FLUXLIST: Pig top, Deaths, Sw eet

2006-07-17 Thread John M. Bennett


 
Pig top

sp read ten t ,dim s pun ,g nat lake
you collared that ,rest respurned ,k not
lap ,yr cow faucet shallow than a com b
drill , u sage ,b linkage ,f lavor soak the
spandex lock yr ,what’s the diff ?make it
hat corp se show leaky ,that’s the what…

 

Deaths

drops an dips an dimes an dits an dolts an
ease an elevator an empty an eat an eviscerate an
ass an aim an awkward an ash an animation an
told an thud an tip an torpid an twisting an
half an heap an hushed an humping an hacking an
swats an seats an sells an spits an snores an

 

Sw eet

,clot hamper yr ,junk lid next ,pill
pewling snore the ladder lap ,cry melt
,clong an ,bit towel ,lint colder ,spray
snoring dodder song my shanty lip ,gawrsh
amitey ,mate off me ,time of crimes .spraw
led boreway by prescription ,nekkid sugar


John M. Bennett

__
Dr. John M. Bennett
Curator, Avant Writing Collection
Rare Books  Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA
(614) 292-3029
[EMAIL PROTECTED]

www.johnmbennett.net


http://www.library.osu.edu/sites/rarebooks/avantwriting/
___




RE: FLUXLIST: Re: On the disagreement

2006-07-17 Thread Allan Revich
There really is no special reason that one should feel that they
need/want/deserve/feel in-titled to the fluxus label on their work or
selves. But there is also no special reason that should prevent one using
the label either. Like all labels, the Fluxus label can potentially supply
information and disinformation simultaneously. 

Labels are like avatars or shortcuts. If someone says that they produce
Fluxus work, or Fluxist work, or Fluxus inspired work you have a good
starting point for understanding their work. If a person describes herself
as a Fluxus artist one will (assuming one knows what Fluxus is/was) have a
good idea about the kind of art that person produces - on the other hand the
label in this case might also lead to confusion as the Fluxus Artist may
or may not have been associated with Historical Fluxus. 

For example, Yoko Ono is a Fluxus artist who no longer (to my knowledge)
creates Fluxus art, whereas Allen Bukoff may also be a Fluxus artist, but he
became associated with Fluxus post-Maciunas. Then there is the large group
of us who create Fluxus-inspired art which can be described as being Fluxus,
Fluxus-like, Fluxus or womething else. I don't think that it is inaccurate
for any of these artists/writers/performers to describe themselves as Fluxus
artists.

I think that the description of Fluxus as an attitude remains most useful.
It allows for the historical entity of Fluxus that existed until 1978 -
while also allowing for the living Fluxus being created from the late 1950s
until (and beyond) the present day. Fluxus is (and was) always in flux,
changing and evolving, and like Intermedia, it exists in more than one
dimension simultaneously. There is the historical dimension, the attitudinal
dimension, and a taxonomic (what kind of object) dimension to Fluxus - what
Fluxus is depends on the dimension being described.

Allan 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Sunday, July 16, 2006 10:10 PM
To: FLUXLIST@scribble.com
Subject: FLUXLIST: Re: On the disagreement



It baffles me.. why one would feel that they need/want/deserve/feel
in-titled to the fluxus label on their work or selves.
I wouldn't consider the things that I make and do to be Fluxus, rather I
might note that my inspiration and theory is sometimes derived from fluxus
or more accurately parts of fluxus, Just as some folks associated with
Fluxus were inspired by, shared and developed theories that stemmed from
DADA and earlier Avant Gardes or the idea that Cage transformed Duchamp's
ideas of the ready made and distinction into his ideas on music and
composition (4'33)

Why do we need to use Fluxus as a label?
I taught a section on Fluxus in a 3d design/intro to sculpture class a few
years ago. I had my students research Fluxus starting with Dick Higgins 'A
child's history of Fluxus' all the way up to the 'Performance Workbook'.
They were then asked to develop their own Fluxus scores and perform them the
next class.  The results were wonderful and I was really amazed at how much
they understood the material and made it their own, though I wouldn't
consider my students to be Fluxus artists.  They were inspired by Fluxus and
what they did was create works derivative  of the ideas and formats they
found in Fluxus.
Even though we may make works that stem from  the ideas in fluxus, We can't
just call ourselves Fluxus artists.  So where is the solution?  
Are we Fluxus or are we not? Who is Fluxus?
How do we distinguish between the fluxus of today and the fluxus of
yesterday?
Owen has a very nice way of doing this,  he describes what he does as not
fluxus but 'fluxist'.
For me Fluxus is an  idea that seems to permeate the lives of those who
discover and continue to research it and it continues to spread and mutate
into many forms and ways of doing things.

