On Sun, Apr 2, 2023 at 4:08 AM Ya Gloops wrote:
> Hello Jean !
> For me a,b,c,d work perfectly...
> Gilles
>
>
>
>
>
>
> Le dimanche 2 avril 2023 à 01:45:35 UTC+2, Jean Abou Samra <
> j...@abou-samra.fr> a écrit :
>
>
>
>
>
> Hi,
>
> A little question for Windows users: could one of you please
>
On Sat, Mar 25, 2023 at 3:08 PM Knute Snortum wrote:
> On Sat, Mar 25, 2023 at 9:16 AM Masaki, Akikazu <
> masaki-0.56714...@zeus.eonet.ne.jp> wrote:
>
>> Hello,
>>
>> How to set script position closer to its note than ties?
>> In default, ties are always closer to the note than scripts, but
>>
On Sat, Mar 25, 2023 at 8:36 PM Jean Abou Samra wrote:
> Le samedi 25 mars 2023 à 10:58 -0400, Mark Mathias a écrit :
>
> Oops... Except it doesn't. The accent remains black when I run it in
> 2.24.0. (I'm only beginning to get a glimmer of how to use Scheme with
> LilyPon
On Sat, Mar 25, 2023 at 10:41 AM Mark Mathias wrote:
>
>
> On Sat, Mar 25, 2023, 9:21 AM Aaron Hill wrote:
>
>> On 2023-03-25 6:10 am, Mark Mathias wrote:
>> > On Fri, Mar 24, 2023, 7:59 PM Leo Correia de Verdier <
>> > leo.correia.de.verd...@gmail.
On Sat, Mar 25, 2023, 9:21 AM Aaron Hill wrote:
> On 2023-03-25 6:10 am, Mark Mathias wrote:
> > On Fri, Mar 24, 2023, 7:59 PM Leo Correia de Verdier <
> > leo.correia.de.verd...@gmail.com> wrote:
> >> But if something more elegant is require
lor = #red
> > }
> > \context {
> > \Voice
> > \override Script.color = #red
> > }
> > }
> >
> > should get you sorted.
> >
> > Michael
>
>
The "elegant" solution intrigues me, but the link to the thread appears to
be down.
Mark Mathias
Thanks!
On Sun, Mar 5, 2023 at 1:47 PM Jean Abou Samra wrote:
> Le dimanche 05 mars 2023 à 13:43 -0500, Mark Mathias a écrit :
>
> My guess as to why the script-priority isn't a solution is that it decides
> between competing scripts and the trill spanner isn't a script. Whereas
>
As I might have guessed, Jean's solution is even easier! Also, I presumed
you wanted the trill to extend through the upbow to the acciaccatura, but
that was probably not what you wanted.
My guess as to why the script-priority isn't a solution is that it decides
between competing scripts and the
On Sun, Mar 5, 2023 at 9:56 AM Arjen wrote:
> Hello,
>
> I am trying to switch the vertical stacking order of the upbow symbol and
> the trillspan in the following fragment by overriding the script-priority
> of the upbow symbol.
> The upbow symbol should be the topmost.
>
> \version "2.22.1"
>
On Fri, Mar 3, 2023 at 1:59 PM Jean Abou Samra wrote:
> Le vendredi 03 mars 2023 à 19:58 +0100, Jean Abou Samra a écrit :
>
> Le vendredi 03 mars 2023 à 13:38 -0500, Mark Mathias a écrit :
>
> If there is a more felicitous means of separating notes and fingerings,
> I'd be ha
On Fri, Mar 3, 2023 at 11:44 AM Jean Abou Samra wrote:
> Le vendredi 03 mars 2023 à 09:56 -0500, Mark Mathias a écrit :
>
> Greetings!
> Why does a String Number appear under a Horizontal Bracket in the first
> instance, but disappear in the following score?
>
> That's
/internals/horizontal_005fbracket_005fengraver
Thank You in Advance!
