At 12:14 AM 7/17/02 -0400, Christopher BJ Smith wrote:
The faint note is probably there, and it is most likely a sum tone,
which only are audible in the proper key when the instruments are
playing in tune - which is to say NOT in equal temperament as most
synths and pianos. Getting the tuning
On 17.07.2002 7:27 Uhr, Tammy Grimes wrote
I am using the plain text option, so
let's see if this comes out more readable.
Perfect, thanks!
Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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Matthew Hindson writes:
The good thing about libraries is that I can store elements in them for use
in a couple of years time if needs be. If such information were to be
stored only within documents, and then transferred to a new document, then I
have to remember which documents they were
On 17.07.2002 10:27 Uhr, Jari Williamsson wrote
Matthew Hindson writes:
The good thing about libraries is that I can store elements in them for use
in a couple of years time if needs be. If such information were to be
stored only within documents, and then transferred to a new document,
I don't know why this problem keeps popping up, but it does: Once
again, the thirty-second note flags in a file I'm working with
(FinMac 2K2, Engraver Font) are too close to the 16th-note flags.
Could some kind soul who knows give me the correct number to enter in
whatever DB to fix this? And why
I admit it isn't much of a bright spot, but at least since you are using
the program professionally the upgrade is a tax-deduction so it isn't a
total loss.
I have been fortunate in that the OS that I use has remained
consistently behind the major changes on the Windows side so I have
missed
I've been using it since it was released and I don't see any reason not
to upgrade. Especially if your current version is earlier than Fin2K.
It has opened older files (I don't have any that go back before 3.5)
with no problems and I haven't run into any bugs that would make me
suggest
I knew there was something missing!
Marcus
From: [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
Date: Wed, 17 Jul 2002 02:39:01 -0500
To: [EMAIL PROTECTED]
Subject: Finale digest, Vol 1 #210 - 61 msgs
I half expect someone to complain
that Finale can't do spreadsheets.
At 1:20 AM 07/17/02, Don Hart wrote:
Here's how to create the bug:
1. Open a template with multiple systems on the same page and with spacing
such as the above mentioned Piano Grand Staff and go to page view.
2. Move at least one measure to an adjacent system on the page.
3. Select the speedy
At 11:21 AM 07/17/02, Johannes Gebauer wrote:
There are still situations where libraries do a really good job: Imagine you
change something of your engraving style, eg font for certain symbols,
I believe you'll find that the Document Settings library includes your
choices of *character* for any
On 17.07.2002 14:19 Uhr, Mark D. Lew wrote
Here's how to create the bug:
1. Open a template with multiple systems on the same page and with spacing
such as the above mentioned Piano Grand Staff and go to page view.
2. Move at least one measure to an adjacent system on the page.
3.
On 17.07.2002 14:19 Uhr, Mark D. Lew wrote
There are still situations where libraries do a really good job: Imagine you
change something of your engraving style, eg font for certain symbols,
I believe you'll find that the Document Settings library includes your
choices of *character* for
Below is my Wish list as it is going to be sent to Coda, unless I have
forgotten something.
Johannes
--
Bugs and problems to be fixed:
--
- Fix grace note spacing to work (it never worked, so it's not really a bug)
- Fix independent time sig
Thanks to everyone that has responded privately!
I wrote:
Dear collegues,
I am searching for a font called Baker Signet, or one of its
look-a-likes called Keene, Signature, Signatur Vario, or Signete. Can
anyone help? Thanks!
___
Finale
CREATING A PERCUSSION MAP
Thank you. That was very helpful!
--
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
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[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
Jerry:
OK, one more time -- why do I not want to buy this version?
John:
Because Coda dropped the ball and it will not run on OS X.
Me:
That's OK with me. My computer (1999-era PowerBook G3) won't run (well)
on OS X either!
ng
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Finale mailing
On 16 Jul 2002, at 15:54, Harold Steinhardt wrote:
However, the best of midi playback still does not give you an honest
representation of what real human beings, playing a real acoustic
instruments will sound like.
That is as true of playback from your fancy-schmancy professional
sequencer
On 16 Jul 2002, at 20:03, Matthew Hindson wrote:
* more intelligent handling of accidentals within a single bar - e.g. if a
note is enharmonically changed to F# from Gb within a bar, subsequent Gb/F#s
within the bar should default to the F#.
