Re: lyLuaTex (solved)

> I have now succeeded in getting lyLuaTex[2][3] working, and this posting > seems as good a place as any to record the steps, in case anyone else might > find it helpful. This is a summary of a moderately painful learning curve, > full of interruptions and blind alleys, so I hope I've

Re: how to hide dynamics? Only solution is to have a dedicated midi music variable?

If you care a lot about how it sounds then you'll want to import the MIDI into a DAW and make your adjustments there. If you are content with just the MIDI sounds then what I have done in the past is to make a copy of the LilyPond file and make all the adjustments I want to the dynamics on that

Re: Font kerning

> making something like shelf{}full omit the ff ligature only somewhat reliably: if there is a hyphenation pass over the paragraph in question, TeX will create the ff ligature in the "reconstitution pass". As an aside, the selnolig package exists for LuaTeX that automatically removes select

Re: Problems with music fonts

you to verify. > > Kevin > > On Sat, 2021-03-20 at 22:17 -0700, David Bellows wrote: > > Hello everybody, > > > > I am using LilyPond 2.23 but the problem I'm going to describe is > > happening with older LilyPonds back 2.20. > > > > I am running Linux

Problems with music fonts

Hello everybody, I am using LilyPond 2.23 but the problem I'm going to describe is happening with older LilyPonds back 2.20. I am running Linux (Pop_OS! 20.10 which is basically Ubuntu 20.10). It is a relatively new installation on a computer I bought a few months ago. Here is the basic code:

Re: Repeated durations: pitches vs rests

Hello Jean, That works basically like I was hoping it would! Thank you very much for the effort you put into this. I suppose the only issue is that it spits out a warning when a tilde is used: "r8~ 16" but still prints it out properly. I know absolutely nothing about Scheme coding in LilyPond so

Re: Repeated durations: pitches vs rests

about the way you’re working with your software to be able > to help. > > Cheers, > Martín. > > www.martinrinconbotero.com > On 22. Feb 2021, 21:50 +0100, David Bellows , wrote: > > > that

Re: Repeated durations: pitches vs rests

g tied rests to the table above, I have to code in how to deal with tildes in order to handle tied durations. It can be done but will just require more work than just adding entries into a table. Thanks everyone for your help and explanations, Dave Bellows https://www.platonicmusicengine.com On Mo

Re: Repeated durations: pitches vs rests

ing an alternate syntax (adding a ~ (tilde) to a rest to make LilyPond repeat the rest) is probably not worth the effort to implement or maintain. Dave On Mon, Feb 22, 2021 at 12:00 PM Timothy Lanfear wrote: > > On 22/02/2021 19:30, David Bellows wrote > > And that's mainly what I was

Re: Repeated durations: pitches vs rests

rity then it would seem to be in everyone's best interest if the behavior were changed. Dave On Mon, Feb 22, 2021 at 9:36 AM David Wright wrote: > > On Mon 22 Feb 2021 at 00:07:56 (-0800), David Bellows wrote: > > > > Right, so I'm not asking for two rests to act

Re: Repeated durations: pitches vs rests

rests. > > Cheers, > Martín. > > www.martinrinconbotero.com > On 22. Feb 2021, 09:09 +0100, David Bellows , wrote: > > Hello Andrew, > > Right, so I'm not asking for two rests to actually be tied. I was just > hoping that the behavior of a lone duration value would repea

Re: Repeated durations: pitches vs rests

Hello Andrew, Right, so I'm not asking for two rests to actually be tied. I was just hoping that the behavior of a lone duration value would repeat the rest right before it and not skip back till it finds a note. For example, instead of {c4 r4 16} resulting in "C, rest, C", it would be "C, rest,

Re: Repeated durations: pitches vs rests

old the note and don't articulate, whereas silence cant be > articulated anýway. > > > Andrew > > > David Bellows wrote on 22/02/2021 4:20 PM: > > I had hoped that the last 16th would be a rest. > > > > > >

