Re: Stepping down and moving on

David, thank you for all your work and good luck with the new job! Can you share the name of the company and what you will be working on? All the best, Janek 2016-11-09 9:09 GMT-08:00 David Kastrup : > > Hi folks and team, > > while I haven't really occupied an official function

Re: Compound Slurs

adjusted only minimally, > it doesn't mess up completely. This is due to the use of polar coordinates > that have first been realized by Janek Warchoł in his \shapeII functions > but that can now be done *much* easier thanks to new functions ly:angle, > ly:length and ly:direct

Re: Sibelius 8

2015-06-24 10:54 GMT-07:00 Michael Rivers michaeljriv...@gmail.com: Avid firing the Sibelius development team is what sent me scouring the internet in a panic to find a replacement, and to me finding Lilypond. I can't thank Avid enough. Thanks, that's very nice to hear!

Re: Git + LilyPond

2015-06-06 5:52 GMT-07:00 Johan Vromans jvrom...@squirrel.nl: On Sat, 06 Jun 2015 10:12:01 +0200 Peter Bjuhr peterbj...@gmail.com wrote: How can I do this? See e.g. http://blog.karssen.org/2013/06/06/importing-a-git-repo-into-another-one-keeping-all-history/ and several other

Re: a proper whiteout function

Hi Paul, thanks a lot for doing this! The result is quite impressive, i didn't expect this approach to produce so nice whiteouts :) I have just a couple cosmetic suggestions: - I think offset should be renamed to padding. Throughout LilyPond, offsets are used to measure distances and position,

any LilyPonders who'd like to meet in California?

Hello, I'll be in San Francisco area for the next three weeks - anyone would like to meet? It would be great :) best, Janek ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Is GridLY the future?

Hi, 2015-04-28 7:49 GMT+02:00 Werner LEMBERG w...@gnu.org: Actually I'm quite convinced that this situation has a notable impact on the overall development activiyt. I don't think so. Have you ever observed the development of Emacs or the Linux kernel, for example by reading the

Re: Suggest a condensed old style or transitional font for lyrics?

2015-04-30 17:51 GMT+02:00 Abraham Lee tisimst.lilyp...@gmail.com: I've got a handful of others (perfect for this purpose and just beautiful in general) that I'd be willing to recreate from some nice scanned samples if anyone was willing to sponsor the effort. How much sponsoring would you

Re: Font question.

Hi, 2015-05-03 2:13 GMT+02:00 Hwaen Ch'uqi hwaench...@gmail.com: Greetings All, I realize that this may be an obvious question, but could anyone tell me what is the default font used for text in LilyPond? What is the nearest Microsoft equivalent? it's New Century Schoolbook. I don't know

getting involved with LilyPond (was: Do we really offer the future?)

Hi Kevin, 2015-04-24 6:49 GMT+02:00 Kevin Tough ke...@toughlife.org: On Thu, 2015-04-23 at 13:06 -0500, David Nalesnik wrote: (Please take this as a plea for more help with the project! It is not intended to downplay the efforts by the contributors to this thread.) Hi David and others, as

Re: Is GridLY the future? (Was: Do we really offer the future?)

2015-04-23 12:37 GMT+02:00 Urs Liska u...@openlilylib.org: Am 22.04.2015 um 22:58 schrieb Thomas Morley: I don't think it's a problem to get new functionality into LilyPond, _if_ it's coded properly. Sometimes people are scared by a maybe too rough tone, though. [...] It *is* a problem,

Re: Is GridLY the future? (Was: Do we really offer the future?)

2015-04-28 7:27 GMT+02:00 Janek Warchoł janek.lilyp...@gmail.com: I agree with Urs - in my opinion LilyPond is not developer-friendly enough. Actually it's one of the reasons why I was away for so long - the friction in the community caused me to loose some motivation to work on LilyPond

Re: mutopia's shortcomings

2015-04-27 19:02 GMT+02:00 Kieren MacMillan kieren_macmil...@sympatico.ca: it does not make sense to improve the maintainability of a large set of scores by relying on a functionality that has to be adapted manually in future and thus produces more manual interventions. It also doesn’t make

Re: Indicate a broken chord should ring.