This came up yesterday or the day before in
On 16 Jul 2002, at 8:30, Robert Patterson wrote:
I would expand this request to disconnect the programming of metatools from the
shift key and instead allow the (all the) shift keys to define additional
metatools. If this were possible, I might (for ex.) use ctrl-p for ppp,
shift-p for pp
On 16 Jul 2002, at 17:37, David H. Bailey wrote:
I am very happy for everybody who pretends to be deaf like Beethoven
when they compose. I am not like that. I am not a Mozart. I can't
conceive of scores complete in my head and write them down perfectly so
I don't ever want to change a
On 16 Jul 2002, at 10:18, Linda Worsley wrote:
I love Finale, warts and all, and while I understand the many
complaints, I sometimes want to go on the list and shout This is
your mother speaking! Stop whining or I'll stop he car! Don't ANY
of you remember what it was like to make scores
John Howell:
Yeah,
Wagner used bass clef, and it still confuses people.
And Strauss, and Schoenberg, and Berg, and Webern, and Stravinsky...
--
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
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[EMAIL
You need to adjust your flag positioning values.
Thank you! That saved me a lot of hair pulling. I did notice, though,
that it is impossible to set a Secondary Group position that is
correct for both upstem and downstem flags. I ended up choosing a
compromise value (14 EVPU) that left the
I don't know why this problem keeps popping up, but it does: Once
again, the thirty-second note flags in a file I'm working with
(FinMac 2K2, Engraver Font) are too close to the 16th-note flags.
Could some kind soul who knows give me the correct number to enter in
whatever DB to fix this? And
Just for the record, the excerpt in particular which I was trying to input
was from the Stravinsky Rite of Spring. So, I'm on the end of being a
performer, where I sort out what a composer wanted, not composing something.
I will say that the easiest way to write bass clarinet parts, which most
Harold Steinhardt wrote:
If an arranger or a composer does not know what it will sound
like BEFORE notating it, then they do not know their art/craft
very well. If they don't already know what it will sound like,
how do they determine what to write in the first place?
Notating one's
Two items you might want to include (I've been agitating Coda about these
for awhile, but the number of people who write in makes a big difference):
--Fix lyrics tool so that hyphenated words which cross systems have a hyphen
on the bottom system. (Finale currently leaves blank space on the
On 17.07.2002 17:36 Uhr, Steven Powell wrote
Two items you might want to include (I've been agitating Coda about these
for awhile, but the number of people who write in makes a big difference):
--Fix lyrics tool so that hyphenated words which cross systems have a hyphen
on the bottom
On Wed, 17 July 2002, David W. Fenton wrote
If it's actually the ASCII code, then it wouldn't be possible.
Eh? 'A' and 'a' and ctrl-a all have different, well-defined ascii codes between
0 and 127. This is computer text 101. No need to track shift states.
The option and alt combinations are
On 17.07.2002 14:21 Uhr, Jari Williamsson wrote
Please take a look at:
http://www.jwmusic.nu/forza/settingstransfer.html
Do you still think that using Libraries is the easiest way?
I just had another situation, where I think libraries work better than
Forza:
The project I am working on we
At 10:26 PM +0200 7/17/02, Johannes Gebauer wrote:
Is there a way to change the position setting of all measure number regions
in a file?
Measure tool measure measure numbers edit regions position.
Linda Worsley
--
Hear the music at:
http://www.ganymuse.com/
- Original Message -
From: Harold Steinhardt [EMAIL PROTECTED]
If an arranger or a composer does not know what it will sound like
BEFORE notating it, then they do not know their art/craft very well.
There is so much wrong with this generalisation, I don't know where to
begin.
This
At 11:16 PM +0200 7/17/02, Johannes Gebauer wrote:
On 17.07.2002 22:57 Uhr, Linda Worsley wrote
At 10:26 PM +0200 7/17/02, Johannes Gebauer wrote:
Is there a way to change the position setting of all measure number regions
in a file?
Measure tool measure measure numbers edit regions
on 7/17/02 7:10 AM, Johannes Gebauer at [EMAIL PROTECTED] wrote:
On 17.07.2002 14:19 Uhr, Mark D. Lew wrote
Here's how to create the bug:
1. Open a template with multiple systems on the same page and with spacing
such as the above mentioned Piano Grand Staff and go to page view.
2.
On 17.07.2002 23:29 Uhr, Linda Worsley wrote
Is there a reason for so many regions if all the
size/position/font/etc. of measure numbers is the same?
(Knowing your level of expertise, I'm sure you have a VERY good
reason, but I'm curious.)
Each region needs to be numbered 1 to x. It's all
At 12:04 AM +0200 7/18/02, Johannes Gebauer wrote:
If there isn't a way to set the font and position of measure numbers for a
whole piece this would be a good task for a plugin I guess. I am just
surprised it doesn't exist yet. Or does it?
OK, I see the problem. Yes, it would be a very good
If there isn't a way to set the font and position of measure numbers for a
whole piece this would be a good task for a plugin I guess. I am just
surprised it doesn't exist yet. Or does it?
