On 4/21/02 6:40 AM or thereabouts, John Croft [EMAIL PROTECTED] intoned:
Even better would be if
you could also drag a file *into* a subfolder in this way -- like the
old OS 9 spring-loaded folders, but with menus. But maybe X doesn't
support dragging into menus.
Spring-loaded folders
On Tuesday, April 30, 2002, at 01:46 PM, John Hinchey wrote:
Hi all,
Is there a way to enharmonically flip chord symbols.? I'm in the key of
Db and onor two staff analysis spells the 'Cb' chords as
'B'.
Uncheck simplify spelling, for starters. And why are you using
two-staff analysis?
As a footnote to our discussion a few months ago about the awkwardness
some people feel about using mice as the plural of mouse when
referring to multiple computer-based pointing devices, I had a little
laugh today when shopping for a new stylus for my Palm on the
Staples.com web site.
Under
As a footnote to our discussion a few months ago about the awkwardness
some people feel about using mice as the plural of mouse when
referring to multiple computer-based pointing devices, I had a little
laugh today when shopping for a new stylus for my Palm on the
Staples.com web site.
Under
On Wednesday, May 1, 2002, at 10:14 AM, Jari Williamsson wrote:
John Howell writes:
And by the way, our music department started with Mosaic, switched to
Finale about 4 years ago, and will probably make a decision to switch
to
Sibelius within the next month because starting this summer
On Thursday, May 16, 2002, at 01:44 PM, [EMAIL PROTECTED] wrote:
Now I have run into a new problem: is it possible to change the
transposition of a staff midstream; say, I want to change from Bb
clarinets to A clarinets.
The best way to handle instrument changes is to use staff styles.
On Thursday, May 16, 2002, at 02:17 PM, Dan Rupert wrote:
Yes, in Fin2k2 its much simpler as you merely apply a staff style which
I dont believe were available yet in Fin2k.
No, that's not true. Staff Styles were introduced in Finale 2000, and
that's what DeliusFan ought to use for the
On Saturday, June 1, 2002, at 05:36 PM, Tobias Giesen wrote:
Hi,
unfortunately, Coda have announced that FinMac2003 will run in Classic
only.
You're kidding. When did that happen? Wasn't there enough complaining
at the time that *FinMac2002* wasn't Carbonized for X? And didn't Coda
On Sunday, June 2, 2002, at 08:49 AM, Robert Patterson wrote:
Darcy James Argue wrote:
All major Mac applications (with
the exception of Quark and a handful of digital audio apps)
This handful of digitial audio apps cannot be so lightly dismissed.
(Read on.)
I didn't mean to lightly
On Friday, June 14, 2002, at 12:50 AM, Christopher BJ Smith wrote:
Bowings, well, normally it's the job of the section leaders (who get
the parts well ahead of time for that very purpose) to mark in section
bowings, then the librarian transfers them to all the parts in the
section. They
On Friday, June 14, 2002, at 12:50 AM, Christopher BJ Smith wrote:
Bowings, well, normally it's the job of the section leaders (who get
the parts well ahead of time for that very purpose) to mark in section
bowings, then the librarian transfers them to all the parts in the
section. They
From: Darcy James Argue [EMAIL PROTECTED]
Date: Mon Jun 17, 2002 11:12:25 PM US/Eastern
To: Christopher BJ Smith [EMAIL PROTECTED]
Subject: Re: [Finale] File formats - security anyone - copying or not
On Monday, June 17, 2002, at 10:28 PM, Christopher BJ Smith wrote:
Hmm. Not a big supporter
I'm not going to respond to the main thrust of Lee Actor's points
because he's obviously comfortable with a very different musical
landscape than I am. Personally, given the music that huge
multinationals like Viacom and Bertlesmann are recording and promoting,
giving emerging artists a
On Tuesday, June 18, 2002, at 06:23 PM, David H. Bailey wrote:
Until you've run up against the stupidity which is the poster child of
state-run arts organizations, it is easy to feel as you do, that state
support for the arts is a good thing.
David,
While your story is indeed a sad
On Saturday, June 22, 2002, at 08:01 AM, David H. Bailey wrote:
Can you name one poet that has come out of NEA support to achieve
national recognition (that didn't already have national recognition
before receiving NEA support)?