Mark Mathias
\version "2.24.0"
% Why don't certain engravers, such as Horizontal_bracket_engraver,
% have a context?
% Cf., http://lilypond.org/doc/v2.24/Documentation/internals/horizontal_005fbracket_005fengraver
\layout {
Or even better ;-) :
scriptDefinitions.ricochet = ...
This would make a great addition to the snippet repository.
Thanks,
Mark
On Wed, Jan 25, 2023 at 5:21 PM Jean Abou Samra wrote:
> On 25/01/2023 22:57, Martín Rincón Botero wrote:
> > Dear list,
> >
> > is there any way to make this markup
On Tue, Jan 24, 2023 at 10:37 PM Molly Preston
wrote:
> Yeah I tried that and it didn't look any different to me. I want the
> sustainOn to be in the middle of the note head.
>
> On Tue, Jan 24, 2023, 22:07 Mark Mathias wrote:
>
>> On Tue, Jan 24, 2023 at 7:52 PM Mo
lt;
>> \new Staff = "rightHand" \rightHand
>> \new Staff = "leftHand" { \leftHand }
>> % Set pedal style to score context
>> \new Dynamics { \set Score.pedalSustainStyle = #'bracket \pedal }
>> >>
>>
>> }
>>
>> --
>> Knute Snortum
>>
>
Maybe try:
\version "2.22.2"
leftHand = {
\clef bass
e,2 g, |
}
pedal = {
\override SustainPedal.self-alignment-X = #0
s16 s16 \sustainOn s8 s4 \sustainOff \sustainOn
s4\sustainOff s4
}
\score {
<< \new Staff = "leftHand" { \leftHand }
\new Dynamics { \set Score.pedalSustainStyle = #'bracket {
\pedal } }
>>
}
Mark Mathias
On Tue, Jan 24, 2023 at 9:55 AM Jean Abou Samra wrote:
> On 24/01/2023 15:26, Mark Mathias wrote:
> > I've taken up Jean Abou Samra's invitation to develop my understanding
> of Scheme through the scheme-sandbox. I'm on Windows 10 with Guile 2.2.7 in
> a command prompt window. The
I've taken up Jean Abou Samra's invitation to develop my understanding of
Scheme through the scheme-sandbox. I'm on Windows 10 with Guile 2.2.7 in a
command prompt window. The command prompt looks correct:
scheme@(#{ g100}#)>.
I hit a wall right away. When I type "42", Scheme should print "42"
On Mon, Jan 23, 2023 at 9:59 AM Jean Abou Samra wrote:
>
>
> Le 23 janv. 2023 à 15:52, Mats Bengtsson a écrit :
>
>
>
>
> On 2023-01-22 21:17, Jean Abou Samra wrote:
>
> Le 22/01/2023 à 21:05, Mark Mathias a écrit :
>
> I'm not seeing a post from anyone els
Jean,
Ahh... of course. I had forgotten that LilyPond doesn't require the braces
for a single note, but does for anything more.
Thank you!
Mark
On Sun, Jan 22, 2023 at 3:17 PM Jean Abou Samra wrote:
> Le 22/01/2023 à 21:05, Mark Mathias a écrit :
> > I'm not seeing a post from an
I'm not seeing a post from anyone else exactly on this issue, so...
I like the new repeat structure:
https://lilypond.org/doc/v2.24/Documentation/notation/long-repeats#segno-repeat-structure
The example works with the whole note after volta 1, but if you add more
notes, change the rhythm, etc.,
On Thu, Jan 5, 2023 at 4:33 PM Wol wrote:
> On 05/01/2023 20:29, Xavier Scheuer wrote:
> > On Thu, 5 Jan 2023 at 21:11, Mark Mathias > <mailto:d8val...@gmail.com>> wrote:
> > >
> > > Partly to duplicate a 1910 popular song layout, and partly to
>
Partly to duplicate a 1910 popular song layout, and partly to continue
growing in LilyPond skill, I'm wanting to suppress the bookTitleMarkup
instrument field after page 1.