2014-10-18 19:58 GMT+02:00 Knute Snortum ksnor...@gmail.com: Thanks for that. It works pretty well, except that in my case one of the ties isn't placed well. I'm trying to use \shape to change the tie but it doesn't seem to work. %%--- Start \version 2.19.15 \language english

Re: Bass and Treble Clef notes on the same clef

2014-10-17 0:58 GMT+02:00 David Kastrup d...@gnu.org: Knute Snortum ksnor...@gmail.com writes: I have a situation I don't know how to deal with in LilyPond. I have bass clef and treble clef notes on the same staff. I guess one way to do it is to create a markup and a small bass clef sign and

Re: A sign I can't understand ...

2014-10-16 13:49 GMT+02:00 Son_V vincenzo.a...@gmail.com: isn't that indicating that in a second (or later) verse there are two syllables? Yes. Sorry ... I've been too stingy. :-) Here is a larger view: http://lilypond.1069038.n5.nabble.com/file/n167616/Simbolo_strano_2.jpg Note that the

Re: practice/volunteer opportunities

Hi Andrew, welcome to the community! As i'm working on the same project as Urs does, i do encourage you to follow the links he sent :) best, Janek 2014-10-12 18:03 GMT+02:00 truthling heartsa...@gmail.com: Greetings, all! This is my first post and I would firstly like to express my

Re: Automatic ottava handling

Awesome work, David! I think it would be great to actually have some default ottava settings in official lilypond (e.g. something like \ottavate #4 #-4). best, Janek 2014-10-12 21:07 GMT+02:00 David Nalesnik david.nales...@gmail.com: Hi, On Sat, Oct 11, 2014 at 9:05 PM, David Nalesnik I'll

Re: relative music inside music functions explodes when used twice

...@gnu.org: Janek Warchoł janek.lilyp...@gmail.com writes: Hi, i have a function that takes music as an argument and uses it twice - each time with a different tag appended, so that later on i can decide what to output: voiceDivisi = #(define-music-function (parser location m1 m2

Re: Contemporary Music Notation

2014-10-12 14:06 GMT+02:00 Piaras Hoban phoba...@googlemail.com: I thought it might be interesting for those wondering what's possible in lilypond to see some examples from the field. I've put together a page collating those things I've done in the past year or so. !! and then:

Re: relative music inside music functions explodes when used twice

2014-10-12 12:45 GMT+02:00 David Kastrup d...@gnu.org: I'm not even sure I understand _how_ you want the relativization to happen. One after the other? If you mean \musicII should be relativized after \music, that's roughly what i want. In that case, you can use voiceDivisi =

relative music inside music functions explodes when used twice

Hi, i have a function that takes music as an argument and uses it twice - each time with a different tag appended, so that later on i can decide what to output: voiceDivisi = #(define-music-function (parser location m1 m2) (ly:music? ly:music?) #{ \tag divI \context Voice = divI { #m1 }

Re: Contemporary Music Notation

Hi, 2014-10-08 22:11 GMT+02:00 Marco Bagolin bagolin.ma...@gmail.com: Hello all, I'm new Lilypond user and I am interested in Contemporary Music Notation. I read all 2.8 Contemporary music manual section: http://www.lilypond.org/doc/v2.18/Documentation/notation/contemporary-music but lot

Re: Supporting ♯ and ♭

2014-10-06 17:37 GMT+02:00 MarcM m...@mouries.net: I agree it is not easier to type but any non-techie musician will find this easier to read. Adding shortcuts in Frescobaldi will help type the ♯ and ♭. Yes, using this symbols will make sense if someone has an editor with appropriate

Re: Supporting ? and ?

