Michael == Michael Ellis michael.f.el...@gmail.com writes:
Well, in this case you don't have any conflicting music in the two
Voice contexts (because the \structure isn't a printed music
voice). So you can simply leave out the \voiceXXX commands and
you're ready.
What's more, is there
On Sun, Nov 23, 2014 at 4:46 PM, pe...@chubb.wattle.id.au wrote:
What's more, is there a reason to have the structure in a different
voice?
Good question. For me, it's mostly about the DRY principle (don't repeat
yourself). I'm in the process of writing a program that tries to maximize
Michael == Michael Ellis michael.f.el...@gmail.com writes:
Michael On Sun, Nov 23, 2014 at 4:46 PM, pe...@chubb.wattle.id.au
Michael wrote:
What's more, is there a reason to have the structure in a different
voice?
Michael Good question. For me, it's mostly about the DRY principle
Michael
On Sun, Nov 23, 2014 at 10:33 PM, Peter Chubb pe...@chubb.wattle.id.au
wrote:
My point I think is that the structure is the structure of the voice,
not the structure of the staff. Which is why, BTW, the MIDI repeats
don't unfold.
Visibly the structure voice shows the repeats, but the
On Wed, Nov 19, 2014 at 10:54 AM, Michael Ellis michael.f.el...@gmail.com
wrote:
I find it advantageous when working with multiple voices to keep
'structural' information (meter, tempo, etc.) in a separate voice that gets
combined with the other voices as illustrated in the image and code
Am 22.11.2014 17:12, schrieb Michael Ellis:
I have another question that's somewhat related. If my example
contained notes above the middle line, you would notice that the stem
directions would still be up because I designated \music as \voiceOne
and \structure as \VoiceTwo.
music =
On Sat, Nov 22, 2014 at 11:16 AM, Urs Liska u...@openlilylib.org wrote:
Well, in this case you don't have any conflicting music in the two Voice
contexts (because the \structure isn't a printed music voice).
So you can simply leave out the \voiceXXX commands and you're ready.
using
I find it advantageous when working with multiple voices to keep
'structural' information (meter, tempo, etc.) in a separate voice that gets
combined with the other voices as illustrated in the image and code below.
In this example, the pdf layout is correct and the MIDI output honors the
tempo