-David








FLUXLIST: Performance!

2006-07-17 Thread John M. Bennett


ROTTY WHAT

John M. Bennett – poetry/voice
Jack Wright – saxophone
Benjamin Bennett – percussion



AUGUST 16, 2006

9:00 PM






THE BASEMENT
369 E. 15th Ave.
Columbus, OH 43214 USA

Donation Accepted




Contact: Benjamin Bennett
(614) 291-7589


__
Dr. John M. Bennett
Curator, Avant Writing Collection
Rare Books  Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA
(614) 292-3029
[EMAIL PROTECTED]

www.johnmbennett.net


http://www.library.osu.edu/sites/rarebooks/avantwriting/
___




FLUXLIST: [dent evocative]

2006-07-17 Thread Jukka-Pekka Kervinen
[dent evocative]

horizontal ancient affectionately graphology asteroid 

balls certifiable grievance PIN communion 

rubbish infinitude massively gluttony mural cenotaph 

mercurial clownish cleanly imprint admonish energy 

useless March burglar lip sunspot postgraduate 

purchaser codify inestimably Hellenic supernatural porcelain villainy 

cheeky clinician gorse impenetrability jawbone 

quality control granny succinct clumsiness thumb toiler 

km: unspeakable piously westwards dominate theoretical arboretum 

vandal forever studious tapestry infrared 

assured tuber punctuation appointee fit 

baobab debark chlorine diarist unfamiliar calamity 




FLUXLIST: Headline Haiku

2006-07-17 Thread Allan Revich



Headlines: July 17, 
2006

Dozens 
die
Local Mounties 
mourning
Good politics now exposed 
as bad




It's a 
cHaiku
Allan 
Revich



RE: FLUXLIST: [dent evocative]

2006-07-17 Thread Allan Revich
Ah yes...

The horizontal ancients of the impenetrability jawbone are massively
gluttonous. 

A certifiable grievance by clownish granny thumb toilers seems inevitable.

One can only hope that an assured tuber punctuation appointee fits.

Sincerely,

Dr. Dent Evocative
President, Vice
The Toronto Institute of Institutional Studies in Institutional Instruction,
North-Central Divisional Unit,
United Unionist Branch,
Toronto, ON

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Jukka-Pekka Kervinen
Sent: Monday, July 17, 2006 3:12 PM
To: fluxlist@scribble.com
Subject: FLUXLIST: [dent evocative]

[dent evocative]

horizontal ancient affectionately graphology asteroid 

balls certifiable grievance PIN communion 

rubbish infinitude massively gluttony mural cenotaph 

mercurial clownish cleanly imprint admonish energy 

useless March burglar lip sunspot postgraduate 

purchaser codify inestimably Hellenic supernatural porcelain villainy 

cheeky clinician gorse impenetrability jawbone 

quality control granny succinct clumsiness thumb toiler 

km: unspeakable piously westwards dominate theoretical arboretum 

vandal forever studious tapestry infrared 

assured tuber punctuation appointee fit 

baobab debark chlorine diarist unfamiliar calamity 







RE: FLUXLIST: Dear David

2006-07-17 Thread Melissa McCarthy

Dear David,

Thanks a lot. You went and got Enid involved, and now everything's gone to 
pot. I'm sorry I ever said yes to you in the refrigerator box, and I checked 
-- nothing I did or said in third grade counted, SO THERE!


I have moved on; I have grown up. I am now involved with J*** in a washing 
machine crate, and we are deliriously happy. I hope that you find whatever 
joy and beauty you can, without me. I send soapsuds and popsicles, for I was


Yours,
M.






 Melissa McCarthy
 Hours: whimsical or by appointment
 Adult, maybe; grown-up, never!
 http://www.bonafideart.com