Peter Chubb wrote:
Grammostola == Grammostola Rosea rosea.grammost...@gmail.com writes:
Grammostola But I got this message:
Grammostola d...@debian:~/lilypondfiles$ lilywrap lilywraptest.ly
Grammostola /usr/local/lilypond/usr/bin/lilypond: unrecognized
Grammostola option
Peter Chubb wrote:
Grammostola == Grammostola Rosea rosea.grammost...@gmail.com writes:
Grammostola But I got this message:
Grammostola d...@debian:~/lilypondfiles$ lilywrap lilywraptest.ly
Grammostola /usr/local/lilypond/usr/bin/lilypond: unrecognized
Grammostola option
Peter Chubb wrote:
Grammostola == Grammostola Rosea rosea.grammost...@gmail.com writes:
Grammostola But I got this message:
Grammostola d...@debian:~/lilypondfiles$ lilywrap lilywraptest.ly
Grammostola /usr/local/lilypond/usr/bin/lilypond: unrecognized
Grammostola option
David Raleigh Arnold wrote:
On Sun, 6 Sep 2009 18:53:37 +0100
Graham Percival gra...@percival-music.ca wrote:
On Sun, Sep 06, 2009 at 12:23:28PM +0200, Grammostola Rosea wrote:
@ Valentin, yeah would be nice if we could improve the midi output by
default. I can remember I mentioned
Grammostola Rosea wrote:
Hi,
I was wondering if the acticulate midi script is already in Lilypond?
http://www.nicta.com.au/people/chubbp/articulate
I put articulate.ly in my lilypondfiles folder and the script in
/usr/local/bin
But I got this message:
d...@debian:~/lilypondfiles
Hi,
I was wondering if the acticulate midi script is already in Lilypond?
http://www.nicta.com.au/people/chubbp/articulate
I put articulate.ly in my lilypondfiles folder and the script in
/usr/local/bin
But I got this message:
d...@debian:~/lilypondfiles$ lilywrap lilywraptest.ly
Robert Keller wrote:
On Jun 11, 2009, at 5:19 AM, Grammostola Rosea wrote:
lasconic wrote:
I took some time yesterday night to take a look to improvisor code and
estimate the cost of adding musicXML export. Import is indeed more
complicated.
I downloaded the code of improvisor 3.39. It's
Tim McNamara wrote:
On Jul 22, 2009, at 11:12 PM, David Fedoruk wrote:
In my discussion with my jazz professional, we looked at complex
chords, in fact we deliberately looked for complex ones to find out
how they were expressed. We found, quite amazingly that the more
complex the chord got
Robert Keller wrote:
I'll be looking toward moving Impro-Visor to a public repository, as
soon as I stabilize the current version, which I hope will be before
the end of June. Is SourceForge the best bet?
Thanks.
Bob
Robert Keller
Csilla Walt Foley Professor
Computer Science
Harvey Mudd
Carl D. Sorensen wrote:
On 6/23/09 5:19 PM, Tim McNamara tim...@bitstream.net wrote:
On Jun 23, 2009, at 12:24 PM, Carl D. Sorensen wrote:
On 6/23/09 9:16 AM, Grammostola Rosea
rosea.grammost...@gmail.com wrote:
Tim McNamara wrote:
On Jun 15, 2009, at 2:00 PM
Mark Polesky wrote:
Grammostola Rosea wrote:
I've learned when major scale:
step:
I: maj7
II: min7
III: min7
IV: maj7
V: dominant 7
VI: min7
VII: -7
But what when it is a minor scale? For example E minor? Which type of chords
belongs to the 7 steps?
If it's natural minor than it's
Orm Finnendahl wrote:
On Sun, 05 Jul 2009 13:49:06 +0200, Grammostola Rosea wrote
What is an -7 chord?
Is that an major chord with the 7 a half step lower? Or a minor chord?
It's a diminuished chord plus minor 7, called half diminuished 7th chord.
--
Orm
thanks
Mark Polesky wrote:
Anthony W. Youngman wrote:
I can't remember what it's called, but there's a third minor
scale where the 7th can be raised or not. If it's going up to the
tonic it's sharpened, and if it's going down, it's not. So in the
scale of A (your classic minor) it goes:
a b c d e
Robert Keller wrote:
On Jun 11, 2009, at 5:19 AM, Grammostola Rosea wrote:
lasconic wrote:
I took some time yesterday night to take a look to improvisor code and
estimate the cost of adding musicXML export. Import is indeed more
complicated.
