Re: double time signature problem

Another point, dwelling on the lyrics… On Mon 13 Nov 2017 at 10:55:06 (+0100), Werner Arnhold wrote: > The first attached file shows the state of the complete Work, see the > hemiolic measure at measure 5. > The minmal example ly-file shows the first 9 measures without text. When you add the

Re: double time signature problem

On Mon 13 Nov 2017 at 10:55:06 (+0100), Werner Arnhold wrote: > Hi, list members, > > I try to typeset an old choral work with hemiolic measures. That leads > me to a 3/4 Mesure sometimes changed to a 3/2 measure without special > indication and immediately back again. So I wanted to follow a

Re: Strange behaviour

On Mon 13 Nov 2017 at 07:13:10 (-0500), Ben wrote: > On 11/13/2017 1:58 AM, Don Gingrich wrote: > >What I want is to effectively have two voices  in the second bar -- The > >first time through fits the d4 r4 r4 e8 e tune and the second uses d4 ( > >a8) a4 d4 e8 e > > > >melody = \relative c' { > >

Re: percussion (drum set) help

On Fri 10 Nov 2017 at 12:27:19 (-0700), Paul Scott wrote: > How can I move the eighth rest to the level of the snare drum part? > sn8\rest doesn't seem to be allowed. > Any other feedback on my code would also be appreciated. > I'm successful with most of my percussion code. > > \version

Re: reciting text over line breaks

On Fri 10 Nov 2017 at 09:43:04 (-0500), Benjamin Bloomfield wrote: > Yes, but I want to allow line breaks in the middle of those breves if it > makes sense for line breaks to occur there. This is actually the way I had > been doing it, but it is a tedious process of trial and error to figure out

Re: Transposing an entire score

On Wed 08 Nov 2017 at 11:33:34 (-0800), Flaming Hakama by Elaine wrote: > > From: Francisco Vila > > To: Flaming Hakama by Elaine , Simon Albrecht < > > simon.albre...@mail.de> > > Cc: peter bach , Lilypond-User Mailing

Re: Removing/hiding "clutter"

On Tue 07 Nov 2017 at 17:36:17 (+0100), David Kastrup wrote: > David Kastrup <d...@gnu.org> writes: > > > David Wright <lily...@lionunicorn.co.uk> writes: > > > >> I print a fair amount of SATB a cappella on four staves, > >> but on the side I

Re: "Guide notes"

On Wed 01 Nov 2017 at 16:51:19 (+0100), Malte Meyn wrote: > > > Am 01.11.2017 um 16:03 schrieb David Wright: > >I've sung (strictly, not sung) a great many of these > >without knowing what they're officially called. > >I've created this one with what

Removing/hiding "clutter"

I print a fair amount of SATB a cappella on four staves, but on the side I produce a two-stave version without lyrics, printed like an English hymnbook with stems up and down to distinguish parts. It's to make it simpler for people to play bits on the piano. To make it easier to see the notes, I

Re: \lyrics, was Re: Vertical spacing of figured bass

On Mon 06 Nov 2017 at 09:10:54 (+0100), David Kastrup wrote: > David Wright <lily...@lionunicorn.co.uk> writes: > > > On Sun 05 Nov 2017 at 19:29:27 (+0100), David Kastrup wrote: > > > >> It's very thinly documented since it just confuses people. As you >

Re: \lyrics, was Re: Vertical spacing of figured bass

On Sun 05 Nov 2017 at 22:31:01 (+0100), Noeck wrote: > Hi David (W.), > > > I don't have enough background information to know whether the > > introduction of "\lyrics" was to improve consistency with its > > friends, or just for brevity (popular in the unix world). > > Yesterday I was leaning to

Re: \lyrics, was Re: Vertical spacing of figured bass

On Sun 05 Nov 2017 at 19:29:27 (+0100), David Kastrup wrote: > David Wright <lily...@lionunicorn.co.uk> writes: > > > On Sat 04 Nov 2017 at 02:10:53 (+0100), David Kastrup wrote: > >> Jérôme Plût <plut.jer...@gmail.com> writes: > >> > >

\lyrics, was Re: Vertical spacing of figured bass

On Sat 04 Nov 2017 at 02:10:53 (+0100), David Kastrup wrote: > Jérôme Plût writes: > > > I tried applying the contents of > > http://lilypond.org/doc/v2.19/Documentation/notation/flexible-vertical-spacing-within-systems > > to move the figured bass a bit closer to the