No, because I have only recently moved to the United States
On Sunday, June 23, 2002, at 11:27 AM, Christopher BJ Smith wrote:
Because of the way copyright laws are set up, the person who worked out
those beautiful chords to all those Berlin tunes doesn't get a penny of
royalties, as only lyrics and melodies are copyrightable. Yet, IMHO,
those
On Sunday, June 23, 2002, at 05:54 PM, John Howell wrote:
Any suggestions gratefully accepted! (Also ISBNs, if available!)
Jamey Aebersold has some reference materials available as free downloads
from his web site. Not sure precisely what you're after, but you might
look at The Scale
On 6/22/02 6:22 PM or thereabouts, Colin Broom [EMAIL PROTECTED]
intoned:
Anyone happen to know of a font that includes the indications for registral
stops for the accordion (little circles with two horizontal lines and dots
in various positions)?
Cheers,
Colin.
Hi Colin,
A few years
You know that annoying Are you sure? warning that pops up when you try
to apply a conflicting staff style to a region that already has one?
You know how there's a box marked Don't ask again that you
instinctively check so as not to be bothered by this popup ever again?
Well, uh... once
On Thursday, June 27, 2002, at 10:18 PM, [EMAIL PROTECTED] wrote:
One of the people at Coda said, Well the natural is still there,
you've hidden it. Why would you ever want that in any practical
situation?
Off the top of my head:
1) When you have a note tied to a note in a different
On Thursday, June 27, 2002, at 10:18 PM, [EMAIL PROTECTED] wrote:
To test this, set up two measures in A flat with 8 quarter notes that
are B flats. Now go into the speedy entry tool, and change the first
quarter notes of each measure to B natural using the + key, which is
supposed to
On Sunday, June 30, 2002, at 09:18 PM, David W. Fenton wrote:
On 1 Jul 2002, at 1:57, John Bell wrote:
My son is learning a piano piece in which he is experiencing some
difficulty with a passage that has 3 in RH against 4 in LH. His
teacher has suggested what atrocious weather as an aid
On Tuesday, July 2, 2002, at 01:33 AM, David Stonestreet wrote:
http://www.emagic.de/english/news/index.html#069
Now if they bought Coda we might get an OS-X version of Finale ;)
Sad for PC users though.
Yes, but now I might finally get an OS X driver for my Audiowerk2!
- Darcy
-
On Tuesday, July 2, 2002, at 01:41 PM, David H. Bailey wrote:
Perhaps they realize they are losing a vast segment of the music
industry to PCs and hope that this will force loyal Emagic users to
change platforms. Apple has not always been know for making smart
business decisions, no
On Tuesday, July 2, 2002, at 06:34 PM, Johannes Gebauer wrote:
On 02.07.2002 19:00 Uhr, Darcy James Argue wrote
You are confusing two different issues. The original issue of OS X did
not support Quartz graphic acceleration for *any* video card, but it
did
support hardware-accelerated
Some perspective:
Mac-based products account for over 65 percent of Emagic's current
revenues.
From: http://www.macnn.com/news.php?id=15018
- Darcy
-
[EMAIL PROTECTED]
Boston MA
___
Finale mailing list
[EMAIL PROTECTED]
A sneak peek at the Audio MIDI Setup utility for OS X 10.2:
http://www.thinksecret.com/features/jaguarotherapps/images/amsaudiodevices.
html
It makes sense that Apple would want to ensure that at least one digital
audio app is taking full advantage of OS X and isn't hobbled by having
to
On Wednesday, July 3, 2002, at 02:35 AM, Johannes Gebauer wrote:
On 03.07.2002 1:13 Uhr, Darcy James Argue wrote
I think nonsense is perhaps a little strong, Johannes, considering
the
gist of my post was right.
Perhaps nonsense is strong (my anger is directed at Apple, not at you
On Wednesday, July 3, 2002, at 05:09 PM, Johannes Gebauer wrote:
As far as I know, the law suit was specifically about DVD playback
No. The lawsuit is about the definition of fully supported. Apple
claimed that OS X was fully supported on many machines (including
yours), and in the view
On 7/7/02 5:30 PM or thereabouts, [EMAIL PROTECTED]
[EMAIL PROTECTED] intoned:
I just ran across something really peculiar. Dare I call it a bug ?