2014-10-06 20:57 GMT+02:00 Flaming Hakama by Elaine ela...@flaminghakama.com: I know using '#' would not work due to conflict with scheme but what about using the Unicode symbols? g g g e? would be easier to write and read then g g g ef Maybe I'm not understanding the suggestion--do

Re: Long stretch in one voice, then two

2014-09-28 23:42 GMT+02:00 Simon Albrecht simon.albre...@mail.de: Well probably it's intuitive for German native speakers by analogy to eine Stimme and Stimme Eins, that what I meant. The next question, of course, is: Do you have an alternative proposal? :-) For example \singleVoice. Knute's

Re: Long stretch in one voice, then two

2014-09-28 23:25 GMT+02:00 Simon Albrecht simon.albre...@mail.de: Hello, do you really think they aren't user-friendly? I always found them easy to understand and use. Is this because they comply to german syntax more neatly? We have two commands named \voiceOne and \oneVoice. That's

Re: Long stretch in one voice, then two

2014-09-27 19:44 GMT+02:00 Knute Snortum ksnor...@gmail.com: This question may be a matter of style, or there may be a command I'm missing. I have a piano piece that starts with the right hand in one voice for a long stretch (about 20 bars). It then breaks into mostly two voices. One way

Re: Henle Music font

Hi, 2014-09-12 5:40 GMT+02:00 tisimst tisimst.lilyp...@gmail.com: Here are some sample scans http://fonts.openlilylib.org/henle-images/ of Henle scores I have. Which one should I base the new font off of? I know that there are even more designs, but I'll start with these (unless no one

Re: Henle Music font

2014-09-12 20:26 GMT+02:00 tisimst tisimst.lilyp...@gmail.com: Janek Warchoł wrote Hi, I like the middle two samples better than remaining ones. But i don't know whether they would be the most representative ones for Henle, so count my vote with reduced weight :) cheers, Janek Janek

Re: Treating a tie as a slur

Hi, 2014-09-08 12:51 GMT+00:00 Johan Vromans jvrom...@squirrel.nl: Hi, Often when processing music imported from Sibelius I have the problem that Sibelius doesn't seem to care whether a tie connects notes of the same pitch. As a consequence, some Sibelius users have become lazy and always

Re: partcombine/divisi framework - let the fun begin!

Hi, 2014-09-01 23:38 GMT+02:00 Keith OHara k-ohara5...@oco.net: On Sat, 30 Aug 2014 04:41:15 -0700, Janek Warchoł janek.lilyp...@gmail.com wrote: 2014-08-29 8:53 GMT+02:00 Keith OHara k-ohara5...@oco.net: But if someone uses these definitions with music that uses tags for some other

Re: Score feedback request

Hi, 2014-09-06 11:06 GMT+02:00 Urs Liska u...@openlilylib.org: In traditional Lied notation dynamics are placed between the piano staves. I have a hard time finding it in the manual, but what you'd so is create the dynamics in a separate music variable (for example dynamics) and then write

Re: partcombine/divisi framework - let the fun begin!

2014-08-29 8:53 GMT+02:00 Keith OHara k-ohara5...@oco.net: Janek Warchoł janek.lilypond at gmail.com writes: I'm working on putting together a set of functions for handling parts that split into multiple voices and/or staves Attachment (definitions.ily): text/x-lilypond, 2359 bytes

Re: Best practice for parts with varying number of staves

Hi Kieren, 2014-08-28 1:43 GMT+02:00 Kieren MacMillan kieren_macmil...@sympatico.ca: Hi Janek, What's the status of your partcombining framework”? It stalled last year, usurped by a constant stream of paid commissions. However, my father-in-law has generously offered to sponsor me to take

Re: brainstorming a really smart system engraver

Hi, 2014-08-28 1:40 GMT+02:00 Kieren MacMillan kieren_macmil...@sympatico.ca: Hi all, I think that issue 3518 (pushed recently) does just this: https://code.google.com/p/lilypond/issues/detail?id=3518 It doesn't do the automatic AI nightmare part. Yes, unfortunately... Yes, sorry - i

Modifying barline right before a stave is hidden

Hi all, is it possible to write a function that does something based on whether the current context will be visible or hidden in the next system? For example, i have \version 2.19.12 \layout { \context { \Score \RemoveEmptyStaves } } fooBarline = {} \new Staff {

partcombine/divisi framework - let the fun begin!

Hi all, I'm working on putting together a set of functions for handling parts that split into multiple voices and/or staves (using functionality David Kastrup implemented in https://code.google.com/p/lilypond/issues/detail?id=3518). I attach a first version and i'd be interested in your

Re: Context order

Hi, 2014-08-28 19:21 GMT+02:00 Samuel Speer samuelsp...@gmail.com: Hi list, I'm wondering if there is a simple way to keep the PianoStaff at the bottom of the vertical group, regardless of contexts being created / destroyed above it. Basically, I've created a ChoirStaff with

Re: partcombine/divisi framework - let the fun begin!