Repeated durations: pitches vs rests

The following: {c4 16} produces a quarter note C followed by a 16th note C The following: {c4 16 r4 16} Produces a quarter C, 16th C, quarter rest, 16th C I had hoped that the last 16th would be a rest. This came about while trying out this code: {c4~ 16 r4~ 16} which produces the tie

Re: Any news on the engraving conference at Mozarteum?

happen in one way or the other "real soon now" That's great news! I can't wait to see the videos. Thanks, Dave On Thu, Feb 6, 2020 at 12:49 PM Lukas-Fabian Moser wrote: > > Hi David, > > Am 06.02.20 um 21:43 schrieb David Bellows: > > I guess specifically I'm directing t

Any news on the engraving conference at Mozarteum?

I guess specifically I'm directing this to Urs, how did the conference go and will any of the content be made available for viewing online?

Re: Unconventional score and unwanted stray staff lines

um 23:19 Uhr schrieb David Bellows > : > > > > Hello everyone, I started this thread back in May and as far as I can > > tell the main problem has not been added to the tracker. > > Yep. > > > > As I was playing around with my software (summary: a program

Re: Unconventional score and unwanted stray staff lines

for an update with regard to that bug and it being submitted to the tracker. And hoping that the situation with the rests doesn't add any difficulties to resolving that bug. Dave On Sat, Nov 30, 2019 at 6:03 PM Flaming Hakama by Elaine wrote: > > > >> -- Forwarded m

Re: Unconventional score and unwanted stray staff lines

> Am Di., 21. Mai 2019 um 18:03 Uhr schrieb David Bellows > : > > > > Hi Thomas, > > > > Thanks for jumping in! > > Well, without Urs' minimal I wouldn't have. Thanks Urs! > > > > At least in the minimal one can workaround with inserting \noBeam:

Re: Unconventional score and unwanted stray staff lines

Hi Thomas, Thanks for jumping in! > At least in the minimal one can workaround with inserting \noBeam: It works in some cases but not when that last pitch it tied to previous notes (see attached pdf). When they are not tied this works well. In my use-case, I have Lilypond break notes up

Re: Unconventional score and unwanted stray staff lines

really is a pretty terrific program. On Sun, May 19, 2019 at 2:39 PM Mark Stephen Mrotek wrote: > > Dave, > > You are asking a computer (Lilypond) to look good when "one never knows > what's going to happen." > > IMHO, the two are mutually exclusive. > > M

Re: Unconventional score and unwanted stray staff lines

Hey Kieren, > If the algorithm uses a random number generator to determine which output to > give, “one never knows what’s going to happen”, but it would still be easy > for Lilypond to make the result "look good". Yep, that's it exactly. I do spend a lot of time generating a lot of different

Re: Unconventional score and unwanted stray staff lines

; This is usually the result of incorrect mensuration of a note or notes. > > You piece still has some sort of vertical simultaneity. > Perhaps you could start with a temporary time signature, just to see if > voices align. > Then remove it for publication. > > Mark >

Re: Unconventional score and unwanted stray staff lines

who do, I do try to keep things clean. (I probably need to add comments to the Lilypond generating file as it is.) Dave On Sun, May 19, 2019 at 11:32 AM Urs Liska wrote: > > > Am 19.05.19 um 17:56 schrieb David Bellows: > > Hey Aaron, > > Before I respond to the rest of your e

Re: Unconventional score and unwanted stray staff lines

f > > Hope this helps. > > Best > Karim > > On Sun, May 19, 2019 at 09:04:47AM -0400, lilypond-user-requ...@gnu.org wrote: > > > > Message: 2 > > Date: Sat, 18 May 2019 20:09:10 -0700 > > From: David Bellows > > To: Andrew Bernard > > Cc

Re: Unconventional score and unwanted stray staff lines

Hey Andrew, I did receive your other email. I guess the one emailed directly to me got through. I haven't had time to go through everything you wrote yet but I would be interested in seeing that part of the Lilypond file. I'm hoping my problem doesn't require a complex solution since all I'm

