Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-02-04 Thread Georgi Guninski
On Sun, Jan 29, 2012 at 01:55:31AM +0100, Christian Sciberras wrote:
  Actually, *most* bands that make money do so off the concert tours - 
  tickets and
  tshirts is where the actual money is at, not the album sales.
 
 So why bother with album sales in the first place?
 
 This is the same with free/commercial software. At the end of the day
 the creator decides
 the sales strategy.
 
 
 The only thing I can see in this is that the recording industry really
 needs to grow up
 to the times, but piracy is not a solution nor the means to one, just
 like DDoSing facebook
 is not the means to the removal of a certain bill/law (arguably, to
 the contrary).
 
 The recording companies have every right to retaliate just as the FBI
 has every right to
 arrest suspects involved in these childish acts.


Just a quote:
quote
In Germany they first came for the Communists,
and I didn't speak up because I wasn't a Communist.
Then they came for the Jews,
and I didn't speak up because I wasn't a Jew.
Then they came for the trade unionists,
and I didn't speak up because I wasn't a trade unionist.
Then they came for the Catholics,
and I didn't speak up because I was a Protestant.
Then they came for me -
and by that time no one was left to speak up.

Martin_Niemöller
/quote

https://en.wikiquote.org/wiki/Martin_Niem%C3%B6ller

-- 
j

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-30 Thread Christian Sciberras
No, it follows the fact that vengeance (the fuck you Byron mentioned)
isn't fruitful to remedy the situation.







On Mon, Jan 30, 2012 at 8:54 AM, Mike Hale eyeronic.des...@gmail.comwrote:

 What you said doesn't follow.

 Making a digital copy isn't burning down a business.  The analogy
 linking 'piracy' with theft is ludicrous.

 On Sun, Jan 29, 2012 at 11:50 PM, Christian Sciberras uuf6...@gmail.com
 wrote:
  Byron, you don't protest to the government by burning down 100-year-old
  business, if you know what I mean...
 
 
 
 
 
  On Mon, Jan 30, 2012 at 12:12 AM, Byron L. Sonne byron.so...@gmail.com
  wrote:
 
  The thing that makes me laugh about all of this, and one of the key
  things I learned from reading Gibbon's Decline  Fall is this:
 
  The number and frequency of laws passed regarding things directly
  relates to how widespread these things are, and how they much the laws
  are ignored and ineffective. Laws can't prevent a damn thing, they can
  only specify remedies. As it is said, it's only illegal if you get
  caught.
 
  The cat is out of the bag and will never be put back in. There's no way
  to stop people from 'illegally' copying copyrighted material.
 
  If they somehow managed to require and implement tech so that perfect
  digital copies can't be made (unlikely) then people will simply use a
  camera to record the video as it plays on the screen. Hey, wait a
  minute, that sounds just like that screener I downloaded someone taped
  in Russia! ;)
 
  If they manage to require and implement tech so that you can't trade it
  over the internet (unlikely) then people will simply trade it on private
  networks or, like we used to do in the old days, via sneakernet.
 
  The problem is that in an attempt to control the dissemination of
  copyrighted material (and people are right, artists do have a right to
  reap the benefits of their effort) the powers-that-be are stepping over
  the line and into territory that impacts our ability to communicate in
  the fashion we choose.
 
  It might be fine to try and prevent piracy but in the process of doing
  so you are trashing the other desires of people that have nothing to do
  with piracy.
 
  I'm sure if the copyright lobby had their way, they'd require us to wear
  special glasses in order to see our laptop screens, on the assumption
  that anything not explicitly licensed was assumed to be unlicensed, and
  thus pirated, which we would be blocked from our field of view... and as
  a result, some girl/guy who wants to write a simple freeware text editor
  now has to jump through regulatory hoops and spend money to obtain a
  special registration that allows their text editor to display to the
  screen. This is a cheesy example, but I think it makes the point.
 
  In the guise of 'protecting artists and businesses' what is happening is
  that the powers-that-be are requesting (and too often getting) powers
  that allow them to trample on the general idea of freedom of
  communications and other things people cherish.
 
  As a result, people are inclined to engage in the very behaviours that
  elicited the laws and crackdowns, quite simply, as a way to raise their
  middle finger and say Fuck You.
 
  This is when piracy and theft becomes freedom of expression - when it's
  done in protest.
 
  --
  http://www.freebyron.org
 
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-30 Thread Mike Hale
Not necessarily.

Look at the effects of people posting DeCSS and the HDDVD keys a while back.

The industry ended up giving in precisely because people said, en
masse, fuck off.

On Mon, Jan 30, 2012 at 12:05 AM, Christian Sciberras uuf6...@gmail.com wrote:
 No, it follows the fact that vengeance (the fuck you Byron mentioned)
 isn't fruitful to remedy the situation.







 On Mon, Jan 30, 2012 at 8:54 AM, Mike Hale eyeronic.des...@gmail.com
 wrote:

 What you said doesn't follow.

 Making a digital copy isn't burning down a business.  The analogy
 linking 'piracy' with theft is ludicrous.

 On Sun, Jan 29, 2012 at 11:50 PM, Christian Sciberras uuf6...@gmail.com
 wrote:
  Byron, you don't protest to the government by burning down 100-year-old
  business, if you know what I mean...
 
 
 
 
 
  On Mon, Jan 30, 2012 at 12:12 AM, Byron L. Sonne byron.so...@gmail.com
  wrote:
 
  The thing that makes me laugh about all of this, and one of the key
  things I learned from reading Gibbon's Decline  Fall is this:
 
  The number and frequency of laws passed regarding things directly
  relates to how widespread these things are, and how they much the laws
  are ignored and ineffective. Laws can't prevent a damn thing, they can
  only specify remedies. As it is said, it's only illegal if you get
  caught.
 
  The cat is out of the bag and will never be put back in. There's no way
  to stop people from 'illegally' copying copyrighted material.
 
  If they somehow managed to require and implement tech so that perfect
  digital copies can't be made (unlikely) then people will simply use a
  camera to record the video as it plays on the screen. Hey, wait a
  minute, that sounds just like that screener I downloaded someone taped
  in Russia! ;)
 
  If they manage to require and implement tech so that you can't trade it
  over the internet (unlikely) then people will simply trade it on
  private
  networks or, like we used to do in the old days, via sneakernet.
 
  The problem is that in an attempt to control the dissemination of
  copyrighted material (and people are right, artists do have a right to
  reap the benefits of their effort) the powers-that-be are stepping over
  the line and into territory that impacts our ability to communicate in
  the fashion we choose.
 
  It might be fine to try and prevent piracy but in the process of doing
  so you are trashing the other desires of people that have nothing to do
  with piracy.
 
  I'm sure if the copyright lobby had their way, they'd require us to
  wear
  special glasses in order to see our laptop screens, on the assumption
  that anything not explicitly licensed was assumed to be unlicensed, and
  thus pirated, which we would be blocked from our field of view... and
  as
  a result, some girl/guy who wants to write a simple freeware text
  editor
  now has to jump through regulatory hoops and spend money to obtain a
  special registration that allows their text editor to display to the
  screen. This is a cheesy example, but I think it makes the point.
 
  In the guise of 'protecting artists and businesses' what is happening
  is
  that the powers-that-be are requesting (and too often getting) powers
  that allow them to trample on the general idea of freedom of
  communications and other things people cherish.
 
  As a result, people are inclined to engage in the very behaviours that
  elicited the laws and crackdowns, quite simply, as a way to raise their
  middle finger and say Fuck You.
 
  This is when piracy and theft becomes freedom of expression - when it's
  done in protest.
 
  --
  http://www.freebyron.org
 
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-30 Thread Christian Sciberras
Uhm, that was a ridiculous situation anyway (@illegal primes).

So lets leave it at 'not necessarily'.






On Mon, Jan 30, 2012 at 9:08 AM, Mike Hale eyeronic.des...@gmail.comwrote:

 Not necessarily.

 Look at the effects of people posting DeCSS and the HDDVD keys a while
 back.

 The industry ended up giving in precisely because people said, en
 masse, fuck off.

 On Mon, Jan 30, 2012 at 12:05 AM, Christian Sciberras uuf6...@gmail.com
 wrote:
  No, it follows the fact that vengeance (the fuck you Byron mentioned)
  isn't fruitful to remedy the situation.
 
 
 
 
 
 
 
  On Mon, Jan 30, 2012 at 8:54 AM, Mike Hale eyeronic.des...@gmail.com
  wrote:
 
  What you said doesn't follow.
 
  Making a digital copy isn't burning down a business.  The analogy
  linking 'piracy' with theft is ludicrous.
 
  On Sun, Jan 29, 2012 at 11:50 PM, Christian Sciberras 
 uuf6...@gmail.com
  wrote:
   Byron, you don't protest to the government by burning down
 100-year-old
   business, if you know what I mean...
  