OK, I see the problem. Yes, it would be a very good thing! And if
it does exist, a very good thing to
On 17 Jul 2002, at 10:52, Dennis Bathory-Kitsz wrote:
At 09:54 AM 7/17/02 -0400, you wrote:
On 16 Jul 2002, at 15:54, Harold Steinhardt wrote:
However, the best of midi playback still does not give you an honest
representation of what real human beings, playing a real acoustic
On 17 Jul 2002, at 13:33, Robert Patterson wrote:
On Wed, 17 July 2002, David W. Fenton wrote
If it's actually the ASCII code, then it wouldn't be possible.
Eh? 'A' and 'a' and ctrl-a all have different, well-defined ascii codes between
0 and 127. This is computer text 101. No need to
on 7/17/02 5:41 PM, Linda Worsley at [EMAIL PROTECTED] wrote:
At 12:04 AM +0200 7/18/02, Johannes Gebauer wrote:
If there isn't a way to set the font and position of measure numbers for a
whole piece this would be a good task for a plugin I guess. I am just
surprised it doesn't exist
Linda Worsley wrote
At 10:26 PM +0200 7/17/02, Johannes Gebauer wrote:
Is there a way to change the position setting of all measure
number regions
in a file?
Measure tool measure measure numbers edit regions position.
Yeah, I know that, but I have about 15 regions in the file, is
At 3:17 AM +0100 7/18/02, John Bell wrote:
Linda, there are all kinds of situations where you need many
regions. And it is understandable that you may want to edit the
size/position/font/etc of them all.
Johannes' problem is one that I have encountered.
I've done that, too. I just put a
* more intelligent handling of accidentals within a single bar - e.g. if
a
note is enharmonically changed to F# from Gb within a bar, subsequent
Gb/F#s
within the bar should default to the F#.
This came up yesterday or the day before in another discussion.
Isn't it the case that Ctrl +
John Bell wrote:
OK, I must have missed the news on this one. But Queen Elizabeth II
is *still* listed as chief of state. I got a minor surprise to read
that Canada's chief of state is still HRH (represented by Governor
General Adrienne Clarkson).
Even more surprising might be to find
At 2:10 PM 07/17/02, Johannes Gebauer wrote:
He means using MassMover, select a measure in page view and move it to the
next system using the cursor-down key.
Aha, I get it now. I do use that function sometimes, if I make a layout
adjustment after I've locked my systems. But I tend to think
At 12:04 AM 07/18/02, Johannes Gebauer wrote:
If there isn't a way to set the font and position of measure numbers for a
whole piece this would be a good task for a plugin I guess. I am just
surprised it doesn't exist yet. Or does it?
Seems to me that staff names would be a good model for this.
At 11:36 AM 07/17/02, Steven Powell wrote:
--Fix lyrics tool so that hyphenated words which cross systems have a hyphen
on the bottom system. (Finale currently leaves blank space on the bottom
system--I've never seen published music in which this is acceptable)
Oh yeah, I had completely
At 2:10 PM 07/17/02, Johannes Gebauer wrote:
Both. I just tried, changed the font for clefs, saved the doc options lib,
undid the change of font, loaded the lib and there were my changed clefs.
The document options lib actually includes several things that can be saved
separately in other
At 10:18 AM 07/17/02, Andrew Stiller wrote:
Thank you! That saved me a lot of hair pulling. I did notice, though,
that it is impossible to set a Secondary Group position that is
correct for both upstem and downstem flags. I ended up choosing a
compromise value (14 EVPU) that left the downstem
At 10:27 PM -0700 7/16/02, Tammy Grimes wrote:
Normally I use a lower case B to indicate flats in a
chord symbol, for example DbMaj7 or Cm7b5 chords.
However, I have noticed a peculiarity when working
with the jazz font. When trying to enter a new chord
suffix, it wants to use the lower case B
At 3:38 AM -0400 7/17/02, Dennis Bathory-Kitsz wrote:
At 12:14 AM 7/17/02 -0400, Christopher BJ Smith wrote:
The faint note is probably there, and it is most likely a sum tone,
which only are audible in the proper key when the instruments are
playing in tune - which is to say NOT in equal
Dennis Bathory-Kitsz wrote:
Sure, live concerts are great for the tension of the imminent mistake
(composer Daron Hagen believes it's only the possibility of calamity that
keeps people going to opera and NASCAR races), the idiosyncratic
interpretations and bizarre behavior,
Colin, I do admit my comment was a great generalization, that even I
don't completely agree with. And this all started with with my
opinion that Coda should spend most of their resources improving the
notational problems that still exist rather than added midi capabilities.
I can't write
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