Anyway, in this song file I have, two of the staffs are set up as tenor
saxes, which means they transpose up a 9th when notated. However, when I
eBay buys PayPal Auction giant eBay will acquire online transaction
facilitator PayPal in a stock-for-stock exchange using a fixed ratio of 0.39
eBay shares for each PayPal share. Based on eBay's stock price on July 5,
2002, the acquisition is valued at $1.5 billion. PayPal will continue to
On Thursday, July 11, 2002, at 01:46 PM, Doug Auwarter wrote:
Anybody tried this? I'm curious how well it works and what are the
disadvantages to using another dedicated piece of software like Acrobat
or
Ghostwriter to create PDF files.
Unfortunately, since the only PDF files I ever need
On 9/17/02 7:53 AM or thereabouts, Rocky Road [EMAIL PROTECTED] intoned:
Well then I must try it out. Its the one with tabs for each window right?
OmniWeb 4.1 doesn't have tabbed browsing (version 5.0 will), but in contrast
to IE it:
- doesn't have major security loopholes
- displays pages
On 9/17/02 7:25 PM or thereabouts, David W. Fenton [EMAIL PROTECTED]
intoned:
But I still don't understand the logic behind mirroring lyrics BY
DEFAULT. Yes, it's an obviously useful OPTION, but as a default
behavior with no acceptable alternative for doing otherwise, it
boggles the mind.
I
Hey everyone,
As you may remember, a while back I made an online plea for someone with
Fontographer to make some long-needed improvements to the default JazzCord
font -- specifically, to isolate some characters used in combination with
other characters in the suffix glyphs and make them
Okay,
Due to *overwhelming* demand -- who knew there were so many lurkers on
the list! Who knew so many people wanted these modifications as badly
as I did! -- I have put the modified version of JazzCord up on my .Mac
homepage, where it will stay until at least Sept 30 (or longer, if I
This is looking less like idle speculation and more like a credible
strategy for Apple's future:
Apple Computer is looking toward a 64-bit future for the Mac --
courtesy of PowerPC partner IBM.
According to sources, IBM Microelectronics, a division of IBM, is
working with Apple on a
On 9/22/02 12:54 AM or thereabouts, Taris L Werewolf
[EMAIL PROTECTED] intoned:
Hi all!
Just wanted to know if anyone knew of anyplace in Halifax, NS, Canada to
buy Finale 2003. I've just moved here and I want to upgrade my software.
Taris
You will probably get a better price by buying
Apparently there were some problems with the PC TrueType version of this
font. Mike Cholewa sent me an updated, corrected version which has now been
posted to the download site:
http://homepage.mac.com/djargon/FileSharing5.html
Regards,
- Darcy
--
[EMAIL PROTECTED]
Boston, MA
Hello all,
Okay, suddenly and for no apparent reason, my CRT monitor just turned
purple. Greens now display as black, so I can only assume that the green
electron beam is no longer firing. This is bad, I think. Is my monitor
kaput, then? It's a Sony 200ES -- about four years old at this
On 9/26/02 3:47 PM or thereabouts, Tim Thompson [EMAIL PROTECTED] intoned:
Oops--I should have read this one before I replied. Sorry to hear about
your monitor. Now the decision--the repair shop, or a new CRT?
No repair shop -- I've gone that route before, and it was one of the most
On 9/26/02 3:45 PM or thereabouts, Fisher, Allen [EMAIL PROTECTED]
intoned:
You could pop the cover of the monitor, and somewhere (usually on the back)
are some screws on the back marked R, G, and B. Try tightening or loosening
(can't remember which) the one marked G. That's supposed to help
On 9/26/02 3:45 PM or thereabouts, Fisher, Allen [EMAIL PROTECTED]
intoned:
You could pop the cover of the monitor, and somewhere (usually on the back)
are some screws on the back marked R, G, and B. Try tightening or loosening
(can't remember which) the one marked G. That's supposed to
On 9/26/02 11:34 PM or thereabouts, Mark D. Lew [EMAIL PROTECTED]
intoned:
(Optional step 6: Complain that it wasn't set that way by default)
Blank notation is set up to Show Items Attached to Notes by default for a
very important reason -- it is the *only* way to show chord symbols on
On 9/27/02 8:42 AM or thereabouts, Christopher BJ Smith
[EMAIL PROTECTED] intoned:
Hmm, I usually accomplish the same thing by hiding Layer 2 entries
using O and attaching the chord symbols to the hidden Layer 2
entries.