2014-08-28 19:23 GMT+02:00 Janek Warchoł janek.lilyp...@gmail.com: I attach a first version and i'd be interested in your comments. PS this code requires LilyPond 2.19.13, which has not yet been released. Anyone wishing to try out the example should compile LilyPond from source; take a look

Re: Measure Repeat Counter

2014-08-27 19:48 GMT+02:00 James pkx1...@gmail.com: On 27/08/14 18:47, James wrote: Perhaps this one? http://lsr.di.unimi.it/LSR/Item?id=473 :) You don't need to abuse PercentRepeats - there's a dedicated functionality: { c'1~ | \startMeasureCount c'~ | c'~ | c'~ | c'~ \stopMeasureCount |

Re: brainstorming a really smart system engraver

Hi Kieren, 2012-12-14 14:47 GMT+01:00 Kieren MacMillan kieren_macmil...@sympatico.ca: Hello all, Like many people on this list, I engrave a number of choral works using Lilypond. Like a smaller subset of those people, I engrave a number of large and very large works (musicals, operas,

Re: Best practice for parts with varying number of staves

Hi Kieren, 2013-05-15 12:06 GMT+02:00 Kieren MacMillan kieren_macmil...@sympatico.ca: Hi Urs, How would you approach this scenario? I'm working on a mechanism involving \quoteDuring and \RemoveEmptyStaves which should handle this scenario perfectly. Right now, I'm testing it with a choral

rewriting function that takes music expression into two enclosing \...Begin and \...End commands

Hi, i have something like this: divided = #(define-music-function (parser location music) (ly:music?) #{ \voiceOne \new Voice { \voiceTwo #music } \oneVoice #}) musI = \relative f' { g b a b c b a b } musII = \relative f' { e4 g f g \divided { f2 f } }

Re: Problem with wrong font/glyphs/graphics

2014-08-25 0:40 GMT+02:00 Frank Steinmetzger war...@gmx.de: On Sun, Aug 24, 2014 at 10:51:53PM +0200, Malte Meyn wrote: That is a known problem. If I remember correctly this only occurs with some old versions of LilyPond when using a certain version of ghostscript, but I don’t remember the

Re: Bug: breathing sign and accidental overlap

2014-08-24 16:11 GMT+02:00 Frank Steinmetzger war...@gmx.de: http://code.google.com/p/lilypond/issues/detail?id=2354 Ah ok, sorry for the noise then. I worked around with an invisible cis an octave down which introduces the needed spacing. I'd rather suggest to use \override

a thank you :)

Hi, today's no special anniversary, but i'd like to publicly thank David Kastrup for all the work he's been doing on LilyPond for the last years. Many of his patches are relatively small cleanups and code simplifications in the areas i have no experience with, so it's hard to appreciate them

Re: slur position in

2014-08-14 16:29 GMT+02:00 Federico Bruni fedel...@gmail.com: 2014-08-14 16:11 GMT+02:00 bb bb-543...@versanet.de: I cannot get a slur from g, to b? \version 2.18.0 #(set-global-staff-size 29) \relative c'' { \override Slur.positions = #'(-20 . 0) d g, d 8 ^ H (b) } I could not

Re: Accidentals centred above notes

2014-08-10 10:25 GMT+02:00 Richard Shann rich...@rshann.plus.com: I hadn't realized that I had stumbled into an area of live development - thanks for making me aware of what is going on. Reflecting on things, I thought I should anyway develop a general-purpose interface for people to place an

Re: Reduce vertical space between \score's?