Re: Unconventional score and unwanted stray staff lines

are just running afoul of some limitation of LilyPond. I certainly have never tried pushing this aspect of the software. That could be. On Sun, May 19, 2019 at 6:06 AM Aaron Hill wrote: > > On 2019-05-18 10:46 pm, David Bellows wrote: > >> Maybe use bar checks? > > > > Giv

Re: Unconventional score and unwanted stray staff lines

:lilypond-user-bounces+carsonmark=ca.rr....@gnu.org] On Behalf Of > David Bellows > Sent: Saturday, May 18, 2019 3:59 PM > To: lilypond-user > Subject: Unconventional score and unwanted stray staff lines > > Hello everyone, > > I tried to keep the examples minimal but

Re: Unconventional score and unwanted stray staff lines

Hi Andrew, > adding \stopStaff at the end of the sections - does this do what you want? That gets me really close except ... > There seems to be some stray clefs in this, but I am sure you can tidy this > up. I have no idea where those stray clefs are coming from. In the first pdfs I sent

Re: Unconventional score and unwanted stray staff lines

n Sun, 19 May 2019 at 12:09, David Bellows wrote: >> >> Hey Andrew, >> >> Hmm, I'm running Kubuntu 19.04. You wouldn't think there'd be that >> much difference between the two? I also wouldn't think there would be >> anything we could do in our Lilypond files t

Re: Unconventional score and unwanted stray staff lines

tscript crashes. I don't have this > problem with other scores. > > Andrew > > > On Sun, 19 May 2019 at 09:14, David Bellows wrote: >> >> >> I tried to keep the examples minimal but I also needed to show the >> full extent of what is going on. >> \vers

Re: Automatically splitting long notes according to the beat?

it happened across bar lines. Anyway, this works perfectly and gives one a lot of control on how to split things up. Thanks! On Fri, Apr 5, 2019 at 6:27 AM David Kastrup wrote: > > David Bellows writes: > > > Lilypond groups beams automatically according to the beat. If you use >

Re: Automatically splitting long notes according to the beat?

ond files automatically from a program I've written that generates music so I will have to find a way to automate the process. I was hoping that this was already a feature that I wasn't aware of. On Thu, Apr 4, 2019 at 6:08 PM Aaron Hill wrote: > > On 2019-04-04 5:24 pm, David Bellows wrote: >

Automatically splitting long notes according to the beat?

Lilypond groups beams automatically according to the beat. If you use the "Completion_heads_engraver" you can get Lilypond to automatically split long notes at bar lines tying them together. So I'm wondering if Lilypond can automatically split long notes according to the beat and if I am just

Re: Comparison of Musescore, Sibelius and Dorico -- would like to add Lilypond

hat make much of a difference? Dave On Mon, Nov 26, 2018 at 2:37 PM Abraham Lee wrote: > > > > On Tue, Nov 20, 2018 at 1:04 PM David Bellows wrote: >> >> Urs, >> >> >I think it would be good to add our stuff to the chart (not necessarily >> >much to

Re: Comparison of Musescore, Sibelius and Dorico -- would like to add Lilypond

..(Maybe this would even > warrant a new tab in the sheet) One of Lilypond's biggest strengths! Working out meaningful/useful parallels with the other programs would be the issue, I'm guessing? On Tue, Nov 20, 2018 at 11:50 AM David Kastrup wrote: > > Karlin High writes: > > &g

Re: Comparison of Musescore, Sibelius and Dorico -- would like to add Lilypond

illing to contribute and look forward to the results! Dave On Tue, Nov 20, 2018 at 10:52 AM Abraham Lee wrote: > > Hi, David! > > On Tue, Nov 20, 2018 at 11:39 AM David Bellows wrote: >> >> Over in the /r/composer sub on Reddit, a user put together a chart >> listing featur

Comparison of Musescore, Sibelius and Dorico -- would like to add Lilypond

Over in the /r/composer sub on Reddit, a user put together a chart listing features of Musescore, Sibelius and Dorico. While I can figure out whether Lilypond has some/many of those features (or can "fake" them), I figured that there are people here who could do this easier and better and off the

