Hi all,
Yet another situation (see thread
http://lists.gnu.org/archive/html/lilypond-user/2015-04/msg00274.html) where I
want to force a grob to appear, but can’t seem to find a way to do it…
I have a percussion staff containing music for a single player who switches
between pitched and
Hi patrick,
This is the workaround I used to create fret-diagrams with a thumb.
http://mglessons.com/lilypond/fret-diagram.ly
http://mglessons.com/lilypond/fret-diagram.pdf
HTH
Stephen
%% cut
#(define-public (stack-stencil-overlay stencils)
Recursive function to add stencils together
On Mon, May 4, 2015 at 10:04 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Kieren,
On Sat, May 2, 2015 at 6:29 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
Out of curiosity, do you get results with color-tweaks2.ly (attached
somewhere above)?
Same
Thanks!
On 05.05.2015, at 14:21, Stephen MacNeil classicalja...@gmail.com wrote:
Hi patrick,
This is the workaround I used to create fret-diagrams with a thumb.
http://mglessons.com/lilypond/fret-diagram.ly
http://mglessons.com/lilypond/fret-diagram.pdf
HTH
Stephen
%% cut
Hi Michael,
On May 5, 2015, at 6:48 AM, Michael Gerdau m...@qata.de wrote:
in the context of this thread I have a possibly stupid question:
From reading the documentation under
http://lilypond.org/doc/v2.18/Documentation/notation/custom-titles-headers-and-footers
I thought the proper
No problem, hope it does what you need.
Stephen
On Tue, May 5, 2015 at 9:13 AM, pls p.l.schm...@gmx.de wrote:
Thanks!
On 05.05.2015, at 14:21, Stephen MacNeil classicalja...@gmail.com wrote:
Hi patrick,
This is the workaround I used to create fret-diagrams with a thumb.
Whoa! This works and the output is nice-looking, but what the ***? That's a ton
of code you hacked together there! Shouldn't such a solution go into LilyPond
itself in some way? (Maybe with a proper API where you can specify start and
end characters inside the word, similar to \( and \).)
Am
Well, having just posted this I find the technique described on the lilypond
blog. But I am unable to download the code from the attached email link from
2013. Can anybody help?
Andrew
___
lilypond-user mailing list
lilypond-user@gnu.org
I correct myself:
http://lilypond.org/doc/v2.18/Documentation/notation/long-repeats.html#normal-repeats,
at ‘Known issues and warnings’ has a remark about \unfoldRepeats
(necessary for MIDI output) giving wrong results if measurePosition is
set in an \alternative. This is probably the reason
Btw: I'm of course getting the bar check warnings described under Known issues
and warnings if I put \unfoldRepeats in my MIDI context. Not very nice at all,
especially for such a relatively simple piece of music ...
Am 06.05.2015 um 01:02 schrieb Simon Albrecht simon.albre...@mail.de:
Greetings All,
Is there a way to centre a rest in a bar - an ordinary rest, not a multi
measure rest?
The following vastly oversimplified snippet shows rests sitting at the left, as
indeed they should, entirely correct. But my composer wants them in the middle.
How does one achieve this,
2015-05-06 1:02 GMT+02:00 Tobias Braun lists.tob...@braun-abstatt.de:
Never mind. It's working now, thanks a lot!
Good night,
Tobias
Am 06.05.2015 um 00:51 schrieb Simon Albrecht simon.albre...@mail.de:
So sorry. I should’ve tested the code before posting…
You need to use \line { }
Hi,
Is there a way to print nice repeat bar lines in a \markup block used for
verses of a song printed below the main score, instead of having to resort to
|: or /:? I tried pasting the respective unicode signs and they display
fine in my text editor, but unfortunately, LilyPond turns them
Ok, but the fix tells me to alter a global browser setting, which I may not
want to after all. It says this is required To get automatic language
selection. What I really want, however, is manual language selection. Isn't
that what the language links at the bottom are for? Instead, I am getting
Tobias:
My understanding, which is certainly limited, is that Lilypond reads the
first alternate ending and sees only three beats and assumes that the second
alternate starts (read not played) with the fourth beat. Again a case when a
human performer is smarter than a computer!
