Don Blaheta [EMAIL PROTECTED] writes:
Is it possible that when configuring lilypond you don't require the
super-duper latest version of all the libraries unless there's actually
some feature there that you need?
I don't think so.
Which certainly sets an awfully high bar for contributing to
Why, when I specify something like 'a:sus' in chordmode, and have lilypond
print the chords, it only prints 'A' instead of 'Asus'? Is there a simple way
to get lily to actually print the 'sus' on the page?
David Wynn
[EMAIL PROTECTED]
___
Why isn't this the default?
Would it be possible to add those rules to auto-beam.scm?
Frédéric
Mats Bengtsson wrote:
A better solution is to tell LilyPond to automatically beam the
triplets this way, see 8.6.2 Setting automatic beam behavior for
more details. For Jutta's example, just add
Hi.
2) I've noticed lyrics misalignments before, but they seem worse
recently; this piece is a good example. Actually, as I look at it I
think the lyrics syllables are horizontally centred with each other, but
left-aligned with the note head. That's not how I thought it was
supposed
On Thursday 08 December 2005 09:14 am, Simon wrote:
Hi,
I'm a beginner at lilypond and I am getting confused trying to do
something
which seems to be a very natural and frequently occuring task to me,
but for
which I cannot find proper documentation and/or examples on the web
and in the
Title: Ossia up?
The ly file below creates a single bar (ossia) below the main staff line. How to position it above?
- Bruce
\version 2.4.6
\score {
\relative c'' {
| e1
{ d } \context Ossia { b }
| e
} %end relative
\layout {
Hi,
I just downloaded lilypond for windows,
it takes about 15sec to launch, and then displays quick dos window that closes
immediatly.
But it works !).
So I tried the cygwin version, and it is much quicker, and the script lily-wins opens the
pdf automatically which is great.
Unfortunately,
On Sunday 11 December 2005 07.33, Don Blaheta wrote:
It all started with wanting to just move over a few pieces of text, but
finally I sat down and worked my way through the labyrinth of figuring
out how the system works. The problem is that there are a lot of
high-level concepts, like grob
Erik Sandberg wrote:
Each syntactic thing you can do for actual music entry---i.e. most of
what you type inside \score other than managing contexts---is
interpreted as a musical expression, much as 3+4 might be interpreted as
a mathematical expression. As each expression is read in, it is
I'm having trouble placing the coda symbol. The
closest I've come to what I want is reproduced below.
g2 c,2 | \mark \markup { \small \musicglyph
#scripts.coda } % mark jump point
r8 g'8 af8[ g8] ef4 d4 |
c1~ |
c1
\once \override Score.RehearsalMark
have you tried overriding with #'padding instead of #'extra-offset?
josiah
On Sun, 11 Dec 2005, Kenneth Teh wrote:
I'm having trouble placing the coda symbol. The
closest I've come to what I want is reproduced below.
g2 c,2 | \mark \markup { \small \musicglyph
#scripts.coda } %
I have already sent a font problem with lilypond on cygwin (2.6.4) but
nobody could answer: on cygwin, by default, the font is sans serif and
not roman. If I apply what's in the doc to be roman, then \italic does
not work anymore.
There is also the problem you mention: on cygwin, the version
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