2014-08-08 19:44 GMT+02:00 PMA peterarmstr...@aya.yale.edu: P.S. I should ask alternatively: Is there a way that proportionalNotationDuration...make-moment... can be reset _per system_ (assuming now a multi- system \score)? As Abraham wrote, you should use \newSpacingSection: \score {

Re: Whole-measure rests that specify rhythmic value

Hi, 2014-08-05 18:54 GMT+02:00 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com: Hi, 2014-08-04 23:57 GMT+02:00 Micah Walter micahjwal...@gmail.com: I have a whole measure rest. I would like the dotted half-note glyph, which specifies the rhythmic value, but I would also like it to

Re: Accidentals centred above notes

Hi, 2014-08-07 9:26 GMT+02:00 Phil Holmes m...@philholmes.net: - Original Message - From: Richard Shann rich...@rshann.plus.com To: lilypond-user@gnu.org Sent: Thursday, August 07, 2014 7:58 AM Subject: Accidentals centred above notes It looks like the use of the \sharp markup does

Re: Accidentals centred above notes

2014-08-07 14:16 GMT+02:00 David Kastrup d...@gnu.org: Richard Shann rich...@rshann.plus.com writes: the docs ( http://www.lilypond.org/doc/v2.18/Documentation/internals/self_002dalignment_002dinterface ) say: self-alignment-X (number) Specify alignment of an object. The value -1

Re: How split SA staff into two staff - each now has two voices?

Hi, 2014-08-01 8:06 GMT+02:00 Abraham Lee tisimst.lilyp...@gmail.com: I believe this is what you're looking for: http://www.lilypond.org/doc/v2.18/Documentation/snippets/staff-notation#staff-notation-adding-indicators-to-staves-which-get-split-after-a-break I believe this snippet is

Re: How split SA staff into two staff - each now has two voices?

2014-08-01 15:10 GMT+02:00 Phil Holmes m...@philholmes.net: I've updated the LSR with your snippet: the code base will have this following an LSR import. Whoah, thanks! I didn't expect that you'll be so fast :) cheers, Janek ___ lilypond-user

Re: How split SA staff into two staff - each now has two voices?

2014-08-01 16:39 GMT+02:00 Simon Albrecht simon.albre...@mail.de: Hello, I’d like to suggest rearranging the instrument names in LSR 650 using \center-column (more elegant in my eyes). Attached you find an updated version of the file. Do you approve? Definitely. Not using \center-column was

Re: self-alignment-X has negligible effects on dynamics

use of both my time and doc writers' time. 2014-07-28 23:56 GMT+02:00 David Nalesnik david.nales...@gmail.com: Hi Janek, On Mon, Jul 28, 2014 at 4:12 PM, Janek Warchoł janek.lilyp...@gmail.com wrote: { \override DynamicText.X-offset = #ly:self-alignment-interface::x-aligned-on-self

Re: thanks again for the editionEngraver

Hi, 2014-07-30 20:39 GMT+02:00 Janek Warchoł janek.lilyp...@gmail.com: Hi, 2014-07-30 0:54 GMT+02:00 David Kastrup d...@gnu.org: Janek Warchoł janek.lilyp...@gmail.com writes: As i said, defining new instrument contexts is very cheap - you can just do \newInstrument ViolinI Violin

Re: thanks again for the editionEngraver

Hi, 2014-07-30 0:54 GMT+02:00 David Kastrup d...@gnu.org: Janek Warchoł janek.lilyp...@gmail.com writes: As i said, defining new instrument contexts is very cheap - you can just do \newInstrument ViolinI Violin StaffGroup\with { } \with { } \newInstrument ViolinII Violin StaffGroup

Re: thanks again for the editionEngraver

2014-07-30 20:47 GMT+02:00 David Kastrup d...@gnu.org: Janek Warchoł janek.lilyp...@gmail.com writes: Hi, 2014-07-30 0:54 GMT+02:00 David Kastrup d...@gnu.org: Janek Warchoł janek.lilyp...@gmail.com writes: As i said, defining new instrument contexts is very cheap - you can just do

Re: thanks again for the editionEngraver

Hi Jan-Peter, 2014-07-29 9:34 GMT+02:00 Jan-Peter Voigt jp.vo...@gmx.de: Hi Janek, your predefined context are cool :) Thanks! I see them in context with my lalily templates -- they will of course benifit. And the editionEngraver can indeed take advantage from specific context names. But

Re: self-alignment-X has negligible effects on dynamics

Hi all. yes, i need to update the documentation, and some parts of my patch should be changed to make it more backward-compatible. I'll think about this, but right now i'm still too upset and i don't want to start a flamewar. Please give me several days to calm down. Janek