  
  
  
  
   On Mon, Jan 30, 2012 at 12:12 AM, Byron L. Sonne 
 byron.so...@gmail.com
   wrote:
  
   The thing that makes me laugh about all of this, and one of the key
   things I learned from reading Gibbon's Decline  Fall is this:
  
   The number and frequency of laws passed regarding things directly
   relates to how widespread these things are, and how they much the
 laws
   are ignored and ineffective. Laws can't prevent a damn thing, they
 can
   only specify remedies. As it is said, it's only illegal if you get
   caught.
  
   The cat is out of the bag and will never be put back in. There's no
 way
   to stop people from 'illegally' copying copyrighted material.
  
   If they somehow managed to require and implement tech so that perfect
   digital copies can't be made (unlikely) then people will simply use a
   camera to record the video as it plays on the screen. Hey, wait a
   minute, that sounds just like that screener I downloaded someone
 taped
   in Russia! ;)
  
   If they manage to require and implement tech so that you can't trade
 it
   over the internet (unlikely) then people will simply trade it on
   private
   networks or, like we used to do in the old days, via sneakernet.
  
   The problem is that in an attempt to control the dissemination of
   copyrighted material (and people are right, artists do have a right
 to
   reap the benefits of their effort) the powers-that-be are stepping
 over
   the line and into territory that impacts our ability to communicate
 in
   the fashion we choose.
  
   It might be fine to try and prevent piracy but in the process of
 doing
   so you are trashing the other desires of people that have nothing to
 do
   with piracy.
  
   I'm sure if the copyright lobby had their way, they'd require us to
   wear
   special glasses in order to see our laptop screens, on the assumption
   that anything not explicitly licensed was assumed to be unlicensed,
 and
   thus pirated, which we would be blocked from our field of view... and
   as
   a result, some girl/guy who wants to write a simple freeware text
   editor
   now has to jump through regulatory hoops and spend money to obtain a
   special registration that allows their text editor to display to the
   screen. This is a cheesy example, but I think it makes the point.
  
   In the guise of 'protecting artists and businesses' what is happening
   is
   that the powers-that-be are requesting (and too often getting) powers
   that allow them to trample on the general idea of freedom of
   communications and other things people cherish.
  
   As a result, people are inclined to engage in the very behaviours
 that
   elicited the laws and crackdowns, quite simply, as a way to raise
 their
   middle finger and say Fuck You.
  
   This is when piracy and theft becomes freedom of expression - when
 it's
   done in protest.
  
   --
   http://www.freebyron.org
  
   ___
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   Charter: http://lists.grok.org.uk/full-disclosure-charter.html
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   ___
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-30 Thread Zach C.
Just to be clear, what's been done in the name of intellectual property
protection is fucking ridiculous. I just do not see how getting something
someone put a non-zero value of work and materials into without even so
much as asking or being given permission from the person who made it is
somehow not even at the very least disrespectful. Even if it is just a
reproduction, it took effort to create, and you must figure it's worth
something or you wouldn't have expended the effort to reproduce it to begin
with.

(Fair use being the main exception there, but fair use usually implies
something distinctive being done to the work, too, as opposed to minor
editing/shitty encoding. Feel free to correct!)

To be honest and realistic, nothing can ever be done to stop copying. Ever.
Nor should it. I'm just saying I consider there's no harm in it to be a
myth in most cases. At the core of it, I think copyright's a totally valid
thing to have, if only to stop plagiarism. Its implementation, however...

(I don't see my stance changing in the near future, either. I'm sorry, I'm
kind of rigid in that line of thought and I haven't heard or read anything
yet to adequately address everything.)

Anyway; back to lurking for me. :)
On Jan 30, 2012 12:17 AM, Christian Sciberras uuf6...@gmail.com wrote:

 Uhm, that was a ridiculous situation anyway (@illegal primes).

 So lets leave it at 'not necessarily'.






 On Mon, Jan 30, 2012 at 9:08 AM, Mike Hale eyeronic.des...@gmail.comwrote:

 Not necessarily.

 Look at the effects of people posting DeCSS and the HDDVD keys a while
 back.

 The industry ended up giving in precisely because people said, en
 masse, fuck off.

 On Mon, Jan 30, 2012 at 12:05 AM, Christian Sciberras uuf6...@gmail.com
 wrote:
  No, it follows the fact that vengeance (the fuck you Byron mentioned)
  isn't fruitful to remedy the situation.
 
 
 
 
 
 
 
  On Mon, Jan 30, 2012 at 8:54 AM, Mike Hale eyeronic.des...@gmail.com
  wrote:
 
  What you said doesn't follow.
 
  Making a digital copy isn't burning down a business.  The analogy
  linking 'piracy' with theft is ludicrous.
 
  On Sun, Jan 29, 2012 at 11:50 PM, Christian Sciberras 
 uuf6...@gmail.com
  wrote:
   Byron, you don't protest to the government by burning down
 100-year-old
   business, if you know what I mean...
  
  
  
  
  
   On Mon, Jan 30, 2012 at 12:12 AM, Byron L. Sonne 
 byron.so...@gmail.com
   wrote:
  
   The thing that makes me laugh about all of this, and one of the key
   things I learned from reading Gibbon's Decline  Fall is this:
  
   The number and frequency of laws passed regarding things directly
   relates to how widespread these things are, and how they much the
 laws
   are ignored and ineffective. Laws can't prevent a damn thing, they
 can
   only specify remedies. As it is said, it's only illegal if you get
   caught.
  
   The cat is out of the bag and will never be put back in. There's no
 way
   to stop people from 'illegally' copying copyrighted material.
  
   If they somehow managed to require and implement tech so that
 perfect
   digital copies can't be made (unlikely) then people will simply use
 a
   camera to record the video as it plays on the screen. Hey, wait a
   minute, that sounds just like that screener I downloaded someone
 taped
   in Russia! ;)
  
   If they manage to require and implement tech so that you can't
 trade it
   over the internet (unlikely) then people will simply trade it on
   private
   networks or, like we used to do in the old days, via sneakernet.
  
   The problem is that in an attempt to control the dissemination of
   copyrighted material (and people are right, artists do have a right
 to
   reap the benefits of their effort) the powers-that-be are stepping
 over
   the line and into territory that impacts our ability to communicate
 in
   the fashion we choose.
  
   It might be fine to try and prevent piracy but in the process of
 doing
   so you are trashing the other desires of people that have nothing
 to do
   with piracy.
  
   I'm sure if the copyright lobby had their way, they'd require us to
   wear
   special glasses in order to see our laptop screens, on the
 assumption
   that anything not explicitly licensed was assumed to be unlicensed,
 and
   thus pirated, which we would be blocked from our field of view...
 and
   as
   a result, some girl/guy who wants to write a simple freeware text
   editor
   now has to jump through regulatory hoops and spend money to obtain a
   special registration that allows their text editor to display to the
   screen. This is a cheesy example, but I think it makes the point.
  
   In the guise of 'protecting artists and businesses' what is
 happening
   is
   that the powers-that-be are requesting (and too often getting)
 powers
   that allow them to trample on the general idea of freedom of
   communications and other things people cherish.
  
   As a result, people are inclined to engage in the very behaviours
 that
   elicited 

Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-30 Thread Julius Kivimäki
Of course I wouldn't, downloading a car would be like stealing a car.
Piracy is horrible and all the boats used by the pirate scum should be
taken away.

2012/1/28 Laurelai laure...@oneechan.org

 On this topic i saw this
 https://thepiratebay.org/torrent/6960965/1970_Chevelle_Hot-Rod_3d_model
 , real question is would you download a car if you could?

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-30 Thread Julius Kivimäki
DDoS their boats.

2012/1/28 Laurelai laure...@oneechan.org

  On 1/28/2012 3:13 PM, Julius Kivimäki wrote:

 Of course I wouldn't, downloading a car would be like stealing a car.
 Piracy is horrible and all the boats used by the pirate scum should be
 taken away.

 2012/1/28 Laurelai laure...@oneechan.org

 On this topic i saw this
 https://thepiratebay.org/torrent/6960965/1970_Chevelle_Hot-Rod_3d_model
 , real question is would you download a car if you could?

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  If you took away their boats they would just download more...duh.

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-30 Thread Alex Buie
On Sat, Jan 28, 2012 at 5:41 PM, Benjamin Kreuter ben.kreu...@gmail.com wrote:
 The best compromise I can think of is to treat noncommercial copyright
 infringement like a parking violation:  you get a ticket for some small
 but annoying amount of money.

This is the best solution I've seen anywhere, by far. Kudos.

Alex

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-30 Thread goatropinbastards
Saw this subject on the work email.   Follow this list to learn random stuff 
ans stay informed, so thanks for all your posts and such.

Also do the music thing, and I can tell you that if you ask ten musicians who 
write and record their own music, you'll get ten different answers.  From 
personal experience, I don't really care about electronic copies being 
redistributed for free, but when people sell electronic copies or steal 
physical copies (that shit gets expensive quick), that's when I get.   pissed.  

