How can we find out when this film will be aired?
As some know I've been interested in the Irish/Jewish relationship and, particulary after teaching klezmer at Boxwood where mostly Irish and Cape Breton music is taught, I'm "hooked" even more, now learning the Irish flute itself - which at least
In a message dated 8/30/03 6:26:39 AM, [EMAIL PROTECTED] writes:
But it makes a huge difference to what Brandwein
did in that one case, rather pushing the air than changing the note.
Wait wait. Are you saying that you think Brandwein was doing a breath vibrato? It's both distinct and used
In a message dated 8/29/03 7:17:04 AM, [EMAIL PROTECTED] writes:
Naftule Brandwein did some finger vibrato on clarinet - you can hear it on
the B section of "firn di mekhetonim aheym." - although my guess is he did
it by manipulating a key (with his finger).
Thank you; that's THE one very
I'm wondering if we all should be even separating the techniques of key vibrato vs. hole vibrato. Sure, the open hole achieves less distinction between the two notes, especially if you are using a hole at least one removed from a trill hole, so to speak. But the two techniques, in my ear, are
In a message dated 8/29/03 9:17:12 AM, [EMAIL PROTECTED] writes:
OK enough for one post. Adrienne, I would love to hear how
Boxwood (Wooden flute camp) went and what the interests
were, in this group or privately. Sorry I couldn't make it,
keep us posted of other workshops you will be
I never did "report" on my visit to Akron, Ohio which was only supposed to be a little klezmer flute master class and mini-performance. But it turned out that, through all the correspondence with Scott Rosenthal, Joseph Moskowitz's grand-nephew, that my own family had in their Jewish social club
In a message dated 8/29/03 12:29:40 PM, [EMAIL PROTECTED] writes:
My understanding is that when singing,
one should do nothing to create, encourage, discourage, or affect vibrato -
that if the voice is produced correctly the vibrato will be correct, and
that if the vibrato is too fast or
In a message dated 8/28/03 9:37:59 AM, [EMAIL PROTECTED] writes:
But it's really up to the customer. In spite of the
tradition being for the mezinke, we've done it also for the parents
of the mezinik (a boy who is the youngest to be married off in the
family.) It's the celebration of "putr
In a message dated 8/28/03 12:23:34 PM, [EMAIL PROTECTED] writes:
Ah! Speaking of flutes, are there any listers here from the Los
Angeles area who'd be interested in taking on a flutist for your band?
I play, but never thought of incorporating it into a klezmer band!
Actually, my daughter
In a message dated 8/28/03 11:13:46 AM, [EMAIL PROTECTED] writes:
Hello flutists: Could someone please explain to me off-line or suggest a book on how to make the lovely vibrato on the flute? I especially like the way James Galway does it. Zeyt Gezunt, Mary
James Galway's vibrato is
Just to add a little here that Cookie Segelstein is fiddlin' with the Klezmatics on
this episode. All of CT is waiting breathlessly for the airing - and I'll be away
presenting a klezmer flute workshop at, of all things, the national flute convention
in Las Vegas. Yep, there's a convention for
Does anyone have recent experiences with traveling to Canada with CD's to sell at a festival or the like? I've never had to do this and my first experience is about to happen in a week, teaching/performing in Nova Scotia. Can I pack them in a suitcase to actually go through baggage, i.e., not
This is from the website Zemerl, (http://www.princeton.edu/zemerl/ ) which has many commonly known tunes - and I hope this message finds you well :-)
Adrianne
_
Adrianne Greenbaum
Associate Professor of Flute, Mount Holyoke College
Klezmer
After reading about Ari's new "friendly" calendar (So nice! Go look!), I thought it time to announce the Klezical Tradition's upcoming concerts on June 28, 29, and July 1.
June 28 at 7:00 We open the festival in Kent, Connecticut. For these three concerts we'll have a slightly different sound as
Have you tried contacting Joyce Rosensweig? A great improvisor and has total knowledge of Jewish repertoire to boot. NYC on upper West Side.
Adrianne
__
Adrianne Greenbaum
Associate Professor of Flute, Mount Holyoke College
Klezmer flutist:
I was so wishing i could have gone, especially living only 30 minutes away, but alas was working that entire weekend and couldn't attend. Thank you SO MUCH, Ari, for that wonderful overview of the Yale conference. I'm sure I'm not the only one who is very appreciative of the hours that that took
Yikes, now _ I_ did it! Sorry, meant for off-list!
Adrianne
In a message dated 5/26/03 6:15:47 AM, [EMAIL PROTECTED] writes:
Lori:You did say that you would kindly send us a rteview copy of your CD,but so far nothing has arrived.Can you tell me when to expect it?
Thanks.
Rabbi Douglas Charing
Jewish Education Bureau (UK)
In a message dated 5/26/03
Just to let everyone know that flute will also be taught at Klezkanada. (My name was left off the website faculty list.)
I'm also teaching at Boxwood in Lunenburg, Nova Scotia! Check out their website for more information. It's a fabulous place. Think of it: Traditional Scottish, Irish flute - -
Don't know the answer to exact timing but when I was on the show with TKT that "Profiles in Folk" program began at 10:00pm. (Maybe tune in at 10:00 just in case??) Or, go to WSHU.org and it will probably list all times for their programs. Akh, did that for you so here's the info (indeed at 10, not
Ari,
Thank you SO so much for your wonderfully thoughtful and enthusiastic review
of FleytMuzik!. Akh, and our lips to the Ears Above! Hopefully this album
will spur more interest in the traditional sounds of flute in klezmer
because, as you say What is certain is that this album makes clear
In a message dated 2/10/03 8:33:11 AM, [EMAIL PROTECTED] writes:
Oh, well then we wouldn't want you. You can't expect people to come out
for that. We need someone who does swing dancing.
I'm not sure I'd base this person's comment on what the general Jewish
population wants, necessarily.
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