Re: How to end a melisma

On Thu 02 Nov 2017 at 09:59:38 (-0400), Ben wrote: > On 11/2/2017 9:07 AM, Patrick Karl wrote: > >It may be the correct way, but the drawback seems to be that it > >doesn't work.  At least on my Mac running OSX 10.11.6 and LilyPond > >v 2.19.53. > I am confused, if you just wanted it to end

"Guide notes"

I've sung (strictly, not sung) a great many of these without knowing what they're officially called. I've created this one with what looks like an awful hack. Is there a better way in LP? (Googling lilypond guide note turns up anything but.) I can live with this as it's good enough for almost

Re: Suggestions for page layout

On Thu 26 Oct 2017 at 15:03:33 (-0700), Flaming Hakama by Elaine wrote: > > I'm looking for a way to create the pdfs necessary > > for doing the booklet layout. > > > Thanks for all the suggestions. > > Mogens, I didn't realize that some of this could be done from a print > dialog. > For easy

Re: measures to wide

On Thu 26 Oct 2017 at 21:48:59 (+0200), Bernhard Kleine wrote: > In the example measures have the width of the page although I have > nothing done to force this. What does trigger such a behaviour? If you reduce this to a MWE, you're likely to stumble on the answer. For example, you don't need

Re: Suggestions for page layout

On Wed 25 Oct 2017 at 13:34:04 (-0700), Flaming Hakama by Elaine wrote: > > I'm not top posting > > I'm looking into getting a large format printer so I can print parts on > tabloid paper. As such, I'm looking for a way to create the pdfs necessary > for doing the booklet layout. > > Currently,

Re: Any other Thunderbird users have messages never post? (WAS: Hide slur?)

On Mon 23 Oct 2017 at 11:10:23 (+0200), Robin Bannister wrote: > Karlin High wrote: > > >Curiouser and curiouser. The part that bugs me the worst is when I do > >a Reply-All and the message never appears on the list, but then the > >other recipients of my message ALSO do a Reply-All, and have

Re: Any other Thunderbird users have messages never post? (WAS: Hide slur?)

On Thu 19 Oct 2017 at 17:33:08 (+0200), Bernhard Kleine wrote: > Am 19.10.2017 um 15:04 schrieb Wols Lists: > > And again, I don't think it applies here, don't forget some lists will > > look at the distribution list on the incoming mail, and not send the > > outgoing message to those addresses.

Re: Reducing staff numbers in LilyPond

On Wed 18 Oct 2017 at 10:00:56 (+0200), David Kastrup wrote: > James Harkins writes: > > >> On 16 Oct 2017 20:38, "Ken Williams" wrote: > >> I honestly did not expect this kind of response, and I'm getting it from > >> multiple people. I asked a

Re: \version statement, etc.

On Tue 17 Oct 2017 at 11:31:46 (-0700), Paul Scott wrote: > On Tue, Oct 17, 2017 at 08:14:06PM +0200, David Kastrup wrote: > > Paul Scott writes: > > > > > On Tue, Oct 17, 2017 at 08:03:44PM +0200, David Kastrup wrote: > > >> > > >> That is the whole _point_ of a

Re: Reducing staff numbers in LilyPond

On Mon 16 Oct 2017 at 14:38:11 (-0500), Ken Williams wrote: > On Mon, Oct 16, 2017 at 12:11 PM, David Wright <lily...@lionunicorn.co.uk> > wrote: > > > It strikes me that notating this unusual effect on one staff > > increases ambiguity and the potential for mista

Re: Need assistance hammering a Hymn template together

On Mon 16 Oct 2017 at 10:45:39 (-0600), Bruno Boyko wrote: > 2. What would be considered "best practice" when dealing with hymns where > the refrain is first, such as in "Lift High the Cross?" It depends what appearance you want. If the refrain takes an integral number of lines, just precede

Re: GS error on somewhat large score

On Mon 16 Oct 2017 at 18:31:36 (+0200), Simon Albrecht wrote: > On 16.10.2017 18:28, Simon Albrecht wrote: > >On 16.10.2017 17:13, David Kastrup wrote: > >>Simon Albrecht writes: > >> > >>>Hello everybody, > >>> > >>>I’ve just noticed a problem when compiling a medium to