So we have to tell
How would I put that character _below_ a word (as opposed to in-between two
words)?
Am 06.05.2015 um 01:16 schrieb Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi all,
Can’t you just use ‿ ??
I’ve used it in the past, and it’s worked wonderfully for me.
Hope this helps,
Kieren.
2015-05-06 1:24 GMT+02:00 Tobias Braun lists.tob...@braun-abstatt.de:
Hi,
Is there a way to print nice repeat bar lines in a \markup block used for
verses of a song printed below the main score, instead of having to resort to
|: or /:? I tried pasting the respective unicode signs and they
Never mind. It's working now, thanks a lot!
Good night,
Tobias
Am 06.05.2015 um 00:51 schrieb Simon Albrecht simon.albre...@mail.de:
So sorry. I should’ve tested the code before posting…
You need to use \line { } instead of a simple string in . See attachment.
Am 06.05.2015 um 00:41
Hi all,
Can’t you just use ‿ ??
I’ve used it in the past, and it’s worked wonderfully for me.
Hope this helps,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
Hi Andrew,
On Tue, May 5, 2015 at 8:36 PM, Andrew Bernard andrew.bern...@gmail.com
wrote:
Well, having just posted this I find the technique described on the
lilypond blog. But I am unable to download the code from the attached email
link from 2013. Can anybody help?
This came up recently.
Stan Mulder st45882wz at earthlink.net writes:
convert-ly will change something like gsharp to g-sharp, but it won't change
gsharp4 to g-sharp4. Anything with a number after it doesn't convert
properly. So I've had to do all those manually (or with search and replace).
Oops. The rule in
Indeed. I’ll make a bug report.
Yours, Simon
Am 06.05.2015 um 00:55 schrieb Tobias Braun:
http://lilypond.org/doc/v2.18/Documentation/notation/long-repeats.html
Search for Timing.measureLength there.
Am 06.05.2015 um 00:52 schrieb Simon Albrecht simon.albre...@mail.de:
Am 06.05.2015 um
Nice one again, Harm! :-)
I love how every ‘normal’ person would come up with some twenty lines of
‘ordinary’ code, whereas you deliver hundreds of lines of code with a
fancy solution…
Kudos!
And, finally, (!) good night :-)
Am 06.05.2015 um 01:08 schrieb Thomas Morley:
How about:
\version
Hi Simon, Carl, and Stephen,
Thanks for all of the helpful remarks. I've been consulting the manual
for weeks now on various issues, but apparently I kept looking right
past the most important bit:
In all but the simplest works it is advisable to create explicit
|Voice| contexts...
Alas, I had
2015-05-06 1:19 GMT+02:00 Tobias Braun lists.tob...@braun-abstatt.de:
Whoa! This works and the output is nice-looking, but what the ***? That's a
ton of code you hacked together there! Shouldn't such a solution go into
LilyPond itself in some way? (Maybe with a proper API where you can
Hi Tobias,
How would I put that character _below_ a word (as opposed to in-between two
words)?
Maybe like:
\version 2.19.17
\markup \combine test \translate #'(0.85 . -0.5) ‿
Hope this helps!
Kieren.
Kieren MacMillan, composer
‣ website:
http://lilypond.org/doc/v2.18/Documentation/notation/long-repeats.html
Search for Timing.measureLength there.
Am 06.05.2015 um 00:52 schrieb Simon Albrecht simon.albre...@mail.de:
Am 06.05.2015 um 00:46 schrieb Tobias Braun:
So modifying measureLength, as suggested by the documentation,
I tried both variants. Either of them seem to produce the bar check warnings.
Am 06.05.2015 um 01:09 schrieb Simon Albrecht simon.albre...@mail.de:
I correct myself:
http://lilypond.org/doc/v2.18/Documentation/notation/long-repeats.html#normal-repeats,
at ‘Known issues and warnings’ has a
It's because you/he has put the lower note in the upper voice, so LilyPond
shifts it to show this.