I downloaded the code of improvisor 3.39. It's
Hi,
A question about minor scales and the chords which belongs to a certain
'step' in the scale.
I've learned when major scale:
step:
I: maj7
II: min7
III: min7
IV: maj7
V: dominant 7
VI: min7
VII: -7
But what when it is a minor scale? For example E minor? Which type of
chords belongs to
Mats Bengtsson wrote:
Graham Percival wrote:
On Wed, Jun 24, 2009 at 11:17:06AM +0200, Grammostola Rosea wrote:
I think I miss a tab 'support' or something with a quick link to
mailinglists/forums/IRC. Especially the mailinglist is a important
resource which should be easily found
Graham Percival wrote:
ok, panic resolved:
http://percival-music.ca/blogfiles/out/lilypond-general_1.html
Nice.
All though I don't think 'contact' is a good header for the mailinglist
and stuff. Contact does me think about an person of companies address to
contact with.
'support' or
I think I miss a tab 'support' or something with a quick link to
mailinglists/forums/IRC. Especially the mailinglist is a important
resource which should be easily found by newbies imo.
thanks for your work.
\r
___
lilypond-user mailing list
Tim McNamara wrote:
On Jun 15, 2009, at 2:00 PM, Kieren MacMillan wrote:
Wol et al:
Let's take the notes C, Eb, F, Ab. Which chord is that? What's the
root?
You can easily go from the name to the notes, but not the other way
round.
We *could* parse it from the first note, i.e. in
David Stocker wrote:
I've got some things typed out, but I still need to write explanations
for the placement and display of objects, and suggestions for the
program behavior. As soon as I have those written out, I'll post the
first batch. I'll try to get it done today or tomorrow.
David
David Stocker wrote:
Thanks, Marc and Carl for making this happen. I'll post some editorial
suggestions here for how bends should look soon (next week, really!
I've had occasion to work on it this week)
David
Hi,
Some progress here?
Regards,
\r
lasconic wrote:
I took some time yesterday night to take a look to improvisor code and
estimate the cost of adding musicXML export. Import is indeed more
complicated.
I downloaded the code of improvisor 3.39. It's the last and only code
available. Improvisor inner model is a little bit different
Robert Keller wrote:
On Jun 11, 2009, at 5:19 AM, Grammostola Rosea wrote:
lasconic wrote:
I took some time yesterday night to take a look to improvisor code and
estimate the cost of adding musicXML export. Import is indeed more
complicated.
I downloaded the code of improvisor 3.39. It's
kzt wrote:
Hi,
You can find an example of a chord notated as 'phrygian' (well it's
more a
modal indication, but that's what the composer Gary Peacock
intended) in the
lead sheet for Vignette.
More arguments for using names: Alt is much more easy to write and
read, less
error prone than:
Helge Kruse wrote:
Grammostola Rosea wrote:
btw why don't you install ubuntu 9.04? It has all you want.
Lilypond
Musescore
Nted
Rosegarden
Frescobaldi
I would install ubuntu x.xx when you have ported i.e.
Platform Builder 6.0
The Nokia PC Suite
Skype
to ubuntu. Please keep in mind: Despite
Grammostola Rosea wrote:
Hi,
I've found a very interesting application, Improvisor
*Impro-Visor* (short for “Improvisation Advisor”) is a music notation
program designed to help jazz musicians compose and hear solos similar
to ones that might be improvised. The objective is to improve
Grammostola Rosea wrote:
Grammostola Rosea wrote:
Hi,
I've found a very interesting application, Improvisor
*Impro-Visor* (short for “Improvisation Advisor”) is a music notation
program designed to help jazz musicians compose and hear solos
similar to ones that might be improvised
Grammostola Rosea wrote:
Grammostola Rosea wrote:
Grammostola Rosea wrote:
Hi,
I've found a very interesting application, Improvisor
*Impro-Visor* (short for “Improvisation Advisor”) is a music
notation program designed to help jazz musicians compose and hear
solos similar to ones
Grammostola Rosea wrote:
lasconic wrote:
I guess you are talking about transfering score information right ?