Re: Reducing staff numbers in LilyPond

On Mon 16 Oct 2017 at 18:30:12 (+0200), Simon Albrecht wrote: > On 16.10.2017 18:01, David Kastrup wrote: > >Chris Yate writes: > > > >>Personally I think it's clearer to just use two staves, Treble and Bass. > >> > >>Many choral basses can't read treble clef, and tenors

Re: install lilypond info doc on linux

On Sat 14 Oct 2017 at 15:02:08 (+0200), Orm Finnendahl wrote: > is there any information somewhere how to install lilypond's info > documentation into info/emacs on linux? On my machine the documents > are in /usr/share/info but the dir file in that directory is more or > less empty and I would

Re: Moving a tempo mark to the right

On Fri 01 Sep 2017 at 23:14:13 (+0200), David Kastrup wrote: > Anthony Youngman writes: > > Nothing to do with the distro - as I said I daren't upgrade. Firstly, > > gentoo has dropped KDE4 which means major UI changes which will give > > my wife panic attacks (slight

Re: Error with Frescobaldi and python-poppler

On Sat 23 Sep 2017 at 13:11:14 (+0200), Noeck wrote: > Hi, > > I used python3-poppler-qt5_0.24.2-3build1_amd64.deb, I think from debian > despite I have a Ubuntu installation. python3-poppler-qt5_0.24.2-3build1_amd64.deb looks like an Ubuntu package.

Re: NullVoice lyrics alignment error

On Fri 22 Sep 2017 at 16:48:38 (-0400), Pierre-Luc Gauthier wrote: > 2017-09-21 18:43 GMT-04:00 David Wright <lily...@lionunicorn.co.uk>: > > My observations (again without knowing what the code actually does) > > suggest that because no X-space is required to set anythin

Re: NullVoice lyrics alignment error

On Thu 21 Sep 2017 at 13:58:47 (-0400), Pierre-Luc Gauthier wrote: > 2017-09-21 13:21 GMT-04:00 David Wright <lily...@lionunicorn.co.uk>: > > I think you're exceeding the capabilities of NullVoice. > > It will passively follow the position of timing points > > set by ot

Re: NullVoice lyrics alignment error

On Wed 20 Sep 2017 at 11:51:22 (-0400), Pierre-Luc Gauthier wrote: > Hi there, > > The first word (Lyrics) is not aligned correctly as it is bellow the > clef instead of being bellow or "in" the music. > > Is this an error or am-I using it wrong? > > I see this happening often e.g. in musicals

Re: notes regex expression

On Fri 01 Sep 2017 at 14:44:53 (+0200), Gianmaria Lari wrote: > Salut Jacques! > > I don’t have any experience with C# programming, but maybe the Flex and > > Bison specifications that are part of the LilyPond source code could be > > integrated within a C# application? > > This would provide a

Re: Understanding how \tag works in \relative pitched music

On Mon 07 Aug 2017 at 22:33:12 (+0200), David Kastrup wrote: > David Wright <lily...@lionunicorn.co.uk> writes: > > > Neither do I. But the post I was commenting on was constructing an > > Aunt Sally argument, "the unpredictability of \relative with \tag"

Re: lilypond crashes on translation of the attached file

On Tue 22 Aug 2017 at 17:01:04 (+), skolnik wrote: > L.S. > > First, thank you for your help! > > When I translate the attached file lilypond crashes. Command output: > > C:\Muziek>"C:\Program Files (x86)\LilyPond\usr\bin\lilypond.exe" > mendelssohn-quartet-2.2.ly > GNU LilyPond 2.18.2 >

Re: Understanding how \tag works in \relative pitched music

On Mon 07 Aug 2017 at 08:43:31 (+0200), David Kastrup wrote: > David Wright <lily...@lionunicorn.co.uk> writes: > > > On Sun 06 Aug 2017 at 22:51:57 (+0200), David Kastrup wrote: > >> David Wright <lily...@lionunicorn.co.uk> writes: > >> > >> &g

Re: Understanding how \tag works in \relative pitched music

On Sun 06 Aug 2017 at 22:51:57 (+0200), David Kastrup wrote: > David Wright <lily...@lionunicorn.co.uk> writes: > > > (\fixed could have been implemented differently, ie without > > collapsing the meaning of c' through b' as its first argument. > > This might make i

Re: making parts : specific number of measures per line?