Re: self-alignment-X has negligible effects on dynamics

Hi, 2014-07-28 16:13 GMT+02:00 David Nalesnik david.nales...@gmail.com: In the following example, the ordinary overrides of self-alignment-X appear to have no effect on the position pf the dynamics (or an effect I can't see). Large numbers are needed for an obvious shift. Is this a bug, or

Re: self-alignment-X has negligible effects on dynamics

Hi, 2014-07-28 22:51 GMT+02:00 David Nalesnik david.nales...@gmail.com: What is potentially confusing (and you see how badly I've been confused) is that the default setting of X-offset has changed. I'm not sure if i understand. You mean that default X-offset values for DynamicTexts changed,

Re: thanks again for the editionEngraver

Hi, 2014-07-28 3:38 GMT+02:00 Kieren MacMillan kieren_macmil...@sympatico.ca: Hi Jan-Peter, I think the most complicated part is addressing multiple voices in one Staff. […] propably there are more things to modify to make it more intuitive. I think the stated problem would be solved *AND*

tenorized treble clef

Hi, LilyPond has a treble clef with added C-clef-like stuff: { \clef tenorG c' } (http://lists.gnu.org/archive/html/lilypond-user/2013-11/msg00661.html) However, it seems to me that these added lines should be positioned half a staff-space lower. After all, C clef indicates the position of

Re: See the new music fonts in action

Hi, WOW!! just... wow! 2014-07-26 1:14 GMT+02:00 tisimst tisimst.lilyp...@gmail.com: All, I couldn't wait any longer, so here's a formal announcement about the new music fonts that I've been working on, by way of example. They are all 100% LilyPond compatible for both PDF and SVG output.

Re: See the new music fonts in action

Abraham, 2014-07-26 19:30 GMT+02:00 Abraham Lee tisimst.lilyp...@gmail.com: Janek, You are right about Ross. I updated the Ross example PDF (same link as before, so see the original message). See what you think with the thicker lines now. Yes, it's better now. Probably it could be adjusted

Re: [bounty] context generating function - how to get context def from its name?

Hi David all, 2014-07-25 21:34 GMT+02:00 David Kastrup d...@gnu.org: Janek Warchoł janek.lilyp...@gmail.com writes: 2) i didn't manage to get midi stuff done inside the same function as the layout stuff - but i think that i'll be able to solve that if i have a solution to 1). You

[bounty] context generating function - how to get context def from its name?

Hi all, i got stuck when working on a function that creates custom context definitions. The idea is to have a function \newInstrument that would take a list of settings and create new customized xxxStaff and xxxVoice contexts - something like this: newInstrument = #(define-scheme-function

Re: [bounty] context generating function - how to get context def from its name?

And the missing attachment. 2014-07-25 20:03 GMT+02:00 Janek Warchoł janek.lilyp...@gmail.com: Hi all, i got stuck when working on a function that creates custom context definitions. The idea is to have a function \newInstrument that would take a list of settings and create new customized

Re: [bounty] context generating function - how to get context def from its name?

2014-07-25 21:34 GMT+02:00 David Kastrup d...@gnu.org: Janek Warchoł janek.lilyp...@gmail.com writes: newInstrument = #(define-scheme-function (parser location instrName parentName settings)(string? ly:context-mod?) ;; ... #{ \layout { \context

Re: Mystery quirk in lyrics - only in the bass part

2014-07-23 22:56 GMT+02:00 David Kastrup d...@gnu.org: Ugh. We have shortcuts \chords, \lyrics, \figures, \drums. They are documented sparingly if at all. Check the output of git grep '\\\(chords\|lyrics\|figures\|drums\)\b' for the number of occurences which are definitely significant

Re: notation rule question

Hi, 2014-07-23 18:07 GMT+02:00 Brian Barker b.m.bar...@btinternet.com: At 13:46 23/07/2014 +0200, Karol Majewski wrote: And how to divide this: c4 c8 c8~ c4 c4 or c4 c8 c4. c4 Elaine Gould says (on pp.166-7) Note-values sustained across a beat or half-beat must expose the beat

Re: LilyPond meeting 2014?