However, I also feel that if you have an opinion about that, it should be 
communicated to folks before you give them copies, so my act has a little 
statement on our website, goatropinbastards.com, that asks the downloader to 
only uses the stuff for their own personal use.  

I can understand artists being pissed if they spend six figures to make a 
record and such, but when you're a hobbyist making albums on a computer in a 
tar papershack in the Appalachia, I guess your a little more lax.  

Hope that helps with the rights-holder point of view.  

FUCK SOPA!!!
Sent from my Verizon Wireless BlackBerry
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-30 Thread Valdis . Kletnieks
On Mon, 30 Jan 2012 01:22:23 PST, Zach C. said:
 (Fair use being the main exception there, but fair use usually implies
 something distinctive being done to the work, too, as opposed to minor
 editing/shitty encoding. Feel free to correct!)

Two of the major areas of fair use  *are* minor editing/shitty encoding:

1) minor editing -  The ability to take small chunks for 
analysis/commentary/reviews.  It's
a lot easier and more informative if you're talking about the chord changes
in a Beatles song to actually *include* snippets of the changes, or if you're
writing about how Halloweeen 37 sucks, being able to include the 5 suckiest
scenes so you can voice-over why the scene sucks... And HERE we see the
scriptwriter abandon all pretense at believability...

2) shitty encoding - At one time, it was legal to buy an album or a CD, and 
then
re-record it yourself onto other media.  I believe the term is ripping. :)  
And there
was even a Supreme Court decision that said it was perfectly OK.  Unfortunately,
the DMCA makes that a *lot* harder or even illegal - Skylarov got in trouble for
revealing that Adobe was using rot-13 to encrypte ebooks.  What was Skylarov
trying to do?  Feed an ebook to a text-to-speech so blind people could actually
use the ebook they had purchased - which everybody sane agrees is covered under
'fair use', but there isn't any such exemption in the anti-circumvention clause.


pgpe61GdarCcH.pgp
Description: PGP signature
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-29 Thread Charles Morris
Dear Valdis and whoever else;

The really ridiculous points are the following:
A) Every time you execute/install/download a program you are
committing evil data theft by not only copying
secret or illegal information into
RAM/Disk/Registers/Buffers/Busses/photons coming off the screen/human
memory/history of the universe but potentially not just your physical
property but on hundreds of routers and deduplication boxen around the
earth.
B) You can't copyright or own a number, all digital
representations are numbers, due to the boolean nature (no fuzzy
data), etc.
C) Any data is a form of any other data given a specific transform,
e.g. manifold / encryption key + algo, something as trivial as XOR
D) You guys already know these points so why do we even care anymore
about what these people say? Why even have these conversations. They
will never stop. It's about greed and shortsightedness, not about what
is moral or logical. Just try to ignore them or change the subject
when the parrots start talking.

And to preempt the flames from the blind, Yes I feel artists should be
compensated for their contribution. It's 5am- bye.

On Sat, Jan 28, 2012 at 5:26 PM,  valdis.kletni...@vt.edu wrote:
 On Fri, 27 Jan 2012 19:02:09 PST, Zach C. said:

 If you buy an album used, the seller generally loses possession of it, you
 gain possession of it at a reduced cost, and the original purchase still
 gave the original seller and producer value.

 Note that if I shoplift a CD that sucks and isn't worth the $14.99 sticker 
 price, I
 have deprived the producer of the ability to sell it to somebody else.  That's
 the crucial point that underlies our social concept of theft - if I take it 
 from
 you, you don't have it anymore.

 If I copy an album that isn't worth the sticker price, and which I would not
 have purchased at that price, two things of note happen:

 1) As much as the labels wish it were so, they can't count that as lost
 revenue because it wouldn't have acccrued to them anyhow, any more than a car
 dealership can legitimately call it lost revenue if I walk onto their lot,
 tell the salescritter they're crazy if they think I'll pay $28K for a given
 car, and walk off the lot. (Now, if they want to count the Damn, we lost the
 $4.99 that guy *would* have paid if we charged that instead of $14.99, 
 they're
 welcome to that. :)

 2) More importantly, they still have the original bits and are free to look
 for other suckers who *will* pay $14.99.

 For the record, all my media is legitimately acquired, though a large portion
 *was* obtained used and if the producers don't like that, they're welcome to 
 go
 re-read first sale doctrine ;)  Just trying to make people actually engage
 their neurons - this stuff is *not* easy to sort out, because intellectual
 property and digital information do *not* behave the same as cars and cows in
 the physical world, and unintended consequences of policy decisions are all
 *over* the place.  (DMCA anti-circumvention clause prohibiting me from 
 fair-use
 accessing my own media, I'm looking at you. :)


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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-29 Thread Ferenc Kovacs
On Sun, Jan 29, 2012 at 10:53 AM, Charles Morris cmor...@cs.odu.edu wrote:

 Dear Valdis and whoever else;

 The really ridiculous points are the following:
 A) Every time you execute/install/download a program you are
 committing evil data theft by not only copying
 secret or illegal information into
 RAM/Disk/Registers/Buffers/Busses/photons coming off the screen/human
 memory/history of the universe but potentially not just your physical
 property but on hundreds of routers and deduplication boxen around the
 earth.


which is allowed to you by the copyright holders.


 B) You can't copyright or own a number, all digital
 representations are numbers, due to the boolean nature (no fuzzy
 data), etc.


sadly one can:
http://en.wikipedia.org/wiki/Illegal_prime


 C) Any data is a form of any other data given a specific transform,
 e.g. manifold / encryption key + algo, something as trivial as XOR


and?


 D) You guys already know these points so why do we even care anymore
 about what these people say? Why even have these conversations. They
 will never stop. It's about greed and shortsightedness, not about what
 is moral or logical. Just try to ignore them or change the subject
 when the parrots start talking.


you can't ignore them until the law is supporting them.



 And to preempt the flames from the blind, Yes I feel artists should be
 compensated for their contribution.


agree

-- 
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@Tyr43l - http://tyrael.hu
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-29 Thread coderman
On Sat, Jan 28, 2012 at 2:26 PM,  valdis.kletni...@vt.edu wrote:
...
 For the record, all my media is legitimately acquired,

i once saw Valdis rockin' out with headphones on - volume at 11,
providing an unauthorized, non-personal broadcast of a copyright'ed
composition to those near by.

clearly a public performance outside the limited scope of his personal
use only license for the material.

officers, arrest this man!
   (and his mustache too...)


[ resting that portable DVD player on top of your seat where others
may view it is also a federal crime! i'm just trying to inform. they
won't let you into Ethical Hacker training with a felony conviction.
i tried...  ~_~; ]

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-29 Thread Valdis . Kletnieks
On Sun, 29 Jan 2012 04:53:12 EST, Charles Morris said:

 A) Every time you execute/install/download a program you are
 committing evil data theft by not only copying

Actually, at least in the US, the copy into RAM required to execute a program
is already covered in 17 USC 117 (a)(1).

http://www.law.cornell.edu/uscode/html/uscode17/usc_sec_17_0117000-.html

There is no similar rule covering the ephemeral incidental copy created as part
of viewing a webpage, nor is there case law covering it, mostly because
everybody is too scared to bring a test case to trial because it may result in
a precident nobody likes. So the general case law has tended towards a
gentleman's agreement that a website has implicitly given permission to
authorized users to make ephemeral copies similar to 117(a)(1), and prosecute
unauthorized users under 18 USC 1030 and other computer hacking statutes, and
we're all going to pretend the 'Save As..' menu option isn't there because it
makes our collective brains hurt. ;)

 B) You can't copyright or own a number, all digital
 representations are numbers, due to the boolean nature (no fuzzy
 data), etc.

Nice try of saying the encoding isn't the information. But that horse left
the barn when sheet music became copyrightable - because whether it's symbols
on sheet music, or grooves on a phonograph record, or digital recordings, you
can copyright *that particular sequence* of symbols, wiggles, or numbers as
expression.

Heck, for that matter, the sequence of letters in a book. ;)

 C) Any data is a form of any other data given a specific transform,
 e.g. manifold / encryption key + algo, something as trivial as XOR

Again, nice try.  See Adobe v Skylarov and the use of ROT-13 for an
example of how *that* logic worked out with respect to the DMCA
anti-circumvention clause.




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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-29 Thread Byron L. Sonne
The thing that makes me laugh about all of this, and one of the key
things I learned from reading Gibbon's Decline  Fall is this:

The number and frequency of laws passed regarding things directly
relates to how widespread these things are, and how they much the laws
are ignored and ineffective. Laws can't prevent a damn thing, they can
only specify remedies. As it is said, it's only illegal if you get caught.

The cat is out of the bag and will never be put back in. There's no way
to stop people from 'illegally' copying copyrighted material.