Firstly, though, you can simplify it immensely by getting rid of most of the
{ }
So: try this:
{ c2. c4~ c1 bes1 a1 } \\ {g2. aes4~ aes1 ges1 des1 }
--
Phil Holmes
- Original
Hi Ole,
in measure 3 your friend swapped voices. It should read {bes1} \\ { ges1}
instead of {ges1} \\ { bes1} .
hth
patrick
On 05.05.2015, at 17:08, Ole Schmidt oleschm...@gmx.net wrote:
Hi,
A friend showed me his first leadsheed to proofread and we both stumbled over
the strange
That is indeed a clever way of manipulating the absolute mode good for
some things, but not terribly handy once you get into active keyboard
music as you would end up thinking like a drifting organ tuner.
Shane
On Mon, May 4, 2015 at 10:57 PM, Keith OHara k-ohara5...@oco.net wrote:
Federico
Hi,
A friend showed me his first leadsheed to proofread and we both stumbled over
the strange alignment in bar three of the attached file.
Is this a bug or a feature?
thanks for help
ole
code%%%
\version 2.18.2
\new Staff
\relative c''
{
\key des\major\time
Hi David,
And it works with that editionEngraver example.
It definitely works with a minimal EE example… Nice work!
However, I added it to my current (definitely non-minimal!) score, and it fails
with:
In procedure ly:music-property in expression (ly:music-property
(ly:event-property
Hi Kieren,
On Tue, May 5, 2015 at 8:57 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
And it works with that editionEngraver example.
It definitely works with a minimal EE example… Nice work!
However, I added it to my current (definitely non-minimal!) score, and it
And, an obvious point: If you modify measureLength, you’d have to modify
it again after the second alternative, else all following music (if
there were any) would go on with 3/4 time (without a printed change of
TimeSignature!).
Am 05.05.2015 um 23:56 schrieb Tobias Braun:
Yes, it does,
I got it to work in \lyricmode now, but it still won't work in the \markup
section.
If I do it like you say below, I just get the code printed in the lyrics. If I
end the string before \override and start a new one after köñiglichen, it
works, but then I get line breaks around königlichen.
So sorry. I should’ve tested the code before posting…
You need to use \line { } instead of a simple string in . See attachment.
Am 06.05.2015 um 00:41 schrieb Tobias Braun:
I got it to work in \lyricmode now, but it still won't work in the
\markup section.
If I do it like you say below, I
Am 06.05.2015 um 00:46 schrieb Tobias Braun:
So modifying measureLength, as suggested by the documentation, isn't a good
idea after all? Shouldn't the documentation be updated accordingly then?
In which place? Please give a link.
~ Simon
___
Just include everything except \markup instead of the word:
\markup {
\fill-line {
\hspace #0.1
\column {
\vspace #0.5
\line { \bold 2.
\column {
Er ging aus der Kammer sein, / dem \override #'(word-space .
0) \tied-lyric #kö~niglichen Saal so rein, /
Well, in Lilypond we always try to represent the musical content
appropriately, and contrary to what Steven suggested, the measure length
doesn’t change here, only the second alternative ‘misses out one beat’
or starts at another measure position. So setting measurePosition is the
way to go
The problem arises because \applyContext is evaluated later than
\transpose. When music functions do their work, contexts have not been
created yet,
The output shows that the original binding of k is in effect when
\transpose is called.
Aha! Thank you — that makes sense.
+1 to Keith's idea.
In fact, I remember first learning about \relative and being *amazed* that
it didn't work as described.
I'm mostly transcribing/re-engraving for solo violin, and most pieces stay
within a small 2-octave range. The \relative c'''{ ...} syntax was exactly
what I wanted.