I've read the sections on Titles and Headers, Customizing, etc., and other
parts of the manual, and I've made a number of
;> \new Dynamics \with {
>> fontSize = #-5
>> \override Hairpin.height = #0.4
>> } { s\p s-\markup sostenuto s s s\< s s s\! }
>> >>
>> }
>>
>> The default height value is 0. so 0.4 is a rough approximation of 2/3
>> the default. Adjust
Jan 2023 at 14:30, Mark Mathias wrote:
> >
> > Using dynamics separately from a staff is useful, but for some reason
> changing the size affects the DynamicText but not the hairpins. I'd like
> the hairpins to match the staff size if possible.
>
> Hello,
>
> If you use
Using dynamics separately from a staff is useful, but for some reason
changing the size affects the DynamicText but not the hairpins. I'd like
the hairpins to match the staff size if possible.
Thank you,
Mark
\version "2.24.0"
\relative c'' {
<<
\new Staff \with {
\magnifyStaff #2/3
>
> Le 12/12/2022 à 16:59, Mark Mathias a écrit :
> > LilyPond Friends,
> >
> > I wish to format a table of contents in two columns. The attached tiny
> > file (at least as tiny as I could figure) shows a standard layout,
> > then a clumsy visual of what
LilyPond Friends,
I wish to format a table of contents in two columns. The attached tiny file
(at least as tiny as I could figure) shows a standard layout, then a clumsy
visual of what I want (which has no automatic page numbering), then sample
music.
I suspect the answer involves scheme
Using \rest, I can place rests from each of two voices on a staff on top of
each other without interference, thereby allowing use of the material from
each voice in separate scores elsewhere without editing. Cf:
To explicitly specify a rest’s vertical position, write a note followed by
\rest. A
On Thu, Oct 6, 2022 at 2:56 PM Jean Abou Samra wrote:
> Le 06/10/2022 à 14:27, Mark Mathias a écrit :
> > I am introducing an orchestra teacher friend to Lilypond/Frescobaldi.
> > We tried to install Lilypond on a Mac Os 12 notebook, but got an error
> > message saying Lilyp
I am introducing an orchestra teacher friend to Lilypond/Frescobaldi. We
tried to install Lilypond on a Mac Os 12 notebook, but got an error message
saying Lilypond wasn't compatible with that version. Our next step will be
to install it on her home PC, but at some point it would be nice to be
Thanks for the kind note to the LilyPond community. I just rejoined the
list after a hiatus and saw it. Prayer, blessing and
Best Wishes,
Mark
On Fri, Mar 20, 2020 at 8:48 AM Peter Toye wrote:
> Circumstances dictate that I will no longer be doing any music engraving.
> So I would like to take
Thank you to all, especially Daniel re the open issue.
Will bide my time,
MPM
On Sun, Mar 15, 2020 at 5:29 PM Daniel Rosen wrote:
> > -Original Message-
> > From: Martin Neubauer [mailto:mrtn...@gmail.com]
> > Sent: Sunday, March 15, 2020 2:11 PM
> > To: lilypond-user@gnu.org
> >
Running Frescobaldi 3.1.1 "Update with convert-ly" from LilyPond 2.18.2 to
2.20.0 added an extra line break to every line of the .ly file (Windows10).
I can strip them out of course, but is there a way to avoid this? Couldn't
find anything in Frescobaldi preferences that covers this.
Thank you,
Torsten,
All is working now! Thank You!
Mark
On Sat, Mar 7, 2020 at 6:39 PM Torsten Hämmerle
wrote:
> Mark Mathias-2 wrote
> > The 2.20.0 version is listed in Frescobaldi's preferences with a correct
> > full path, but there is a red "no go" symbol to the left of the l
I'm including blocks of text within a \book of many short duets. How do I
align text with the right margin as is done, for example, with the
\composer line?