If they somehow managed to require and implement tech so that perfect
digital copies can't be made (unlikely) then people will simply use a
camera to record the video as it plays on the screen. Hey, wait a
minute, that sounds just like that screener I downloaded someone taped
in Russia! ;)

If they manage to require and implement tech so that you can't trade it
over the internet (unlikely) then people will simply trade it on private
networks or, like we used to do in the old days, via sneakernet.

The problem is that in an attempt to control the dissemination of
copyrighted material (and people are right, artists do have a right to
reap the benefits of their effort) the powers-that-be are stepping over
the line and into territory that impacts our ability to communicate in
the fashion we choose.

It might be fine to try and prevent piracy but in the process of doing
so you are trashing the other desires of people that have nothing to do
with piracy.

I'm sure if the copyright lobby had their way, they'd require us to wear
special glasses in order to see our laptop screens, on the assumption
that anything not explicitly licensed was assumed to be unlicensed, and
thus pirated, which we would be blocked from our field of view... and as
a result, some girl/guy who wants to write a simple freeware text editor
now has to jump through regulatory hoops and spend money to obtain a
special registration that allows their text editor to display to the
screen. This is a cheesy example, but I think it makes the point.

In the guise of 'protecting artists and businesses' what is happening is
that the powers-that-be are requesting (and too often getting) powers
that allow them to trample on the general idea of freedom of
communications and other things people cherish.

As a result, people are inclined to engage in the very behaviours that
elicited the laws and crackdowns, quite simply, as a way to raise their
middle finger and say Fuck You.

This is when piracy and theft becomes freedom of expression - when it's
done in protest.

-- 
http://www.freebyron.org

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-29 Thread Christian Sciberras
Byron, you don't protest to the government by burning down 100-year-old
business, if you know what I mean...





On Mon, Jan 30, 2012 at 12:12 AM, Byron L. Sonne byron.so...@gmail.comwrote:

 The thing that makes me laugh about all of this, and one of the key
 things I learned from reading Gibbon's Decline  Fall is this:

 The number and frequency of laws passed regarding things directly
 relates to how widespread these things are, and how they much the laws
 are ignored and ineffective. Laws can't prevent a damn thing, they can
 only specify remedies. As it is said, it's only illegal if you get
 caught.

 The cat is out of the bag and will never be put back in. There's no way
 to stop people from 'illegally' copying copyrighted material.

 If they somehow managed to require and implement tech so that perfect
 digital copies can't be made (unlikely) then people will simply use a
 camera to record the video as it plays on the screen. Hey, wait a
 minute, that sounds just like that screener I downloaded someone taped
 in Russia! ;)

 If they manage to require and implement tech so that you can't trade it
 over the internet (unlikely) then people will simply trade it on private
 networks or, like we used to do in the old days, via sneakernet.

 The problem is that in an attempt to control the dissemination of
 copyrighted material (and people are right, artists do have a right to
 reap the benefits of their effort) the powers-that-be are stepping over
 the line and into territory that impacts our ability to communicate in
 the fashion we choose.

 It might be fine to try and prevent piracy but in the process of doing
 so you are trashing the other desires of people that have nothing to do
 with piracy.

 I'm sure if the copyright lobby had their way, they'd require us to wear
 special glasses in order to see our laptop screens, on the assumption
 that anything not explicitly licensed was assumed to be unlicensed, and
 thus pirated, which we would be blocked from our field of view... and as
 a result, some girl/guy who wants to write a simple freeware text editor
 now has to jump through regulatory hoops and spend money to obtain a
 special registration that allows their text editor to display to the
 screen. This is a cheesy example, but I think it makes the point.

 In the guise of 'protecting artists and businesses' what is happening is
 that the powers-that-be are requesting (and too often getting) powers
 that allow them to trample on the general idea of freedom of
 communications and other things people cherish.

 As a result, people are inclined to engage in the very behaviours that
 elicited the laws and crackdowns, quite simply, as a way to raise their
 middle finger and say Fuck You.

 This is when piracy and theft becomes freedom of expression - when it's
 done in protest.

 --
 http://www.freebyron.org

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-29 Thread Mike Hale
What you said doesn't follow.

Making a digital copy isn't burning down a business.  The analogy
linking 'piracy' with theft is ludicrous.

On Sun, Jan 29, 2012 at 11:50 PM, Christian Sciberras uuf6...@gmail.com wrote:
 Byron, you don't protest to the government by burning down 100-year-old
 business, if you know what I mean...





 On Mon, Jan 30, 2012 at 12:12 AM, Byron L. Sonne byron.so...@gmail.com
 wrote:

 The thing that makes me laugh about all of this, and one of the key
 things I learned from reading Gibbon's Decline  Fall is this:

 The number and frequency of laws passed regarding things directly
 relates to how widespread these things are, and how they much the laws
 are ignored and ineffective. Laws can't prevent a damn thing, they can
 only specify remedies. As it is said, it's only illegal if you get
 caught.

 The cat is out of the bag and will never be put back in. There's no way
 to stop people from 'illegally' copying copyrighted material.

 If they somehow managed to require and implement tech so that perfect
 digital copies can't be made (unlikely) then people will simply use a
 camera to record the video as it plays on the screen. Hey, wait a
 minute, that sounds just like that screener I downloaded someone taped
 in Russia! ;)

 If they manage to require and implement tech so that you can't trade it
 over the internet (unlikely) then people will simply trade it on private
 networks or, like we used to do in the old days, via sneakernet.

 The problem is that in an attempt to control the dissemination of
 copyrighted material (and people are right, artists do have a right to
 reap the benefits of their effort) the powers-that-be are stepping over
 the line and into territory that impacts our ability to communicate in
 the fashion we choose.

 It might be fine to try and prevent piracy but in the process of doing
 so you are trashing the other desires of people that have nothing to do
 with piracy.

 I'm sure if the copyright lobby had their way, they'd require us to wear
 special glasses in order to see our laptop screens, on the assumption
 that anything not explicitly licensed was assumed to be unlicensed, and
 thus pirated, which we would be blocked from our field of view... and as
 a result, some girl/guy who wants to write a simple freeware text editor
 now has to jump through regulatory hoops and spend money to obtain a
 special registration that allows their text editor to display to the
 screen. This is a cheesy example, but I think it makes the point.

 In the guise of 'protecting artists and businesses' what is happening is
 that the powers-that-be are requesting (and too often getting) powers
 that allow them to trample on the general idea of freedom of
 communications and other things people cherish.

 As a result, people are inclined to engage in the very behaviours that
 elicited the laws and crackdowns, quite simply, as a way to raise their
 middle finger and say Fuck You.

 This is when piracy and theft becomes freedom of expression - when it's
 done in protest.

 --
 http://www.freebyron.org

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Laurelai
On this topic i saw this 
https://thepiratebay.org/torrent/6960965/1970_Chevelle_Hot-Rod_3d_model 
, real question is would you download a car if you could?

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Laurelai
On 1/28/2012 3:13 PM, Julius Kivimäki wrote:
 Of course I wouldn't, downloading a car would be like stealing a car.
 Piracy is horrible and all the boats used by the pirate scum should be
 taken away.

 2012/1/28 Laurelai laure...@oneechan.org mailto:laure...@oneechan.org

 On this topic i saw this
 https://thepiratebay.org/torrent/6960965/1970_Chevelle_Hot-Rod_3d_model
 , real question is would you download a car if you could?

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If you took away their boats they would just download more...duh.
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Christian Sciberras
Sadly you can't download routers and internet connections...especially
without an internet connection.

But I suppose you could be the regular joe and steal from your neighbours'
bandwidth (it's a human right, remember? your neighbour doesn't have a
right to keep the internets to himself!!!).

/rant




On Sat, Jan 28, 2012 at 10:33 PM, Laurelai laure...@oneechan.org wrote:

  On 1/28/2012 3:13 PM, Julius Kivimäki wrote:

 Of course I wouldn't, downloading a car would be like stealing a car.
 Piracy is horrible and all the boats used by the pirate scum should be
 taken away.


 2012/1/28 Laurelai laure...@oneechan.org

 On this topic i saw this
 https://thepiratebay.org/torrent/6960965/1970_Chevelle_Hot-Rod_3d_model
 , real question is would you download a car if you could?

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  If you took away their boats they would just download more...duh.

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Laurelai
On 1/28/2012 3:36 PM, Christian Sciberras wrote:
 Sadly you can't download routers and internet connections...especially
 without an internet connection.

 But I suppose you could be the regular joe and steal from your
 neighbours' bandwidth (it's a human right, remember? your
 neighbour doesn't have a right to keep the internets to himself!!!).

 /rant




 On Sat, Jan 28, 2012 at 10:33 PM, Laurelai laure...@oneechan.org
 mailto:laure...@oneechan.org wrote:

 On 1/28/2012 3:13 PM, Julius Kivimäki wrote:
 Of course I wouldn't, downloading a car would be like stealing a car.
 Piracy is horrible and all the boats used by the pirate scum
 should be taken away.