Steve
Or a more elegant one:
\version 2.18.2
\relative {
c'
-\tweak style #'trill
\startTextSpan
d e f
\stopTextSpan
}
Cheers,
Pierre
2015-05-05 8:52 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hi Craig,
Try:
\version 2.18.2
\relative {
c'
-\tweak
Thanks of Mr. Perol-Schneider,
I've found the way to make it bold style:
{
\override TextSpanner.bound-details.left.text = \markup{\bold Retenu}
\startTextSpan ... \stopTextSpan
}
but not yet
- how to cancel italic style,
- how to expand it to bar.
Thanks
Venus' Wink
-Original
Hi Craig,
Try:
\version 2.18.2
\relative {
c'
-\tweak bound-details.left.text \markup\null
\startTrillSpan
d e f
\stopTrillSpan
}
Cheers,
Pierre
2015-05-05 7:19 GMT+02:00 Craig Dabelstein craig.dabelst...@gmail.com:
Dear Lilyponders,
Could anyone tell me how to produce a trill
Hi Venus' Wink,
Try :
\version 2.18.2
\relative {
\once \override TextSpanner.bound-details.left.text = \markup \bold
Retenu
\once \override TextSpanner.to-barline = ##t
c'4
%% optional:
%-\tweak bound-details.left.text \markup\normal-text\bold Retenu
%-\tweak to-barline
Dear Pierre,
Il 05/05/15 09.01, Pierre Perol-Schneider ha scritto:
Or a more elegant one:
\version 2.18.2
\relative {
c'
-\tweak style #'trill
\startTextSpan
d e f
\stopTextSpan
}
this might be more elegant than your first solution (matter of taste),
but I would consider it
Oops, wrong copy/paste, so here again:
\version 2.18.2
\relative {
\once \override TextSpanner.bound-details.left.text =
\markup\normal-text\bold Retenu
\once \override TextSpanner.to-barline = ##t
c'4
%% optional:
%-\tweak bound-details.left.text \markup\normal-text\bold
Carl Sorensen-3 wrote
On 5/4/15 1:35 AM, ArnoldTheresius lt;
Arnold.Wendl@
gt; wrote:
2. the PS file, because it's used for another postprocessing: I generate a
booklet layout PDF from it (this PDF uses the double sheet size, e.g. A3)
How do you do this? This is something I'm very
Thanks Pierre and Davide,
That will work fine.
Much appreciated.
Craig
On Tue, 5 May 2015 at 17:44 Davide Liessi davide.lie...@gmail.com wrote:
Dear Pierre,
Il 05/05/15 09.01, Pierre Perol-Schneider ha scritto:
Or a more elegant one:
\version 2.18.2
\relative {
c'
Hi guys,
Two questions that I just can't figure out for some reason:
First, I can't manage to create kneed beams for the right hand
cross-staff eighth notes in the below example. I've attempted to invoke
\override Beam.auto-knee-gap, but to no avail (so it's not included
here). Here's the code,
Hi Sam,
welcome to the list!
Some notes:
– For future posts, it is useful if you include code examples as an
attachment, so they won’t get messed up somewhere on the way. That makes
it easier for others to help.
– On your first question: The problems cease to appear if you use the
commands
On 5/5/15 1:26 PM, Sam Bivens sambiv...@gmail.com wrote:
Second, is it possible to create nested multiple voices? What I
mean is to insert multiple voices within a single voice of a larger
multi-voice context. I need to create a third voice for one measure
of a piece and I'm
Keith OHara k-ohara5a5a at oco.net writes:
At version 2.19.16, the name changed from 'eflat' to 'e-flat'
The convert-ly program will change existing files for you.
I first saw it suggested here
https://code.google.com/p/lilypond/issues/detail?id=4076#c20
convert-ly will change something like
And I forgot:
Am 05.05.2015 um 22:26 schrieb Sam Bivens:
Second, is it possible to create nested multiple voices? What I mean
is to insert multiple voices within a single voice of a larger
multi-voice context.
No, a voice cannot contain another voice. But, as referenced, you can
create
Hi Pierre,
Both of your ways bring me to my purpose.
Thanks a lot.