Ah. This doesn't work for Layer 1 -- pressing O to hide the entries
On 9/27/02 1:58 PM or thereabouts, David W. Fenton [EMAIL PROTECTED]
intoned:
Would it not make more sense to add a property to chord symbols that
allows them to display when attached invisible notes, rather than
mucking up blank notation for everyone else?
Well, the current arrangement does
On 9/27/02 2:13 PM or thereabouts, [EMAIL PROTECTED]
[EMAIL PROTECTED] intoned:
Are you sure about this Darcy? I do not have this problem. When I put
something in Layer 1 and press O all articulation and note attachments
disappear but lyrics and chord symbols remain.
Well, you're probably
On 9/27/02 3:37 PM or thereabouts, Christopher BJ Smith
[EMAIL PROTECTED] intoned:
I'm starting to come over to your way of thinking - if I change ALL
the regular notation to Layer 4, then I don't have to do it more than
once. Then I can put in bars and bars of quarter rests in Layer 1 by
On 9/27/02 3:45 PM or thereabouts, David W. Fenton [EMAIL PROTECTED]
intoned:
My point is that making a user preference to get around a flaw in the
program is not really improving the program.
David,
Some of us have clearly, rationally explained why we feel that having the
region number
On Sunday, September 29, 2002, at 12:26 AM, Christopher BJ Smith wrote:
Um, yeah, but if I have used the Tempo expression from the Setup
Wizard, it, too gets repeated 999 times, and if I have ever set any
double bars, entered rehearsal marks, or any other measure-specific
items, they
On Sunday, September 29, 2002, at 12:50 AM, Crystal Premo wrote:
What is the advantage of inputting chords as lyrics?
Oh, Jesus Christ...
Just because they have to appear below the staff does not seem like
enough reason for it.
God, no. I hate to be the bearer of bad news, but I
What is the best way to indicating a string divisi passage where 2/3 of the
players are to play the top line, and 1/3 the bottom?
- Darcy
--
[EMAIL PROTECTED]
Boston, MA
___
Finale mailing list
[EMAIL PROTECTED]
On 9/30/02 6:10 PM or thereabouts, Lee Actor [EMAIL PROTECTED] intoned:
If possible, you might
consider reorchestrating the passage with simple div. and non div. to give
the correct balance. For example, with Vln. I on the 2/3 part and Vln. II
div. on both parts, you get almost exactly a
On Tuesday, October 1, 2002, at 09:40 PM, Christopher BJ Smith wrote:
At 7:31 PM -0400 10/01/02, Darcy James Argue wrote:
Actually, this was one of the original solutions I was contemplating,
and I somehow lost sight of it until others on the list reminded me
that Div in 3 within
Classical music: Why bother?
A composer and Harvard professor wonders whether his craft has been
left behind by a world with no patience for Great Art.
- - - - - - - - - - - -
By Joshua Fineberg
Oct. 2, 2002 | If recruiting for composers were done in the want
ads, nobody in their
On Thursday, October 3, 2002, at 07:38 AM, Crystal Premo wrote:
Excuse me if I am repeating this, but I posted it very late last night
and do not see it here this morning:
I would like to extract only *some* instruments into a sort of
piano-conductor score, and cannot find the way to
On 10/3/02 1:50 PM or thereabouts, Michael Cook [EMAIL PROTECTED]
intoned:
At 10:23 -0400 3/10/2002, Darcy James Argue wrote:
You're on a Mac, right? Use command-click to select discontinuous
staves using the staff tool, then create a new group and extract
only that group.
I think you
On Tuesday, October 8, 2002, at 11:54 PM, Rocky Road wrote:
Who brings out a new version at this point with no OSX?