Re: Auto-ottava Scheme script problems

going on in that script so I am very grateful that you took the time to figure this out. Sincerely, Dave Bellows On Wed, Aug 15, 2018 at 2:54 PM David Bellows wrote: > > Elaine Alt: > > > But it does make me wonder whether it would work if you structured your > > sc

Re: Auto-ottava Scheme script problems

t; > >> >> ------ Forwarded message -- >> From: David Bellows >> Date: Wed, 15 Aug 2018 10:23:41 -0700 >> Subject: Auto-ottava Scheme script problems >> Hello all, >> ... >> >> So I've been using that function daily for years and it works >

Auto-ottava Scheme script problems

Hello all, Several years ago David Nalesnik very kindly and generously created a Scheme script that would automatically apply ottava markings to a score when needed (according to my own instrument definitions). I needed this function because my Lilypond scores are all generated automatically by

Re: Lilypond interfaces

You didn't say why you wanted this so I might as well throw in the project I'm working on, the Platonic Music Engine (http://www.platonicmusicengine.com). The point is **not** to be a front-end for Lilypond but to generate music. But it will also create sheet music using Lilypond (and graphical

Re: [OT] Linux Users

I use Linux, Lilypond, LuaLaTeX, and Csound, editing all of it in emacs. This does seem like a pretty potent or at least popular combination. On Sat, Nov 18, 2017 at 8:18 AM, Sam Bivens wrote: > I'm also a Linux user. For notation I use LilyPond (with Frescobaldi) >

Re: A premiere by Daahoud Salim, typeset with LilyPond

as designed for > exactly these kinds of situations. > > > --- > Knute Snortum > (via Gmail) > > On Mon, Aug 14, 2017 at 10:24 AM, Francisco Vila <paconet@gmail.com> > wrote: >> >> On 14/08/17 16:00, David Bellows wrote: >> > [copied to entire lis

Re: A premiere by Daahoud Salim, typeset with LilyPond

[copied to entire list, sigh] Hey Francisco, It looks really nice, congratulations! I was wondering if you could talk a bit about how you and the composer chose the license for this work. I license my stuff under a permissive CC license but still find it interesting when other composers do as

Re: Music fonts in local directory

On Mon, Jul 10, 2017 at 2:02 PM, Urs Liska <u...@openlilylib.org> wrote: > [CCing back to the list] > > > Am 10.07.2017 um 22:02 schrieb David Bellows: >>> If your software is able to determine the lilypond installation directory >>> it could create the

Re: Music fonts in local directory

10. Juli 2017 04:29:35 MESZ schrieb David Bellows <davebell...@gmail.com>: >>I fear I already know the answer to this question but I thought I'd try >>anyway. >> >>I have a project that generates music and sheet music using Lilypond. >>I want to allow the user to us

Music fonts in local directory

I fear I already know the answer to this question but I thought I'd try anyway. I have a project that generates music and sheet music using Lilypond. I want to allow the user to use any music font they want (the free music fonts). But I want to keep things as simple as possible. So I don't want

Re: general question for composers

I'm a composer in the classical tradition. Sheet music is everything. And I compose directly into Lilypond. I don't have access to any instruments and don't want to lug around manuscript paper. I also don't want to spend time writing all the music out by hand and then writing it out *again* in

Re: How to get a polymeter with time signature 89888449/5199909 against 742739/45045

> So we can simply photoshop the barlines in and photoshop the entire score by > entering 4 measures or so at time and separately engraving 'em, then assembling the entire score by hand. Not ideal perhaps, but a whole lot easier than any other way of doing it I know of. No idea if this would be

Re: Any thoughts on how to automatically avoid rest collisions in polyphonic music?

good. Dave On Wed, Oct 26, 2016 at 5:32 PM, Urs Liska <u...@openlilylib.org> wrote: > > > Am 26. Oktober 2016 16:56:16 GMT-07:00, schrieb "H. S. Teoh" > <hst...@quickfur.ath.cx>: >>On Wed, Oct 26, 2016 at 04:52:18PM -0700, David Bellows wrote: >>>

Re: Any thoughts on how to automatically avoid rest collisions in polyphonic music?