On Sun 06 Aug 2017 at 11:36:50 (-0400), Molly Preston wrote: > Hi again everyone, > I am trying the following for making 6 measures per line in the flute part. > > layoutContent = { > > s1 *6 \break > } > > \score { > \new Staff << >\new Voice { > \fluteMusic > } > > \new Voice {

Re: Understanding how \tag works in \relative pitched music

On Sat 05 Aug 2017 at 09:07:48 (-0400), Kieren MacMillan wrote: > Hi, > > > Huh, can't say I've heard of \fixed. > > It may have been a relatively [ha!] recent addition…? > See > AFAICT \fixed is not in 2.18.2 but is

Re: Understanding how \tag works in \relative pitched music

know, sometimes I think it might have been wiser to go the whole hog and treat relative/absolute/fixed in the same way as \language is. The only thing I can see that you lose is their ability to be nested. I wonder how many people rely on that. > On Aug 4, 2017 10:45 PM, "David Wright" <l

Re: Understanding how \tag works in \relative pitched music

On Fri 04 Aug 2017 at 15:41:34 (-0500), Guy Stalnaker wrote: > All, > > Why is this output being created? I would expect to get exactly the same > pitches on all three staffs, but since not, my expectations are obviously > wrong. > > %% SNIPPET %% > ​straightMusic = \relative c' { > a2

Re: Adding an introductory note(s)

On Tue 01 Aug 2017 at 16:43:22 (+0200), Davide Liessi wrote: > 2017-08-01 16:24 GMT+02:00 David Wright <lily...@lionunicorn.co.uk>: > > If there's no difference in the first and last bars of the repeat, > > I'm not sure why you go to the trouble of \alternatives. Wh

Re: Adding an introductory note(s)

On Mon 31 Jul 2017 at 15:27:30 (+), Stephen Nesbitt wrote: > I transcribe a lot of fiddle tune music and I struggled with the anacrusis > element. I thought I'd share my experience and how I resolved them. There > may be a more elegant way, but my solution is working for me. > > The

Re: trouble adding space between systems

On Mon 31 Jul 2017 at 09:29:14 (-0700), Reilly Farrell wrote: > Thanks! Your second solution: > > \paper { > system-system-spacing.basic-distance = #20 > } > > is just what I needed. One thing I'm noticing, though, is that when I > compile melodies into a chapter using lilypond-book and

Re: .ly file partially compiles, then LP crashes

On Fri 28 Jul 2017 at 15:16:03 (+0200), David Kastrup wrote: > Bernhard Kleine writes: > > > Am 28.07.2017 um 00:55 schrieb Guy Stalnaker: > >> Exited with return code -1073741819 > > This has come up with the same number IIRC repeatedly. > > It's Windows' helpful way

Re: How to break continuous ottava bracket

On Tue 25 Jul 2017 at 16:27:05 (+0200), Karol Majewski wrote: > Sometimes you want to have two independent bars in one line: > > { > c'1 ^"example 1" > d'1 \bar "||" > \ottava #1 c''1 ^"example 2" > d''1 \ottava #0 \bar "||" > \ottava #1 c''1 ^"example 3" > d''1 \ottava #0 \bar "||" > > } > >

Re: What is LilyPond's default font for titles?

On Thu 20 Jul 2017 at 21:03:29 (+0200), caag...@gmail.com wrote: > According to `strings whatever.pdf|grep FontName`, the only fonts in > the output PDF are Emmentaler and Tex Gyre Schola. Since Emmentaler > is for music symbols, it's probably Tex Gyre Schola (bold, in the > case of titles).

Re: Fwd: Re: error with ingnoreMelismata

On Thu 20 Jul 2017 at 18:35:27 (+0200), Bernhard Kleine wrote: > I sent the answer it to Phil only, now on the list: No problem. _We_ all see it just the once. > I have found the solution. There was a missunderstanding what should be > ignored and what not. The [] are totally unnessary and if

Re: Fwd: re: automatic beaming behavior

On Thu 20 Jul 2017 at 11:24:25 (-0700), Reilly Farrell wrote: > We are compiling several hundred melody and rhythm examples. Each example > references the same .ily file where global settings and formatting are > handled. Is there code for setting automatic behavior of beams that we can > put in

Re: error with ingnoreMelismata

On Thu 20 Jul 2017 at 12:16:17 (+0200), Bernhard Kleine wrote: > I took the example from the Documentation of 2.19: 2.1.3 stanza with > different rhythm Please state which document. > However, It does correctly work in the last line within the repeat. The > problem is in measure 13: the German

