Re: Line break ruin's tie

Andrew Bernard wrote: > > Only very quickly sketched, and rather deficient, but a more 'normal' voice > arrangement system, and the tie to the f sharp is clear. When I compiled your snippet, the exact same issue was present: the tie to the F-sharp is not clear at all.

Re: Line break ruin's tie

Andrew Bernard wrote: > > Why don't you just create the three voices and notate inside > each one continuously? Because this music constantly goes back and forth between homophonic chords and contrapuntal voices. This is one of the few places in the 150_ measures that

Re: Line break ruin's tie

Hi Ivan Only very quickly sketched, and rather deficient, but a more 'normal' voice arrangement system, and the tie to the f sharp is clear. You can adjust this a thousand ways, and you could turn off the accidental at the new line too if you want [with \override

Re: Line break ruin's tie

Hi Ivan, You have a set of voices for one bar, and then another set for the next bar. Somewhat strange. Why don't you just create the three voices and notate inside each one continuously? keeping it simple like this makes work a whole lot easier I find. Andrew

Line break ruin's tie

The two measure snippet of code appended below creates the notation that I want. The Fsharp of measure 1 is very clearly tied to the Fsharp of measure 2. However, when I use these two measures in my actual score, lilypond happens to puts a line break between those two measures, and the notation