Hmm... ah... gee, well... y'know... er... kaff CODA kaff kaff...
- Darcy
-
[EMAIL PROTECTED]
Boston MA
___
Finale mailing
On 10/10/02 12:24 AM or thereabouts, Robert Patterson
[EMAIL PROTECTED] intoned:
If you think you might ever want to use an LCD display in Portrait mode,
avoid Apple monitors like the plague. Look for monitors that support
VESA standard mounting brackets. Most manufacturers other than Apple
Thought this might be of interest to some here:
http://www.osxaudio.com/
- Darcy
--
[EMAIL PROTECTED]
Boston, MA
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
On 10/10/02 3:03 AM or thereabouts, Robert Patterson
[EMAIL PROTECTED] intoned:
Eh? Read again what you quoted of mine. I'm talking about LCD monitors
by Apple. These should be avoided like the plague in favor of monitors
that are compatible with VESA mounting brackets. Assuming you ever
Thought it might be worth pointing out that a company called Marathon
computer *does* in fact make wall-mount and rack-mount brackets for
Apple LCDs. I don't know how much the standard mounting brackets
Robert mentioned cost -- I expect these are more expensive. But FWIW...
On 2002/10/13 09:45 AM or thereabouts, Andrew Stiller
[EMAIL PROTECTED] intoned:
The difference is, as I explained (for the umpteenth time) in another
post, that the use of bass clef is simply not obsolete. It is
absolutely current in the areas where it has been traditional.
Look, Andrew,
On 2002/10/13 03:17 PM or thereabouts, John Howell [EMAIL PROTECTED]
intoned:
Only if you assume that we stupid Americans can only read treble and bass
clefs. Remember that the moveable C clefs are also concert pitch. You
can't read them? Why not? Become fluent in reading all 9 moveable
On 2002/10/13 07:48 AM or thereabouts, Jari Williamsson
[EMAIL PROTECTED] intoned:
Darcy James Argue writes:
How do people generally prefer to see natural harmonics?
1) At pitch, with the circle (with a Sul G or whatever, where
appropriate).
For the octave harmonic only (the one
On 2002/10/13 04:23 PM or thereabouts, Christopher BJ Smith
[EMAIL PROTECTED] intoned:
I don't know whether this is universal, but the way I was taught when
writing concert-pitch scores, octave-transposing instruments such as
picc, contrabassoon, glock, and double bass are written in the
On 2002/10/13 07:22 PM or thereabouts, Christopher BJ Smith
[EMAIL PROTECTED] intoned:
Again, this problem is easily avoided by using octave-transposing clefs for
octave-transposing instruments.
- Darcy
But that brings up another problem, which is that those instruments
do not read
On 2002/10/14 03:42 AM or thereabouts, Michael Edwards [EMAIL PROTECTED]
intoned:
[Darcy James Argue:]
Again, this problem is easily avoided by using octave-transposing clefs for
octave-transposing instruments.
Are they those treble or bass clefs sometimes found in more recent scores
September 23, 2002
Apple, IBM Team on 64-Bit Processor for Macintosh
By Daniel Drew Turner and Matthew Rothenberg
Apple Computer Inc. is looking toward a 64-bit future for the Macintosh,
courtesy of PowerPC partner IBM.
Sources said IBM Microelectronics, a division of IBM, of Armonk, N.Y., is
On Tuesday, October 15, 2002, at 10:17 PM, Doug Auwarter wrote:
on 10/14/02 11:19 PM, Crystal Premo at [EMAIL PROTECTED] wrote:
In one of the stupid little things it does, it converts the whole
thing
to slash or regular. How do I make it only convert part of the staff?
Using the
On Wednesday, October 16, 2002, at 06:55 PM, helgesen wrote:
I'm sure this prob has been addressed before, but -again please, O
mighty
gurus!
I enter Coda Sign, in scroll view on score, extract part, and Coda
sign has
migrated. Sometimes into staff, sometimes a measure early or late,
On 2002/10/21 01:27 PM or thereabouts, Whittall, Geoff
[EMAIL PROTECTED] intoned:
My apologies if my query has already been dealt with on this forum...