 2012/1/28 Laurelai laure...@oneechan.org
 mailto:laure...@oneechan.org

 On this topic i saw this
 
 https://thepiratebay.org/torrent/6960965/1970_Chevelle_Hot-Rod_3d_model
 , real question is would you download a car if you could?

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 If you took away their boats they would just download more...duh.

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There are always public hotspots, hell even mcdonalds has them now.
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Valdis . Kletnieks
On Fri, 27 Jan 2012 19:02:09 PST, Zach C. said:

 If you buy an album used, the seller generally loses possession of it, you
 gain possession of it at a reduced cost, and the original purchase still
 gave the original seller and producer value.

Note that if I shoplift a CD that sucks and isn't worth the $14.99 sticker 
price, I
have deprived the producer of the ability to sell it to somebody else.  That's
the crucial point that underlies our social concept of theft - if I take it 
from
you, you don't have it anymore.

If I copy an album that isn't worth the sticker price, and which I would not
have purchased at that price, two things of note happen:

1) As much as the labels wish it were so, they can't count that as lost
revenue because it wouldn't have acccrued to them anyhow, any more than a car
dealership can legitimately call it lost revenue if I walk onto their lot,
tell the salescritter they're crazy if they think I'll pay $28K for a given
car, and walk off the lot. (Now, if they want to count the Damn, we lost the
$4.99 that guy *would* have paid if we charged that instead of $14.99, they're
welcome to that. :)

2) More importantly, they still have the original bits and are free to look
for other suckers who *will* pay $14.99.

For the record, all my media is legitimately acquired, though a large portion
*was* obtained used and if the producers don't like that, they're welcome to go
re-read first sale doctrine ;)  Just trying to make people actually engage
their neurons - this stuff is *not* easy to sort out, because intellectual
property and digital information do *not* behave the same as cars and cows in
the physical world, and unintended consequences of policy decisions are all
*over* the place.  (DMCA anti-circumvention clause prohibiting me from fair-use
accessing my own media, I'm looking at you. :)



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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Christian Sciberras
That has always been viewed from the consumer perspective.

If you look at it from the producers' perspective, you'll see their right
to withhold their creative
content until you pay something back.

While the terminology is not correct, it doesn't mean you can abuse it and
expect people
to waste time for you.


Another thing to note, if artists, software companies etc were so nice to
actually want
to give all this stuff for free, I'm pretty sure no one is forcing them to
sell their content.
So don't talk about the they're not loosing anything bullshit to me.

Laurelai - Yes, I'm sure McDonalds have acknowledged your human right to a
free
internet connection. Next thing they'll be feeding you for free as well





On Sat, Jan 28, 2012 at 11:26 PM, valdis.kletni...@vt.edu wrote:

 On Fri, 27 Jan 2012 19:02:09 PST, Zach C. said:

  If you buy an album used, the seller generally loses possession of it,
 you
  gain possession of it at a reduced cost, and the original purchase still
  gave the original seller and producer value.

 Note that if I shoplift a CD that sucks and isn't worth the $14.99 sticker
 price, I
 have deprived the producer of the ability to sell it to somebody else.
  That's
 the crucial point that underlies our social concept of theft - if I take
 it from
 you, you don't have it anymore.

 If I copy an album that isn't worth the sticker price, and which I would
 not
 have purchased at that price, two things of note happen:

 1) As much as the labels wish it were so, they can't count that as lost
 revenue because it wouldn't have acccrued to them anyhow, any more than a
 car
 dealership can legitimately call it lost revenue if I walk onto their
 lot,
 tell the salescritter they're crazy if they think I'll pay $28K for a given
 car, and walk off the lot. (Now, if they want to count the Damn, we lost
 the
 $4.99 that guy *would* have paid if we charged that instead of $14.99,
 they're
 welcome to that. :)

 2) More importantly, they still have the original bits and are free to look
 for other suckers who *will* pay $14.99.

 For the record, all my media is legitimately acquired, though a large
 portion
 *was* obtained used and if the producers don't like that, they're welcome
 to go
 re-read first sale doctrine ;)  Just trying to make people actually
 engage
 their neurons - this stuff is *not* easy to sort out, because intellectual
 property and digital information do *not* behave the same as cars and cows
 in
 the physical world, and unintended consequences of policy decisions are all
 *over* the place.  (DMCA anti-circumvention clause prohibiting me from
 fair-use
 accessing my own media, I'm looking at you. :)


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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Benjamin Kreuter
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA512

On Fri, 27 Jan 2012 19:02:09 -0800
Zach C. fxc...@gmail.com wrote:

 On Jan 27, 2012 4:07 PM, valdis.kletni...@vt.edu wrote:
 
  On Fri, 27 Jan 2012 18:06:28 GMT, Michael Schmidt said:
   You want to be very careful with that line of thought. You are
   taking
 the
   creator the rightful owners profits, which they are entitled to
   if it
 is a
   product they created to be sold.
 
  You might want to go read Courtney Love Does The Math, and then
  ask
 yourself
  the following:
 
  1) You can make a case that if you copy an album intead of buying
  it,
 you're
  depriving somebody of profits.  But what if it's an album that you
  would
 *not*
  have bought at full price anyhow?  Or one that you bought used (see
 first sale
  principle)?
 
 If you buy an album used, the seller generally loses possession of
 it, you gain possession of it at a reduced cost, and the original
 purchase still gave the original seller and producer value. Value has
 still been exchanged, assuming no literal theft was involved to make
 the whole thing criminal anyway. If you make a copy, you're pretty
 much creating (or, if you prefer, *re*-creating) value out of
 basically nothing using source material, but nothing of value goes
 back to the original creator of what was copied.

Except that there are plenty of legal and unquestionably ethical
situations where things are copied without any transfer of value to the
original creator.  Nothing is created in a vacuum; musicians are
inspired by other musicians, film makers by other film makers, authors
by authors, etc.  Nobody is so original that they can claim that their
creative work did not borrow ideas from other creative work.

Moreover, even copying a work in its entirety may fall under fair use;
when was the last time you paid royalties for the use of the Happy
Birthday song?  

 
  2) Who gets those profits, the artist, the label, or the RIAA?  Are
  you stealing profits from the artist, or are you stealing them from
  somebody
 else
  who was attemting to steal them from the artist?
 
 All of the above; while the companies' creative accounting is almost
 criminally bullshit, the artist *still* gets a cut and even a profit
 if they do well enough. As a nasty little bonus, any profit taken
 from those companies will never, ever be seen by the artist
 regardless. There is a 100% better chance of an artist receiving
 money via a record company getting paid for the artist's work than a
 record company *not* getting paid from the artist's work. It's gotta
 come from somewhere. So if you're screwing them and they're screwing
 the artist, you just wind up making them screw the artist that much
 harder.

This is not as clear-cut as one might think.  Musicians make a lot of
money doing live shows, and a live show is an experience that cannot be
downloaded.  Attendance at live shows is driven by the popularity of
the musicians, which is increased by downloading as much as it is
increased by radio broadcasting, if not more.  One of the major
criticisms of Metallica's lawsuit against Napster users was that in
their early days, Metallica became popular because people would record
them at their concerts and distribute the recordings.

The way I see it, the way we cling to copyrights and try to protect
industries that were built on the copyright system when we now have
computers and computer networks is equivalent to hiring scribes and
protecting their jobs in an age of printing presses.  Copyrights were a
great idea back when copying creative works required specialized
industrial equipment.  Since that is no longer the case, we should
instead be investigating new systems for promoting art and science and
building new industries around such systems.  Copyrights are not going
to die overnight, just like scribes continued to be employed for some
time after the printing press spread, but eventually copyrights are
going to die -- or else computers and global computer networks are
going to have to die.  I doubt that technology can be rolled back, but
creating a new legal framework does not seem to be infeasible.

- -- Ben



- -- 
Benjamin R Kreuter
UVA Computer Science
brk...@virginia.edu

- --

If large numbers of people are interested in freedom of speech, there
will be freedom of speech, even if the law forbids it; if public
opinion is sluggish, inconvenient minorities will be persecuted, even
if laws exist to protect them. - George Orwell
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Benjamin Kreuter
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA512

On Sat, 28 Jan 2012 02:16:45 +
Thor (Hammer of God) t...@hammerofgod.com wrote:

 -Original Message-
 From: full-disclosure-boun...@lists.grok.org.uk
 [mailto:full-disclosure- boun...@lists.grok.org.uk] On Behalf Of
 valdis.kletni...@vt.edu Sent: Friday, January 27, 2012 4:06 PM
 To: Michael Schmidt
 Cc: full-disclosure@lists.grok.org.uk
 Subject: Re: [Full-disclosure] when did piracy/theft become
 expression of freedom
 
 On Fri, 27 Jan 2012 18:06:28 GMT, Michael Schmidt said:
  You want to be very careful with that line of thought. You are
  taking the creator the rightful owners profits, which they are
  entitled to if it is a product they created to be sold.
 