2014-07-17 8:41 GMT+02:00 Jan-Peter Voigt jp.vo...@gmx.de: Hi all, I'd also like to join the party, but I am quite busy in the next time. I would like to join in for a session via skype or google-hang-out or similar - I could talk about and discuss the edition-engraver. Online-participation

Re: Articles on church music on Github in LilyPond format

2014-07-17 4:01 GMT+02:00 Paul Morris p...@paulwmorris.com: I came across a couple of articles on church music on Github in LilyPond format. (Organ accompaniments for Gregorian Chant, a LilyPond transcription of the Nova Organi Harmonia.)

Re: Alternative partcombine strategy possible?

Hi Xavier, sorry for delay. 2014-07-11 15:59 GMT+02:00 Xavier Scheuer x.sche...@gmail.com: On 11 July 2014 15:08, Janek Warchoł janek.lilyp...@gmail.com wrote: https://github.com/openlilylib/openlilylib/tree/master/editorial-tools/merge-rests-engraver Hi Janek, Could this definition

Re: [openlilylib] Discuss restructuring

Hi folks, as you can see, i'm falling behind with lilypond stuff, but i wanted to let you know that i've skimmed through this discussion and it LGTM. The only comment i have is: try to make things as simple as possible (but not simpler, of course) - i wouldn't like openlilylib getting a

Re: LilyPond meeting 2014?

Hi all, 2014-07-07 17:28 GMT+02:00 Urs Liska u...@openlilylib.org: On 7. Juli 2014 17:19:50 MESZ, David Kastrup d...@gnu.org wrote: The Waltroper Parkfest URL:http://www.waltroper-parkfest.de runs from August 29th to August 31st. It is an excellent diversion for accompanying guests and

Re: line width

2014-07-12 15:22 GMT+02:00 Charles Marshall marsh...@potsdam.edu: How can the length of a ragged last line be adjusted? With ragged-last-line = ##t , the line is too short to look good; with = ##f , it's right-justified and too long. It's not possible to set the width of just one system.

Re: line width

2014-07-12 20:57 GMT+02:00 Kieren MacMillan kieren_macmil...@sympatico.ca: Hi all, It's not possible to set the width of just one system. Not even by overriding NonMusicalPaperColumn.line-break-system-details? Hmm. Maybe, but i don't know anything about this - too advanced magic :)

Re: LilyPond meeting 2014?

Hi all, 2014-07-12 20:53 GMT+02:00 David Kastrup d...@gnu.org: I could offer one week earlier (full date range Aug 21st to Aug 26th), but that would still be mostly incompatible with Urs. Earlier than that collides with my own and Conny's plannings. One week later (Sep 4th to Sep 9th) may

Re: Question for all LilyPond users (especially power users)

2014-07-11 4:50 GMT+02:00 tisimst tisi...@gmail.com: Schneidy wrote I did that, but I let it unfinished for a couple of weeks now... see = http://lilypond.1069038.n5.nabble.com/LilyJAZZ-in-v2-18-td162423.html#a162444 Pierre Yes! Thank you, Pierre, for your good work! I had fun making some

Re: Follow-up question to alternate music fonts

Hi, 2014-07-10 19:25 GMT+02:00 tisimst tisi...@gmail.com: All, Is there anyone who is VERY against distributing music fonts in binary form (i.e., as otf, svg, etc.files)? I just don't see how we can make other music fonts available by forcing them to have a metafont source file. I guess that

Re: Alternative partcombine strategy possible?

2014-07-11 13:56 GMT+02:00 Abel Cheung abelche...@gmail.com: Does anybody have experience about overriding existing partcombine methods? I have a score that behave like the one below: - When both voices have identical rests, use partcombineUnisonoOnce - Use partcombineApart for everything

Re: Music font switching question

Hi, 2014-07-09 0:16 GMT+02:00 tisimst tisi...@gmail.com: Let me explain. When one wants to change the text fonts _globally_, there is the very useful Scheme function make-pango-font-tree, which looks something like this when used: \paper { #(define fonts (make-pango-font-tree

Re: Optical spacing -- no more?