\version "2.18.2"
%How do I align this with the right margin of the page?
\markup { English translation by anonymous. }
Thank you!
Mark
That's the ticket! Once again, thank you one and all: David, Thomas, Harm
and Martin. You guys are amazing and greatly appreciated!
Mark
On Thu, Oct 20, 2016 at 8:39 AM, Thomas Morley <thomasmorle...@gmail.com>
wrote:
> 2016-10-20 14:08 GMT+02:00 David Kastrup <d...@gnu.org>:
&
nger "↓2" } f^\markup { \finger "↓1" } a^3
}
Thank you!
Mark Mathias
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0-11 6:26 GMT+02:00 Mark Mathias <d8val...@gmail.com>:
> > LilyPond Friends,
> >
> > The manuals explain how to hide tuplet numbers, but nowhere could I find
> an
> > explanation of how to turn them back on. After many experiments, I
> finally
> > found an
LilyPond Friends,
The manuals explain how to hide tuplet numbers, but nowhere could I find an
explanation of how to turn them back on. After many experiments, I finally
found an easy way to control turning on tuplet numbers after turning them
off. The secret was to enclose within curly brackets
on
page two, and I think your original looks best so far.
Keep up the good work!
Mark Mathias
On Thu, Apr 17, 2014 at 10:33 PM, Ryan McClure ryanmichaelmccl...@gmail.com
wrote:
Hey Tim,
Here is an updated version where I did 10 on each page. Look at the
penultimate line on the last page
I also used to be managing editor of a music publisher in the days when
engraving was done with a re-built Olympia typewriter and hand-drawn slurs.
I would like to nominate this as the single most insane sentence to be
posted
on this mailing list all week. Perhaps all month.
@James: If you are
The Musicwriter was it! Very cool site, thanks!
Mark
On Fri, Apr 18, 2014 at 3:50 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Music engraving with a typewriter? Does anyone have a photo of this?
I'm really intrigued!
http://www.musicprintinghistory.org/music-typewriters.html
May I please have some help aligning the parenthesized chords so that the
letter names align vertically with the unparenthesized chords below them?
Thank you!
Mark
\version 2.18.0
#(define (parenthesis-ignatzek-chord-names in-pitches bass inversion
context)
(markup #:line ((
Perfect! Thank you, Pierre!
Mark
On Fri, Mar 28, 2014 at 4:53 AM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
2014-03-28 8:07 GMT+01:00 Mark Mathias d8val...@gmail.com:
May I please have some help aligning the parenthesized chords so that the
letter names align
No doubt I've missed it, but I cannot find a place in the manuals helping
me to alternate left and right margin widths to accomodate inserting a
printed copy into a 3-hole punched notebook.
Thanks!
Mark
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This doesn't look right:
\version 2.18.0
%Fingering collides with bracket.
\relative {
\[ b4^2 c^3 \]
}
This is an improvement:
\version 2.18.0
%Fingering is above the bracket.
\relative {
\[ b^\markup \finger 2 c^\markup \finger 3 \]
}
Would someone please help me position the
, Mar 8, 2014 at 7:06 AM, Thomas Morley thomasmorle...@gmail.comwrote:
2014-03-08 12:51 GMT+01:00 Mark Mathias d8val...@gmail.com:
This doesn't look right:
\version 2.18.0
%Fingering collides with bracket.
\relative {
\[ b4^2 c^3 \]
}
[...]
Would someone please help me
The manual shows how to show bar numbers on every bar:
http://www.lilypond.org/doc/v2.17/Documentation/notation/bars#bar-numbers.
This works when the code is pasted into a new lilypond file, but I must
still not understand something pretty fundamental about LilyPond because no
matter where I've
Thank you from me as well!
