> Reading the rhythm would be easier if you replaced two of the dotted
> quarter notes with an eighth note tied to the following quarter note.
Yes, that's a great suggestion too and in fact I had already been
considering that very modification.
Thanks,
Andy
Hi Andy,
Aaron has already answered your question, but I'd like to suggest one more
adjustment. Reading the rhythm would be easier if you replaced two of the
dotted quarter notes with an eighth note tied to the following quarter note.
Here is the modified code:
\version "2.18.2"
\paper {
Il giorno dom 25 feb 2024 alle ore 22:35 Xavier Scheuer
ha scritto:
> Add this before the \cueClef (I only moved the cue-clef after staff-bar):
Thanks. It says this -- but it works:
programming error: No spacing entry from BarLine to `cue-clef'
continuing, cross fingers
Just in case I need
On Mon, 26 Feb 2024 at 22:13, Gerardo Ballabio
wrote:
>
> Thanks. It says this -- but it works:
>
> programming error: No spacing entry from BarLine to `cue-clef'
> continuing, cross fingers
Ah yes, I hadn't paid attention to that. In that case, let's add a spacing
entry between BarLine and
On 26/02/2024 02:04, Garrett Fitzgerald wrote:
I see this has been raised before, and is intentional behavior, but I
just wanted to be clear. When typesetting band marches, I have a
\rehearsalMarks definition that includes double bars as needed. I
define all the parts in a single file (for
