On Tue, 21 Feb 2017 11:35:40 +0100, Urs Liska wrote:
> Specify the duration at the beginning of each line, even if it's not
> technically necessary. This makes it more obvious on first sight, and it
> helps avoid errors if you should change anything later.
I've been doing
Just a question about \with-dimensions in markup. I have a simple function
which is to draw a line between two specified points, not just to an end
point as per the \draw-line type functions. Unless you specify
\with-dimensions at the point of calling the markup command, it starts at
the (0 . 0)
On 2017/2/17 17:58, Wilbert Berendsen wrote:
Dear friends,
I just released the source packages for Frescobaldi 2.20.0, Frescobaldi
3.0.0 and python-ly 0.9.5 today. (I couldn't way until my birthday early
March :-))
Frescobaldi 2.20.0 provides a new Manuscript viewer, contributed by
Urs Liska
Hi Pierre,
sorry to hear - I hoped that this might give you the desired result.
I'm out of other ideas for that problem, unfortunately.
On a different note: I just had a quick look at your webpage, and
stumbled across the Dixième Œuvre by Naudot. In the preview, the first
page shows
Hi Alexander,
First of all, my apologies for replying so late, I was away from home
without my computer to test.
I tried a few things with the SpacingSpanner, but none works in the
direction I want. I tried your solution, it doesn't work either. I may
have placed the commands in the wrong
Il giorno lun 20 feb 2017 alle 17:51, Federico Bruni
ha scritto:
As soon as the main distros will distribute python-poppler-qt5,
things should be easier.
BTW, I've just realized that Debian stretch (and therefore LilyDev 5)
has already Frescobaldi 3 package:
On Mon, Feb 20, 2017 at 9:41 AM, Phil Holmes-2 [via Lilypond] <
ml-node+s1069038n200317...@n5.nabble.com> wrote:
>
> Lilypond.org gets around 700 sessions per day, according to Google
> analytics.
>
> --
> Phil Holmes
>
>
>
> - Original Message -
> *From:* [hidden email]
>
Hello,
I have voice (guitar tab) with a quite complex structure using volta
segno and coda and I want to put lyrics under it. The only way I found
to do that is the following :
TrackTabStaff = \new TabStaff <<
\context TabVoice = "tab" {
\track
}
\new Lyrics \lyricsto "tab"
Karl:
> Phil Holmes:
> > From:
> > >I have a piece with the following time sigs:
> > > alla breve
> > > timesig.mensural34 followed by a 3.
> > > alla breve
> > >
> > > How do I typeset the timesig.mensural34 followed by a 3 where
> > > it should be ?
...
Found a solution,
Krzysztof Gutowski:
> Karl, Urs, thanks for your repositories, definitely interesting stuff
> there. I'm kinda overwhelmed by all your includes and multiple files +
> scheme stuff,
:) yea, I know the fealing.
> but I can appreciate the organisation of larger works and
> will maybe try it out
You can find a huge library of predefined guitar fretboards here:
https://github.com/Philomelos/lilypond-predefined-fretboards/blob/master/README.org
(The documentation is not complete but I think you get the gist. You can find
loads of examples in the test files
Hi all,
> On Feb 21, 2017, at 5:35 AM, Urs Liska wrote:
>
> | % 41
> d4 d d d
>
> This makes the input file vertically "longer", but usually that doesn't
> matter. The advantage is that it makes it very clear visually what happens,
> and (if you use that) it gives
Karl, Urs, thanks for your repositories, definitely interesting stuff
there. I'm kinda overwhelmed by all your includes and multiple files +
scheme stuff, but I can appreciate the organisation of larger works and
will maybe try it out little by little, even for smaller works. LilyPond
Manuals are
Jean Brefort:
...
> You might use something like:
> \override Staff.TimeSignature #'stencil = #ly:text-interface::print
> \override Staff.TimeSignature #'text = \markup {\musicglyph
> #"timesig.mensural34" \lower #0.9 \bold \large "3"}
Thanks, that make the time sigs same size.
Regards,
Phil Holmes:
> From:
> >I have a piece with the following time sigs:
> > alla breve
> > timesig.mensural34 followed by a 3.
> > alla breve
> >
> > How do I typeset the timesig.mensural34 followed by a 3 where
> > it should be ?
...
> > I try to typeset [1], on page 6 (101 in the
Le mardi 21 février 2017 à 12:29 +0100, k...@aspodata.se a écrit :
> I have a piece with the following time sigs:
> alla breve
> timesig.mensural34 followed by a 3.
> alla breve
>
> How do I typeset the timesig.mensural34 followed by a 3 where
> it should be ?
>
> ///
>
> I try to typeset
- Original Message -
From:
To:
Sent: Tuesday, February 21, 2017 11:29 AM
Subject: ancient custom time signature
I have a piece with the following time sigs:
alla breve
timesig.mensural34 followed by a 3.
alla breve
How do I typeset the
Krzysztof Gutowski:
> As I'm recently starting to type more and more in Lily and browsing some
> scores on Mutopia Project to see how others are doing it, I wonder how you
> - proffessionals - are approaching it? Does it depends on the type of the
> score?
> I started to like \pararellmusic, [...]
Am 21.02.2017 um 12:29 schrieb kmg:
> Also, thanks Urs! For some reason I saw your response only when
> checking out the lists directly, it was not in my mailbox. Honestly I
> also like the idea of one voice at a time better, and Frescobaldi
> helps with seeing it consistently (as you guys
Also, thanks Urs! For some reason I saw your response only when checking
out the lists directly, it was not in my mailbox. Honestly I also like the
idea of one voice at a time better, and Frescobaldi helps with seeing it
consistently (as you guys pointed out). Before I saw only "|" at the
I have a piece with the following time sigs:
alla breve
timesig.mensural34 followed by a 3.
alla breve
How do I typeset the timesig.mensural34 followed by a 3 where
it should be ?
///
I try to typeset [1], on page 6 (101 in the original), there is this
mensuration (time sig.):
"tempus
Thanks! Actually somehow I never used screen splitting.. now trying it out,
and it means you have basically \parallelmusic without drawbacks, that's
really cool. Also with folding Frescobaldi provides, you can hide stuff you
already completed. I guess you can even split to 4 when working on 4
Am 21.02.2017 um 10:40 schrieb kmg:
> Hey,
>
> As I'm recently starting to type more and more in Lily and browsing
> some scores on Mutopia Project to see how others are doing it, I
> wonder how you - proffessionals - are approaching it? Does it depends
> on the type of the score?
Surely. On
Il giorno mar 21 feb 2017 alle 10:40, kmg
ha scritto:
I started to like \pararellmusic, because you can go one measure at a
time, instead of of putting bunch of voices and going back and forth.
On the other hand, it seems like it's limited and you have to restate
Hello Krzysztof,
I am sure how each person uses lilypond is a very personal thing, since it
is so flexible. I engrave quite deeply complex New Complexity School
keyboard music in the main, as a serious professional undertaking. I simply
use multiple voices for treble and bass staves, sometimes up
Hey,
As I'm recently starting to type more and more in Lily and browsing some
scores on Mutopia Project to see how others are doing it, I wonder how you
- proffessionals - are approaching it? Does it depends on the type of the
score?
I started to like \pararellmusic, because you can go one
26 matches
Mail list logo