I wonder if anyone has had a similar problem. I'm running Finale 2002b for
Mac, in Classic mode (while running OSX), and having major
On Tuesday, October 22, 2002, at 02:09 PM, Ken Parsons wrote:
Brian at Coda Tech Support tells me that Finale WILL work in Classic
mode
with the Roland UM-20 MIDI interface, but that that's the ONLY
interface
they've tested that works.
I have to say, I'm a little skeptical of this claim...
I have no desire to use Sibelius ever again, but I thought this might
be of interest to those who want to own both notation programs:
Special Offer from Sibelius
Sibelius 2 is now better than ever, and Finale and Encore users can
get it for just $179. Hurry - this offer ends October 31st!
On 2002/10/12 06:05 PM or thereabouts, Michael Edwards [EMAIL PROTECTED]
intoned:
[John Blane:]
(although I am unclear as
to why you would show a bass clef for this instrument).
The Technique of Orchestration by Kent Wheeler Kennan, if I remember
correctly (it's not handy to check now)
On 2002/10/12 06:47 PM or thereabouts, Colin Broom
[EMAIL PROTECTED] intoned:
- Original Message -
From: Mark D. Lew
It's possible that there is some good reason to be using the bass clef
that
you're unaware of.
Ok, I'll come clean. For reasons that are too uninteresting to
On 2002/10/12 07:28 PM or thereabouts, Michael Edwards [EMAIL PROTECTED]
intoned:
If you were trying to read a score for an ensemble of saxophones, in various
registers, but all written in treble clef, I would have thought it would be a
nightmare to actually try to decipher what notes are
On 2002/10/12 10:09 PM or thereabouts, Andrew Stiller
[EMAIL PROTECTED] intoned:
In this case, then, the bass clef is not non-standard, since any
professional bass clarinettist must have a mastery of that clef,
since numerous German works from the standard repertoire are so
notated.
Well,
On 2002/10/12 10:04 PM or thereabouts, Andrew Stiller
[EMAIL PROTECTED] intoned:
I've explained this to the list, it feels like, over and over and
over. Whay doesn't it stick? Make a sampler, people! Put it on your
wall:
X X X GERMAN BASS CLARINETS USE THE BASS CLEF X X X
Oh, well, xpost
On 2002/10/13 04:09 AM or thereabouts, helgesen [EMAIL PROTECTED]
intoned:
Do advocates of non-transposed scores enjoy 6 or 7 leger lines in Picc,
Glock, Bass Tuba, or ContraBassoon? are these 'acceptable' exceptions?
Oh, come now. That is a trivial problem when using a concert pitch score
On Saturday, October 26, 2002, at 05:30 PM, John Howell wrote:
Someone has sent me a miniature CD with a music file for me to turn
into an
arrangement. The cute little thing plays fine on a standard CD player
or
Diskman. But I'm scared to try putting it into my Mac G4 Titanium CD
player,
JD,
I know you say you only want to use the Finale MIDI driver, and not
mess around with OMS (which is perfectly understandable), but from
appearances it looks like Coda is phasing out support for that option
as part of the long slow march towards OS X compatibility. I suspect
that the
On Friday, November 1, 2002, at 02:11 PM, David H. Bailey wrote:
I don't know how this affects the midi file that gets saved, but it is
possible in the instrument list to turn off the chords so they don't
play. You might try that and see if it keeps them off for the midi
file as well.
If
On Friday, November 1, 2002, at 08:46 PM, Philip Aker wrote:
Again, there really ought to be an option to turn off *all* chord
playback in *all* staves *all* the time with a single click. Please
email Coda if you would like to see this implemented.
Use the Playback Utilities plugin to turn
On Saturday, November 2, 2002, at 12:51 AM, Philip Aker wrote:
On Friday, Nov 1, 2002, at 19:33 US/Pacific, Darcy James Argue wrote:
Use the Playback Utilities plugin to turn off or switch chord
playback in a selection. Available for both Macintosh and x86
platforms from my site.
Again
On Saturday, November 2, 2002, at 04:50 AM, Klaas de Jong wrote:
I presume that when you erase all the note number boxes (for every
suffix, so a little work has to be done), no chord will ever playback
anything, even if playback is activated in whatever dialog box.