 You might want to go read Courtney Love Does The Math, and then ask
 yourself the following:
 
 1) You can make a case that if you copy an album intead of buying
 it, you're depriving somebody of profits.  But what if it's an album
 that you would *not* have bought at full price anyhow?  Or one that
 you bought used (see first sale principle)?
 
 These arguments do more harm than good.  You can't base property law

This is not a discussion about property law, it is a discussion about
copyrights.  Copyrights, at least in my country, are very much
different from property rights:

1. Property rights never expire; copyrights are required to expire by
the constitution.

2. Property rights are not optional, but automatic; copyrights are an
optional system according to the constitution, and if Congress wanted
to they could do away with copyrights.

 But if you were not going to pay full price, that doesn't
 give you any right to steal it.  That is simply absurd.  

This is not a discussion about stealing either.  We do not charge
people with theft/robbery/larceny/etc. when they download or share
music, even when they do so on a felony scale.

 But whether or not the behavior ends up
 benefiting the industry or not is irrelevant; I've still broken the
 law.  

That is up to a judge; copyright cases must be heard by a judge, who
decides whether or not a particular act of copying is fair use (or at
least that was the original theory).

 That's where is should end, but it doesn't.  Sharing music not
 purchased is already illegal.

Not always; Wikipedia has a large selection of public domain music
available for download, as do many other sources.  There is music that
is licensed under one of various creative commons licenses.

 The companies already have legal remedies available.

Which are not appropriate for dealing with cases of home users
downloading and sharing music/etc.  Copyright law is designed to be
heard in front of a judge, with expensive lawyers arguing the case;
there is no way that such a system could possibly work to prevent
individual people from downloading/sharing and everyone knows it.  The
RIAA sought such huge, headline grabbing damages in an attempt to scare
people away from P2P, and even that failed -- they just damaged their
reputation and drove people to use file sharing websites, which are
shielded by the DMCA.

This is not to say that the law should be strengthened or that the
government should be hijacked to further the interests of copyright
holders.  This just means that copyright is out of date and needs to be
completely overhauled.  Unfortunately, the people who are supposed to
benefit from the copyright system, the general public, have nothing
close to the political and financial power that the copyright industry
lobbyists have.

The best compromise I can think of is to treat noncommercial copyright
infringement like a parking violation:  you get a ticket for some small
but annoying amount of money.  That is the only way to enforce a law
that everyone is meant to follow and that anyone can easily break.  It
is absurd to think that our judicial system can handle the volume of
cases that would be required to enforce copyrights, and the other
option is to just let the old industries die (which is probably not a
bad idea).

 The fun begins when the record companies start sniping each other.

That is how it is supposed to be.

 Remember when The Verve got their pants sued of by the Rolling Stones
 copyright holder for Bittersweet Symphony?  It was a clean cut case
 of copyright infringement.  What if SOPA or the next round of it does
 pass - will ABKCO Records legally be able to get Hut Records entire
 web site shut down?

The point of SOPA is to kill the Internet; that is what all these laws
and government actions are building towards.  The old media giants do
not want to die, and they know that a network where anyone can share
entertainment with anyone else will ultimately kill them.  What they
would prefer is something like the cable TV system:  a network where
the consumers are only able to consume.  They love the cable TV system
because they only have to deal with other corporations, who can be
taken to court where copyright law can be reasonably applied

Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Benjamin Kreuter
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA512

On Sat, 28 Jan 2012 23:49:09 +0100
Christian Sciberras uuf6...@gmail.com wrote:

 That has always been viewed from the consumer perspective.

Copyrights exist for consumers, at least according to the US
constitution:

The Congress shall have the Power...To promote the Progress of Science
and useful Arts, by securing for limited Times to Authors and
Inventors the exclusive Right to their respective Writings and
Discoveries...

Copyrights do not exist for the benefit of producers; that is only a
means to an end.  The point of the copyright system is to benefit the
general public.

 
 If you look at it from the producers' perspective, you'll see their
 right to withhold their creative
 content until you pay something back.

...which is not the same as their right to prevent you from making
copies of their work.
 
 Another thing to note, if artists, software companies etc were so
 nice to actually want
 to give all this stuff for free, I'm pretty sure no one is forcing
 them to sell their content.
 So don't talk about the they're not loosing anything bullshit to me.

Then tell me what they lost.  Can you prove that someone who downloaded
a song would have spent money on the song if it had not been available
for download?  The argument that losses are incurred for every download
has always been baseless and always will be.

Really though, what difference does it make if copyright industries are
losing money?  When last I checked, the stagecoach industry lost lots
of money when the automobile was invented.  Would you claim that people
were stealing from stagecoach drivers by failing to support that
industry and instead using their cars?  Are you crying foul when people
use digital cameras and incur losses for the film industry?  Who was
stealing from all those sheet music copyists and printers who lost
their jobs because of the recording industry?

Industries need to adapt to the times, or else they die.  What makes
recording, movie production, etc. so special?

- -- Ben


- -- 
Benjamin R Kreuter
UVA Computer Science
brk...@virginia.edu

- --

If large numbers of people are interested in freedom of speech, there
will be freedom of speech, even if the law forbids it; if public
opinion is sluggish, inconvenient minorities will be persecuted, even
if laws exist to protect them. - George Orwell
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Ferenc Kovacs
On Sat, Jan 28, 2012 at 11:26 PM,  valdis.kletni...@vt.edu wrote:
 On Fri, 27 Jan 2012 19:02:09 PST, Zach C. said:

 If you buy an album used, the seller generally loses possession of it, you
 gain possession of it at a reduced cost, and the original purchase still
 gave the original seller and producer value.

 Note that if I shoplift a CD that sucks and isn't worth the $14.99 sticker 
 price, I
 have deprived the producer of the ability to sell it to somebody else.  That's
 the crucial point that underlies our social concept of theft - if I take it 
 from
 you, you don't have it anymore.

 If I copy an album that isn't worth the sticker price, and which I would not
 have purchased at that price, two things of note happen:

 1) As much as the labels wish it were so, they can't count that as lost
 revenue because it wouldn't have acccrued to them anyhow, any more than a car
 dealership can legitimately call it lost revenue if I walk onto their lot,
 tell the salescritter they're crazy if they think I'll pay $28K for a given
 car, and walk off the lot. (Now, if they want to count the Damn, we lost the
 $4.99 that guy *would* have paid if we charged that instead of $14.99, 
 they're
 welcome to that. :)

 2) More importantly, they still have the original bits and are free to look
 for other suckers who *will* pay $14.99.

the shop can supplement the stolen CD for much less than 14.99, and
also manufacturing a cd cost much less.
the price not only contains the material value of the given product,
but it is an arbitrary number, which was calculated based on the cost
of the production(and marketing, and shipping, and etc.) costs of the
product, and on the demand and pricing of that kind of product, so
basically the market.

the difference with the digital goods that there is no material part
of the package, so it could seem that there is no theft and no loss of
revenue.
which could be true, if only those would pirate, who otherwise
wouldn't/couldn't buy the product, which imo is not true.

-- 
Ferenc Kovács
@Tyr43l - http://tyrael.hu

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Ferenc Kovacs

 Another thing to note, if artists, software companies etc were so
 nice to actually want
 to give all this stuff for free, I'm pretty sure no one is forcing
 them to sell their content.
 So don't talk about the they're not loosing anything bullshit to me.

 Then tell me what they lost.  Can you prove that someone who downloaded
 a song would have spent money on the song if it had not been available
 for download?  The argument that losses are incurred for every download
 has always been baseless and always will be.

if you steal a bottle of milk, you can argue that it was right before
the shop closing, and the warranty would have expired before they
could sell it to somebody else, and demand them to prove it
otherwise...


 Really though, what difference does it make if copyright industries are
 losing money?  When last I checked, the stagecoach industry lost lots
 of money when the automobile was invented.  Would you claim that people
 were stealing from stagecoach drivers by failing to support that
 industry and instead using their cars?  Are you crying foul when people
 use digital cameras and incur losses for the film industry?  Who was
 stealing from all those sheet music copyists and printers who lost
 their jobs because of the recording industry?

 Industries need to adapt to the times, or else they die.  What makes
 recording, movie production, etc. so special?

you forgot to link the original article, fixed it for you:
http://torrentfreak.com/the-red-flag-act-of-1865-110626/

-- 
Ferenc Kovács
@Tyr43l - http://tyrael.hu

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Christian Sciberras
 Copyrights exist for consumers, at least according to the US
 constitution: snip

And? I'm talking about the simple fact that the producer has the right
to earn money from his creation. Copyright is just a tool.

 Copyrights do not exist for the benefit of producers; that is only a
 means to an end.  The point of the copyright system is to benefit the
 general public.

