Hi Urs,
I split my score into files only ten pages long to avoid the issue to begin
with, but it suddenly started happening. Perhaps some Debian 9 Python
change?
Andrew
On Mon, 28 Jan 2019 at 18:01, Urs Liska wrote:
>
> Am 28.01.19 um 07:51 schrieb Federico Bruni:
> > Il giorno dom 27 gen
Hello Federico,
Thanks for the input. Current score is only ten pages of string quartet
music. Complex yes, but not vast. It suddenly stated after a Debian 9
update.
I love Frescobaldi, but the very sluggish response now of the text editor
is unusable, and I have had to abandon it for Emacs.
>>> On 27/01/2019 04:52, David F. wrote:
>>> I can specify the font for my score to use with #(define fonts … ), but
>>> calling #(set-global-staff-size) undoes the font definition.
I seem to recall that’s documented somewhere but I can’t find where.
>> Why do you insist on the order, anyway?
Am 28.01.19 um 07:51 schrieb Federico Bruni:
Il giorno dom 27 gen 2019 alle 1:58, Andrew Bernard
ha scritto:
But since an upgrade to Debian 9 and as the complexity of my current
score increases, F. has slowed down to a molasses like rate and has
sadly become unusable.
Are you sure that it
Il giorno dom 27 gen 2019 alle 1:58, Andrew Bernard
ha scritto:
But since an upgrade to Debian 9 and as the complexity of my current
score increases, F. has slowed down to a molasses like rate and has
sadly become unusable.
Are you sure that it was caused by an upgrade to Debian 9? Did you
On Jan 27, 2019, at 9:09 PM, Martin Neubauer wrote:
> On 27/01/2019 04:52, David F. wrote:
>> I can specify the font for my score to use with #(define fonts … ), but
>> calling #(set-global-staff-size) undoes the font definition.
>>
>> In the snippet below, Times New Roman will be used as
On 27/01/2019 04:52, David F. wrote:
> I can specify the font for my score to use with #(define fonts … ), but
> calling #(set-global-staff-size) undoes the font definition.
>
> In the snippet below, Times New Roman will be used as the font for the whole
> document. But if line 6 is
I am fortunate to work at a university that regularly puts high-volume office
copiers on surplus. It’s relatively easy to find a high-quality, high-volume
printer with postscript that handles A3 duplexing for less than $500. Is the
printer new? No. But it’s rated for tens of thousands of
On Mon 28 Jan 2019 at 12:35:31 (+1100), Andrew Bernard wrote:
> The Epson P800 has nine tanks (oneupmanship!) including a _matte black_ ink
> tank, and an eight channel printhead. Resolution is up to 2880 x 1400 dpi,
> so I can't see how there could be a problem printing sharp lines.
>
> Not
Hi Folks,
The Epson P800 has nine tanks (oneupmanship!) including a _matte black_ ink
tank, and an eight channel printhead. Resolution is up to 2880 x 1400 dpi,
so I can't see how there could be a problem printing sharp lines.
Not double sided, but unless the OP tells us more about his budget,
On Sun, Jan 27, 2019 at 6:03 PM Andrew Bernard wrote:
> Epson make photo printers for high end photographic use that have specialised
> sets of black inks to give very great greyscale capabilities.
And I have a Canon PRO-100 that has eight different ink cartridges.
Including Black, Gray, and
Hi Karl,
Spaeking as a former IT Consultant, the first thing one generally needs to
know before being able to help a client is your projected budget. Otherwise
it's hard to know if you want a Heidelberg press or a desktop inkjet. Let
us know.
I am unable to understand why you need to print
Aaron Hill wrote
> On 2019-01-26 6:08 am, Reggie wrote:
>> Hi. I tried to look here and attempt adding delimiter code but no
>> matter what
>> I do I cannot show a brace or bracket or anything to put my two oboes
>> together for the duration of the 2 staves on a few pages. Then it
>> should go
Johan Vromans writes:
> On Sun, 27 Jan 2019 12:32:05 -0600, Karlin High
> wrote:
>
>> and PostScript compatibility requirements
>
> I'm still wondering why this is a hard requirement. AFAIK, drivers
> like ghostscript produce excellent prints on all sorts of printers.
Printer producers pay
On Sun, 27 Jan 2019 12:32:05 -0600, Karlin High
wrote:
> and PostScript compatibility requirements
I'm still wondering why this is a hard requirement. AFAIK, drivers like
ghostscript produce excellent prints on all sorts of printers.
___
On Sun, Jan 27, 2019 at 5:16 AM Andrew Bernard wrote:
> Can I ask why you don't use matte paper?
In my experience, paper types make a much bigger difference for inkjet
printers than for lasers. Ink going INTO the paper versus toner going
ON the paper. As Karl notes, some laser printers will
On Sun, Jan 27, 2019 at 6:01 AM David Kastrup wrote:
> I just recently removed a Ghostscriptism (using max/mix operators) that would
> have made regular PostScript interpreters barf. Maybe that's fixed in
> master now?
>From past posts, I think Karl's workflow involves further editing to
the
k...@aspodata.se writes:
> I'm looking for a new printer since the old one was fried by the
> lighting (i.e. the thunder thing, not light in the room).
That doesn't help at all regarding your question, but the thunder thing
is called "lightning" unlike the light in the room.
> It seems that
Andrew Bernard writes:
> Thanks David!
>
> Interestingly, the following line appears in the lilypond mode elisp:
>
> lilypond-mode.el:;;; Inspired on auctex
I think it's about keybindings for running stuff and possibly initial
process handling, not so much about the parsing/indentation. And
Gack McShite writes:
> I will stipulate that the version for the file was not necessarily a
> match for the syntax. It was 2.14.0, your example was 2.12.0.
Just because I did not remember when the change happened and did not
bother looking it up. Aaron checked and it was somewhere in the 2.15
Hi Karl,
Can I ask why you don't use matte paper?
Andrew
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I'm looking for a new printer since the old one was fried by the
lighting (i.e. the thunder thing, not light in the room).
So far the printers I looked at excels at glossy printouts, but for
sheet music I want matte blacks, as matte as possible to reduce glaring.
And I want it to handle the
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