Well, you know what they
On Monday, November 4, 2002, at 01:54 AM, Stokes, Randy wrote:
Ummm...
This request puzzled me, because I just *knew* I had implemented it.
But
nobody else mentioned it, so I double-checked.
Yes, you can turn off all chord playback in Finale 2003. Chord menu
Enable Chord Playback.
Aha!
I have four consecutive sixteenth notes in 4/4, with a grace note on the
fourth note. How do I get Finale to *not* break the beam at the note with
the attached grace note?
- Darcy
--
[EMAIL PROTECTED]
Boston, MA
___
Finale mailing list
[EMAIL
On 2002/11/05 02:18 AM or thereabouts, Klaaschello [EMAIL PROTECTED]
intoned:
Hi,
Look for the Speedy Edit command 'brake/join beam' (Place cursor on last
note).
No, that was (obviously) the first thing I tried, but for some totally
bizarre reason it wasn't working in this particular
Philip,
Having finally downloaded your nifty Playback Utilities plugin, I just
wanted to congratulate you on the good work and apologize for (publicly)
leaping to the wrong conclusions about how it works.
Regards,
- Darcy
--
[EMAIL PROTECTED]
Boston, MA
On Thursday, November 7, 2002, at 08:18 AM, Aaron Sherber wrote:
But I didn't change the noteheads. The percussion map dialog displays
two noteheads for each instrument: a closed notehead and an open
notehead.
Aaron,
I seem to recall you mentioning that this was a timpani staff? If so,
On Thursday, November 7, 2002, at 09:26 AM, Aaron Sherber wrote:
It's not actually a timpani staff -- I used that as an example only
because I'm most familiar with the way those parts look. But I've just
checked a few scores (Wozzeck, e.g.), and even non-pitched percussion
parts are
On Thursday, November 7, 2002, at 10:10 AM, Aaron Sherber wrote:
Yes. I don't spend a lot of time on playback details, but it's very
disconcerting to play back a piece that's supposed to use tom-toms and
hear instead whistles and guiros and the like.
What about turning off percussion
On Thursday, November 7, 2002, at 10:49 AM, Aaron Sherber wrote:
At 10:20 AM 11/07/02, Darcy James Argue wrote:
Yes. I don't spend a lot of time on playback details, but it's very
disconcerting to play back a piece that's supposed to use tom-toms
and
hear instead whistles and guiros
I ran into this tip in today's Apple eNews, and it's so useful (and
inadequately documented!) that I thought I'd share:
In this issue, we offer this excerpt from Scott Kelbys Mac OS X
Killer Tips:
If youre in Column View, you can get tired of resizing columns to
accommodate long
On Thursday, November 7, 2002, at 01:17 PM, Phil Daley wrote:
Windows has only done this for at least 5 years.
I didn't even know Windows *had* column view.
- Darcy
-
[EMAIL PROTECTED]
Boston MA
___
Finale mailing list
[EMAIL PROTECTED]
On Thursday, November 7, 2002, at 02:39 PM, David H. Bailey wrote:
This gets back to the age-old comeback on this list, whenever anybody
asks a question as to why something normal doesn't work: Why would
you want to do that?
I use percussion maps so I can get proper playback, and would
On Thursday, November 7, 2002, at 02:07 PM, David H. Bailey wrote:
That's odd, because when I don't change things, normal whole notes
show up when I enter them.
Well, yes -- no percussion map = regular whole notes. But there has
*never* been a way to specify separate noteheads for whole
On Thursday, November 7, 2002, at 03:36 PM, David W. Fenton wrote:
On 7 Nov 2002 at 14:24, Darcy James Argue wrote:
On Thursday, November 7, 2002, at 01:17 PM, Phil Daley wrote:
Windows has only done this for at least 5 years.
I didn't even know Windows *had* column view.
Column view
On Thursday, November 7, 2002, at 04:38 PM, Andrew Stiller wrote:
Even for traps, I see no need for special noteheads since 11 different
instruments can be represented on one 5-line staff without leger
lines or any two instruments sharing any line or space. With one
ledger line, the number
1 - 100 of 590 matches
Mail list logo
