I was hoping to catch on butoh and performance from the first week, since I'm
better equipped to talk about gigs than about galleries. But it's interesting
what the installation discussion has triggered off.
Embodiment, synaesthesia, interaction, or crappiness of SGI-ness of it, we're
talking a
thanks for joining us, Scott, and also thanks to all who posted today, we
invite
feedback and open discussion this weekend::
best wishes
Johannes
>>
From: Scott Taylor [fs...@hotmail.com]
Sent: Saturday, October 22, 2011 6:08 PM
Hello:
SPEED UP LEADS TO SLOW DOWN AS IN GRID-LOCK: HYPER [wa
Hello:
SPEED UP LEADS TO SLOW DOWN AS IN GRID-LOCK: HYPER [wave] LEADS TO HYPO
[particle]: THESE ARE NOT MUTUALLY EXCLUSIVE BUT MUTUALLY
INCLUSIVE ASPECTS OF TIME, SPACE, MASS AND WEIGHT [inertia]:
A propos the late, great Marshall McLuhan,
in the year of his centenary: with electro
METAFORMANCE - Redefining Relationality
Genealogies of perception: from proprioception to otherception
[continuation - Post 2]
There is no dancer behind the dance
In classical, modern and most of contemporary dance traditions, even
those which abandon the architecture of the stage, the dista
to respond to Johannes: 'a work's affective power, its ritual
effficacy and alchemy (Gordana?), its Artaudian rather than its
political (Brechtian) sense?'
Both? In experiencing interactive works participants non-experts (and
often experts as well), seems to report only about their sensual,
emotio