MusicXML seems to be a better way than MIDI.
MusicXML2Ly is nice, and by the nature of MusicXML more accurate I
guess.
But Improvisor does not have musicXML export capabilities right
Robert Keller wrote:
On Jun 10, 2009, at 4:05 AM, Grammostola Rosea wrote:
I tried to convert the midi file generated by Impro-Visor, by
midi2lily and Rosegarden. But got some errors
Both results, check attachment
Here is the midi file:
http://www.megaupload.com/?d=MSTCLK4J
\r
Robert Keller wrote:
On Jun 10, 2009, at 2:09 PM, Grammostola Rosea wrote:
but Impro-visor doesn't have musicXML support right? Is it possible
to add that?
Correct, it doesn't. It is possible to add musicXML output. Anything
is possible. However, I have too much else to do at this point
Jean-Alexis Montignies wrote:
1) I had some difficulties to write the Alt chords (for me it's based
on the superlocrian scale 1 2- 2+ 3 4+ 6- (or 5+) 7-) because the
scale has two seconds. (Note that the diminished scale cannot be
written for now with the chord notation, if you ever want to
Andy wrote:
Hello,
sorry for off-topic question. Since you're experineced with notation I hope
you can help. I am looking for a GUI based notation editor. The requirements
are:
- runs on Windows VISTA
- open source or other free software
- visual input (GUI)
- can generate MIDI files
I would
Grammostola Rosea wrote:
Andy wrote:
Hello,
sorry for off-topic question. Since you're experineced with notation
I hope you can help. I am looking for a GUI based notation editor.
The requirements are:
- runs on Windows VISTA
- open source or other free software
- visual input (GUI)
- can
Hi,
I've found a very interesting application, Improvisor
*Impro-Visor* (short for “Improvisation Advisor”) is a music notation
program designed to help jazz musicians compose and hear solos similar
to ones that might be improvised. The objective is to improve
understanding of solo
I got this reply from the main developer:
---BeginMessage---
On Jun 9, 2009, at 12:44 PM, Grammostola Rosea wrote:
Hi,
I've found a very interesting application, Improvisor
*Impro-Visor* (short for “Improvisation Advisor”) is a music
notation program designed to help jazz musicians
Gauvain Pocentek wrote:
Hi all,
On 06/07/2009 03:59 PM, Gilles Filippini wrote:
really don't want to take over the package without interaction with Thomas.
But I'm definitly interesting in helping out with this package, maybe in a team
as Vincent Bernat suggested in an other mail.
Maybe
Atte,
You said, you didn't use Lilypond anymore? Why? Is there a way for the
Lilypond devs to get you on the right road again? ;)
\r
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Atte André Jensen wrote:
Carl D. Sorensen wrote:
Yes, this is what is needed. But I have a reference for chord naming at
http://www.dolmetsch.com/musictheory17.htm#namechords
If this is wrong, then corrections would be appreciated.
That look pretty good, I disagree here and there (some
Marc Hohl wrote:
Thomas schrieb:
I was just brainstorming, I don`t expect anybody to implement that :-)
... I just thought, if music (as long as it's not abstract) follows
some basic principles, why this is not reflected in the chord naming
sometimes.
Slash Chords are a good example ...
Tim McNamara wrote:
On Jun 1, 2009, at 4:13 AM, Tim Rowe wrote:
2009/6/1 Carl D. Sorensen c_soren...@byu.edu:
You are welcome to pursue this, if you are interested in it. It is
not my
interest.
I think it shows the impossibility of what you are trying to achieve,
at least in the
Hi,
I'm wondering if there is an app who makes it able to find chord/finger
settings for piano easily.
I work on GNU/Linux.
\r
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Tao Cumplido wrote:
The list on Dolmetsch isn't too bad but it's a little confusing in my opinion.
I think it'd be better to categorize the ways in which a single chord note is
affected (or a set of notes) rather than naming all variations for each chord.
