One of the best curators I had the priviledge to work with is Sarat
Maharaj, one of the most modest and low key curators I know. Born in South
Africa of Indian ancestors Maharaj was the co-curator of Documenta XI. He
is a researcher at Goldsmith and a professor in Lund, Sweden at the Art
Academy.
you're all simply trying to sickeningly-spin various
self-serving, sycophant aspects of oppressive
institutional-art synonymns
/:b
Island 8.0 (sound files now online!):
http://archive.org/details/global_islands_project_island_8.0
Global Islands Project -- Global Islands Project -- ongoing
There seems to be an undertow of distress; so let me reframe the
question of artist-as-curator in a different way. It's healthy and
sometimes desirable for artists to be in a room of their own
(metaphorically) and then show/share work when it has marinated enough
(in whatever measure: hours,
Simon,
How uncanny that you mention Sam Weber since I introduced him for a talk a few
hours ago and cited his Introduction to first volume of Glyph where he
emphasizes the collaborative powwr of writing. It is, as you put it, the
collaborative theatricality of curation that has fueled my