Venus' Wink
-Original Message-
From: pierre.schneider.pa...@gmail.com
Sent: Tue, 5 May 2015 09:48:14 +0200
To: venuswi...@inbox.com
Subject: Re: spanned text like Retenu...
Oops, wrong copy/paste, so here again:
Just reading the section on slurs takes you immediately to the snippet on
double slurs, so it's not really that hard to see.
--
Phil Holmes
- Original Message -
From: David B. Stocker
To: Simon Albrecht ; lilypond-user@gnu.org
Sent: Monday, May 04, 2015 6:15 PM
Subject:
I resend my attachment.
But I think Mr. Perol-Schneider has understood my intent.
The attachment is about 5kBytes, so it doesn't seem oversize.
Probably, something unlucky occured.
But it was lucky that very similar question was posted
at almost same time.
Thanks
Venus' Wink
-Original
Hi Simon,
simply put oddFooterMarkup defs in a 'paper' bloc:
\version 2.18
\paper {
oddFooterMarkup = \markup {
\column {
\fill-line {
%% Copyright header field only on first page in each bookpart.
\on-the-fly #part-first-page \fromproperty #'header:copyright
Hello everybody,
Am 05.05.2015 um 02:02 schrieb Adam Michael Wood:
I would like the copyright notice to appear just below the last system of
music, flush left.
(See for example, the copyright notices under hymns in almost every
hymnal.)
Is there a way to move the copyright notice this way?
Hi,
I have a weird problem with repeats that I just can't figure out. I've read the
docs and tried different things for hours now, to no avail. Here's my minimal
example:
%%
\version 2.18.2
\relative c' {
\partial 4
\repeat volta 2 { c4 | c c c c | c c
Hello Tobias,
I’m not sure what you tried previously, but this should do what you want:
\markup \override #'(word-space . 0) \tied-lyric #kö~niglichen
See http://lilypond.org/doc/v2.18/Documentation/notation/music
Admittedly, it’s not as elegant as the one in the EG :-) – that would
require a
Tobias:
Does this work?
\version 2.18.2
\relative c' {
\partial 4
\repeat volta 2 { c4 | c c c c | c c c }
\repeat volta 2 { d4 | d d d d | }
\alternative { { e4 e e } {
\set Timing.measurePosition = #(ly:make-moment 1/4)
f4 f f } } }
Mark
Hello Simon,
Thanks a lot! Marvelous, I'd never have been able to come up with this.
I'm just not quite sure yet how to integrate it with the rest of my lyrics. At
the moment, it looks something like this:
\markup {
\fill-line {
\hspace #0.1
\column {
\vspace #0.5
Because you're in 4/4 and didn't tell Lilypond that the alternative bars
were in 3/4. See
http://lilypond.org/doc/v2.18/Documentation/notation/long-repeats for
details on how to fix this.
--Steven
-Original Message-
From: lilypond-user-bounces+panteck=hotmail@gnu.org
Hi Steven, thanks for the reply.
But I'm not really in 3/4 in those measures, am I? I mean, together with the
partial measure at the very beginning, the alternative measures add up to 4/4
again, right? Unfolding all the repeats should give a proper 4/4 piece where
the partial measure at the
Yes, it does, thank you!
But the docs tell me to use measureLength in some way. Is using
measurePosition, as you suggested, just another way of doing the same thing? Or
is my situation that much different from the docs so that a different property
has to be modified?
Tobias
Am 05.05.2015 um
Hi list,
in the context of this thread I have a possibly stupid question:
From reading the documentation under
http://lilypond.org/doc/v2.18/Documentation/notation/custom-titles-headers-and-footers
I thought the proper syntax would be
\on-the-fly \part-first-page \fromproperty
Paul David :
I test the jianpu10a.ly with the following code and notice that a tie note is
not working properly.
%snippet begin .\version 2.18.2\language english
global = { \key f\major}\include jianpu10a.ly
notes = { c'1 f'2( g') g'2~g'2 e'2. r4 } \new JianpuStaff
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