For example it lists three variations
Johannes Schöpfer wrote:
Hi,
As I already said some time ago when I made my own chordnames
functions, I still believe chordnames should be seperated from
chords, or at least chords shouldn't produce chordnames since it'll
never be clear. And the other way round there can also occur
Atte André Jensen wrote:
Carl D. Sorensen wrote:
Yes, this is what is needed. But I have a reference for chord naming at
http://www.dolmetsch.com/musictheory17.htm#namechords
If this is wrong, then corrections would be appreciated.
That look pretty good, I disagree here and there (some
Tim McNamara wrote:
On May 30, 2009, at 9:50 AM, Carl D. Sorensen wrote:
On 5/30/09 3:21 AM, Brett Duncan bdd1...@bigpond.net.au wrote:
Grammostola Rosea wrote:
Do we have an Jazz/pop chord expert on the list (I'm sure he/she
exist)?
And who wants to help with this?
I don't consider
Hi,
In the last months there where some questions about Jazz/pop chords.
About the notation of the default chords but also about chords with an E
in the bass, A/E, sus4 etc.
Some people even posted ways to do it right.
If I remember well, Carl has said that he was planning to work on the
Thanks, Marc and Carl for making this happen. I'll post some editorial
suggestions here for how bends should look soon (next week, really!
I've had occasion to work on it this week)
Great! Next week, nice.
Take it easy ;)
\r
___
Carl D. Sorensen wrote:
On 5/29/09 6:10 AM, Grammostola Rosea rosea.grammost...@gmail.com wrote:
Hi,
In the last months there where some questions about Jazz/pop chords.
About the notation of the default chords but also about chords with an E
in the bass, A/E, sus4 etc.
Some people even
Wilbert Berendsen wrote:
Hallo, alle Nederlands sprekende LilyPond gebruikers:
Op www.lilypondforum.nl is nu een forum voor Nederlandstalige
LilyPondgebruikers. Het is bedoeld om nieuwkomers ondersteuning te bieden dus
ook de meer gevorderde LilyPond-gebruiker is er van harte welkom!
At
Marc Hohl wrote:
There is one problem now with the settings in tablature.ly: I simply
made ties transparent, but
then, the fret number appears as it were a note to be played.
Hopefully somewhere in the future,
I will find a possibility to let the fret number disappear, but as
David Stocerk
Marc Hohl wrote:
Hello tablature users*,
after some days of struggling with lilypond's internals, I have
created a file tablature.ly
Wow, I am very happy about this! I'm gonna test it for sure.
Thanks Marc and Carl!
@David could you make some progress with the bends and stuff?
Kind
Valentin Villenave wrote:
2009/4/19 Grammostola Rosea rosea.grammost...@gmail.com:
It is possible to get an typical jazz swing also in the midi file, so I hear
it when playback?
It's a request that is already waiting in our tracker:
http://code.google.com/p/lilypond/issues/detail?id
Marc Hohl wrote:
Carl D. Sorensen schrieb:
On 3/23/09 5:02 AM, Marc Hohl m...@hohlart.de wrote:
I assume that this will happen when tablature is updated. As far
as I know,
nobody is yet planning to do the work on tablature. They are only
planning
to put in the requests.
I'd
David Stocker wrote:
I offer LilyPond engraving alongside output from Finale and Sibelius.
None of my corporate clients ask for LilyPond, but I recommend it to
them for classical engraving (of which I do very little). I have a
handful of folks who take output from LilyPond.
David Stocker
Marc Hohl wrote:
I think you should also add:
\override TabVoice.Tie #'transparent = ##t
Yes, of course. But then another problem occurs: if the tie isn't
visible, it looks as if there are two distinct
notes. Therefore, I think strongly about a scheme function (which at
the end should be
David Stocker wrote:
Marc Hohl wrote:
I think you should also add:
\override TabVoice.Tie #'transparent = ##t
Yes, of course. But then another problem occurs: if the tie isn't
visible, it looks as if there are two distinct
notes. Therefore, I think strongly about a scheme function
Marc Hohl wrote:
Grammostola Rosea schrieb:
Btw it's time to make tablature with invisible Ties, Slurs, Dots,
Stems etc. default imo.
I don't know whether this should be the default, but it should be
archieved with a simple
command, like \tabNumbersOnly (which isn't defined yet).
Marc
Grammostola Rosea wrote:
Marc Hohl wrote:
Grammostola Rosea schrieb:
Btw it's time to make tablature with invisible Ties, Slurs, Dots,
Stems etc. default imo.