M, H. S. Teoh <hst...@quickfur.ath.cx> wrote: > On Wed, Oct 26, 2016 at 04:52:18PM -0700, David Bellows wrote: >> > Do you use the \voiceOne, \voiceTwo, \voiceThree commands in the >> > generated parts? Sometimes those can help, by rendering rests for >> > each v

Re: Any thoughts on how to automatically avoid rest collisions in polyphonic music?

ely expandable became a headache so now I use << voice1 // voice2 // voice3 >> etc which is easy to just keep adding to. Would using \voiceOne (etc) make that much of a difference? On Wed, Oct 26, 2016 at 4:34 PM, H. S. Teoh <hst...@quickfur.ath.cx> wrote: > On Wed, Oct 26, 2016 at

Any thoughts on how to automatically avoid rest collisions in polyphonic music?

So sorry everyone, I forgot to use reply all. Here's my latest message: Ok, this all might be confusing so I've attached two example pngs showing the collisions. The use_rest.png file uses rests like c'4/rest while no_rest just uses regular rests like r4. I know I could manipulate these manually

Any thoughts on how to automatically avoid rest collisions in polyphonic music?

I have a large computer music generating program that I'm creating. One of the things it does is generate sheet music for the generated music using Lilypond. It works really well. When dealing with one or two voices everything's fine. But I just added a musical style that uses three voices and

Re: Problem with understanding results with multiple voices and Note_heads_engraver

ow all the problems are gone. Still an interesting problem, I suppose, but I've moved on. Dave Bellows On Wed, Oct 19, 2016 at 6:31 PM, David Bellows <davebell...@gmail.com> wrote: > I've attached mwe.ly and mwe.png. I'm using Lilypond 2.19.49 but I've > observed the same results

Problem with understanding results with multiple voices and Note_heads_engraver

plits up and ties notes across bar lines and it does it really, really well). So I'm not sure if I've formed that line incorrectly or if there is something else going on or a combination of things. Thanks for any help, David Bellows \version "2.19.49" \header { } \language "

Re: state-of-the-art for algorithmic hooks and Lilypond+(La)TeX

I guess should throw my own modest contribution into the hat. My Platonic music engine (http://www.platonicmusicengine.com) is algorithmically generated music created to simulate any musical idea. It generates traditional scores using Lilypond and graphical scores using pdfLaTeX. It is written

Re: Installing lilypond-mode in emacs

> I have just installed Ubuntu 16.04 to replace my previous 12.04 system, > and installed LilyPond v.2.19.40. > In my ~/.emacs file I already had Here's my .emacs file for Kubuntu 16.04: (setq load-path (append (list (expand-file-name "/usr/local/lilypond/usr/share/emacs/site-lisp"))

Re: Replying to posts

And just to let people know, if anyone does want to carry on a massive meta-discussion/RFC in a slightly more manageable form, there is a subreddit devoted to Lilypond (which I happen to be the moderator for): http://www.reddit.com/r/lilypond. We'd be totally fine with having that, or any, kind of

Re: When to Use Pound Signs

According to the Wikipedia article (https://en.wikipedia.org/wiki/Number_sign) in North America referring to # as "pound sign" dates back to at least 1932 in published material which predates ASCII by almost 30 years. The Wikipedia article provides a citation for this but I am unable to verify it.