Exactly. So, in your own words, producers are at a loss.

 ...which is not the same as their right to prevent you from making
 copies of their work.

Oh come on. Who are you trying to feed that to?
You know damn well current court cases target 'copyright infringement'
for non-personal usesuch as copying such material and selling it for
profit.

Why don't you just admit many people out there are afraid of loosing
their little racket?

 Then tell me what they lost.  Can you prove that someone who downloaded
 a song would have spent money on the song if it had not been available
 for download?  The argument that losses are incurred for every download
 has always been baseless and always will be.

Can you prove that a company/group can live on by handing out free copies
of their song on the internet? How many companies out there do that?

 Industries need to adapt to the times, or else they die.  What makes
 recording, movie production, etc. so special?

Lets turn this to a different parallel issue, open source. Last I checked,
income for opensource projects tend to come from one of the following:
- advertisements
- paid support
- training

How many such activities play well with records companies?

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Valdis . Kletnieks
On Sun, 29 Jan 2012 00:30:21 +0100, Christian Sciberras said:

 Can you prove that a company/group can live on by handing out free copies
 of their song on the internet? How many companies out there do that?

Actually, *most* bands that make money do so off the concert tours - tickets and
tshirts is where the actual money is at, not the album sales.




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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Christian Sciberras
 Actually, *most* bands that make money do so off the concert tours - tickets 
 and
 tshirts is where the actual money is at, not the album sales.

So why bother with album sales in the first place?

This is the same with free/commercial software. At the end of the day
the creator decides
the sales strategy.


The only thing I can see in this is that the recording industry really
needs to grow up
to the times, but piracy is not a solution nor the means to one, just
like DDoSing facebook
is not the means to the removal of a certain bill/law (arguably, to
the contrary).

The recording companies have every right to retaliate just as the FBI
has every right to
arrest suspects involved in these childish acts.

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-28 Thread Laurelai
On 1/28/2012 6:55 PM, Christian Sciberras wrote:
 Actually, *most* bands that make money do so off the concert tours - tickets 
 and
 tshirts is where the actual money is at, not the album sales.
 So why bother with album sales in the first place?

 This is the same with free/commercial software. At the end of the day
 the creator decides
 the sales strategy.


 The only thing I can see in this is that the recording industry really
 needs to grow up
 to the times, but piracy is not a solution nor the means to one, just
 like DDoSing facebook
 is not the means to the removal of a certain bill/law (arguably, to
 the contrary).

 The recording companies have every right to retaliate just as the FBI
 has every right to
 arrest suspects involved in these childish acts.

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The reasonable man adapts himself to the world: the unreasonable one
persists to adapt the world to himself. Therefore all progress depends
on the unreasonable man. 
-- George Bernard Shaw
http://www.goodreads.com/author/show/5217.George_Bernard_Shaw, /Man
and Superman http://www.goodreads.com/work/quotes/376394/
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[Full-disclosure] when did piracy/theft become expression of freedom

2012-01-27 Thread Jerry dePriest
im going to the 'benz dealer in the morning to express my 1st amendment right...

The Somalians are learning the hard way that it just isnt so...

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-27 Thread Laurelai
On 1/27/2012 2:24 AM, Jerry dePriest wrote:
 im going to the 'benz dealer in the morning to express my 1st
 amendment right...
  
 The Somalians are learning the hard way that it just isnt so...
  
 bma


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Piracy: an act of robbery or criminal violence at sea

Theft:  the illegal taking of another person's property without that
person's permission or consent with the intent to deprive the rightful
owner of it

Software copying: Occurs neither on the high seas and does not deprive
the rightful owner of it.


The more you know.
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-27 Thread Robert Kim App and Facebook Marketing
HAHAHAA...

Well... it's hard to convince people that data piracy is the same as
physical piracy! The think that if they CAN do somehting... they have the
RIGHT to DO IT!

As a content producer... I can't stand this sense of entitlement... but oh
well... I've just gotta tranform with the times i guess!

On Fri, Jan 27, 2012 at 5:51 PM, Laurelai laure...@oneechan.org wrote:

  On 1/27/2012 2:24 AM, Jerry dePriest wrote:

 im going to the 'benz dealer in the morning to express my 1st amendment
 right...

 The Somalians are learning the hard way that it just isnt so...

 bma




 Theft:  the illegal taking of another person's property without that
 person's permission or consent with the intent to deprive the rightful
 owner of it

 Software copying: Occurs neither on the high seas and does not deprive the
 rightful owner of it.


 The more you know.


-- 
Robert Q Kim
Technical Chinese Korean English Translator
http://www.youtube.com/watch?v=QozAHbUS-VU
2611 S Coast Highway
San Diego, CA 92007
310 598 1606
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-27 Thread Kai
 Hello,

 http://img256.imageshack.us/img256/2527/1282302008370.jpg

 know the difference.

-- 
 Cheers,

 Kai

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-27 Thread Laurelai
On 1/27/2012 3:01 AM, Robert Kim App and Facebook Marketing wrote:
 HAHAHAA... 

 Well... it's hard to convince people that data piracy is the same as
 physical piracy! The think that if they CAN do somehting... they have
 the RIGHT to DO IT!

 As a content producer... I can't stand this sense of entitlement...
 but oh well... I've just gotta tranform with the times i guess!

 On Fri, Jan 27, 2012 at 5:51 PM, Laurelai laure...@oneechan.org
 mailto:laure...@oneechan.org wrote:

 On 1/27/2012 2:24 AM, Jerry dePriest wrote:
 im going to the 'benz dealer in the morning to express my 1st
 amendment right...
  
 The Somalians are learning the hard way that it just isnt so...
  
 bma



 Theft:  the illegal taking of another person's property without
 that person's permission or consent with the intent to deprive the
 rightful owner of it

 Software copying: Occurs neither on the high seas and does not
 deprive the rightful owner of it.


 The more you know.


 -- 
 Robert Q Kim
 Technical Chinese Korean English Translator
 http://www.youtube.com/watch?v=QozAHbUS-VU 
 2611 S Coast Highway
 San Diego, CA 92007
 310 598 1606
Let's not kid ourselves here, you all would download a car if you could
and you know it ;)


That being said I would prefer people *widely use* my software and
donate money to me if they think its worth something, the humble indy
bundles profits are telling in this case. Perhaps if content producers
would change their business model to adapt to modern times instead of
trying to force the world to live in the past software copying wouldn't
be so popular.
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-27 Thread Laurelai
On 1/27/2012 3:29 AM, Vipul Agarwal wrote:
 Let's keep FD and Reddit apart!

 Regards,
 Vipul

 Sent from my HTC

 - Reply message -
 From: Kai k...@rhynn.net
 To: full-disclosure@lists.grok.org.uk
 Subject: [Full-disclosure] when did piracy/theft become expression of
 freedom
 Date: Fri, Jan 27, 2012 09:15


 Hello,

 http://img256.imageshack.us/img256/2527/1282302008370.jpg

 know the difference.

 -- 
 Cheers,

 Kai

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 ___
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Posting to /r/netsec now...
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-27 Thread Valdis . Kletnieks
On Fri, 27 Jan 2012 18:01:31 +0900, Robert Kim App and Facebook Marketing said:

 As a content producer... I can't stand this sense of entitlement... but oh
 well... I've just gotta tranform with the times i guess!

You may want to talk to your fellow content producers - and even more
importantly, certain content *restirction-of-distribution cartels* about
*their* sense of entitlement.






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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-27 Thread Michael Schmidt
You want to be very careful with that line of thought. You are taking the 
creator the rightful owners profits, which they are entitled to if it is a 
product they created to be sold. You are confusing what you want - with what 
the law states. Theft is typically very widely defined in the law, not just 
what the dictionary states.

When you make a copy, you are performing a step that the manufacturer takes 
with physical products. Just because copying software is easy does not mean the 
laws are so cut and dried around what is theft and what is not. If you take 
something by making yourself a copy, when the producer is the only authorized 
authority to make copies then you have committed theft.

You also cannot steal electricity, check out Abstracting Electricity, but 
bypassing the meter is wrong in most jurisdictions.

In the US you can be arrested and charged for riding in a stolen car, even if 
you really didn't know it was stolen, known as taking without consent or TWOC.

In some jurisdictions you can be arrested and charged for going equipped for 
burglary mean you have implements of the trade on you - crowbars, lock picks 
etc. So I suppose in the US we are fortunate that having a copy of some 
previously defined hacking tools on a computer in our possession will not get 
us arrested - yet.

The more you know...


From: full-disclosure-boun...@lists.grok.org.uk 
[mailto:full-disclosure-boun...@lists.grok.org.uk] On Behalf Of Laurelai
Sent: Friday, January 27, 2012 12:51 AM
To: full-disclosure@lists.grok.org.uk
Subject: Re: [Full-disclosure] when did piracy/theft become expression of 
freedom

On 1/27/2012 2:24 AM, Jerry dePriest wrote:
im going to the 'benz dealer in the morning to express my 1st amendment right...