Hi, 2014-07-10 15:15 GMT+02:00 Noeck noeck.marb...@gmx.de: So I guess the default spacing is now a bit thighter compared to http://lilypond.org/doc/v2.14/Documentation/essay/engraving-details#optical-spacing Nope - the difference is because you're comparing different examples. Example in Essay

Re: Header markup question

Hi, 2014-07-10 12:18 GMT+02:00 Abraham Lee tisi...@gmail.com: Good idea! I'm not sure how to contribute it to openlilylib properly, but it seems like that might be a nice place to make it permanently available if Janek/Urs might be willing to place it there :) I fully support placing it

Re: Header markup question

2014-07-08 16:48 GMT+02:00 Abraham Lee tisi...@gmail.com: This may also help. I made this diagram because I had trouble understanding which page layout properties did what. See attached for a graphical example of vertical layout properties (some rigid, some flexible). This, in conjunction with

Re: Question for all LilyPond users (especially power users)

Hi Abraham, 2014-07-09 7:43 GMT+02:00 tisimst tisi...@gmail.com: I am pleased to announce that I have several new music fonts, both in OTF and SVG formats, that I'd like people to be able to use, but this requires a patch to a single file, so anyone wanting to patch the file can do it with

Re: Dot-separated list as music function argument

2014-07-08 13:39 GMT+02:00 Simon Albrecht simon.albre...@mail.de: The 2.18 changes document says that #'(Staff Accidental) and Staff.Accidental were now interchangeable, however if I replace it in the second function call, I get errors (unexpected . etc.). Is there a way to avoid this in the

LilyPond meeting 2014?

Hi all, It's been almost two years since the Waltrop 2012 LilyPond Meeting, in which i had the pleasure to participate. What about organizing another meeting this year? - who'd be interested? - where? (David, are you interested in being the host again?) - when? (i suggest 15-17 August) If the

Re: FretBoards aligned to bar lines

Hi David, 2014-07-04 15:54 GMT+02:00 David Nalesnik david.nales...@gmail.com: Hi Marc, On Fri, Jul 4, 2014 at 2:46 AM, Marc Hohl m...@hohlart.de wrote: Hi list, in the following example, I want to align the FretBoards to the bar lines. Now they are centered over the first beat in each

Re: Ticks

Hi, 2014-07-02 22:01 GMT+02:00 Francisco Vila paconet@gmail.com: Hello, From the attached image, I thought I could use percent repeats to simulate four ticks in a measure. The problem is \repeat percent 4 { anything } always prints anything at least once at the beginning. How

Re: Text inside hairpin

You're welcome :) Maybe i should add this function to official LilyPond? 2014-06-30 3:29 GMT+02:00 Javier Ruiz-Alma jav...@ruiz-alma.com: user error! Reviewed the cited LSR instead of staying at openlilylib...my bad. Thanks for not letting me go without a shake. Javier From: Janek

Re: Text inside hairpin

Hi James, 2014-06-30 18:28 GMT+02:00 James pkx1...@gmail.com: On 30/06/14 07:54, Urs Liska wrote: It seems that the snippet-description field is suboptimal as it only states to typeset the text _below_ the hairpin. Do we need to change the texidoc string for this snippet then? And if so to

Re: Text inside hairpin

There's a snippet doing this in OpenLilyLib: https://github.com/openlilylib/openlilylib/tree/master/notation-snippets/hairpin-with-text 2014-06-29 18:36 GMT+02:00 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com: 2014-06-29 17:12 GMT+02:00 Javier Ruiz-Alma jav...@ruiz-alma.com: How can

Re: Text inside hairpin

2014-06-30 0:32 GMT+02:00 Javier Ruiz-Alma jav...@ruiz-alma.com: The scheme funct. places text outside the hairpin. Huh?? Have you looked at example usage of that snippet, available under the link? At the end there's a case with text inside Hairpin, and it works with 2.18.2 and 2.19.9 on my

Re: Double key signature

2014-06-25 5:14 GMT+02:00 Keith OHara k-ohara5...@oco.net: Pierre Perol-Schneider pierre.schneider.paris at gmail.com writes: On the french list we are working on a Merulo score with an 8 lines staff, 2 clefs and 2 key signature As you can notice, I still have to manually set the distance

Re: avoid-slur does not apply on a tie.

Hello, 2014-06-11 17:08 GMT+02:00 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com: Hi, I'd like to understand why avoid-slur does not work on this old style vibrato sign : %% \version 2.18.2 \markup\italic avoid-slur works with slur: { \override

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