Re: Introducing "LilyPond HTML Live Score"

ease tell me how it goes now. > > Cheers, > > Mathieu > > Le lundi 30 novembre 2015 à 16:27 -0800, David Bellows a écrit : >> > The jPlayer plugin for jQuery excepts (if possible) two audio formats : >> > Ogg Vorbis (.ogg) and AAC (.m4a). Please make sure you hav

Re: Introducing "LilyPond HTML Live Score"

al score.ly file) >> > - adapt the Javascript code in the index.tpl file (lines 80, 81, 82) to the >> > audio files you want to use (if any) >> > >> > Thanks for you interest! The tool is currently at an early stage of >> > development (mor

Re: Introducing "LilyPond HTML Live Score"

This seems like it might be exceedingly cool, but I'm running into a problem. When running make-live-score.sh I get this: Drawing systems... Layout output to `score-page-1.svg'... Layout output to `score-page-2.svg'... Layout output to `score-page-3.svg'... Success: compilation successfully

Re: Introducing "LilyPond HTML Live Score"

(if any) > > Thanks for you interest! The tool is currently at an early stage of > development (more like a proof-of-concept actually). There's still quite a > lot of work to do :) > > Yours, > > Mathieu > > > Le 2015-11-29 20:10, David Bellows a écrit : >> >

Re: how to simulate or vectorize free hand curve notation

Hey Ryan, One way to cheat is to export as an svg file and then edit it in something like Inkscape and then export that as a pdf. You can create all sorts of really cool vector graphicy things pretty easily that way. Unfortunately you cannot then translate that stuff back into your Lilypond file

Re: bar checks and independent time signatures

I communicated this to OP in a private email but I thought I'd let the list in on it as well. My suggestion was to just change the paper size and put it in landscape mode. I found the following to work nicely: #(set-default-paper-size "b4landscape") Now the entire score is on one line and the

Re: Biographies (was: OT: Beauty of programming languages)

Hey David, I saw this about work you've done on the emacs Lilypond mode. Is the new code base available anywhere and is it usable? On Fri, Sep 18, 2015 at 7:37 AM, David Kastrup wrote: > > Nam Sibyllam quidem Cumis ego ipse > oculis meis vidi in ampulle pendere, et cum >

Re: OT: Beauty of programming languages

Urs, I'd still like to see a poll or at least all the answers collected and analyzed etc. Me: 46-year-old composer. I use Lilypond for all my scores. I've used off and on for 10 years(?) but every day for the past 3 years. I started using it because it was free, produced excellent scores, and

License of code posted to this list

Hello all, I have a big coding project that generates Lilypond files to be processed by Lilypond in an external process. My software is GPL. I make use of a couple of scripts that were produced on this list but have not been uploaded to the LSR. They are significant enough that I would consider

Re: License of code posted to this list

://www.gnu.org/licenses/agpl.html). On Sat, May 9, 2015 at 1:37 PM, David Nalesnik david.nales...@gmail.com wrote: Hi David. On Sat, May 9, 2015 at 3:17 PM, David Bellows davebell...@gmail.com wrote: Hello all, I have a big coding project that generates Lilypond files to be processed by Lilypond

Re: License of code posted to this list

...@openlilylib.org wrote: Am 09.05.2015 um 23:06 schrieb David Bellows: I'm not sure so this maybe wrong. But AFAIK copyright for content posted to the list is by default with the author and has no license by itself. So I think you can't assume it's PD. This sounds correct as well. Does just

Re: License of code posted to this list

9, 2015 at 2:01 PM, Urs Liska u...@openlilylib.org wrote: Am 9. Mai 2015 22:55:32 MESZ, schrieb David Bellows davebell...@gmail.com: Sorry about not contacting you sooner! It's perfectly OK! I'm sure I'm just way over-thinking the issue! I'm more than happy to let you use the auto-ottava

Re: License of code posted to this list

: On 09/05/2015 22:06, David Bellows wrote: I'm not sure so this maybe wrong. But AFAIK copyright for content posted to the list is by default with the author and has no license by itself. So I think you can't assume it's PD. This sounds correct as well. Does just making the code available

Question about copyrights and licenses on the LSR

Hey all, I'm trying get everything organized and altogether legal and what-have-you with respect to my big music/software project the Platonic Music Engine (www.platonicmusicengine.com) which means that I need to make sure all the dependencies I'm using have the appropriate license and copyright

Re: Question about copyrights and licenses on the LSR

, May 2, 2015 at 3:24 PM, Nathan Ho when.possi...@gmail.com wrote: On Sat, May 2, 2015 at 3:17 PM, David Bellows davebell...@gmail.com wrote: Hey all, I'm trying get everything organized and altogether legal and what-have-you with respect to my big music/software project the Platonic Music

Re: Introducing LV GoldenAge!