The Somalians are learning the hard way that it just isnt so...

bma




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Piracy: an act of robbery or criminal violence at sea

Theft:  the illegal taking of another person's property without that person's 
permission or consent with the intent to deprive the rightful owner of it

Software copying: Occurs neither on the high seas and does not deprive the 
rightful owner of it.


The more you know.

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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-27 Thread Laurelai
On 1/27/2012 12:06 PM, Michael Schmidt wrote:

 You want to be very careful with that line of thought. You are taking
 the creator the rightful owners profits, which they are entitled to if
 it is a product they created to be sold. You are confusing what you
 want -- with what the law states. Theft is typically very widely
 defined in the law, not just what the dictionary states.

  

 When you make a copy, you are performing a step that the manufacturer
 takes with physical products. Just because copying software is easy
 does not mean the laws are so cut and dried around what is theft and
 what is not. If you take something by making yourself a copy, when the
 producer is the only authorized authority to make copies then you have
 committed theft.

  

 You also cannot steal electricity, check out Abstracting
 Electricity, but bypassing the meter is wrong in most jurisdictions.

  

 In the US you can be arrested and charged for riding in a stolen car,
 even if you really didn't know it was stolen, known as taking without
 consent or TWOC.

  

 In some jurisdictions you can be arrested and charged for going
 equipped for burglary mean you have implements of the trade on you --
 crowbars, lock picks etc. So I suppose in the US we are fortunate that
 having a copy of some previously defined hacking tools on a computer
 in our possession will not get us arrested -- yet.

  

 The more you know...

  

  

 *From:*full-disclosure-boun...@lists.grok.org.uk
 [mailto:full-disclosure-boun...@lists.grok.org.uk] *On Behalf Of *Laurelai
 *Sent:* Friday, January 27, 2012 12:51 AM
 *To:* full-disclosure@lists.grok.org.uk
 *Subject:* Re: [Full-disclosure] when did piracy/theft become
 expression of freedom

  

 On 1/27/2012 2:24 AM, Jerry dePriest wrote:

 im going to the 'benz dealer in the morning to express my 1st
 amendment right...

  

 The Somalians are learning the hard way that it just isnt so...

  

 bma




 ___
 Full-Disclosure - We believe in it.
 Charter: http://lists.grok.org.uk/full-disclosure-charter.html
 Hosted and sponsored by Secunia - http://secunia.com/

 Piracy: an act of robbery or criminal violence at sea

 Theft:  the illegal taking of another person's property without that
 person's permission or consent with the intent to deprive the rightful
 owner of it

 Software copying: Occurs neither on the high seas and does not deprive
 the rightful owner of it.


 The more you know.

Yeah and the US is becoming a police state, so using US law as examples
of morality is pretty shaky ground.
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-27 Thread Valdis . Kletnieks
On Fri, 27 Jan 2012 18:06:28 GMT, Michael Schmidt said:
 You want to be very careful with that line of thought. You are taking the
 creator the rightful owners profits, which they are entitled to if it is a
 product they created to be sold.

You might want to go read Courtney Love Does The Math, and then ask yourself
the following:

1) You can make a case that if you copy an album intead of buying it, you're
depriving somebody of profits.  But what if it's an album that you would *not*
have bought at full price anyhow?  Or one that you bought used (see first sale
principle)?

2) Who gets those profits, the artist, the label, or the RIAA?  Are you
stealing profits from the artist, or are you stealing them from somebody else
who was attemting to steal them from the artist?



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Description: PGP signature
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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-27 Thread Thor (Hammer of God)
-Original Message-
From: full-disclosure-boun...@lists.grok.org.uk [mailto:full-disclosure-
boun...@lists.grok.org.uk] On Behalf Of valdis.kletni...@vt.edu
Sent: Friday, January 27, 2012 4:06 PM
To: Michael Schmidt
Cc: full-disclosure@lists.grok.org.uk
Subject: Re: [Full-disclosure] when did piracy/theft become expression of
freedom

On Fri, 27 Jan 2012 18:06:28 GMT, Michael Schmidt said:
 You want to be very careful with that line of thought. You are taking
 the creator the rightful owners profits, which they are entitled to if
 it is a product they created to be sold.

You might want to go read Courtney Love Does The Math, and then ask
yourself the following:

1) You can make a case that if you copy an album intead of buying it, you're
depriving somebody of profits.  But what if it's an album that you would *not*
have bought at full price anyhow?  Or one that you bought used (see first
sale principle)?

These arguments do more harm than good.  You can't base property law on what 
people may not have done (of course there are not paid your taxes etc - let's 
not get tied down with that).  I'm actually surprised you made that comment.   
I have a product that I own the rights to.  If you don't feel like paying full 
price, then don't buy it.  You go down the street and buy a similar product for 
less money.  That way I don't make money, and my competitor has.  If this 
happens enough, I go out of business as an effect of how the market works.  But 
if you were not going to pay full price, that doesn't give you any right to 
steal it.  That is simply absurd.  

Now, many in the music industry have openly stated (I've heard anyway) that 
internet piracy is good for business.  People hear music they wouldn't have 
heard, and buy the album.  I've done this myself, and I agree with it. But 
whether or not the behavior ends up benefiting the industry or not is 
irrelevant; I've still broken the law.  

That's where is should end, but it doesn't.  Sharing music not purchased is 
already illegal.  The companies already have legal remedies available.  
Unfortunately, the industry lobbyists have convinced lawmakers that the action 
already being illegal isn't enough - they now want the legislative body to 
ENFORCE the law for them by giving execution rights to the plaintiff.   That is 
freaking nuts.   What should happen is that those who do not innovate in music 
distribution and rights management pay to see the legal process through.  Then 
we're back to the first example where they would end up spending too much money 
on legal fees and go out of business where the guys who figure out a cool DRM 
scheme for sampling, sharing, etc end up making money, and the market takes 
care of its own.

It's far easier and cheaper to get inept and ignorant legislators to extend 
judgment into enforcement with new laws. 

2) Who gets those profits, the artist, the label, or the RIAA?  Are you 
stealing
profits from the artist, or are you stealing them from somebody else who was
attemting to steal them from the artist?

The fun begins when the record companies start sniping each other.  Remember 
when The Verve got their pants sued of by the Rolling Stones copyright holder 
for Bittersweet Symphony?  It was a clean cut case of copyright infringement. 
 What if SOPA or the next round of it does pass - will ABKCO Records legally be 
able to get Hut Records entire web site shut down?

The main point here is that legal remedy for property rights already exists, 
and the holders of those rights should be required to exercise due process just 
like everyone else.

t



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Re: [Full-disclosure] when did piracy/theft become expression of freedom

2012-01-27 Thread Zach C.
On Jan 27, 2012 4:07 PM, valdis.kletni...@vt.edu wrote:

 On Fri, 27 Jan 2012 18:06:28 GMT, Michael Schmidt said:
  You want to be very careful with that line of thought. You are taking
the
  creator the rightful owners profits, which they are entitled to if it
is a
  product they created to be sold.

 You might want to go read Courtney Love Does The Math, and then ask
yourself
 the following:

 1) You can make a case that if you copy an album intead of buying it,
you're
 depriving somebody of profits.  But what if it's an album that you would
*not*
 have bought at full price anyhow?  Or one that you bought used (see
first sale
 principle)?

If you buy an album used, the seller generally loses possession of it, you
gain possession of it at a reduced cost, and the original purchase still
gave the original seller and producer value. Value has still been
exchanged, assuming no literal theft was involved to make the whole thing
criminal anyway. If you make a copy, you're pretty much creating (or, if
you prefer, *re*-creating) value out of basically nothing using source
material, but nothing of value goes back to the original creator of what
was copied.

Besides that, I do not trust customers to make their own price up for
everything they buy because (a) they may be honest but not know how to
properly appraise a piece of work or (b) they will try to shaft you. It's
literally like blindly trusting user input. Before you bring up Humble,
Radiohead, et al: just because it can and has been done a few times doesn't
mean it's viable or as lucrative as it should be. (Humble even STILL had
pirates, IIRC!)


 2) Who gets those profits, the artist, the label, or the RIAA?  Are you
 stealing profits from the artist, or are you stealing them from somebody
else
 who was attemting to steal them from the artist?

All of the above; while the companies' creative accounting is almost
criminally bullshit, the artist *still* gets a cut and even a profit if
they do well enough. As a nasty little bonus, any profit taken from those
companies will never, ever be seen by the artist regardless. There is a
100% better chance of an artist receiving money via a record company
getting paid for the artist's work than a record company *not* getting paid
from the artist's work. It's gotta come from somewhere. So if you're
screwing them and they're screwing the artist, you just wind up making them
screw the artist that much harder.



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