gmail.com
Subject: [BAROQUE-LUTE] Re: Galant definition
To: baroque-lute@cs.dartmouth.edu
Date: Saturday, October 23, 2010, 4:34 AM
PS. At the same time I have to say
that extreme cases of use
...
G.
- Original Message - From: Christopher Wilke
chriswi...@yahoo.com
To: baroque-lute@cs.dartmouth.edu;
G. Crona kalei...@gmail.com
Sent: Saturday, October 23, 2010 3:30 AM
Subject: [BAROQUE-LUTE] Re: Galant definition
Are you speaking of Affekt? Mattheson goes into
great
More etymology than definition:
Toward the end of the Pre-Galant era (a.k.a. Baroque era), dance pieces
were added to the standard list of the Dance Suite movements ( Allemand,
Courant, Saraband, Gigue) such as the Menuet (and Trio), the Polonaise (very
important later), Anglois, Scherzo, etc.
...@gmail.com
Sent: Saturday, October 23, 2010 11:07 AM
Subject: [BAROQUE-LUTE] Re: Galant definition
Yes, there is definitely something to it and it has always been part of
music history. The ancient Greeks believed that the various modes could
incite anger, lust, insanity, etc
.
- Original Message -
From: Christopher Wilke chriswi...@yahoo.com
To: baroque-lute@cs.dartmouth.edu; G. Crona kalei...@gmail.com
Sent: Saturday, October 23, 2010 11:07 AM
Subject: [BAROQUE-LUTE] Re: Galant definition
Yes, there is definitely something to it and it has always been
: Re: [BAROQUE-LUTE] Re: Galant definition
All self-expression pretty much starts with Froberger.
RT
- Original Message -
From: Dale Young dyoung5...@wowway.com
Empfindsamkeit is one of the first and boldest expressions of self, to
the
point of narcissism, in artistic expression
I believe the standard work to be:
http://openlibrary.org/works/OL7827880W/German_galant_lute_music_in_the_18th_century
haven't read it myself unfortunately...
G.
- Original Message -
From: theoj89...@aol.com
To: baroque-lute@cs.dartmouth.edu
Sent: Friday, October 22, 2010 3:23 PM
: Christopher Wilke chriswi...@yahoo.com
To: baroque-lute@cs.dartmouth.edu; G. Crona kalei...@gmail.com
Sent: Friday, October 22, 2010 4:16 PM
Subject: [BAROQUE-LUTE] Re: Galant definition
Farstad's book is the best source for this music in reference to the lute.
It includes exhaustive lists
Here, Let me try.
Galant is the term people who lived in the period from roughly 1720
on to 1790 ( Telemann through Mozart) used to describe certain traits,
attitudes, and manners, associated with the cultured nobility, according to
Robert O. Gjerdingen in his book, Music in the Galant
Subject: [BAROQUE-LUTE] Re: Galant definition
To: baroque-lute@cs.dartmouth.edu
Date: Friday, October 22, 2010, 10:27 AM
Pls. correct me if I'm wrong, but
doesn't Gallant also imply mood related to keys, i.e.
direct influence on the listeners mood with the music, like
f. ex. indian music claims
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