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On Tue 11 Jul 2017 at 09:08:07 (-0400), Kieren MacMillan wrote: > Hi Wol, > > > I've seen music - not much admittedly - that actually writes crotchets > > as tied to a semi-quaver or something on the next beat in order to say > > "this one-beat note is one beat, not a fraction of a beat!" > >

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On Sun 09 Jul 2017 at 12:06:05 (-0700), Flaming Hakama by Elaine wrote: > > Le 9 juil. 2017 à 18:24, caag...@gmail.com a écrit : > > > > As you can see on the screenshot, both texts are misaligned. The first > one, a \tempo, is placed *under* the rehearsal mark instead of next to it. > > >

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On Sun 09 Jul 2017 at 20:28:56 (+0200), Simon Albrecht wrote: > On 09.07.2017 20:01, Wols Lists wrote: > >On 09/07/17 18:38, Simon Albrecht wrote: > >>On 09.07.2017 18:24, caag...@gmail.com wrote: > >>>As you can see on the screenshot, both texts are misaligned. > >>That’s your opinion. > >See

Re: Jianpu equal spacing

On Fri 23 Jun 2017 at 17:48:19 (+0800), Molbo wrote: > Thanks Simon > > I have looked at that page already, but I cannot really figure out how to use > it, because the snippets of jianpu I have found look completely different. > And mainly because I am completely new to lilypond and it very

Re: Different staff sizes and resetting fonts

On Thu 22 Jun 2017 at 17:10:56 (-0700), tisimst wrote: > My experience tells me that although the staff-size is larger in the second > \bookpart, the horizontal treatment isn't going to be a normal 17pt. It > will still be more like the 15pt global one. The only way I've found to get > true

Re: bar number interference

On Fri 23 Jun 2017 at 01:12:12 (+1000), Andrew Bernard wrote: > But this is in the NR in the section on bar numbers, is it not? > > \relative c' { > \set Score.currentBarNumber = #111 > \override Score.BarNumber.break-visibility = #all-visible > % Increase the size of the bar number by 2 >

Re: Cross-staffs where a note is already displaced

On Thu 15 Jun 2017 at 00:30:44 (+0200), Thomas Morley wrote: > 2017-06-14 18:58 GMT+02:00 David Wright <lily...@lionunicorn.co.uk>: > > > > Would I be right in thinking it searches through the grobs for > > this moment, finds out if any have been displaced, and r

Re: Cross-staffs where a note is already displaced

On Mon 12 Jun 2017 at 09:17:31 (+0200), Thomas Morley wrote: > 2017-06-12 6:43 GMT+02:00 David Wright <lily...@lionunicorn.co.uk>: > > I can't figure out how to make crossStaff work when one component > > has been displaced by the interval of a second. I came up with a &g

Cross-staffs where a note is already displaced

I can't figure out how to make crossStaff work when one component has been displaced by the interval of a second. I came up with a hack (a hidden note) in example 3, but it has the side effect of leaving the accidental (when there is one) rather far over. Is there a better way? Also, in

Re: Fwd: ghostscript fails on pdf generation

On Thu 08 Jun 2017 at 06:08:07 (+0200), N. Andrew Walsh wrote: > Hi David, > > On Thu, Jun 8, 2017 at 2:37 AM, David Wright <lily...@lionunicorn.co.uk> > wrote: > > > > > Just to clarify, is this > > …lilypond-2.19.61/bin/lilypond > > > &g

Re: Fwd: ghostscript fails on pdf generation

On Wed 07 Jun 2017 at 17:50:52 (+0200), N. Andrew Walsh wrote: > On Wed, Jun 7, 2017 at 4:02 PM, Urs Liska wrote: > > > How exactly is LilyPond registered in Frescobaldi for you? > > > > Absolute path to the binary installed with the package. Just to clarify, is this

Re: \transposition does nothing?