Mark
On Sat, Aug 25, 2012 at 2:10 PM, Jay Hamilton i...@soundand.com wrote:
THis is s great, thank you very much.
Jay
On Sat, Aug 25, 2012 at 9:00 AM, lilypond-user-requ...@gnu.org wrote:
Re: 2.16.0 PDF portfolio of documentation
--
Jay Hamilton Sound
james,
I've forwarded this to the Bug Squad (so they know) and will add it to the
Issues Tracker. Thanks!
Mark
On Sat, Aug 25, 2012 at 4:19 PM, james james.lilyp...@googlemail.comwrote:
Section 1.1.4 of the Learning Manual has version 2.14.2 instead of 2.16.0.
It's not a big problem, and it's
Added to the tracker as
2777:
http://code.google.com/p/lilypond/issues/detail?id=2777thanks=2777ts=1345947348
On Sat, Aug 25, 2012 at 10:11 PM, Mark Mathias d8val...@gmail.com wrote:
james,
I've forwarded this to the Bug Squad (so they know) and will add it to the
Issues Tracker. Thanks!
Mark
Eluze,
I forgot to make sure that the lilypond-user list was in the To field
when I replied as follows:
Fabio,
Try \stemUp or \stemDown. In English, the beam is the horizontal line, so
you want to tell the stem (vertical) to move and the beam will follow.
Best Wishes from a fellow bass player!
Arnold,
Thanks for taking the time with the detailed explanation!
Mark
On Wed, Aug 22, 2012 at 6:36 AM, ArnoldTheresius
arnold.we...@siemens.comwrote:
Well, I'm using multiple versions of Lilypond on my Win7/64 Machine without
Frescobaldi - but I'm compiling with command line only.
The first
Ahh, of course! I had forgotten that one!
Thanks!
Mark
On Thu, Aug 23, 2012 at 6:03 PM, Pavel Roskin pro...@gnu.org wrote:
On Thu, 23 Aug 2012 17:43:40 -0400
Mark Mathias d8val...@gmail.com wrote:
Eluze,
I forgot to make sure that the lilypond-user list was in the To
field when I
The Wikipedia article on Frescobaldi says that it will work with more than
one version of LilyPond installed. How do I install more than one version
under Windows7? Is there something special needed in Frescobaldi as well to
make it call the version with which I'm working?
Thanks!
Mark
It's not clear to me what response is needed from the bug squad on this at
this point. Colin, I'm passing the buck...
Mark
On Mon, Jun 25, 2012 at 4:35 AM, David Kastrup d...@gnu.org wrote:
Colin Hall colingh...@gmail.com writes:
On Mon, Jun 25, 2012 at 07:15:53AM +0200, David Kastrup wrote:
Gentlemen,
I enjoyed reading your exchange. I share your gratitude for the LilyPond
community which is why I decided to join the Bug Squad on a trial basis
several months ago, and, when I am able, to contribute financially to one
of the developers. Part of my frustration with Finale over many
Dr. Chubb,
Your comment that an appoggiatura should only be one note seems to disagree
with the LilyPond documentation:
http://lilypond.org/doc/v2.15/Documentation/music-glossary/appoggiatura
From my point of view on the Bug Squad, this doesn't appear to be a bug
unless perhaps someone feels
So... as far as the Bug Squad is concerned, are we still waiting for
something or does this need to get added to the tracker?
Thanks,
Mark
On Fri, Apr 20, 2012 at 1:52 AM, m...@apollinemike.com
m...@apollinemike.com wrote:
On Apr 20, 2012, at 7:40 AM, James wrote:
Hello,
On 20 April
I'm a bass player who studied with Larry Hurst in the early 70s and
a public school string teacher, so I've seen a lot of notation, but never
what you are describing. The snap pizzicato has the line drawn vertically
through the top of the circle only and the thumb symbol (a fingering
indication
I would like to place the Instrument Name on the first page only in the
position occupied by the oddHeaderMarkup. LilyPond's convention for the
Instrument Name is to place it below the Title. This may be standard for
professional-level music, but educational orchestra music normally places
the
!