Looks really nice Abraham! The font situation is now becoming an embarrassment of riches! And I would also like to mention that the openlilylib install-lily-fonts program worked like a charm and now I have these newest updates. Nice job all the way around! On Wed, Apr 22, 2015 at 12:45 PM,

Re: Guitar chord mode no longer produces MIDI file with chords

Thomas Morley thomasmorle...@gmail.com: 2015-03-26 1:08 GMT+01:00 David Bellows davebell...@gmail.com: Could you confirm that it works for you? I copy and pasted it directly in and it doesn't change the behavior. I've attached my file. Silly me. Must be heavily overtired... It needs to be put

Guitar chord mode no longer produces MIDI file with chords

In the versions of Lilypond I've used up through 2.19.16 when I would compile the attached file the resulting MIDI file would play the entire chord. With 2.19.17 now only the root note is played. I don't really know where to look for this kind of information but I can't tell if this is the new

Re: Guitar chord mode no longer produces MIDI file with chords

mission critical so I can wait. On Wed, Mar 25, 2015 at 4:46 PM, Thomas Morley thomasmorle...@gmail.com wrote: 2015-03-25 23:28 GMT+01:00 Nathan Ho when.possi...@gmail.com: On Wed, Mar 25, 2015 at 2:08 PM, David Bellows davebell...@gmail.com wrote: In the versions of Lilypond I've used up

Re: Lua, Lilypond, and Linux

platforms or at least all *nix-based platforms? On Sun, Mar 22, 2015 at 3:16 AM, Hans Aberg haber...@telia.com wrote: On 22 Mar 2015, at 00:28, David Bellows davebell...@gmail.com wrote: os.execute(lilypond example.ly lily.txt”) The call system() should always use sh. Try lilypond

Lua, Lilypond, and Linux

OK, I know this might be way too specific a question for this list but I'm hoping. Here is example.ly \version 2.19.17 { c' e' g' e' } And lily.lua for Lua 5.3 os.execute(lilypond example.ly lily.txt) And then from the command line: lua lily.lua I'm trying to suppress any of Lilypond's

Re: Indenting arbitrary lines

Then you probably need to use explicit X-offset adjustments — see http://lilypond.org/doc/v2.19/Documentation/notation/explicit-staff-and-system-positioning for more details. Thanks for this. I went through the example and tried my best to incorporate it into my software and resultant

Re: Indenting arbitrary lines

of the infrastructure. On Sat, Feb 14, 2015 at 8:27 AM, Phil Holmes m...@philholmes.net wrote: - Original Message - From: David Bellows davebell...@gmail.com To: lilypond-user lilypond-user@gnu.org Sent: Saturday, February 14, 2015 4:22 PM Subject: Indenting arbitrary lines I have an odd

Indenting arbitrary lines

I have an odd request that I'm hoping someone will have some ideas for. 1. I want all lines to be indented (like the first line). 2. Except when I specifically tell Lilypond not to indent. Like the following: c4 d4 \bar\break \don'tindentthisnextbit e4 f4 g4 ... The project I'm working can

Re: LilyPond PPA for Ubuntu/other related OS?