On Thu 01 Jun 2017 at 09:06:11 (+0200), David Kastrup wrote: > Jacques Menu Muzhic writes: > > > Hello folks, > > > > This subject comes from time to time : maybe \transposeMidi would be a > > better name? > > It doesn't actually _transpose_ a given music sequence but

Re: certain type of vocal notation in liturgical contexts

On Thu 01 Jun 2017 at 11:52:31 (+0200), Michael Gerdau wrote: > cis \offsetChord { b b } a \breathe a d d cis \breathe \bar "" \break > a\breve*1/4 > […] zet wür -- de. > und je -- der -- mann > \once \override LyricText.self-alignment-X = #LEFT "ging, daß er sich" I get a programming

Re: certain type of vocal notation in liturgical contexts

On Wed 31 May 2017 at 15:56:44 (+0200), Jonathan Scholbach wrote: > Dear Ponders, > > I would like to typeset a certain type of notation, which can be found > in liturgical context. I have an example image attached. (Ignore the > lyrics written in Fraktur). I have two questions: > 1. How is

Re: How to generate a minimally sized pdf

On Mon 29 May 2017 at 10:26:51 (+0300), Ivanov Dmitry wrote: > On 5/29/17, Jeffery Shivers wrote: > > > I believe other people have inquired about auto-cropping and > > such in the past, too! Might be worth searching the archives (or just > > googling to get there

Re: How to generate a minimally sized pdf

On Mon 29 May 2017 at 01:01:02 (+0300), Ivanov Dmitry wrote: > In LaTeX I can use the paper only fitting the contents by using standalone > class. Sounds as if you want pdfcrop in the texlive distribution. Cheers, David. ___ lilypond-user mailing list

[SOLVED] Re: Problem with repeat

previous posting!) Date: Sun, 28 May 2017 13:32:51 -0500 From: David Wright <lily...@lionunicorn.co.uk> Subject: Re: Problem with repeat X-Original-To: lily...@lionunicorn.co.uk Sender: lilypond-user <lilypond-user-bounces+lilylis=lionunicorn.co...@gnu.org> Reply-To: lilypond-user@gnu.org O

Re: Problem with repeat

On Sun 28 May 2017 at 19:42:26 (+0200), Bernhard Kleine wrote: > The attached excerpt has an errorneous repeat sign at measure five since > the text starts there. However the repeat sign before measure three is > also valid for the text which, however, starts as the vocal part in > measure 5. > >

Re: Export to ?????

On Thu 25 May 2017 at 12:09:16 (+0200), Mats Behre wrote: > If the only purpose is to export to Finale or Sibelius the score itself may > well be a solution - there is software like SmartScore or PhotoScore that is > able convert it to their formats. Of course, they cost money, so your friend >

Re: Export to ?????

On Thu 25 May 2017 at 18:34:24 (+1000), Don Gingrich wrote: > On Thu, 25 May 2017 09:08:35 Richard Shann wrote: > > On Thu, 2017-05-25 at 17:45 +1000, Don Gingrich wrote: > > > If not, then I suggest that this is a "lock-in" similar > > > to that of some of the M$ programs. > > > > There is a

Re: Permission for music

On Wed 24 May 2017 at 20:42:36 (-0500), msk...@ansuz.sooke.bc.ca wrote: > On Wed, 24 May 2017, David Wright wrote: > > Perhaps this is because educators are pandering to their ignorance, > > thus decreasing the likelihood they'll ever encounter the term. > > I'm glad that Li

Re: Permission for music

On Wed 24 May 2017 at 22:30:46 (+), Karlin High wrote: > On 5/24/2017 5:19 PM, msk...@ansuz.sooke.bc.ca wrote: > > On Wed, 24 May 2017, Simon Albrecht wrote: > >> Only if you overlook that the tagline specifically says the music was > >> _engraved_ with LilyPond, which does not tell anything

Re: Add second set of lyrics part way through a movement

On Sat 20 May 2017 at 20:27:06 (+0300), Emrecan Büyüktermiyeci wrote: > You can use repeat unfold command for 61 blanked charackters. > > tcd=\lyricmode{ > \repeat unfold 61 { _ } > do -- _ na no -- bis pa -- _ _ _ cem, I would add one proviso to that construction, both the caveat and

Re: Add second set of lyrics part way through a movement

On Sat 20 May 2017 at 12:26:46 (-0400), Kieren MacMillan wrote: > Hi Dirk, > > > The net result wants to look rather like this: > > "... peccata mundi, miserere nobis." > > " dona nobis pacem." > > Any suggestions? > > Since the number of syllables is identical, you *could*

Re: Lilypond newbie can't compile

On Sat 20 May 2017 at 18:26:40 (+0200), Jean Brefort wrote: > Le samedi 20 mai 2017 à 11:18 -0500, David Wright a écrit : > > Stable has more than one meaning. 2.18.2 has been stable for a long > > time, and promises to be around a lot longer seeing that Debian's > > "s

Re: Lilypond newbie can't compile

On Sat 20 May 2017 at 18:38:24 (+1000), Andrew Bernard wrote: > I have used the development versions full time 8 hours plus a day for the > last few years, with only two trivial crashing bugs, on massively complex > scores. Stable has more than one meaning. 2.18.2 has been stable for a long time,

Re: How exactly does "\transpose" work?