I don't know whether this should be the default, but it should be
archieved with a simple
command, like \tabNumbersOnly (which
Grammostola Rosea wrote:
Grammostola Rosea wrote:
Marc Hohl wrote:
Grammostola Rosea schrieb:
Btw it's time to make tablature with invisible Ties, Slurs,
Dots, Stems etc. default imo.
I don't know whether this should be the default, but it should be
archieved with a simple
command
Marc Hohl wrote:
Grammostola Rosea schrieb:
Neil Puttock wrote:
2009/3/28 Grammostola Rosea rosea.grammost...@gmail.com:
Hi,
I want to get invisible slurs in tablature... how?
Simply \override Slur #'transparent in the same way as you've done for
the other objects in your TabStaff
Grammostola Rosea wrote:
Marc Hohl wrote:
Grammostola Rosea schrieb:
Neil Puttock wrote:
2009/3/28 Grammostola Rosea rosea.grammost...@gmail.com:
Hi,
I want to get invisible slurs in tablature... how?
Simply \override Slur #'transparent in the same way as you've done for
the other
Hi,
I want to get invisible slurs in tablature... how?
This is my score:
\header {
title = BLUE BOSSA
composer = K. Dorham
}
global = {
\key c \minor
\time 4/4
\partial 4
\override TabStaff.Stem #'transparent = ##t %% Makes stems transparent
\override TabStaff.Beam #'transparent =
Neil Puttock wrote:
2009/3/28 Grammostola Rosea rosea.grammost...@gmail.com:
Hi,
I want to get invisible slurs in tablature... how?
Simply \override Slur #'transparent in the same way as you've done for
the other objects in your TabStaff context.
Why aren't you using ties though
Johan Vromans wrote:
Domain Admin m...@mjs-svc.com writes:
If anyone's interested, I've started work on a Sibelius plug-in to
export Lilypond data.
I'm one of the people that have to convert Sibelius scores to Lilypond
on a regular basis.
I use MIDI export from Sibelius, and the
Wilbert Berendsen wrote:
Op zaterdag 21 maart 2009, schreef Grammostola Rosea:
I was wondering if there's an easy way to insert Fret Diagrams for
guitar in Lilypond. Most of the time I use templates from Frescobaldi,
but I don't see an Fret Diagram option there.
I like to display the fret
Frederick Dennis wrote:
Dear All,
I tried to install Frescobaldi with openSuse but keep getting the
message: cmake - no such program. I'm a novice at linux.
Also, --exec-prefix produced an error.
Is there an easier way of getting it to work?
Thanks for your attention.
Do you have cmake
Carl Sorensen wrote:
Grammostola Rosea rosea.grammostola at gmail.com writes:
Hi,
I was wondering if there's an easy way to insert Fret Diagrams for
guitar in Lilypond. Most of the time I use templates from Frescobaldi,
but I don't see an Fret Diagram option there.
I like to display
Hi,
I was wondering if there's an easy way to insert Fret Diagrams for
guitar in Lilypond. Most of the time I use templates from Frescobaldi,
but I don't see an Fret Diagram option there.
I like to display the fret diagram and the chord name above it.
Thanks in advance,
\r
Wilbert Berendsen wrote:
Op dinsdag 24 februari 2009, schreef Grammostola Rosea:
\new Staff \with {
midiInstrument = acoustic bass
} { *\clef bass_8* \bass }
\new TabStaff \with {
stringTunings = #bass-tuning
} \bass
If this is the most used way, ( \clef
to
those individuals for discussion. Every once in a while, we can post
something to the main -user list, to maintain some visibility and
maybe alert new users who may be interested.
Cheers,
Dave
Grammostola Rosea wrote:
Grammostola Rosea wrote:
David,
Already some more reactions?
How
Valentin Villenave wrote:
2009/2/24 David Stocker dstoc...@thenotesetter.com:
I'm working on the first group of missing LilyPond Tab features and it
pertains to finger bends. I expect this to be a slow process. We have two
(or maybe three) individuals who have expressed interest in joining
t.scharkow...@t-online.de wrote:
Hello,
I had installed Frescobaldi on my Kubuntu 8.04 KDE 4.1.2 system.