I'm using Kubuntu (Ubuntu with KDE) and have just helped a friend, a Linux newbie, transition his Lilypond approach on his Linux box. My sincere advice is to just download the software from the website and use that. The installation is super easy and even easier to upgrade (once you've installed

Re: Unicode Font Issues

And of course KDE is nice. And if you use Kubuntu then it's installed by default. On Mon, Nov 3, 2014 at 7:30 AM, Shane Brandes sh...@grayskies.net wrote: XFCE is also a useful desktop interface. Unity might be good for tablet minded people but, at least, I found it to be highly disruptive of

Re: Automatic ottava handling

very much! On Mon, Oct 13, 2014 at 6:47 PM, David Nalesnik david.nales...@gmail.com wrote: Hi, On Mon, Oct 13, 2014 at 1:18 PM, David Bellows davebell...@gmail.com wrote: OK, I've now played around with it and it works very nicely and will be easy to integrate into my software. You've

Re: Automatic ottava handling

That is amazing work! I don't have the time to experiment with it right now but I will do so tonight and let you know tomorrow the results. But based on your example this looks like it will be perfect. I think the negative numbers for the bassa is a good choice as that was what I was imagining in

Re: Automatic ottava handling

will look over the code and see if I can't figure it out for myself. Thanks! On Sat, Oct 11, 2014 at 7:57 AM, David Nalesnik david.nales...@gmail.com wrote: Hi, On Wed, Oct 8, 2014 at 9:48 AM, David Bellows davebell...@gmail.com wrote: Here's a preliminary experiment. It will add an automatic

Re: Automatic ottava handling

on that which works fine but doesn't give as aesthetically a pleasing result as your method does. I will totally ditch my method if this one progresses much further. On Tue, Oct 7, 2014 at 4:32 PM, David Nalesnik david.nales...@gmail.com wrote: Hi, On Mon, Oct 6, 2014 at 3:51 PM, David Bellows

Re: Automatic ottava handling

I ended up creating my own solution to use in my code that generates scores. Unfortunately it doesn't really translate into anything usable by anyone else. Likewise I created my own staff switching method as well so that rests would be printed in the other staff. Still, I think the automatic

Re: Supporting ♯ and ♭

I could see where this could be useful when sharing Lilypond files. Since we don't all use the same language setting things can get a bit confusing. But it seems like this should be something that one's editor does. Like I type my Lilypond file as I normally do it and then hit M-x

Automatic ottava handling

This is probably asking a lot, but is there a way to have ottava markings used automatically? It sounds like a complicated function since you'd also want it to be able to span consecutive notes but being able to specify when (as in how many ledger lines above the staff) it would kick in would be

Re: Automatic fixing of note between measures

The project I'm working on right now also automatically generates music and I ran into the same problem. Here's what my software automatically generates now to deal with it: \score { \new PianoStaff \new Staff = upper \new Voice = first \with {\remove Note_heads_engraver \consists

Re: Automatic fixing of note between measures

Is there a reason not to use Completion_heads_engraver all the time or atleast as a default? I think the expectation is that most composers most of the time do not want notes split up automatically as it probably means a mistake was made when entering the notes. Basically they'll split when they

Re: Can not get '\override Score.BarNumber.break-visibility' to work

There is a PPA so I could upgrade quite easily, if necessary, Even easier and much better is to just download it from Lilypond directly. It is packaged in such a way as to make installation and upgrading on Ubuntu (and all Linux distros) super duper easy. This way you can have the latest versions

Rest with tie behaving differently than note

In the following code Lilypond correctly creates the tie to the note even when it's left out (a tie just to a duration): \version 2.19.13 \score{ \new Staff {d4~ 16} } But if you try to do this with a rest: \version 2.19.13 \score{ \new Staff {r4~ 16} } It prints a note (middle C) instead

Re: Rest with tie behaving differently than note

: Hello David, Am 14.09.2014 um 18:58 schrieb David Bellows: In the following code Lilypond correctly creates the tie to the note even when it's left out (a tie just to a duration): \version 2.19.13 \score{ \new Staff {d4~ 16} } But if you try to do this with a rest: \version 2.19.13

Re: Breaking notes up across bar lines when using lyrics

as expected for me*. So working around the problem appears to be easy. Yours, Simon *(With the small exception that the Completion_rest_engraver places rests irrespective of metric structure, which makes it hard to read. But that’s another issue) Am 04.09.2014 um 22:47 schrieb David Bellows: I'm

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