On Sat 20 May 2017 at 17:28:57 (+1000), Don Gingrich wrote: > I had the idea that all that I needed to > do to convert a score from, for example, F to G, > was to wrap a \transpose f g { } around the > \relative block where I had entered the notes in > F. And that is actually correct. Most of my

Re: XML to .ly and Lilypond, again

On Fri 12 May 2017 at 11:59:05 (+0100), Phil Holmes wrote: > - Original Message - From: "Urs Liska" > To: ; > Sent: Friday, May 12, 2017 11:00 AM > Subject: Re: XML to .ly and Lilypond, again > >Am 12.05.2017 um 11:26

Re: XML to .ly and Lilypond, again

On Sun 14 May 2017 at 08:33:26 (+0200), zs.has...@gmx.de wrote: > >On Fri 12 May 2017 at 12:03:36 (+0200), David Kastrup wrote: He wrote something else. But I wrote… > >My guess is that the wrong encoding comes from "original" strings > >being passed from the input to the output as opposed to

Re: XML to .ly and Lilypond, again, with a fix

On Sun 14 May 2017 at 15:35:51 (+0100), Phil Holmes wrote: > - Original Message - From: "Urs Liska" > To: > Sent: Sunday, May 14, 2017 3:06 PM > Subject: Re: XML to .ly and Lilypond, again > >Am 14.05.2017 um 16:03 schrieb Phil Holmes: >

Re: XML to .ly and Lilypond, again

On Sun 14 May 2017 at 12:42:03 (+0200), Robert Blackstone wrote: > Hi Leszek, > > Out of curiosity I downloaded and processed the Kyrie.xml, from the link you > attached to your post of 12-05-17. > I was curious in particular because I mostly use the same procedure for > engraving with

Re: XML to .ly and Lilypond, again

On Fri 12 May 2017 at 12:03:36 (+0200), David Kastrup wrote: > Urs Liska writes: > > > Am 12.05.2017 um 11:26 schrieb Jan-Peter Voigt: > >> Dear Leszek, > >> > >> when I look with hexdump, I see a lot of NUL-bytes inside the file. > >> And it seems to me that the strings

Re: program error: mis-predicted force

On Wed 10 May 2017 at 21:52:59 (+0200), Partitura Organum wrote: > So, what am I doing wrong here? Replying to one of your posts at random, rather than starting a new thread. Cheers, David. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Weird lyric extender shortening

On Fri 05 May 2017 at 16:41:04 (+0200), N. Andrew Walsh wrote: > Here's the problem: if I comment out the music for the piano in the upper > staff of bar 17, the lyric extender in the voice part goes all the way to > bar 18 like it should. But with that music there, the extender line from > the

Re: Up and down arrows

On Tue 02 May 2017 at 22:54:42 (+0200), Federico Bruni wrote: > > > Il giorno dom 30 apr 2017 alle 0:05, David Wright > <lily...@lionunicorn.co.uk> ha scritto: > >On Sat 29 Apr 2017 at 07:12:07 (+0200), Federico Bruni wrote: > >> There's an example in the LSR.

Re: minimal-breaking not working as expected

On Mon 01 May 2017 at 21:31:15 (+0200), Simon Albrecht wrote: > Am 01.05.2017 um 20:37 schrieb Kieren MacMillan: > >Hello all, > > > >In v2.19.59, I’m using > > > > page-breaking = #ly:minimal-breaking > > page-count = 10 > > systems-per-page = 2 > > > >… and the output has 16 pages, 14 of

Re: Up and down arrows

28, 2017 at 11:09 PM, David Wright <lily...@lionunicorn.co.uk> > wrote: > > > On Fri 28 Apr 2017 at 21:57:09 (-0500), Paul Napolitano wrote: > > > Is there a way to put up and down arrows above the staff to indicate the > > down and up beats? > > > > c'4

Re: Up and down arrows

On Sat 29 Apr 2017 at 07:12:07 (+0200), Federico Bruni wrote: > There's an example in the LSR. Yes…and 1054 other things too. > Il 29 aprile 2017 04:57:09 CEST, Paul Napolitano > ha scritto: > >Is there a way to put up and down arrows above the staff to indicate >