Best Wishes,
Mark
On Wed, Apr 4, 2012 at 9:57 AM, Thomas Morley thomasmorle...@googlemail.com
wrote:
Am 4. April 2012 15:20 schrieb Mark Mathias d8val...@gmail.com:
I would like to place the Instrument Name on the first page only in the
position occupied by the oddHeaderMarkup. LilyPond's
Putting an upbow above a fermata seems right to me, but the program
automatically puts the fermata on top. I've read the manuals until I'm blue
in the face, experimented numerous times, and still can't figure out how to
change it. Help will be greatly appreciated.
\relative c' { f2\fermata\upbow
Kieren,
Thank you! It wasn't that I couldn't find the material. In fact, I'd read
it several times, but (as is often the case for me with LilyPond) I still
have a lot to learn about how to assemble just the right pieces of
information in just the right order or syntax or grammar or whatever it is
(1) Try altering your TBk variable to not include the tied whole note, then
add the whole note to one Voice and add a space instead of a whole note to
the other Voice.
(2) Someone else will have to help you with your second question.
May I suggest that you carve your sample down to a Very Tiny
Sorry, meant to include this:
%{TB65-66%} ef4~ ef16 f16) g8 f4. af8 | %new TBk doesn't have the whole
note.
\new Voice = Tenor {
\voiceOne { \TTj \TBk g1~ | g1 } }
\new Voice = Bass {
\voiceTwo { \BBj \TBk s1~ | s1 } }
On Wed, Apr 4, 2012 at 1:29 AM, Mark Mathias d8val...@gmail.com wrote
Why do Bar Lines disappear when reducing the Staff Line count? I've tried
several alterations to the layout context for score, but don't get the
right results.
\version 2.15.33
\relative c'' {
\override Staff . StaffSymbol #'line-count = #1
b4 s r r
b b8 b b b s4
b s s s
}
Thanks!
Mark
Kieren,
Fantastic!
Thank you!
Mark
(Forgot to copy to the list first time...)
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Once again, thank you, to both of you! I learned TWO new things today!
Mark
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I appreciate Xavier's suggestion that I move to 2.15. I have not used
development versions of Lilypond because of the warning, If you have the
slightest doubt... Well, as a non-programmer with a great deal to learn, I
have a lot of doubt! :-) I notice that 2.16 is close to release, so I will
take
I really thought I understood the basic rules of note entry, but this has
surprised me:
\version 2.15.25
\relative c' { \repeat unfold 2 { d4^\markup \italic pizz. fis a b |
c b a fis | }
\transpose c f { d^\markup \italic pizz. fis a b |
c b a fis | }
}
Why does the c (transposed to f)
Thanks! This is a great suggestion! I'll try it.
Mark
On Mon, Feb 20, 2012 at 2:13 PM, James Worlton jworl...@gmail.com wrote:
On Feb 20, 2012, at 9:40 AM, Mark Mathias wrote:
Finally, since 2.14, LilyPondTool no longer works as it did and I haven't
seen anything from Mr. Fodor about
Ahhh! (lightbulb) Thank you!
Mark
On Feb 20, 2012 3:08 PM, James Worlton jworl...@gmail.com wrote:
On Feb 20, 2012, at 2:01 PM, Mark Mathias wrote:
I think I understand that part, but why, in this outlined blues bass
line, does output of the transposed version suddenly skip a major 7th
Scheuer x.sche...@gmail.com; Mark Mathias
markpmath...@gmail.com
Cc: lilypond-user@gnu.org
Sent: Saturday, February 18, 2012 10:51 AM
Subject: Re: Leading Barline with Staff Size Increase
- Original Message - From: Xavier Scheuer x.sche...@gmail.com
To: Mark Mathias markpmath
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