Now I have upgraded to 8.10 KDE 4.2 and get the following error:
Any hints?
Thank you
IFAIK in kde 4.2 you don't need lilypond-kde4. I suggest to remove it
and reinstall frescobaldi.
Grammostola Rosea wrote:
t.scharkow...@t-online.de wrote:
Hello,
I had installed Frescobaldi on my Kubuntu 8.04 KDE 4.1.2 system.
Now I have upgraded to 8.10 KDE 4.2 and get the following error:
Any hints?
Thank you
IFAIK in kde 4.2 you don't need lilypond-kde4. I suggest to remove
Hi,
How do I transpose leadsheet? Chords and melody?
\r
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Grammostola Rosea wrote:
Hi,
How do I transpose leadsheet? Chords and melody?
Chords I can do with:
chordNames = \chordmode {
\global
% Akkoordnamen volgen.
\transpose g c {
r2. c1:m7 f:7 bes:maj7 es:maj7
a:m7.5- d:7 g:m g:m
c1:m7 f:7 bes:maj7 es:maj7
a:m7.5- d:7 g:m g:m
a:m7.5- d:7
James E. Bailey wrote:
El 01.03.2009, a las 16:55, Grammostola Rosea escribió:
Grammostola Rosea wrote:
Hi,
How do I transpose leadsheet? Chords and melody?
But the melody is not tranposed very well. The octaves of the notes
are not right :(
Or do I have to change those comma's by hand
Hi,
Imho Lilypond uses to many bars on one 'row' in a-4 format. I got about
8 bars (4/4), I prefer to have 4.
I tried to use:
\layout { }
\midi {
\context {
\Score
\override SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 16)
But it doesn't seems
Shamus wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Grammostola Rosea wrote:
Tim McNamara wrote:
On Feb 22, 2009, at 1:59 PM, Grammostola Rosea wrote:
Tim McNamara wrote:
On Feb 22, 2009, at 8:02 AM, Grammostola Rosea wrote:
Hi,
How do I make
Wilbert Berendsen wrote:
Op dinsdag 24 februari 2009, schreef Grammostola Rosea:
\new Staff \with {
midiInstrument = acoustic bass
} { *\clef bass_8* \bass }
\new TabStaff \with {
stringTunings = #bass-tuning
} \bass
If this is the most used way, ( \clef
David Stocker wrote:
Editorially, I prefer the treble_8 clef as well, but I think it's safe
to say that most readers (to the extent they notice at all) are more
accustomed to seeing the regular treble and bass clefs, as opposed
to treble_8 or bass_8.
Dave
Jonathan Kulp wrote:
David Stocker
Tim McNamara wrote:
On Feb 22, 2009, at 1:59 PM, Grammostola Rosea wrote:
Tim McNamara wrote:
On Feb 22, 2009, at 8:02 AM, Grammostola Rosea wrote:
Hi,
How do I make chords with the 5th an half tone lower or higher
(e.g. b5 or #5)?
for example
Am7(b5)
or
D7(#5)
I just asked
Hi,
How do I make chords with the 5th an half tone lower or higher (e.g. b5
or #5)?
for example
Am7(b5)
or
D7(#5)
Thanks in advance,
\r
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
hi,
this melody:
g4 a bes | es1( | es4) f, g a | d2 d
and I want to add these lyrics:
The fall - ing leaves_ drift by my win - dow,
leaves should be place below es1( | es4)
The templae of frescobaldi uses:
verse = \lyricmode {
% Liedtekst volgt hier.
}
I don't get this
Alberto Simões wrote:
Hello
Grammostola Rosea wrote:
hi,
this melody:
g4 a bes | es1( | es4) f, g a | d2 d
and I want to add these lyrics:
The fall - ing leaves_ drift by my win - dow,
Probably you want:
The fall- ing leaves drift by my win- dow
Cheers
Alberto
Tim McNamara wrote:
On Feb 22, 2009, at 8:02 AM, Grammostola Rosea wrote:
Hi,
How do I make chords with the 5th an half tone lower or higher (e.g.
b5 or #5)?
for example
Am7(b5)
or
D7(#5)
I just asked this same question a couple of weeks ago. The standard
way would be:
Am7
Andrew Wilson wrote:
2009/2/19 Grammostola Rosea rosea.grammost...@gmail.com:
About the bass-tuning. When I do
c,4\3
The fret position and the high of the C wasn't what I suspected and which
should be the default imho.
when I do
c4\3
The note is ok, but the fret position
David Stocker wrote:
Standard Electric basses have four strings, so that would probably be
useful to most people using a Bass/Tab template. That being said--5,
6, 7 and more strings are becoming more and more common all the time.