Re: Up and down arrows

On Fri 28 Apr 2017 at 21:57:09 (-0500), Paul Napolitano wrote: > Is there a way to put up and down arrows above the staff to indicate the down > and up beats? c'4 ^\markup { ↓ } f'4 ^\markup { ↑ } Cheers, David. ___ lilypond-user mailing list

Re: placing "opus"

On Fri 28 Apr 2017 at 12:02:50 (-0400), Kieren MacMillan wrote: > Hi all, > > >> I can get everything but to the opus under the composer. My code is > >> attached. > > composer = \markup \center-column { "E. MacDowell" "Op. 51” } > > This is a good quick-and-dirty solution… but I’m not a fan of

Your email address, was Re: XML-Import into Frescobaldi Windows

If you don't want to receive emails at the address you post from, please try setting a Reply-To: header on your emails like the one in this email's header. Mail-Followup-To: should work too. On Fri, 28 Apr 2017 17:18:39 (+0200), zs.has...@gmx.de wrote: > Hallo, > [...] ist meine Emailadresse für

Re: XML-Import into Frescobaldi Windows

On Fri 28 Apr 2017 at 10:32:14 (+0100), Phil Holmes wrote: > - Original Message - From: > To: > Sent: Friday, April 28, 2017 10:19 AM > Subject: Re: XML-Import into Frescobaldi Windows > > > >Am 2017-04-28 10:33, schrieb zs.has...@gmx.de: >

Re: Center-align a score

On Wed 26 Apr 2017 at 21:09:53 (+0200), Simon Albrecht wrote: > Am 26.04.2017 um 20:47 schrieb Hendrik Fuß: > >There are paper variables to achieve ragged-right and ragged-last > >layout. Is there a way to achieve center-aligned music in a score? > > Not really. One way would be entering each

Re: Lines to edges of \center-column

On Mon 24 Apr 2017 at 21:35:48 (+0200), caag...@gmail.com wrote: > Seems the latest devel version (2.19.59) has fixed that bug, so it's > probably not important anymore. > > On 04/24/17 19:43, David Wright wrote: > >Well, I can't take a view on that because AFAICT the source

Re: Lines to edges of \center-column

On Sun 23 Apr 2017 at 04:12:32 (+0200), caag...@gmail.com wrote: > On 04/23/17 03:47, David Wright wrote: > >Then I don't know what you mean. When you drag over them, they turn > >blue because you _have_ selected them (drag.png, apologies for the > >size). Then you can paste t

Re: Lines to edges of \center-column

On Sun 23 Apr 2017 at 02:09:34 (+0200), caag...@gmail.com wrote: > > > On 04/23/17 01:53, David Wright wrote: > >I tried to provoke a problem, but I don't know my kanji from my kana, > >and am not sure what you mean by "selectable". > > I mean they're

Re: Lines to edges of \center-column

P.S. I think you're exaggerating with the encoding details. I just pasted the output from http://www.ltg.ed.ac.uk/~richard/utf-8.cgi?input=%E2%94%81=char > On 04/22/17 23:46, David Wright wrote: > >On Sat 22 Apr 2017 at 22:22:30 (+0200), caag...@gmail.com wrote: > >>Is there some w

Re: Lines to edges of \center-column

On Sat 22 Apr 2017 at 22:22:30 (+0200), caag...@gmail.com wrote: > Is there some way to make a center-column draw lines from slightly > outside the text to the edges of the column (see example)? > > In this specific case, I have both English and Japanese names for > stuff, and without those

Re: What does everyone want? (2)

On Wed 19 Apr 2017 at 13:00:51 (+1000), Andrew Bernard wrote: > Hello Miroslaw, > > Welcome to the lilypond community. I think the OP has been with us a while. To quote: "4. So, please, make solution and describe it in manual." and "6. So, please, describe or make solution: moving lyrics with

Re: Page frames/watermarks

On Wed 19 Apr 2017 at 09:29:19 (+0100), Richard Shann wrote: > On Wed, 2017-04-19 at 09:53 +0200, Psalle wrote: > > On 18/04/17 20:11, David Wright wrote: > > > On Tue 18 Apr 2017 at 19:56:08 (+0200), Psalle wrote: > > >> Hello all, > > >> > >

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