I think approx. 80 % use 4 string electric bass, 18 % 5 strings
Wilbert Berendsen wrote:
Hi all,
op woensdag 18 februari 2009, schreef David:
Standard Electric basses have four strings, so that would probably be
useful to most people using a Bass/Tab template. That being said--5, 6,
7 and more strings are becoming more and more common all the time.
Grammostola Rosea wrote:
Wilbert Berendsen wrote:
Hi all,
op woensdag 18 februari 2009, schreef David:
Standard Electric basses have four strings, so that would probably be
useful to most people using a Bass/Tab template. That being said--5, 6,
7 and more strings are becoming more and more
Grammostola Rosea wrote:
Grammostola Rosea wrote:
Wilbert Berendsen wrote:
Hi all,
op woensdag 18 februari 2009, schreef David:
Standard Electric basses have four strings, so that would probably be
useful to most people using a Bass/Tab template. That being
said--5, 6,
7 and more strings
Daniel Hulme wrote:
On Tue, Feb 17, 2009 at 10:25:19PM +0100, Grammostola Rosea wrote:
My default Debian lenny version, works ok. But how do I install the
newest lilypond on Debian testing?
When I install the sh script, it doesn't work properly.
In what way? Please give any error
Grammostola Rosea wrote:
Daniel Hulme wrote:
On Tue, Feb 17, 2009 at 10:25:19PM +0100, Grammostola Rosea wrote:
My default Debian lenny version, works ok. But how do I install the
newest lilypond on Debian testing?
When I install the sh script, it doesn't work properly.
In what way
Trevor Daniels wrote:
Jonathan Kulp wrote Wednesday, February 18, 2009 12:16 PM
Trevor Daniels wrote:
Jonathan Kulp wrote Wednesday, February 18, 2009 12:16 AM
Trevor Daniels wrote:
This looks like a bug. An attempt to add the
Instrument_name_engraver to a StaffGroup context *and* produce
Wilbert Berendsen wrote:
Op vrijdag 13 februari 2009, schreef Grammostola Rosea:
Wilbert Berendsen wrote:
Op vrijdag 13 februari 2009, schreef Grammostola Rosea:
When I use a template in Frescobaldi for electric bass it doesn't seems
to work, I get a error message, see below
Grammostola Rosea wrote:
Grammostola Rosea wrote:
Grammostola Rosea wrote:
Wilbert Berendsen wrote:
Op vrijdag 13 februari 2009, schreef Grammostola Rosea:
Wilbert Berendsen wrote:
Op vrijdag 13 februari 2009, schreef Grammostola Rosea:
When I use a template in Frescobaldi
Daniel Hulme wrote:
On Tue, Feb 17, 2009 at 10:25:19PM +0100, Grammostola Rosea wrote:
My default Debian lenny version, works ok. But how do I install the
newest lilypond on Debian testing?
When I install the sh script, it doesn't work properly.
In what way? Please give any error
Grammostola Rosea wrote:
Grammostola Rosea wrote:
Wilbert Berendsen wrote:
Op vrijdag 13 februari 2009, schreef Grammostola Rosea:
Wilbert Berendsen wrote:
Op vrijdag 13 februari 2009, schreef Grammostola Rosea:
When I use a template in Frescobaldi for electric bass it doesn't
David Stocker wrote:
I think I just need to take initiative with this. I've been thinking
about it for a while and what I'll do is in my spare time (what's
that?) I'll catalog some 'missing features' that would lead to better
tablature support and include visual examples from published music.
David Stocker wrote:
Anyone who would like to be involved in documenting/discussing
features missing from LilyPond's guitar tab support, please send me an
off-list email at the following address:
dstoc...@thenotesetter.com
When we have a list of around 10-15 specific items, we can then
1 - 100 of 188 matches
Mail list logo
